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Introduction:
Dance of Shiva is an insight into the Nataraja posture of Lord Shiva who is considered
as the King of Dancers in Indian Culture. Coomaraswamy says that the dance of Shiva is the
cosmic representation of all forms of energy and movements in nature and cosmos.
Anand Kentish Coomaraswamy (1877-1947) was one of the great art historians of the
Visual art
Aesthetics
Folklore
Mythology
Religion and
Metaphysics
comparative religious thought. In 1906 Coomaraswamy founded “The Ceylon Social Reform
Society” ; addressed itself to the preservation and revival of not only of traditional arts and
crafts but also of social values and customs which had helped to shape them.
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In India Coomaraswamy formed a close relationship with Tagore family and was
involved in both Literary Renaissance and Swadeshi Movement. All the while he was in
subcontinent he was:
Lecturing and
Analysis
The story of Shiva who dances and tamers the tiger and wear its skin as if it is silk
cloth, wears the serpent as if it is a garland, and defeated the malignant dwarf , Muyalaka and
continued to dance is being retold by Coomaraswamy. This dance of Shiva is the motif of the
According to the latest subatomic research the interaction of subatomic particles gives
rise to the stable structures, which build-up the material world, which again do not remain
static but oscillate in rhythmic movements. Modern Physics has therefore shown as that the
whole3 universe is thus engaged in endless motion and activity in a continual cosmic dance
of energy.
The metaphor of cosmic dance has found its most profound and beautiful expression in
According to the Hindu belief, life is a part of a great rhythmic process of creation and
destruction, of death and rebirth. Shiva‟s dance symbolizes this eternal life-death rhythm
which goes on endless cycles. Coomaraswamy says, “In the fullness of time, still dancing. He
destroys all forms and names by fire and gives new rest. This is poetry, but none the less
science.”
The dance if Shiva symbolizes not only the cosmic cycles of creation and destruction,
but also the daily rhythm which is seen in Indian mysticism as basis of all existence. At the
same time Shiva reminds us that the manifold forms in the world are Maya- not fundamental,
but illusory and ever-changing – as it keeps creating and dissolving them in the ceaseless
For modern physicists, Shiva‟s dance is the dance of subatomic matter. The metaphor
of the cosmic dance thus unifies ancient mythology, religious art and modern physics. Dance,
whether cosmic dance of Shiva or human dance, if we understand them righty, we see they
lead to freedom. Shiva‟s dance lies in his own nature, all his gestures are his own,
spontaneous and purposeless- for his being is beyond the realm of purposes.
Dance of Shiva is identified with the Panchakshara or five syllables of the prayer Si-
Conclusion
Coomaraswamy points out that, the eternal significance of Shiva‟s dance is threefold:
Firstly: It is the image of his rhythmic play as the source of all movements within the
cosmos.
Secondly: The purpose of his dance is to release the countless souls of men from the
snare of illusion.
Thirdly: The place of dance, Chidambaram, the centre of Universe, is within the heart.
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