Paso Om170 Dma-2015 Dma-2030 Dma-2060 Dma-2120 Digital Music Amplifier 2005 Installation SM

® Manual
Series DMA
Integrated Amplifiers
OM 170
PROFESSIONAL AUDIO & SOUND
Installation Manual
and Operating Instructions
Digital Music Amplifiers

4 Channel - 2 Zone - VOX - Mute -
MOH - Phone Interface
DMA 2015 - 15 Watt RMS

IMPORTANT NOTE: THIS OPERATING MANUAL IS PROVIDED AS AN INSTALLATION AND
AS AN OPERATING AID. PASO SOUND PRODUCTS, INC. DOES NOT ASSUME ANY
RESPONSIBILITY AS TO ITS ACCURACY AND SHALL NOT BE LIABLE IN TORT OR CON-
TRACT FOR ANY DIRECT CONSEQUENTIAL OR INCIDENTAL LOSS OR DAMAGE ARISING
FROM THE INSTALLATION, USE OR INABILITY TO USE THIS PRODUCT.
LISTED
TO REDUCE THE RISK OF FIRE OR ELECTRIC COMMERCIAL
AUDIO
EQUIPMENT
CAUTION ! SHOCK DO NOT EXPOSE THIS APPLIANCE TO 30TJ
WATER, RAIN OR MOISTURE
Innovation through technology since 1931

© copyright Paso Sound Products, Inc. 2005 Specifications are subject to change without notice REV. 1.5
®

DIGITAL MUSIC AMPLIFIERS
DESCRIPTION AND APPLICATIONS SPECIFICATIONS
POWER OUTPUT: DMA2015 15 Watt RMS
❑ High Performance - High Reliability Design DMA2030 30 Watt RMS
❑ Wide Frequency Response - Very Low Distortion DMA2060 60 Watt RMS
❑ 4 Channel Inputs - 2 Zone Outputs DMA2120 120 Watt RMS

Distortion: 0.01% THD at 1 kHz rated power
❑ Up to 3 Balanced Microphone Inputs Frequency Response: 20 hz - 30 Khz ± 2 dB
❑ Phantom Power on all MIC Inputs Inputs:
Input 1 MIC Electronically Balanced,
❑ MIC 2/AUX 1 and MIC 3/AUX 2 Inputs Transformer Balanced with MT250 (optional)
With Stereo Summing Input 2 Telephone Transformer Balanced
Input 3 MIC Electronically Balanced - AUX 1 (Stereo Sum.)
❑ AUX1 and AUX2 Inputs Attenuator Input 4 MIC Electronically Balanced - AUX 2 (Stereo Sum.)
❑ 600 ohm Transformer Balanced Sensitivity & Z:
Telephone Paging Input Input 1 Mic 1 = 1.5 Mv - 250 ohm
Input 2 Tel=100 Mv - 600 ohm - Transformer Balanced
❑ MIX Buss and 600 ohm Line Output Input 3 Mic 3 = 1.5 Mv - 250 ohm - AUX 1 = 100 Mv - 47K
❑ Independent Input Controls ohm
❑ AUX1 Remote Volume Controls Input 4 Mic 4 = 1.5 Mv - 250 ohm - AUX 2 = 100 Mv - 47K
ohm
❑ External EQ Link Input Attenuator: AUX 1 and AUX 2
❑ Tone by-pass and EQ Link switches Phantom Power: All Microphone Inputs by internal jumper (18 V)
❑ Addressable VOX Buss Hum & Noise: Mic -70 db, Aux -75 db 600 ohm Transformer bal-
anced
Voice Activated Muting Telephone Paging Input:
❑ VOX Variable Time Delay Function EQ LINK: Preamp. out, Power Amp in with EQ Link Switch
Line Outputs: Line Out 600 ohm - 1.5 V loaded
❑ Addressable MUTE Buss
Inputs/Outputs: MIX BUSS
❑ Direct Muting and Unmuting Music on Hold Output: 600 ohm-1 Volt Transformer Balanced
❑ 600 ohm and 8 ohm 2 Watt Max. Zone 2 Output: 2 Watt Max. - 8 ohm with Control
Main Output Impedance: 8 ohm, 25 Volt and 70 Volt line
Music on Hold Amplifier
❑ MOH Amplifier Source Selector Controls:
Front Panel: Input 1 Volume, Input 2 Volume, Input 3 Volume,
❑ Zone 2, 2 Watt - 8 ohm Output Input 4 Volume, Bass and Treble
with Separate Control Rear Panel: AUX 1 Attenuator - AUX 2 Attenuator, VOX Sensitivity
❑ 24 V DC 250 mA Regulated Power Supply Output MOH/ZONE 1 Level Control - ZONE 2 Level Control
- VOX Sensitivity - MUTE Delay
❑ 8 ohm, 25 Volt & 70 Volt Output Tone Controls: Bass and Treble ± 10 dB at 100 hZ and 10 KHz
❑ Optional 19” Rack Mounting with Kit Tone By-Pass: On - Off Switch Rear Panel
❑ Low profile - 2-Unit of Vertical Rack space Remote Volume Control: INPUT 3 - AUX 1 Input Volume
MOH Source Selecti: AUX 1 and AUX 2
❑ UL 6500 Listed (US - CANADA) Zone 2 Source Select: AUX 1 and AUX 2
VOX BUSS: Available on all Inputs by internal Jumper
MUTE BUSS: Available on all Inputs by internal Jumper
UNPACKING MUTE DELAY: Adjustable from 3 Sec to 60 Sec (rear panel control)
Direct Muting: External Contact Closure
Immediately upon receipt of the amplifier, inspect the unit Unmuting: MUTES/UNMUTES MIC 1 only
and shipping container for indications of improper handling Power Supply Output: 24 V DC - 250 mA Regulated
Rack Mounting: Optional 19” Rack Kit
or in transit damage. The equipment was carefully inspect- Internal Cooling Fan: Thermally Controlled - Models DMA2060, DMA2120
ed and tested before leaving the factory. Notify the Protection: Power Surge, Overload and Thermal Protection
Power Requirement: 117 Volt, 50-60 hZ
Transportation Company immediately if any damage is Power Consumption: DMA2015 = AC = 570 VA - DMA2030 = 600 VA
found. ONLY THE CONSIGNEE CAN FILE A CLAIM WITH DMA2060 = 670VA - DMA2120 = 850VA Max.
THE CARRIER FOR DAMAGE DURING SHIPMENT. Be AC Accessory Outlet: 117 v - 500 W Max. Unswitched
Terminations: Screw Terminals, RCA Jacks
sure to save the carton and packing material as evidence of Housing Finish: Black
damage for the shipper inspection. DO NOT SHIP the unit Output Power Indicator: Multi-color LED Signal and Clip
Dimensions: 10.75” W., 11” D., 4” H. with feet (274X280X102 mm)
back to the factory unless authorized by the factory. 3.5” H (89 mm). less feet
Net Weight: DMA2015 = 9.8 Lbs (4.5 Kg)
IN TRANSIT DAMAGES ARE NOT COVERED BY THE - DMA2030 = 11.75 Lbs (5.4 Kg)
DMA2060 = 12.5 Lbs (5.7 Kg)
PASO WARRANTY. - DMA2120 = 14.25 Lbs (6.5 Kg)
PAGE 2 © copyright Paso Sound Products, Inc. 2005 Specifications are subject to change without notice DMA2015/2030/2060/2120
®

IMPORTANT SAFETY INSTRUCTIONS

READ BEFORE OPERATING READ BEFORE OPERATING
BEFORE OPERATING THE AMPLIFIER, BE SURE YOU outlet, consult an electrician for replacement of the
FULLY UNDERSTAND ALL INSTRUCTIONS AND FEA- obsolete outlet.
TURES OF THE UNIT. 12) Use only the attachments and accessories speci-
fied in this manual.
1) Read these instructions carefully.
13) If a cart is used, use caution when moving the
2) Keep these instructions.
3) Heed all Warnings. cart/apparatus combination to avoid injury from tip-
4) Follow all instructions. over.
5) DO NOT use this apparatus near water. 14) Unplug this apparatus during lighting storms or
6) Clean ONLY with a damp cloth. when unused for long periods of time.
7) DO NOT block any of the ventilation openings. 15) Refer all servicing to qualified service personnel.
Install in accordance with the instructions provided. Servicing is required when the apparatus has been
8) DO NOT install near any heat sources such as damaged in any way, such as power supply cord or
radiators, stoves, or other apparatus (including ampli- plug is damaged, liquid has been spilled or objects
fiers) that produce heat. have fallen into the apparatus, the apparatus has been
9) DO NOT mount amplifier into a container or a exposed to rain or moisture, does not operate normal-
closed unventilated closet while operating. ly, or has been dropped.
10) DO NOT place any object or accessory equipment
16) DO NOT replace fuses unless power cord is
such as Tuners, Mixers, Cassette Decks, etc. on top of
removed from the AC wall outlet.
the amplifier. Obstructing or closing the cabinet venti-
lation openings may cause overheating. 17) DO NOT install accessories unless the power
11) DO NOT defeat the safety purpose of the polar- cord is removed from the AC wall outlet.
ized or grounding type plug. A polarized plug has two
TO REDUCE THE RISK OF FIRE OR
blades with one wider than the other. A grounding type
plug has two blades and a third grounding prong. The ELECTRIC SHOCK DO NOT EXPOSE
wide blade and or the third prong is provided for your THIS APPLIANCE TO WATER, RAIN OR
safety. When the provided plug does not fit into your MOISTURE
RACK MOUNTING
A) Procure the optional accessory Rack Mount Kit Model 27/3500.
B) Turn amplifier up side down and remove the four rubber feet by unscrewing the four holding screws.
C) Remove the bottom front screws on each side of the amplifier holding the amplifier cover.
D) Install the rack kit brackets by using the self-tapping screws provided.
Fig. 3 - Rack Kit Mounting
DMA
TM
DIGITAL MUSIC AMPLIFIER
PROFESSIONAL AUDIO & SOUND DIGITAL MUSIC SERIES
0 0
0 10 0 10 0 10 0 10 -10 +10 -10 +10
INPUT 1/MIC TEL INPUT 3/AUX 1 INPUT 4/AUX 2 BASS TREBLE POWER
DMA2015/2030/2060/2120 SPECIFICATIONS ARE SUBJECT TO CHANGE WITHOUT NOTICE

PAGE 3
®

Fig. 4 - FRONT PANEL CONTROLS
DMA
TM
0 0
0 10 0 10 0 10 0 10 -10 +10 -10 +10
1 2 3 4 5 6 7
1) INPUT 1 Volume Control 5) BASS Control

2) TEL INPUT Volume Control 6) TREBLE Control
3) INPUT 3/AUX 1 Volume Control 7) On-Off Power Switch
4) INPUT 4/AUX 2 Volume Control
PAGE 4 SPECIFICATIONS ARE SUBJECT TO CHANGE WITHOUT NOTICE DMA2015/2030/2060/2120

®

Fig. 5- REAR PANEL INPUTS - OUTPUTS - CONTROLS
6
7 10
3 13
5 8 12
1 9 11
4
AUX 2 AUX 1
24 V DC 47 Kohm 250 mV 47 Kohm 250 mV
8 OHM 250 MA INPUT 4 (MIC-AUX2) INPUT 3 (MIC-AUX1) INPUT 1 (MIC)
2 Watt Max.
- + INPUT 1 MAY BE
TRANSFORMER
BALANCED
WITH OPTIONAL
DMA2015 MODEL MT250
15W RMS
VOX MUTE
SENS DELAY (AUX 1) (AUX 2)
3 - 60 SEC ATTENUATOR ATTENUATOR
INPUT 3 INPUT 4
SP
DMA2015 Rear Panel

27 26 Manual
23 19
24 14
28 22 18 17 16 15
25 21 20
1) MOH - Output Level Control 15) INPUT 4 - AUX 2 - Stereo Summing Jacks
2) Unswitched AC Auxiliary Socket 16) INPUT 3 - AUX 1 - Stereo Summing Jacks
3) 1 MOH - 600 ohm, 1 Volt Output 17) INPUT 3 - AUX 1 Input Attenuator
4) Zone 1 - 8 ohm, 2 Watt Max. Output 18) TONE BYPASS - ON/OFF SWITCH
5) MUTE Terminal 19) MIX BUSS
6) MIC 1 UNMUTE Terminal 20) LINE OUT 600 Ohm
7) 24 Volt DC Regulated Power Supply Output 21) EQ LINK - PREAMP. OUT/POWER AMP IN
8) ZONE 1 - Output Level Control 22) Standard Module Port
9) INPUT 4 - AUX 2 Balanced Input 23) MUTE Time Delay Control
10) INPUT 3 Remote Volume Terminals 24) VOX Sensitivity Control
11) INPUT # _ AUX ! Balanced Input 25) Speaker Output Terminals
12) TELEPHONE Paging Balanced Input 600 Ohm 26) AC LIne Fuse
13) INPUT 1 - MIC 1 Balanced Input 27) Chassis Ground
14) INPUT 4 - AUX 2 Input Attenuator 28) AC Power Cord
DMA2015/2030/2060/2120 SPECIFICATIONS ARE SUBJECT TO CHANGE WITHOUT NOTICE PAGE 5

Fig. 6 - MAIN AND PREAMPLIFIER BOARD TOP VIEW
PAGE 6
INPUT 3
MIC AUX1
SELECTOR
S109
MOH - ZONE 1 MIC AUX1
AUX1 AUX2
SELECTOR
S107 INPUT3 MIC 1 INPUT1
AUX1 AUX2 OFF VOX1 UNMUTE PHANTOM XFMER
PHANTOM
POWER POWER DIRECT SWITCH
S110 S115 INPUT 4
INPUT 3 INPUT1 MIC AUX2 MIC 4 MIC 3
OFF V1 OFF VOX1 ON OFF INPUT 1 S105
OFF MUTE1 OFF MUTE1 SWITCH XFMER DIRECT
S102 S103
DMA COMPACT S112 S114 S113 S101 ON OFF ON OFF
OFF M1 OFF V1 OFF M1 MIC AUX2
PRE BOARD PHANTOM
POWER
MIC 1
S104
®
ON OFF
MIC
S109
(INPUT 3)
AUX1 INPUT 1
S107 AUX 2
TRANSFORMER
(MOH)
SWITCH
S110
S115
AUX1
OFF V1
ON OFF
(INPUT 3) UNMUTE (INPUT 4) (INPUT 4)
M1
(INPUT 1)
S108
S112
PHANTOM XFMER
OFF V1
OFF V1
OFF M1
(INPUT 3)
OFF M1
OFF
AUX 2 MIC
S111
S105
S114
S113
(INPUT 1)
(INPUT 1)
DIRECT
S101
PHANTOM
S102 OFF ON
S103
(MIC 4)
(MIC 3) OFF ON
(INPUT 4)
S104 OFF ON
(MIC 1)
MOH 600 OHM ZONE 1 8 OHM MUTE UNMUTE 24 VDC 250 MA AUX 2 INPUT 4 INPUT 3 AUX 1 INPUT 3 TEL PAGING INPUT 1 MIC
AMPLIFIER REAR PANEL REMOTE
VOLUME
TOP PRINTED CIRCUIT BOARD
OPTIONAL OPTIONAL OPTIONAL
TEL EQ CARD CHIME CARD MIC TRANSFORMER
TEL
OFF VOX1 OFF MUTE1 SOCKET
SOCKET SOCKET
S203 S204
OFF V1 OFF M1 T 202
CN 210 CN 209
CN210
EQ MODULE OUTPUT
CN209
TEL
TEL
CHIME MODULE
SPECIFICATIONS ARE SUBJECT TO CHANGE WITHOUT NOTICE

OFF V1
FUNCTION SWITCHES AND JUMPERS LOCATION
OFF M1
S203
S204
INPUT
MIC INPUT
TRANSFORMER
MT 250
DMA COMPACT
MAIN BOARD
BOTTOM PRINTED CIRCUIT BOARD

AMPLIFIER REAR PANEL
DMA2015/2030/2060/2120
®

CAUTION ! REMOVAL OF THE AMPLIFIER COVER PRESENTS AN ELECTRICAL SHOCK HAZARD
ALWAYS REMOVE THE POWER CORD FROM THE AC WALL OUTLET
THE FOLLOWING INSTRUCTIONS REQUIRE THE REMOVAL OF THE AMPLIFIER PROTECTIVE COVER AND ARE
PROVIDED FOR USE BY QUALIFIED PERSONNEL ONLY.
TO AVOID THE RISK OF ELECTRICAL SHOCK DO NOT PERFORM ANY INSTALLATION OR SERVICING UNLESS YOU
ARE QUALIFIED TO DO SO. REFER INSTALLATION OR SERVICING TO QUALIFIED PERSONNEL.
FUNCTION SWITCHES AND JUMPERS DEFAULT SETTING TABLE
JUMPER AND JUMPER FUNCTION FACTORY FACTORY

SWITCH ID NO. REFERENCE DESCRIPTION SETTING SETTING
PREAMPLIFIER PCB JUMPERS (Upper Board)
S102 INPUT 4 (MIC 4) PHANTOM POWER ON - OFF OFF

S108 INPUT 4 VOX 1 - OFF OFF

S110 INPUT 3 VOX 1 - OFF OFF
S114 INPUT 1 (MIC 1) VOX 1 - OFF V1
S115 INPUT 1 (MIC 1) UNMUTE ON - OFF OFF
S111 INPUT 4 (AUX 2/MIC) MUTE 1 - OFF M1

S112 INPUT 3 (AUX 1/MIC) MUTE 1 - OFF M1
S113 INPUT 1 (MIC 1) MUTE 1 - OFF OFF
MAIN PCB JUMPERS (Lower Board)
S203 TEL INPUT VOX 1 - OFF V1

S204 TEL INPUT MUTE 1 - OFF OFF
SWITCHES/JUMPERS
S101 INPUT 4 MIC 4 OR AUX 2 SWITCH AUX 2

S105 INPUT 1 XFMER/DIRECT SWITCH DIRECT
S109 INPUT 3 - MIC 3 OR AUX 1 JUMPER AUX 1
MOH/ZONE 1 BOARD JUMPERS
S107 MOH/ZONE 1 INPUT SOURCE AUX 1 - AUX 2 AUX 1
REAR PANEL SWITCHES
S201 EQ LINK Inserts External EQ between INTERNAL

Preamp Out and Power Amp Input
S202 TONE BYPASS Defeats Front Panel Bass & Treble Controls SWITCH OFF

®

FUNCTION SWITCHES AND JUMPERS
UNDERSTANDING THE INPUT FUNCTIONS SETTING THE VOX AND MUTE JUMPERS
JUMPER SETTINGS - The VOX and MUTE Functions are
VOX AND MUTE - The Amplifier provides an independent VOX
SWITCHED-ON or OFF by setting the JUMPERS on the VOX (A)
and MUTE SYSTEM
and MUTE (B) SOCKET. See Fig. 8A.
FUNCTION SOCKETS - EACH INPUT IS PROVIDED WITH A
The SOCKETS are located on the Main PCB inside the Amplifier
VOX (V1) AND A MUTE (M1) SOCKET.
as shown on the SWITCHES and JUMPERS LOCATION DIA-
GRAM in this Manual. Each Socket is identified by an ID NUMBER
INPUTS VOX AND MUTE FUNCTION - All Inputs provide a VOX
and the FUNCTION and DEFAULT settings are listed on the
SEND and a MUTE RECEIVE functions. The VOX and MUTE
FUNCTION SWITCHES and JUMPERS DEFAULT SETTING
functions are SWITCHED-ON, on each Input, by Internal Jumpers
TABLE in this Manual.
provided for each Input. The VOX BUSS SEND (V1) and the MUTE
BUSS RECEIVE (M1) can be independently SWITCHED-ON or
TO SET: Lift the Jumper and reset as required. making sure that
OFF to suit the application requirement.
the JUMPER is properly positioned over the two shorting pins.
V1 The VOX JUMPER has two positions: OFF, and V1

TO VOX BUSS
The MUTE JUMPER has two positions: OFF, and M1
VOX SEND
VOX JUMPERS MUTE JUMPERS

SOCKET SOCKET
SOURCE IN SOCKET
ANY AUDIO OUT S114 S113
ID NO. JUMPER
INPUT
OFF V1 OFF M1
A B
MUTE RECEIVE
M1 Fig. 8A - VOX and MUTE Sockets
DMA Anyinput
FROM MUTE BUSS
IMPORTANT NOTE
Fig. 8 - Any Input VOX and MUTE Functions
The figure below shows how the VOX 1 Logic Switch is switched
ON and the MUTE 1 Logic Switch is SWITCHED-OFF by moving BE SURE NOT TO SET BOTH THE VOX AND
the Jumpers as indicated. When the Input is activated by a Source
signal the corresponding VOX Signal is sent to the V1 BUSS. CORRESPONDING MUTE ON THE SAME
When the VOX 1 is activated by any Input the MUTE Signal is INPUT OR THE INPUT WILL MUTE ITSELF
present on the MUTE 1 BUSS and it will MUTE any Input with the WHEN ACTIVATED.
MUTE M1 turned on.
S114
V1 VOX 2 BUSS ON EXAMPLE: INPUT 1 - V 1 and M 1 BOTH ON.
VOX SEND OFF V1
SOURCE IN AUDIO OUT

JUMPER
ANY
INPUT
MUTE RECEIVE
S113 MUTE 1 BUSS OFF
DMA Anyinput 02
X
M1
OFF M1
Fig. 8B - Any Input VOX 1 activated and MUTE 1 OFF

®

FUNCTION SETTINGS EXAMPLES
EXAMPLE 9 EXAMPLE 9A
VOX - MUTE JUMPERS SETTING
V1
S114 VOX 1 BUSS ON VOX - MUTE JUMPERS SETTING
VOX 1 BUSS
VOX SEND S114 VOX 1 BUSS ON
OFF V1 V1
JUMPER
VOX SEND OFF V1
MIC IN MIC OUT

INPUT 1 JUMPER
VOX 1 BUSS
WHEN MIC 1 IS
ACTIVATED THE VOX 1 MIC IN MIC OUT
BUSS IS SWITCHED-ON INPUT 1
AND THE SIGNAL S113
PRESENT ON THE MUTE 1 BUSS OFF
M1
MUTE 1 BUSS WILL X WHEN MIC1 IS
MUTE INPUT 3/AUX 1 ACTIVATED THE VOX 1
OFF M1
BUSS SWITCHED-ON
MUTE RECEIVE AND THE SIGNAL S113
PRESENT ON THE MUTE 1 BUSS OFF
M1
S110
MUTE 1 BUSS WILL X
MUTE 1 BUSS
OFF VOX 1 BUSS OFF MUTE THE INPUT
V1
3/AUX 1 OFF M1
X
VOX SEND
OFF V1 MUTE RECEIVE
OFF S203 VOX 1 BUSS ON

V1
MUSIC
IN
INPUT 3 MUSIC OUT VOX SEND OFF V1
AUX 1
WHEN MIC 1 IS ACTIVATED
THE VOX 1 BUSS IS
SWITCHED-ON AND THE
SIGNAL PRESENT ON THE
MUTE 1 BUSS WILL MUTE THE S112 MUTE 1 BUSS ON
MUSIC FROM INPUT 3/AUX 1 M1 TEL IN PHONE OUT
OFF M1
TEL INPUT
MUTE RECEIVE
DMA Input 1-3- V1 - 01
WHEN THE TEL
INPUT IS ACTIVATED
THE VOX 1 BUSS IS
EXAMPLE 9B SWITCHED-ON AND
OFF S204
THE SIGNAL MUTE 1 BUSS OFF
PRESENT ON THE M1
VOX - MUTE JUMPERS SETTING X
MUTE 1 BUSS WILL
MUTE INPUT 3/AUX 1 OFF M1
S114 VOX 1 BUSS ON
V1
MUTE RECEIVE
VOX SEND OFF V1
OFF S110 VOX 1 BUSS OFF

V1
JUMPER
X
VOX 1 BUSS
VOX SEND
OFF V1
MIC IN MIC OUT
INPUT 1
MUTE 1 BUSS
WHEN MIC1 IS
ACTIVATED THE VOX 1
BUSS SWITCHED-ON
MUSIC
AND THE SIGNAL S113 IN MUSIC OUT
PRESENT ON THE MUTE 1 BUSS OFF INPUT 3
M1
MUTE 1 BUSS WILL X AUX 1
MUTE THE INPUT
OFF M1
4/AUX 2 WHEN MIC1 OR TEL ARE
MUTE RECEIVE ACTIVATED THE VOX 1
BUSS IS SWITCHED-ON
OFF S110 VOX 1 BUSS ON AND THE SIGNAL PRESENT MUTE 1 BUSS ON
V1 ON THE MUTE 1 BUSS WILL OFF S112
MUTE THE MUSIC FROM M1
VOX SEND OFF V1
INPUT 3/AUX 1
OFF M1
MUTE RECEIVE DMA Input 1-3 -Tel - 01
JUKEBOX
IN JUKEBOX OUT
INPUT 3
AUX 1
EXAMPLES
WHEN INPUT 3/AUX 1 IS
ACTIVATED THE VOX BUSS
IS SWITCHED-ON AND THE
SIGNAL PRESENT ON THE
MUTE BUSS WILL MUTE
EXAMPLE 9 - INPUT 1 (MIC 1) mutes INPUT 3/AUX 1. When the
OFF S112
MUTE 1 BUSS OFF
THE MUSIC FROM INPUT
4/AUX 2 M1
X Microphone is activated the Music on AUX 1 is muted.
OFF M1
MUTE RECEIVE
EXAMPLE 9A - INPUT 1 (MIC 1) and TEL IN (Phone Paging) both
S108
mute INPUT 3/AUX 1. When the Microphone or the Phone Paging
OFF VOX 1 BUSS OFF
V1
X are activated the Music on AUX 1 is muted.
VOX SEND
MUTE- OFF V1
DELAY
3 to 60 Sec EXAMPLE 9B - INPUT 1 (MIC 1) mutes INPUT 3/AUX 1. INPUT 3
MUTE 1 BUSS
23 (Jukebox) mutes INPUT 4 (Satellite Receiver). When the Jukebox is

MUSIC
IN MUSIC OUT turned-On the Background Music on AUX 2 is muted. The
INPUT 4
AUX 2 Microphone Paging when activated will mute the Background Music
WHEN MIC1 OR THE
JUKEBOX ARE ACTIVATED
THE VOX 1 BUSS IS
but not the Jukebox. The MUTE 2 DELAY (Reference 23) Control is
SWITCHED-ON AND THE
SIGNAL PRESENT ON THE OFF S111
MUTE 1 BUSS ON provided to adjust the duration of the MUTE when the Jukebox is
M1
MUTE 1 BUSS WILL MUTE
THE MUSIC FROM INPUT
activated (this effects also the duration of the MUTE when Paging
DMA Input 1- 3 - 4 - 03 OFF M1
from the Microphone.
MUTE RECEIVE

®

INSTALLATION AND WIRING
CAUTION: TO PREVENT POSSIBLE DAMAGE TO SPEAKERS OR THE AMPLIFIER

INPUT 1 - MICROPHONE INPUT ALL INPUT CONNECTIONS MUST BE MADE WITH THE AMPLIFIER POWER OFF.
MICROPHONE TYPE PASO MICROPHONES

The Microphone Input accepts Low Impedance (250-600 ohm) All PASO low impedance Microphones have a balanced output for
Dynamic Microphones. The Microphone may be a balanced output best performance. Connect the RED lead to terminal HOT, the
type (three wire) or an unbalanced output type (two wire). WHITE lead to terminal COM and the SHIELD to terminal G.
THREE LEADS BALANCED MICROPHONE WIRING WIRING
VOX - MUTE JUMPERS SETTING MICROPHONE INPUT

VOX 1 BUSS INPUT 1 - Default Jumper Settings Attach the microphone leads to the ter-
V1
S114 ACTIVATED The Diagram at Left shows the minal strip as per diagrams at left.
OFF V1
Default Settings for INPUT 1.
VOX SEND
VOX 1 is SWITCHED ON DO NOT GROUND THE MICROPHONE
JUMPER = JUMPER
MUTE 1 is SWITCHED OFF CABLE SHIELD TO THE CHASSIS OF
When the INPUT 1 (MIC 1) is THE AMPLIFIER
JUMPER
activated the VOX 1 BUSS is ON
MIC IN AUDIO OUT and it will MUTE any Input with the BALANCED MICROPHONE
INPUT 1 MUTE 1 Setting SWITCHED ON.
IMPORTANT NOTE: The use of an
250ohm 1.5mV unbalanced Microphone (two leads) is
BALANCED
Input 1 - V1 - 01
not recommended. For best results in a
INPUT 1 (MIC)
S113 MUTE 1 BUSS OFF PA Application always use a
MUTE RECEIVE X G COM HOT
OFF M1 Unidirectional Dynamic, Low
Impedance, Balanced Microphone
The microphone leads color refers to Paso Microphones only. (three leads).
When using other brand refer to instructions packed with that
unit. NOTE: To change the
SHIELD UNBALANCED MICROPHONE
INPUT Default Settings
MIC refer to the appropriate Attach the Microphone leads to the ter-
WHITE section in this Manual
Lo Z minal strip as per diagram in Fig 10A.
RED DMA Micbal 01
The cable length should not exceed: 15
Fig. 10 - Balanced Microphone Input 1 Wiring Ft. (4.5 m).
TWO LEADS UNBALANCED MICROPHONE WIRING CABLE

CABLE LENGTH - If the distance
VOX - MUTE JUMPERS SETTING between the Microphone and the
INPUT 1 - Default Jumper Settings
VOX 1 BUSS The Diagram at Left shows the Amplifier Input is greater than 15 ft (4.5
V1
S114 ACTIVATED
Default Settings for INPUT 1. m) a Balanced Microphone must be
OFF V1 VOX 1 is SWITCHED ON used. Use a two conductor shielded wire
VOX SEND
MUTE 1 is SWITCHED OFF and connect Microphone to Amplifier as
= JUMPER
JUMPER
When the INPUT 1 (MIC 1) is

per Diagram in Fig. 10.
JUMPER
and it will MUTE any Input with the MICROPHONE CABLE ROUTING - The
MIC IN AUDIO OUT MUTE 1 Setting SWITCHED ON. Microphone Cable should be carefully
INPUT 1 routed. Improper Cable routing will
250ohm 1.5mV cause spurious oscillations, regenerative
BALANCED
Input 1 - V1 - 01
noises, hum, etc. that may permanently
INPUT 1 (MIC)
damage the Amplifier.
S113 MUTE 1 BUSS OFF G COM HOT
MUTE RECEIVE X z Do not route cable next to power
OFF M1 lines.
z Do not route cable near or over
Fluorescent Fixtures.
NOTE: To change the
SHIELD z Do not route cable next to
INPUT Default Settings
refer to the appropriate Speaker Wires.
MIC
Lo Z section in this Manual z Do not install cable inside Power
HOT LEAD DMA Micunbal 01 Line Conduits.
z Avoid the use of staples that may
Fig. 10A - Unbalanced Microphone Input 1 Wiring penetrate the cable.

®

INPUT 1 - USING A DESK BASE MICROPHONE CAUTION: TO PREVENT POSSIBLE DAMAGE TO SPEAKERS
OR THE AMPLIFIER ALL INPUT CONNECTIONS MUST BE
USING A PUSH-TO-TALK DESK BASE MICROPHONE
Microphone paging and precedence over AUX 1 or AUX 2 channels MADE WITH THE AMPLIFIER POWER OFF.
may be accomplished by using a Desk Base or a Gooseneck
Microphone. Wire the Microphone output leads to the MIC input ter- WIRING
minals as per Fig. 11A.
Wire the Desk Base Microphone leads to the Microphone
MUTING: The Amplifier is equipped with two independent Muting
Circuits: Input terminal strip as per diagram in Fig 11A. Check
Microphone instructions and connect HOT LEAD (B) to
z Direct Muting by shorting the MUTE Terminals Terminal HOT, COMMON LEAD (A) to Terminal COM and
z Automatic Muting with VOX - Voice Activated Muting SHIELD LEAD to Terminal G. Connect Muting Switch to
For additional information on the Muting operation refer Terminals MUTE and G as shown.
to the Muting Functions section of this Manual.
DO NOT GROUND THE MICROPHONE CABLE SHIELD
TO THE CHASSIS OF THE AMPLIFIER
MUTING - PRIORITY SETTINGS

Direct Muting is provided by the Desk Base Muting Switch wired as
per diagram in Fig. 11A. If Auto-Mute (VOX) is desired follow instruc-
tions below. The Desk Base Muting Switch can be omitted.
Push to Talk Key
MUTING INPUT 4/AUX 1 (MUSIC INPUT)

To mute Input 4/AUX 1 (Music Input) when Paging from MIC 1, set INPUT
b50side 4/AUX 2 MUTE 1 JUMPER to ON Position. Each time MIC 1 is activated
the Program on Input 4/AUX 2 is automatically muted by the VOX.
Fig. 11 - Desk Base Microphone
DESK BASE/GOOSENECK MICROPHONE WITH MUTING SWITCH
VOX - MUTE JUMPERS SETTING INPUT 1 - Default Jumper Settings

VOX 1 BUSS The Diagram at Left shows the
S114 ACTIVATED Default Settings for INPUT 1.
V1
VOX 1 is SWITCHED ON
VOX SEND OFF V1 MUTE 1 is SWITCHED OFF
JUMPER = JUMPER When the INPUT 1 (MIC 1) is
and it will MUTE any Input with the
UNMUTE
JUMPER 24V DC
MUTE 1 Setting SWITCHED ON.
MUTE
MIC IN 250 ma
Push to Talk Key
AUDIO OUT G
INPUT 1
250ohm 1.5mV
Input 1 - V1 - 01 BALANCED
INPUT 1 (MIC)
S113 MUTE 1 BUSS OFF
G COM HOT
MUTE RECEIVE X
OFF M1
MUTING SWITCH
Connect Desk Base or Gooseneck NOTE: To change the
Microphone as per diagram below. INPUT Default Settings
SHIELD
Connect Muting Switch to MUTE 1 refer to the appropriate
and G Terminals. If using the VOX section in this Manual
A
system (Voice Activated) the
muting switch is unnecessary. MIC B
DMA Micbase 01
Lo Z
Fig. 11A - Input 1 and Muting Terminals

®

THE FOLLOWING INSTRUCTIONS REQUIRE THE REMOVAL OF THE AMPLIFIER PROTECTIVE COVER AND ARE
PROVIDED FOR USE BY QUALIFIED PERSONNEL ONLY.
TO AVOID THE RISK OF ELECTRICAL SHOCK DO NOT PERFORM ANY INSTALLATION OR SERVICING UNLESS YOU
ARE QUALIFIED TO DO SO. REFER INSTALLATION OR SERVICING TO QUALIFIED PERSONNEL.
INPUT CONNECTIONS
CONDENSER AND ELECTRET MICROPHONES PHANTOM POWER SELECTORS

CONDENSER AND ELECTRET TYPE MICROPHONES PHANTOM POWER SELECTOR JUMPER
Condenser and Electret Microphones require a DC Operating By following the Main Printed Board Layout locate the Selector
Voltage. The Amplifier provides this operating voltage or Phantom Jumpers with the ID No. as indicated on the Table below.
Power selectively on Inputs.1-3-4. Reset the Phantom Power Jumpers for INPUT 1 - 3 or 4 to the ON
position as desired. Lift the Mini Jumper out of the socket pins and
Prior to selecting the Condenser or Electret Microphone be sure re-position to the ON position. Make sure the Jumper is lined up
that the Operating Voltage and Output Impedance of the device with the socket pins.
match the Input characteristics of the Amplifier listed below.
INPUT 4 and 5 CONFIGURED AS MIC INPUTS
If INPUT 4 and INPUT5 need to be configured as Microphone
Phantom Power = 18 Volt DC Inputs, reset the Phantom Power Jumpers as well as the
Input Impedance = 250 to 600 ohm Switches provided for the two Inputs as indicated in the Table
below.
ACCESS TO PHANTOM POWER SELECTORS
1) Remove Power Cord from AC Outlet. WIRING
2) Remove the three screws on each side of the Amplifier. CONDENSER/ELECTRET MICROPHONE
3) Lift Cover and carefully slide Cover out towards the rear. Carefully follow the wiring instruction packed with the Microphone
used. Attach the microphone leads to the terminal strip as per dia-
4) Jumpers are located on the Top Printed Circuit Board. gram per Fig. below.
DO NOT GROUND THE MICROPHONE CABLE SHIELD TO THE
CONFIGURATION TABLES CHASSIS OF THE AMPLIFIER
BALANCED CONDENSER/ELECTRET MICROPHONE WIRING
MIC INPUTS PHANTOM POWER JUMPER SETTING INPUT 3 - 4 SWITCH SETTINGS WHEN INPUT 3 - 4 DEFAULT
WHEN USING ELECTRET MICROPHONES CONFIGURING AS MICROPHONE INPUT SWITCH SETTINGS
INPUT 1 On JUMPER OFF Input Switch No. Setting
Input Switch No. Setting
S104
INPUT 3 S109 MIC 3 INPUT 3 S109 AUX 1
INPUT 3 On JUMPER OFF (When set as MIC 3) INPUT 4 S101 MIC 4 INPUT 4 S101 AUX 2
S103
INPUT 4 On JUMPER OFF (When set as MIC 4)
S102 INPUT 1- 3 - 4 DEFAULT

INPUT 3 (MIC) TEL (PAGING) INPUT 1 (MIC) JUMPER SETTINGS
G COM HOT G COM HOT G COM HOT
Input Jumper No. Setting
INPUT 1 S104 OFF
INPUT 3 S103 OFF
-0 +18V +18V INPUT 4 S102 OFF
SHIELD
MIC HOT LEAD
Lo Z
HOT LEAD DMA2015 Micbal Electret
Fig. 12 - Balanced Condenser/Electret Microphone Wiring - Configuration Tables

®

PAGING FROM THE TELEPHONE SYSTEM
CAUTION: TO PREVENT POSSIBLE DAMAGE TO SPEAKERS OR THE AMPLIFIER ALL INPUT CONNECTIONS MUST BE MADE
WITH THE AMPLIFIER OFF (POWER OFF).
DMA
TM
0 0
TEL
O
0 10 0 10 0 10 0 10 -10 +10 -10 +10
Telephone
DMA Amplifier KSU
Key Service Unit DMA telpagin
Fig. 13 - Connecting to the Telephone Paging KSU

WIRING - The Amplifier is interface ready for the Telephone OUTPUT LEVEL CONTROL - Use TEL OUTPUT LEVEL
line in applications requiring paging from the telephone sys- Control located on the Rear panel. After wiring adjust con-
tem. The Telephone line Paging Output (Tip and Ring) can trol for the desired output level.
be directly connected to the TEL input and to the HOT and
COM as shown in the wiring diagram Fig. 13A VOICE ACTIVATED MUTING (VOX) - Muting of the AUX 1
. - AUX 2 channels (music muting) during Paging is automat-
CABLE - Use a two conductor twisted wire. ic via the Voice Activated Muting System. No contact closure
for the Muting Circuit is required from the Telephone system.
NOTE: The Telephone Paging Input is a Transformer For additional information on the Muting operation refer to
Balanced 600 ohm input. the Muting Functions section of this Manual.
DO NOT GROUND THE TIP OR RING WIRE TO THE PHONE PAGING PRIORITY OVER MICROPHONES -
CHASSIS OF THE AMPLIFIER Priority over any Microphone Input may be accomplished by
setting the MIC Inputs MUTE Jumpers.
TELEPHONE SYSTEM PAGING WIRING
BALANCED TELEPHONE PAGING WIRING
VOX - MUTE JUMPERS SETTING

VOX 1 BUSS
V1
S203 ACTIVATED TEL INPUT - Default Jumper Settings
The Diagram at Left shows the
VOX SEND OFF V1
Default Settings for TEL INPUT.
JUMPER = JUMPER VOX 1 is SWITCHED ON
MUTE 1 is SWITCHED OFF
JUMPER
When the TEL INPUT (PHONE) is
TEL IN
PAGING OUT activated the VOX 1 BUSS is ON
TEL INPUT and it will MUTE any Input with the
MUTE 1 Setting SWITCHED ON.
Input 1 - V1 - 01
TEL
S204 MUTE 1 BUSS OFF G COM HOT
MUTE RECEIVE X
OFF M1 600 ohm 100 mV
BALANCED
Telephone System NOTE: To change the

Paging Output INPUT Default Settings
RING refer to the appropriate
section in this Manual
TIP DMA2015 Telpaging 01
Fig. 13A - Balanced Telephone Input Wiring

®

SETTING INPUT 3 AS AUX 1 INPUT 3/AUX 1 DEFAULT SETTING

JUMPERS/SWITCH NO. FACTORY SETTING
DEFAULT JUMPERS AND SWITCH SETTING S110 - VOX JUMPER = OFF
FACTORY S112 - MUTE JUMPER =M1
S110 VOX 1 BUSS OFF
DEFAULT V1 S109 - AUX1-MIC4 SWITCH = AUX 1
SETTINGS X
OFF V1
S110 = OFF AUX 1
S112 = M 1 INPUT 3 SET AS AUX 1 (Reference. 16)
S109 = AUX 1 WHEN MIC 1 IS The AUX 1 input is provided for high level program source.
ACTIVATED THE VOX 1 The output from a Satellite Receiver, Tuner, Tape Cassette
MUSIC BUSS IS SWITCHED-ON
IN MUSIC OUT AND THE SIGNAL
Deck, CD Player or other high level program source may
INPUT 3 be directly connected to this input.
PRESENT ON THE
AUX 1 MUTE 1 BUSS WILL
MUTE THE MUSIC AUX 1 SENSITIVITY ATTENUATOR (Reference. 17)
AUX 1 - MIC 3 SWITCH FROM INPUT 3/AUX 1
The AUX 1 Input is equipped with a Sensitivity Attenuator
S109 that allows the interface of the Input with Devices having a
S112 MUTE 1 BUSS ON wide range of Output Levels.
M1
OFF M1 TYPICAL OUTPUT LEVEL OF MUSIC DEVICES:
AUX 1 MIC 3 Satellite Receivers = 1 to 5 Volt
Digital Tuners/Receivers = 100 to 300 Mv
CD Players/Changers = 2 to 3 Volt
Tape Decks = 500 to 700 Mv
17 16
SATELLITE RECEIVER
By adjusting the Input Sensitivity to the level that matches
paso
the device used the correct interface with the Amplifier is
INPUT - 3 (AUX1) INPUT-4(AUX2) AM/FM TUNER
achieved resulting in lower overall distortion and better fre-
47 kohm 100 mV 47kohm 100mV quency response characteristics.
TRACK 01
AUX 1 L
ATTENUATOR (AUX2) SETTING THE AUX 1 INPUT ATTENUATOR
ATTENUATOR CD PLAYER Connect a Music Source to the Amplifier.
R Turn Attenuator (rear panel) fully counterclockwise.
CD Turn INPUT 4 Front Panel Control to midway.
INPUT 5
MIC-AUX2
Switch Amplifier and Music Source ON.
BY INTERNAL TAPE DECK Turn Attenuator Control (rear panel) until desired Output
SWITCH DMA2015 Level is achieved.
Aux1 01 Adjust INPUT 4 Front Panel Level Control Up-Down as
L R MUSIC OUTPUT desired.
R L
STEREO SUMMING
Most Music Source Devices provide a Stereo Output.
Accordingly the Amplifier is equipped with two Jacks for the
Fig. 14 - Rear Panel AUX 1 Input Diagram AUX 1 Input (L and R). The two Inputs are internally
buffered and electronically mixed to Mono. This system
ensures that the Music Device is properly loaded and that
the Stereo Signals are correctly summed (L+R) to Mono
17 16 without distortion.
CABLE
INPUT - 3 (AUX1) To connect the music source devices to the AUX 1 Input
47 kohm 100 mV use two single conductor shielded audio cable terminated
in a single prong phono plug on both ends.
AUX 1 L
ATTENUATOR
AUX 1 INPUT MUTING
R
MUTING - WHEN MIC 1 OR THE TEL IN ARE ACTI-
DMA2015 Stereo VATED THE VOX 1 BUSS IS SWITCHED-ON AND
Summ AUX 1 THE SIGNAL PRESENT ON THE MUTE 1 BUSS
WILL MUTE THE MUSIC FROM AUX 1.
Fig. 14A - Stereo Summing and AUX 1 Input Attenuator

®

SETTING INPUT 4 AS AUX 2 INPUT 4/AUX 2 DEFAULT SETTING
JUMPERS/SWITCH NO. FACTORY SETTING

DEFAULT JUMPERS AND SWITCH SETTING S108 - VOX JUMPER = OFF
FACTORY S111 - MUTE JUMPER =M1
OFF S108 VOX 1 BUSS OFF S101 - AUX 2-MIC 4 SWITCH = AUX 2
DEFAULT V1
SETTINGS X
OFF V1
S108 = OFF
S111 = M 1 AUX 2
S101 = AUX 2 WHEN MIC 1 IS INPUT 4 SET AS AUX 2 (Reference. 15)
MUSIC
ACTIVATED THE VOX 1 The AUX 2 input is provided for high level program source.
BUSS IS SWITCHED-ON
IN The output from a Jukebox, Tuner, Tape Cassette Deck,
INPUT 4 MUSIC OUT AND THE SIGNAL
PRESENT ON THE CD Player or other high level program source may be
AUX 2 MUTE 1 BUSS WILL directly connected to this input.
MUTE THE MUSIC
FROM INPUT 4/AUX 2 AUX 2 SENSITIVITY ATTENUATOR (Reference. 14)
AUX 2 - MIC 4 SWITCH The AUX 2 Input is equipped with a Sensitivity Attenuator
S101 S111 MUTE 1 BUSS ON that allows the interface of the Input with Devices having a
M1 wide range of Output Levels.
OFF M1
TYPICAL OUTPUT LEVEL OF MUSIC DEVICES:
AUX 2 MIC 4 Satellite Receivers = 1 to 5 Volt
Digital Tuners/Receivers = 100 to 300 Mv
SET TO AUX 2 CD Players/Changers = 2 to 3 Volt
Tape Decks = 500 to 700 Mv
SATELLITE RECEIVER
15 14
paso
By adjusting the Input Sensitivity to the level that matches
INPUT - 3 (AUX1)
INPUT 4 (AUX 2) AM/FM TUNER
the device used the correct interface with the Amplifier is
47 kohm 100 mV
47 Kohm 100 mV achieved resulting in lower overall distortion and better fre-
AUX 1 L (AUX 2)
TRACK 01 quency response characteristics.
ATTENUATOR ATTENUATOR
CD PLAYER SETTING THE AUX 2 INPUT ATTENUATOR
R Connect a Music Source to the Amplifier.
INPUT 4 Turn Attenuator (rear panel) fully counterclockwise.
CD
MIC-AUX2
BY INTERNAL Turn INPUT 5 Front Panel Control to midway.
SWITCH TAPE DECK Switch Amplifier and Music Source ON.
Turn Attenuator Control (rear panel) until desired Output
DMA2015 Level is achieved.
L R Aux 2 01 Adjust INPUT 5 Front Panel Level Control Up-Down as
MUSIC OUTPUT R L desired.
STEREO SUMMING
Most Music Source Devices provide a Stereo Output.
Accordingly the Amplifier is equipped with two Jacks for the
Fig. 15 - Rear Panel AUX 2 Input Diagram AUX 1 Input (L and R). The two Inputs are internally
buffered and electronically mixed to Mono. This system
ensures that the Music Device is properly loaded and that
the Stereo Signals are correctly summed (L+R) to Mono
15 14 without distortion.
INPUT 4 (AUX 2)
47 Kohm 100 mV CABLE
L
To connect the music source devices to the AUX 1 Input
(AUX 2) use two single conductor shielded audio cable terminated
ATTENUATOR
in a single prong phono plug on both ends.
R
INPUT 4 AUX 2 INPUT MUTING
MIC-AUX2
MUTING - WHEN MIC 1 OR THE TEL IN ARE ACTI-
DMA2015 Stereo Summ AUX 2
VATED THE VOX 1 BUSS IS SWITCHED-ON AND
THE SIGNAL PRESENT ON THE MUTE 1 BUSS
Fig. 15A - Stereo Summing and AUX 2 Input Attenuator WILL MUTE THE MUSIC FROM AUX 2.

®

ADDRESSABLE VOX SYSTEM
VOX - VOICE ACTIVATED MUTING VOX SENSITIVITY CONTROLS

VOX - VOICE ACTIVATED MUTING - The Amplifier is VOX
MUTE
DELAY
equipped with a noiseless, fast acting Logic VOX Switching SENS 3-30 SEC
System. When any of the INPUTS are activated and a

Signal is present on a given INPUT and the VOX 1 is
Switched-ON (using internal Jumpers) then the MUTE 1
BUSS is ACTIVE. If any of the INPUTS have the MUTE 1
Switched-ON (by Internal Jumpers) then the INPUT (or
INPUTS) will be MUTED according to the Jumpers Setting. 24 23
Once the SIGNAL-ON on the ACTIVE INPUT is terminated DMA2015 Vox Sens 01
the normal functions are automatically restored on all muted
inputs. Fig. 16 - Rear Panel VOX 1 Sensitivity Control
and MUTE Time Delay Control
ACCESS TO VOX AND MUTE JUMPERS
REFER TO JUMPERS AND SWITCHES INTERNAL
VOX SENSITIVITY ADJUSTMENT
ACCESS. VOX SENSITIVITY ADJUSTMENT
CAUTION: PRIOR TO PERFORMING THE ABOVE OPER- 1) Turn all Front Panel Input Level Controls to 0.
ATION BE SURE TO FOLLOW THE SAFETY NOTES 2) Turn VOX Sensitivity Control counterclockwise until it
REFERRING TO THE REMOVAL OF THE AMPLIFIER stops.
COVER. 3) Connect a Signal Source (Microphone, Telephone or
Music) to the respective Input Terminals (For connection
VOX SENSITIVITY CONTROL details refer to the appropriate section in this Manual).
4) While talking from a Paging Source (Microphone or
VOX 1 SENSITIVITY CONTROL Telephone) or Playing Music rotate the INPUT LEVEL CON-
The VOX 1 Sensitivity Control sets the sensitivity level at TROLS (Front Panel) until the desired output level is
which point the VOX 1 is engaged during INPUT ACTIVA- achieved.
TION. The VOX Sensitivity Control is located on the 5) While talking from a Paging Source (Microphone or
Amplifier Rear Panel. Telephone) or Playing Music, turn the Sensitivity Control
(VOX 1) slowly clockwise until the Muting is activated.
VOX 1 SENSITIVITY CONTROL = Reference 24
VOX JUMPERS DEFAULT SETTING TABLE
JUMPER JUMPER FUNCTION FACTORY FACTORY

ID NO. REFERENCE DESCRIPTION SETTING SETTING
MAIN PCB JUMPERS
S110 INPUT 3 - VOX1 - OFF OFF
S108 INPUT 4 - VOX1 - OFF OFF
S114 INPUT 1 - VOX1 - OFF V1
S203 TEL IN - VOX1 - OFF V1
PAGE 16 SPECIFICATIONS ARE SUBJECT TO CHANGE WITHOUT NOTICE

DMA2015/2030/2060/2120
®

ADDRESSABLE MUTING SYSTEM DIRECT MUTING

MUTING SYSTEM - The Amplifier is equipped with a noiseless, DIRECT MUTING - Direct Muting may be accomplished by short-
fast acting Logic MUTING Switching System. When any of the ing the MUTE Terminal to the G Terminal through an external
INPUTS are activated and a Signal is present on a given INPUT switch. Each time the Muting Switch is closed the MUTE BUSS is
and the VOX 1 is Switched-ON (using internal Jumpers) then the activated.
MUTE 1 is ACTIVE. If any of the INPUTS have the MUTE 1
Switched-ON (by Internal Jumpers) then the INPUT (or INPUTS) WIRING
will be MUTED according to the Jumpers Setting. Once the SIG-
NAL-ON on the ACTIVE INPUT is terminated the normal functions 5
are automatically restored on all muted inputs.
UNMUTE
MUTE 24V DC
MUTE
ACCESS TO MUTE JUMPERS DELAY
250 MA
G
REFER TO JUMPERS AND SWITCHES INTERNAL ACCESS. 3-6- SEC
CAUTION: PRIOR TO PERFORMING THE ABOVE OPERATION

BE SURE TO FOLLOW THE SAFETY NOTES REFERRING TO
THE REMOVAL OF THE AMPLIFIER COVER.
23
MUTING TIMING - The MUTING is preset for -60 db Attenuation.
When MUTE 1 isactivated the MUTE BUSS is instantaneously
Switched-ON. When the Muting is deactivated the program MUTING SWITCH M 1
source is gradually restored.

DMA2015 M1 01
MUTE 1 (MUTE) = TIMING ADJUSTABLE 3-60 SECONDS

MUTE 1 DELAY = USE REAR PANEL CONTROL Reference 23 Fig. 17 - Direct Muting Terminals and Diagram
MUTE Adjustable
Signal Terminals from Program
Level shorted 3 to 60 gradually
seconds restored
Program MUTE DELAY - The MUTE Delay can be adjusted by using the
Attenuation MUTE DELAY CONTROL on the rear panel (reference 23).
60 dB Mute terminals
opened
time
DMA MUTE FUNCT 01
Fig. 17B - M 1 Function Timing Diagram
MUTE JUMPERS DEFAULT SETTING TABLE
JUMPER JUMPER FUNCTION FACTORY FACTORY

ID NO. REFERENCE DESCRIPTION SETTING SETTING
MAIN PCB JUMPERS
S111 INPUT 4/AUX 2 - MUTE 1 - OFF M1
S112 INPUT 3/AUX 1 - MUTE 1 - OFF M1
S113 INPUT 1 - MUTE 1 - OFF OFF
S204 TEL - MUTE 1 - OFF OFF

®


THE FOLLOWING INSTRUCTIONS REQUIRE THE REMOVAL OF THE AMPLIFIER PROTECTIVE COVER AND ARE PROVIDED
FOR USE BY QUALIFIED PERSONNEL ONLY. TO AVOID THE RISK OF ELECTRICAL SHOCK DO NOT PERFORM ANY INSTALLA-
TION OR SERVICING UNLESS YOU ARE QUALIFIED TO DO SO.
INPUT 1 (MIC 1) UNMUTING FUNCTION WIRING
DIRECT UNMUTING MICROPHONE WITH UNMUTING ZONE SWITCH

INPUT 1 (MIC 1) UNMUTING FUNCTION Connect Paging Microphone
The Input 1 (MIC 1) can be preset to be normally MUTED (INPUT as per diagram below
OFF) when the JUMPER S115 - MIC 1 UNMUTE - IS SET TO THE 6 (reference 13). Connect Zone
Unmuting Switch to UNMUTE
ON POSITION. The MIC 1 is SWITCHED-ON when the UNMUTE
(reference 6) and G Terminals.
and G Terminals are shorted by a Switch Contact Closure. This The VOX (if ON) feature will
function allows for a multi zone installation using two or more automatically mute the Music
UNMUTE
24V DC
MUTE
Amplifiers and a single Microphone and Zone Switches. When the 250 MA
G
Jumper S115 is set to the ON Position the Microphone Input is 13
OFF and it is turned ON when the UNMUTE and the G terminals
are closed by a switch.
JUMPER NO. FUNCTION POSITION SET INPUT 1 (MIC)
G COM HOT
S115 MIC 1 Muted ON
250ohm 1.5mV
If the Jumper requires resetting follow the instruction below. BALANCED
ZONE UNMUTING SWITCH
ACCESS TO UNMUTING JUMPER

MIC A = Common
1) Remove Power Cord from AC Outlet. SHIELD
A B = Hot
Lo Z
2) Remove the three screws on each side of the Amplifier
B
securing the Top Cover to the Chassis.
DMA2015 Unmute 01
3) Lift Cover and carefully and slide Cover out towards the rear.
4) On the Main Amplifier Printed Board locate the S115 - Fig. 18 - Microphone and Zone Unmuting Diagram
MIC 1 UNMUTE Jumper Set.
5) Set Jumper to the ON position.
2 - ZONE
PAGING SELECTORS
UNMUTE - VOX AND MUTE JUMPER

SETTINGS ON AMPLIFIERS 1 & 2 1 2
INPUT 1 MIC 1 INPUT 3
MIC 1 UNMUTE AUX 1
On JUMPER OFF On JUMPER OFF On JUMPER OFF
SPST ZONE
SWITCHES ZONE 1 ZONE 2
S114 S115 S112
VOX ON MUTE ON
DMA2015 Unmute Jump Set

TO AMP 1
TO AMP 2
Fig. 18A - 2 - Zone System Jumper Settings
The Fig. at right shows a typical 2 Zone Switching TO MIC INPUT
Panel. Use SPST Momentary Contact Switches. See

complete 2 - Zone Wiring Diagram provided in this DMA2015 2 Zone Diagram 01 PAGING MICROPHONE
Manual.
Fig. 18B - 2 - Zone Switching Panel
PAGE 18 SPECIFICATIONS ARE SUBJECT TO CHANGE WITHOUT NOTICE
DMA2015/2030/2060/2120
UNMUTE
GROUND
AUX 2 AUX 1
2 Watt Max.
MUSIC OUTPUT
- + INPUT 1 MAY BE MUSIC SOURCE LINE
TRANSFORMER
BALANCED
WITH OPTIONAL
DMA2015/2030/2060/2120
DMA2015 MODEL MT250
15W RMS
SATELLITE RECEIVER
®
VOX MUTE
HOT
COMMON
INPUT 3 INPUT 4
SP
GROUND (SHIELD)
ZONE 1
PAGING MICROPHONE
Paging Microphone can be
Unswitched and always ON
MICROPHONE WIRE
25V/70V Speaker 25V/70V Speaker 25V/70V Speaker
MUSIC SOURCE LINE

2 Conductor Shielded
UNMUTE
GROUND 2 ZONE PAGING

SELECTORS
1 2
AUX 2 AUX 1
2 Watt Max. SPST
2 ZONE PAGING AND MUSIC WIRING DIAGRAM
SWITCHES ZONE 1 ZONE 2
- + INPUT 1 MAY BE
TRANSFORMER
BALANCED
WITH OPTIONAL
DMA2015 MODEL MT250
15W RMS
JUMPERS SETTING
VOX MUTE ON AMPLIFIERS 1 & 2
INPUT 1 MIC 1 INPUT 3
MIC 1 UNMUTE AUX 1
INPUT 3 INPUT 4
SP On JUMPER OFF On JUMPER OFF On JUMPER OFF

S114 S115 S112

VOX ON MUTE ON
ZONE 2
DMA2015 2 Zone Diagram
OPERATION - A 2 - Zone Paging Wiring Diagram Application is provided. The Paging Microphone is connected in parallel to all the Microphone Inputs. Two
Independent SPST Switches are provided for the Paging Zone Selection. MUSIC - The MUSIC SOURCE (Satellite Receiver) is cascade connected to the
two Amplifiers. ZONE PAGING - When one or more Zone Switches are activated the UNMUTE Function OPENS the Microphone Channel on the Amplifier
selected and the MICROPHONE is active for the PAGING. Simultaneously the MUSIC is MUTED ONLY ON THE ZONE (OR ZONES) SELECTED.
Independent MUSIC SOURCE may be provided to each of the Amplifiers if required. MOH - MUSIC ON HOLD is available from each of the Amplifiers used.
Fig. 19 - 2 Zone Paging and Music System
The MOH source maybe selected from either the AUX 1 or the AUX 2 Input and is immune to Paging or the MUTE/UNMUTE Function.
PAGE 19
®

EXTERNAL EQUALIZER LINK EXTERNAL EQUALIZER LINK
SET EQ LINK SWITCH TO EXTERNAL

SET TONE BY PASS SWITCH TO ON
CONNECTING TO AN EXTERNAL EQUALIZER
The Amplifier is equipped with an External Equalizer Link
to allows the use of an External Equalizer for applications
EXTERNAL EQUALIZER requiring Frequency Selective Acoustic Correction. The
22 21 18 Amplifier is furnished with the two jacks of the Link bridged
paso by a SELECTOR SWITCH. When the EQ LINK Switch
(REFERENCE 21) is the EXTERNAL position the internal
Preamplifier to Amplifier Link (Reference 21) is broken
allowing the insertion of an External Equalizer.
PRE INSTALLATION TIPS

OUT 1) Use high quality, short length audio cables and position
ON OFF the Equalizer in close proximity to the Amplifier. Avoid
TONE mounting the EQ on top of the Amplifier unless is Rack
EQ LINK To Input of Equalizer BYPASS
mounted.
EQ LINK 2) Be sure that the Amplifier input controls and the EQ level
INTERNAL
EXTERNAL
To Output of Equalizer control are set at zero prior to turning the system On.
POWER DMA2015 EQlink 3) The Amplifier TONE BY PASS SWITCH (Reference 18)
IN
should be set to ON ( linear response position).
4) Carefully adjust the EQ Level Control to avoid distortion
caused by excessive signal boost.
5) Follow the instructions supplied with the Equalizer.
WIRING
To connect to an External Equalizer use two (2) single con-
Fig. 20 - Rear Panel External Equalizer Link Diagram ductor shielded audio cables terminated in a single prong
phono plug on both ends.
MIX BUSS BRIDGING
MIX BUSS BRIDGING

19 19 BRIDGING TWO AMPLIFIERS
The MIX BUSS (Reference 19)
allows two Amplifiers to be bridged
and share all inputs.
All signal sources connected to all

the inputs are common to the output
of both amplifiers. Muting and level
AMPLIFIER A AMPLIFIER B controls operate in exactly the same
way as if only one amplifier was
MIX MIX used.
BUSS BUSS
WIRING
CABLE
To bridge two amplifiers or to con-
ON ON
LINE OUT LINE OUT
nect to an external Mixer use a sin-
600 DMA2015 Mixbuss 600 gle conductor shielded audio cable
terminated in a single prong phono
plug on both ends.
Fig. 20B - Rear Panel Mix Buss Bridging Diagram

®

INPUT 3 (AUX 1) REMOTE VOLUME

REMOTE VOLUME CONTROL
The Amplifier features a Remote Volume Control Capability: The INPUT 3 (AUX
1) Remote Volume (Reference 10). A 10 K ohm Potentiometer is required.
INPUT 3 Mount the 10 K Pot on a suitable Wall Plate or any other convenient surface
10 REMOTE
VOLUME and connect to the Amplifier RVC Terminals as shown in the Diagram. The
RVC RVC
Paso Model RVC10W Decora Style Remote Volume Control may be used.
INPUT 3 (AUX 1) OPERATION
INPUT 3 (AUX 1) When connected the Remote Volume adjusts the INPUT 3 (AUX 1) Level only.
REMOTE VOLUME
CONTROL 10 K ohm Usually this input is utilized for the Music Source (Sat. Receiver, CD Player,
POTENTIOMETER
etc.).
CABLE
DMA2015 Remote Volume To connect the Remote Control to the Amplifier use a two conductor wire not
less than AWG 20. While the Remote Volume System uses DC rather than
audio caution should be exercised in the layout of the wire. Always avoid rout-
ing next to power lines. If the total wire resistance exceeds 3 K ohm the Volume
may not go down to zero.
Fig. 21B - Input 3 Remote Volume Control Diagram
REMOTE VOLUME CONTROL - OPTIONAL ACCESSORY
MODEL RVC10W REMOTE VOLUME CONTROL

Remote Volume Control Potentiometer. Single Gang Decora Style Plate.
SPECIFICATIONS
Control: 10 K ohm High Quality Control. Connection: 6” Two Wire, color coded
(Black and Red) Pigtails stripped and tinned. Color Finish: White. Dimensions: Front
RVC10W Front View RVC10W Rear View Plate = 4.5” High, 2.75” Wide. Depth: 0.5”. Mounting Hardware: Supplied.
REGULATED AUXILIARY POWER SUPPLY 24 VOLT POWER SUPPLY

POWER SUPPLY
The Amplifier provides a 24 Volt - 250 mA DC Regulated
24 V DC
8 OHM 250 MA
7 Auxiliary Power Supply Output (Reference 7).
2 Watt Max.
CABLE
To connect the Power Supply Output to accessories use a
two conductor wire not less than AWG 18. This minimum
- +
DMA Power Supply Output wire gauge is necessary to minimize potential Voltage
Drops in long wire connection applications. For wire resist-
ance refer to Table below.
Fig. 28 - 24 Volt Power Supply Output Diagram
WIRE GAUGE - RESISTANCE TABLE

NOTE:
WIRE RESISTANCE IN When calculating the Wire Resistance for each run
AWG OHMS per 1000 Ft. using a two conductor Wire the wire Resistance
should be doubled.
16 4.016
18 6.385 EXAMPLE: The Total Resistance of a 1000 Ft. run
20 10.15 of a AWG 24 two conductor Wire is:
22 16.14
24 25.67
26 40.81
25.67 X 2= 51.34 Ohm

®

INSTALLING AND USING A BOSE® SYSTEM 32 EQUALIZER MODULE PASO MODEL PMEQ32B

THE FOLLOWING INSTRUCTIONS REQUIRE THE REMOVAL OF THE AMPLIFIER TOP COVER AND ARE PROVIDED FOR USE BY
QUALIFIED PERSONNEL ONLY. TO AVOID THE RISK OF ELECTRICAL SHOCK DO NOT PERFORM ANY INSTALLATION OR SER-
VICING UNLESS YOU ARE QUALIFIED TO DO SO. REFER INSTALLATION OR SERVICING TO QUALIFIED PERSONNEL.
IMPORTANT NOTE
TOP COVER
PMEQ32B
The PASO Module PMEQ32B
can be used only with the fol-
lowing PASO Amplifier Models:
DMA2015 - DMA2030
DMA2060 - DMA2120
DMA3060 - DMA3120
DMA
TM
DIGITAL MUSIC SERIES
ACCESS TO THE EQ SOCKET
0 0 ACCESS TO THE INTERNAL EQ

MODULE SOCKET
O
0 10 0 10 0 10 0 10 -10 +10 -10 +10

1) Remove the Power Cord from the
INPUT 1/MIC TEL INPUT 3/AUX 1 INPUT 4/AUX 2 BASS TREBLE POWER AC Outlet.
2) Remove the three screws on each
side of the Amplifier securing the Top
Fig. 22 - PMEQ32B Installation Diagram Cover to the Chassis.
OPTIONAL
3) Lift Cover and carefully slide Cover
CHIME CARD
SOCKET out towards the rear.
CN 209
4) Locate the Socket marked EQ
MODULE on the Main Printed Board.
OPTIONAL
EQ CARD
SOCKET INSTALL THE MODULE
CN 210 EQ MODULE
CHIME MODULE
1) Procure the PASO Model
PMEQ32B Module for the BOSE 32
Speaker System.
2) Line-up the “NOSE” of the Module
with the Keyway of the Socket on the
Main Printed Board.
3) Press the Module gently into the
Socket (do not force).
4) Replace Amplifier Top Cover.
SETTINGS
EQ CARD SOCKET
PRIOR TO TURNING AMPLIFIER
ON SET THE FOLLOWING:
Attach Silver Label packed with module
1) Set the EQ LINK Switch
AUX 2 AUX 1
8 OHM
24 V DC
250 MA
47 Kohm 250 mV
INPUT 4 (MIC-AUX2)
47 Kohm 250 mV
INPUT 3 (MIC-AUX1) INPUT 1 (MIC) Reference 22 on the rear panel to
2 Watt Max.
EXTERNAL (EQ Module Active).

- + INPUT 1 MAY BE
TRANSFORMER
DMA2015
BALANCED
WITH OPTIONAL
MODEL MT250
2) Set the TONE BY-PASS Switch
15W RMS
Reference 18 on the rear panel to
the ON position (Front Panel BASS
VOX
SENS
MUTE
DELAY (AUX 1) (AUX 2)
and TREBLE Controls defeated).
SP
INPUT 3 INPUT 4 3) Attach the PMEQ32B Silver
DMA2015 Rear Panel Label, packed with the module, on
Manual
22 18 the rear panel to indicate that the

module is installed inside.

®

INSTALLING AND USING THE CHIME MODULE PASO MODEL AC1B/DMS

THE FOLLOWING INSTRUCTIONS REQUIRE THE REMOVAL OF THE AMPLIFIER TOP COVER AND ARE PROVIDED FOR USE BY
QUALIFIED PERSONNEL ONLY. TO AVOID THE RISK OF ELECTRICAL SHOCK DO NOT PERFORM ANY INSTALLATION OR SER-
VICING UNLESS YOU ARE QUALIFIED TO DO SO. REFER INSTALLATION OR SERVICING TO QUALIFIED PERSONNEL.
OUTPUT LEVEL TRIMMER IMPORTANT NOTE

The PASO Module AC1B/DMS
can be used with the following
PASO Amplifier Models:
DMA2015 - DMA2030
DMA2060 - DMA2120
DMA3060 - DMA3120
ACCESS TO THE CHIME SOCKET

ACCESS TO THE INTERNAL
CHIME MODULE SOCKET
1) Remove the Power Cord from the
AC Outlet.
2) Remove the three screws on each
Fig. 23 - AC1B/DMS CHIME MODULE side of the Amplifier securing the Top
Cover to the Chassis.
OPTIONAL
EQ CARD
SOCKET 3) Lift Cover and carefully slide Cover
CN 210
out towards the rear.
4) Locate the Socket marked
OPTIONAL
CHIME CARD CHIME MODULE on the Main Printed
SOCKET
Board.
CN 209
EQ MODULE
CHIME MODULE
INSTALL THE MODULE
1) Procure the PASO Model
AC1B/DMS Chime Module
2) Line-up the “NOSE” of the Module
with the Keyway of the Socket on the
Main Printed Board.
3) Press the Module gently into the
Socket (do not force).
CHIME CARD SOCKET

SETTINGS
PRIOR TO TURNING AMPLIFIER
OFF ON SET THE FOLLOWING:
5
ON CHIME ACTIVATION SWITCH 1) Set the Chime Module Output
AUX 2 AUX 1
Level Control Trimmer approx. 1/4
8 OHM
2 Watt Max.
250 MA INPUT 4 (MIC-AUX2) INPUT 3 (MIC-AUX1) INPUT 1 (MIC)
of a turn clockwise.
2) Replace Amplifier Top Cover.

- + INPUT 1 MAY BE
TRANSFORMER
BALANCED
WITH OPTIONAL
DMA2015 MODEL MT250
3) Turn Amplifier ON and momen-
15W RMS tarily short the Terminal MUTE
(Reference 5) to Terminal G
MUTE
VOX
SENS DELAY
3 - 60 SEC
(AUX 1)
ATTENUATOR
(AUX 2)
ATTENUATOR
(ground). The Chime should sound.
SP
INPUT 3 INPUT 4 4) If the Chime level needs to be
DMA2015 Chime Activation
reset, turn Amplifier OFF, remove
cover and adjust the Chime
Fig. 23A - AC1B/DMS Wiring Diagram Trimmer accordingly.

®

ZONE 1 AND MUSIC ON HOLD FUNCTIONS
3
1 8
4
MOH - ZONE 1 INPUT SOURCE

24 V DC
DEFAULT JUMPER SETTING
8 OHM 250 MA
2 Watt Max.
S107
- +
DMA2015 AUX1 AUX2

15W RMS
VOX MUTE
SENS DELAY
3 - 60 SEC
SP
DMA2015 MOH 01
Fig. 24 - Rear Panel View - ZONE 1 - MOH Outputs - Source Selectors and Controls
ZONE 1 MOH AND 8 OHM OUTPUTS MOH - ZONE1 AMPLIFIER FUNCTIONS

ZONE 1 OUTPUT MOH AMPLIFIER
The DMA Amplifier is equipped with a 2 Watt, 8 ohm a) The MOH Amplifier can receive programs from AUX
Amplifier and a separate 600 ohm MUSIC ON HOLD 1 or AUX 2.
AMPLIFIER.
b) Selection of the input source is by Internal Jumper.
600 Ohm MOH - The MOH Output provides a 600 ohm, 1 c) The ZONE 1 independent 600 Ohm and 8 Ohm
Volt Transformer Balanced Output (Reference 3). Outputs may be used simultaneously.
d) The MOH 600 ohm Output is Transformer Balanced.
2 WATT, 8 Ohm - Simultaneously a Second Zone 8 ohm, 2 e) The Rear Panel ZONE 1 Level Control operates both
Watt Output may be utilized to drive up to 4 Speakers
the 8 Ohm Output.
(Reference 4).
f) The Rear Panel MOH Level Control operates the 600
OUTPUT LEVEL CONTROL - Independent Level Controls Ohm Output.
for both the 600 ohm Output and the 2 Watt Output are pro-
vided (Reference 1 and 8) MOH AND ZONE 1 OPERATION ISSUES
1) Paging from the Microphone Inputs or the Telephone
MOH AND ZONE 1 AMPLIFIER INPUT SOURCE SELEC-
Input does not effect the MOH/ZONE 1 Amplifier.
TION
The program source for the Input of the 600 ohm MOH 2) Position of the INPUTS Level Control does not affect the
Output and the 2 Watt 8 ohm Output can be selected from MOH/ZONE 1 Amplifier Output Level.
either AUX 1 or AUX 2 source. Set the Jumpers Set No. 3) Position of the AUX 1 and AUX 2 ATTENUATOR does not
S107 to desired position. Default setting is AUX 1. affect the MOH/ZONE 1 Amplifier Output Level.
4) Muting activation of M1 or M2 Buss (from Microphones or
OUTPUT LEVEL CONTROL - A Level Control for the 2
Telephone) does not effect the Output of the MOH/ZONE 1.
Watt Output is provided (Reference 8)

®

MOH CONNECTIONS
MOH
600 ohm MOH System 3
Input
600
Telephone
Ohm 4
AWG 18 TWISTED PAIR
Telephone System
1 8
KSU
24 V DC
8 OHM 250 MA
2 Watt Max.
MOH - ZONE 1
INPUT SOURCE
DEFAULT JUMPER
- +
SETTING
DMA2015
S107
15W RMS
VOX MUTE
DELAY
AUX1 AUX2
SENS 3 - 60 SEC
SP DMA2015 MOH Zone 1
MOH OTPUT LEVEL CONTROL
Fig. 25 - Rear Panel MOH Connection Diagram
MUSIC ON HOLD AMPLIFIER

MOH AMPLIFIER LEVEL CONTROL
An independent 600 ohm, 1 Volt Output, Transformer Balanced After the wiring is completed adjust the MOH and ZONE 1
MUSIC-ON-HOLD Amplifier is provided. The Input SOURCE of the Amplifier Level Controls on the rear panel to the desired out-
MOH Amplifier can be selected from either the AUX 1 or AUX 2. put level (Reference 1 and 8).
MOH - 600 OHM SYSTEM MOH/ZONE 1 AMPLIFIER SOURCE SELECTOR

Most Phone systems operate on a 600 ohm Input Impedance, if the
Impedance required is 600 ohm connect the Amplifier to the Phone MOH/ZONE 1 SOURCE SELECTOR
System MOH by using the diagram above (Reference 3). The Source for the MOH/ZONE 1 Amplifier can be selected
from either the AUX 1 or AUX 2 by setting the JUMPER SET
MOH - 8 OHM, 1 WATT SYSTEM No. S107 provided for this purpose. Default Setting for this
Some older Key Phone systems require a 1 watt Power Output having Jumper Set is AUX 1. To change the setting do the following:
an Output Impedance of 8 ohm to drive the Music on Hold feature. If
the Impedance required is 8 ohm connect the Phone system MOH to ACCESS TO THE MOH/ZONE 1 INPUT SOURCE SETTING
the 8 ohm, 2 Watt MOH Output of the Amplifier (Reference 4).
CABLE 1) Remove Power Cord from AC Outlet.
Use a cable consisting of a twisted pair of at least AWG 18. Use care 2) Remove the three screws on each side of the amplifier
in extending the cable and avoid routing near power lines, fluorescent holding the amplifier cover.
lights and other systems that may generate a disturbing electric field. 3) Lift Cover and locate the Jumpers Set No S107 on the
TOP Amplifier Board (see Function Switches Jumpers
SOURCE SELECTOR Location Diagram).
Select the Input Source desired by following the instructions at right. 4) Set Jumper as required (AUX 1 or AUX 2)
CAUTION: REMOVAL OF THE COVER PRESENTS AN ELECTRI- 5) Replace protective cover.
CAL SHOCK HAZARD !

®

USING SPEAKERS FOR ZONE 1 OUTPUT

4 Speaker System Max. Power Output= 1/2W Each
1/2W 1/2W
AWG 18
8 8 TWISTED PAIR
OHM OHM
ZONE 1
8 8
OHM OHM Up to Four 8 ohm Speakers may
be Connected
1/2W 1/2W
8
4
24 V DC
8 OHM 250 MA
2 Watt Max.
MOH - ZONE 1
INPUT SOURCE
DEFAULT JUMPER - +
SETTING
DMA2015
S107 15W RMS
AUX1 AUX2 VOX

SENS
MUTE
DELAY
3 - 60 SEC
SP DMA2015 Zone 1
ZONE 1 OUTPUT LEVEL CONTROL
Fig. 26 - Rear Panel Zone 1 Speaker Connection Diagram
ZONE 1 OPERATION ZONE 1 SETTINGS

ZONE 1 OPERATION INPUT SOURCE SELECTOR
The Amplifier is equipped with a 2 Watt, 8 ohm Outputs des- Independent JUMPER SETS for ZONE 1 (S107) is avail-
ignated ZONE 1 (Reference 4). The Output may be utilized able to select the Input Source for the 2 Watt Amplifier.
to power up to 4 speakers in various combinations as
described in the diagrams on the next page. This feature will Select the Input Source desired by following the instructions
provide a SECOND ZONE (in addition to the main output) in the MOH Amplifier Source Selection section.
with up to 2 Watt of output power and will amplify only the
Source from either AUX 1 or AUX 2 (see input source selec- LEVEL CONTROL
tion) and will not be affected by the Paging (from MIC or After the wiring is completed adjust the ZONE 1 (Reference
TEL), VOX or MUTING. 8) Level Control on the rear panel to the desired output
level.
It can be used in any area (up to 2 Watt) where only a
Program Source is desired uninterrupted by Paging.
CABLE
Use an AWG 18 jacketed, twisted pair cable.

®

ZONE 1 CONNECTING SPEAKERS
Zone 1
USING A SINGLE 8 OHM SPEAKER WIRING
8 Ohm
-
+
Max. Power Output USING A SINGLE 8 OHM SPEAKER

2 Watt A single 8 ohm Speaker may be used connected to the
ZONE 1 ZONE 1 - 2 Watt Output. In this configuration up to 2 Watt
0 600 ZONE 1 of Power will be available on the Speaker.
0 8
LEVEL
Independent Level Control is provided.
MOH OUT 2 WATT

BALANCED
DMA2015 ZONE 1 SPKR 01
Fig 27 - Using one 8 ohm Speaker
USING TWO 4 OR 8 OHM SPEAKERS WIRING

4 ohm 4 ohm
1W 1W
- -
+
When using two

4 Ohm Speakers Max. Power Output
the maximum 2 Watt USING TWO 4 OR 8 OHM SPEAKERS
Output Power to
each Speaker is Zone 1 The Figure at left shows:
1 Watt
ZONE 1 with two 4 ohm speakers connected in series, each
0 600 0 8 ZONE 1 speaker provides 1 Watt power output (2 Watt Total).
LEVEL
Independent Level Control is provided.

MOH OUT 2 WATT
BALANCED
Fig 27A - Using two 4 or 8 ohm Speakers
USING FOUR 8 OHM SPEAKERS WIRING
8 ohm 8 ohm
1/2 W 1/2 W
Maximum Output
- -
+
Power to each
Speaker is
1/2 Watt
1/2 W 1/2 W Zone 1
8 ohm 8 ohm USING FOUR 8 OHM SPEAKERS PER ZONE
Max. Power Output
2 Watt Four 8 ohm Speakers are used and connected to the 2 Watt
- -
+
Output. In this configuration up to 1/2 Watt of Power will be

available on each Speaker (2 Watt Total).
0 600 0 8 ZONE 1
LEVEL Independent Level Control is provided.
MOH OUT 2 WATT

BALANCED
Fig 27B - Using four 8 ohm Speakers

®

OUTPUT CONNECTIONS
CONSTANT VOLTAGE DISTRIBUTION SYSTEMS

25 VOLT AND 70 VOLT CONSTANT VOLTAGE DISTRIBUTION SYSTEMS - In applications requiring a large number of speakers that
are located at a far distance from the amplifier a 25 Volt or a 70 Volt Constant Voltage method is most widely used.
MAIN ADVANTAGES IN USING THE HIGH IMPEDANCE METHOD
1) All speakers are connected in parallel usually on to a single speaker line.
2) The Amplifier Output Voltage is constant over a very wide range of load impedance.
3) The Amplifier Output Voltage remains practically constant if loudspeakers are connected or disconnected from the line.
4) Different acoustic power can be allocated in each area as required by using the power taps on the speaker line transformer.
5) Since the system provides a higher voltage at a lower current, resistive loss in the cable is reduced resulting in a higher efficiency.
6) Calculations of the output power needed and the speaker power requirements are simple and easily accomplished.
WIRING
INSTALLATION TIPS
1) Determine the amount of speakers required for the
installation and their location.
spk 1 spk 2 spk 3 spk 4
2) Choose the power output needed for each speaker (typ-
ically 1.25 Watt for background music applications and 5-
70 Volt 70 Volt 70 Volt 70 Volt 10 Watt for paging horns).
Transformer Transformer Transformer Transformer 3) Add all the speaker taps wattage (see Fig. 28) and be
sure that the total power needed does not exceed the
Rated RMS Power Output of the Amplifier
1.25
1.25
1.25
1.25
0.6
2.5
0.6
2.5
0.6
2.5
0.6
2.5
0
5
5
0
4) Procure a jacketed, two conductor cable of at least 18

5
gauge.
5) Carefully route cable starting with the farthest speaker
in the system and until all speakers are reached by the
cable and terminating at the Amplifier location. The best
cable route is determined by the individual application.
6) Connect each speaker in accordance to the power out-
Total Speaker Load Calculation
put required by selecting the corresponding Power Tap.
T L = SPK1+SPK2+SPK3+SPK4
IMPORTANT NOTE: Make sure that the unused stripped
T L =1.25+1.25+2.5+5 = 10 Watt power tap wires are INDIVIDUALLY INSULATED and do
COM 8 25V 70V DMA spkout05 not touch each other or an amplifier overload will occur.
7) Connect the speakers cable to the 25 Volt or 70 Volt and
COM output terminals of the Amplifier, turn the system on
Fig. 28 - 70 Volt Constant Voltage System Diagram and balance the various speakers accordingly. The selec-
tion of the Constant Voltage (25 Volt or 70 Volt) is deter-
5 mined by the speakers used. All speakers must operate at
2.5 the same constant voltage and cannot be mixed.
Transformer
PASO VC20 ATTENUATOR

spk 1
70 Volt
1.25 RED
0.6
LINE ATTENUATORS
0
In installation requiring that one or a group of speakers
5 spk 3 spk 4
have an independent level control a Line Attenuator can
2.5
Transformer
be utilized. The Fig. 28A shows the use of a PASO model

spk 2
BLACK
BLUE
70 Volt
1.25
0.6 70 Volt 70 Volt VC20 - 20 Watt Attenuator used to control two speakers
Transformer Transformer
0 simultaneously. The wire colors pertain to the VC20, if
other types are used follow the directions supplied with the
1.25
1.25
unit.
0.6
2.5
0.6
2.5
0
0
5
By turning the stepped switch of the VC20 the level of

speakers SPK 1 and SPK 2 can be adjusted, up or down,
from 0 (no output) to the maximum output determined by
the tap utilized on the speakers (in this example 2.5 Watt
Total Speaker Load Calculation max.). Speakers SPK 3 and SPK 4 are not affected.
T L = SPK1+SPK2+SPK3+SPK4
T L = 2.5+2.5+2.5+2.5 = 10 Watt MAX. NOTE: The total power required for all the speaker or
COM 8 25V 70V DMA spkout06 speakers to be controlled should not exceed the Power
Handling rating of the Attenuator. Example: the maximum
Fig. 28A - Using a Line Attenuator Diagram load for the VC20 is 20 Watt.

®

RESTAURANT/DINER WITH MUSIC AND JUKEBOX - APPLICATION DATA 126
S203 S114
ZONE 1 - MOH SETTING OPTIONAL MUSIC OPTIONAL TEL INPUT
PASO RVC10W
S107 ONLY ZONE
ZONE 1
JUKEBOX
REMOTE
SETTINGS
OFF V1 OFF V1
VOLUME MICROPHONE HAS
Telephone MUSIC ON HOLD 1/2W 1/2W PHONE HAS
RECEIVES MUSIC ZONE 1 SPEAKERS PRIORITY OVER Push to Talk Key
INPUT 3 PRIORITY OVER

ONLY - NO PAGING
NO JUKEBOX
AUX1 AUX2 RECEIVE MUSIC
ONLY - NO PAGING
REMOTE
VOLUME
MUSIC BUT
NOT THE JUKEBOX
MUSIC SOURCE
NOT THE JUKEBOX b50side
MIC
LO Z
NO JUKEBOX
Telephone System
8
600 ohm MOH System 8
OHM
MOH OHM
Input SHIELD
KSU
600
Ohm Up to Four 8 ohm
Speakers may be
ZONE 1 LEVEL CONTROL KSU PAGING MICROPHONE
ADJUSTS OUTPUT
connected LEVEL OF ZONE 1
1/2W 1/2W SPEAKERS RING TIP
8
OHM
8
OHM
Phone Paging
AUX 2 AUX 1
2 Watt Max.
- + INPUT 1 MAY BE
TRANSFORMER
BALANCED
WITH OPTIONAL
DMA2015 MODEL MT250
15W RMS
VOX MUTE
INPUT 3 INPUT 4
SP
DMA JUKEBOX APP 126 JUKEBOX

L R L R
JUKEBOX MUSIC
MUTE SOURCE
AUTOMATICALLY
DELAY MUTES THE
THE MUTE DELAY CONTROL 3 to 60 Sec MUSIC SOURCE
ADJUSTS JUKEBOX MUTING WHEN SWITCHED
TIME OVER MUSIC SOURCE ON SATELLITE RECEIVER
25V/70V Speaker 25V/70V Speaker 25V/70V Speaker INPUT
INPUT 3 (AUX 1) SETTINGS INPUT 4 (AUX 2) SETTINGS

AUX 1 - MIC 3 SWITCH VOX JUMPERS MUTE JUMPERS AUX 2 - MIC 4 SWITCH VOX JUMPERS MUTE JUMPERS
S109 S101
S110 S112 S108 S111
AUX 1 MIC 3 OFF V1 OFF M1 AUX 1 MIC 4 OFF V1 OFF M1
APPLICATION JUKEBOX REMOTE VOLUME CONTROL

This Note illustrates a typical installation in a Restaurant/Diner/Lounge using A Jukebox Remote Volume Control may be provided to adjust the Output Level inde-
Background Music and a Jukebox. The Background Music can be automatically inter- pendently from the Background Music Source. The Jukebox Music Level should be set
rupted when the Jukebox is activated. The Background Music is then automatically in accordance to the ambient noise which may change during peak business hours.
restored once the Jukebox stops playing. This built-in feature of the DMA Amplifier The AUX 1 Input (used for the Jukebox) is equipped with a Remote Volume Control
eliminates the need of any external device. Feature. Use the optional PASO Model RVC10W (10K) Volume Control mounted on a
single gang plate.
PAGING MICROPHONE
PRIORITY PAGING MICROPHONE - A Low Impedance Dynamic Microphone can be MUSIC ON HOLD
connected to the Amplifier INPUT 1. The Microphone Input can be set to provide The Zone 1 Amplifier provides a separate 600 ohm Transformer Balanced Music on
Priority Paging over the Music Program but not the Jukebox when activated. Hold Output for the Telephone system. If the Zone 1 Input Selector Switch is set to
Optionally Paging may be generated from the Phone system if desired. Input 4/aux 2, the MOH Output receives only the PROGRAM from the the MUSIC
SOURCE without Paging or the Jukebox interruptions.
PAGING FROM THE PHONE SYSTEM
PRIORITY PAGING FROM THE PHONE SYSTEM - Paging may be generated from ZONE 1 2 WATT - 8 OHM OUTPUT
a Phone System by using the TEL INPUT of the Amplifier. The TEL INPUT can be set The ZONE 1 Output may be used to cover small area with MUSIC ONLY without inter-
to provide Priority Paging over the Music Program but not the Jukeboxwhen ctivated. ruption from the Microphone or Phone Paging or the music from the Jukebox. The
The TEL INPUT provides a 600 ohm Transformer balanced Phone interface. Program Source for THE 2 Watt Amplifier may be independently selected through
Internal Jumpers (see Diagram). Output Level may be also independently adjusted by
MUTE DELAY the separate Level Control.
The Jukebox Configuration utilizes the VOX/MUTE 1 Buss. In order to prevent the pre-
mature JUKEBOX/MUSIC SOURCE switching (the Music Source cuts-in while the ZONE 1 SPEAKERS
Jukebox is active) a MUTE TIME DELAY TRIMMER is available on the Rear panel to The Wiring Diagram shows the connection of up to 4 (8 ohm) Speakers for the Zone
increase the MUTE DELAY as necessary. The MUTE DELAY can be adjusted from 1 - 2 Watt Amplifier. When 4 Speakers are used each Speaker Output will be a 1/2
3 to 60 Seconds. Watt.
EXAMPLE: If the Jukebox is playing and the Tune has a long pause or the long pause
while the Jukebox is cycling between CD’s it is possible that the Music Source INPUT JUMPERS - SWITCHES SETTING
(Background Music) may cut-in causing annoying and unwanted chatter while the The Diagram indicates the various Input Settings for this application. Some settings
Jukebox is still active. To prevent this problem the MUTE TIME DELAY TRIMMER may be already “Defaulted” when the Amplifier is shipped and do not need re-setting.
should be adjusted accordingly.
DMA2015/2030/2060/2120 SPECIFICATIONS ARE SUBJECT TO CHANGE WITHOUT NOTICE

PAGE 29
®

SATELLITE RECEIVER MUSIC AND MESSAGES ON HOLD - APPLICATION DATA 125
APPLICATION d) Set MOH Level on rear panel (REF.1) to ZERO.

The Satellite Receiver may be configured to provide Music
Output (MAIN AUDIO OUT) and Messages on Hold Be sure all wiring and connections have been made. Turn
(OPTIONAL AUDIO OUT) if equipped with an LE CARD OR both the Encompass and the Amplifier ON.
MESSAGES ON HOLD CARD.
e) Slowly turn the INPUT 4/AUX 2 Volume Control clockwise
The PASO DMA SERIES Amplifiers can provide both (MUSIC) on the front panel until the desired Output Music
Outputs from the Encompass Receiver to be independently Level has been achieved. If the Music Output Level is insuf-
routed: ficient raise the INPUT4/AUX2 Attenuator another 1/4 of a
turn.
1) Music Output to the 25/70 Volt (or 8 ohm) Main Speaker
Output. f) MOH - By listening through a Handset slowly turn the
MOH LEVEL Control clockwise (REF. 1) on the rear panel
2) Messages Out to the Telephone System Music on Hold until the proper level for the Messages is achieved.
Output.
PAGING FROM A MICROPHONE
WIRING PRIORITY PAGING MICROPHONE - A Low Impedance
A Wiring Diagram is provided on page 2. Paging Microphone may be connected to the INPUT 1 of
the Amplifier. The Amplifier is preset to mute the Music on
NO INTERNAL JUMPERS RE-SETTING IS REQUIRED. Input 4 when the Paging is activated.
Use the factory default settings.
PAGING LEVEL
A) By using a pair of Audio Cable terminated with standard The Microphone Paging Output level is set by the INPUT 1
RCA Plugs connect the Main Audio Output (MUSIC) to Input Level Control located on the Front Panel.
4 - AUX 2 (REF. 15) of the Amplifier.
PAGING FROM THE TELEPHONE
B) By using a pair of Audio Cable terminated with standard PRIORITY TELEPHONE PAGING - A Telephone Paging
RCA Plugs connect the Optional Audio Output (MES- Output may be connected to the TEL Input of the Amplifier.
SAGES) to Input 3 - AUX 1 (REF. 16) of the Amplifier. The Amplifier is preset to mute the Music on Input 4 when
the Telephone Paging is activated.
C) Connect the Music on Hold Input of the Telephone
System to the MOH 0 and 600 ohm Output Terminals (REF. PAGING LEVEL
3) of the Amplifier. The Telephone Paging Output level is set by the TEL Level
Control located on the Front Panel.
CONTROLS SETTING
BE SURE THE AMPLIFIER AND THE ENCOMPASS UNIT VOX SENSITIVITY ADJUSTMENT
ARE OFF. The rear panel control marked VOX SENS sets the sensitiv-
ity of the VOX when Paging. While Paging (from either the
a) Set Front Panel Controls INPUT 1/MIC, TEL, INPUT Microphone or the Telephone) turn the VOX SENS Control
3/AUX 1 AND INPUT 4/AUX 2 to Zero (fully counterclock- slowly clockwise until the Music is muted.
wise).
b) Set Input 4 - AUX 2 Attenuator on rear panel (REF.14) to NOTE: The Paging from the Microphone or the
the 1 o’clock position. Telephone will NOT be routed to the the MOH Output.
c) Set Input 3 - AUX 1 Attenuator on rear panel (REF.17) to
ZERO.

SERIAL NO. 200000
DMA2015/2030/2060/2120
RF IN
®
MAIN OPTIONAL
18VAC 1.2A
AUDIO OUT AUDIO OUT 50/60 Hz
A B
RF OUT
SATELLITE RECEIVER REAR PANEL

1 3
Telephone
MUSIC ON HOLD
RECEIVES MESSAGES ONLY
NO PAGING OR MUSIC
Telephone
Paging MUSIC OUTPUT
600 ohm Interface
MOH MOH System PAGING
Input MICROPHONE
600
KSU
Ohm MESSAGES
ON HOLD
Telephone System
OUTPUT
MUSIC ON HOLD OUTPUT KSU
AUX 2 AUX 1
0 2 WATT
- +
600
INPUT 1 MAY BE
TRANSFORMER
BALANCED
WITH OPTIONAL
DMA2015 MODEL MT250
15W RMS

VOX MUTE
SENS DELAY
3 - 60 SEC (AUX 1) (AUX 2)
ATTENUATOR ATTENUATOR
SP
INPUT 3 INPUT 4
DMA SAT RECVR MOH-MESSAGES RV 1.5

SET INPUT 3/AUX 1
SATELLITE RECEIVER MUSIC AND MESSAGES ON HOLD WIRING DIAGRAM
ATTENUATOR
TO ZERO
17 16 15 14
PAGE 31
®

CUSTOMER SERVICE
REPLACEMENT PARTS REPAIR SERVICE
REPLACEMENT PARTS REPAIR SERVICE

Please provide complete information when you request replace- Repair service for out of warranty Paso products may be
ment parts from either the Factory or a Paso Authorized obtained form your local Paso distributor or any other qualified
Distributor. Be certain to include the Part Number and repair station.
Description as it appears on the parts list, the Model Number of
the unit and if possible the Serial Number and the date of pur- In warranty repairs must be returned to the Factory.
chase of the unit. Replacement parts inventory is maintained Prior authorization must be obtained from the Factory.
specifically to repair Paso products. Part sales for other reasons Products received without authorization will be refused by our
or applications will be declined. Receiving Dept..
ORDERING FROM THE FACTORY IN WARRANTY REPAIR SERVICE

Print all information on a purchase order form and mail to: Call or write the Factory to obtain an authorization to return
PASO SOUND PRODUCTS, INC. the product for repairs.
4750 Goer Drive - Building F
CHARLESTON, SC 29406 Pack the equipment in the original carton or in a strong carton
with at least THREE INCHES of resilient packing material on all
Be sure to include the following: sides, top and bottom. Seal the carton with reinforced tape and
- Paso part number mark it FRAGILE on at least two sides. Remember, the Carrier
- Part description will not accept liability for shipping damages if the unit is improp-
- Quantity required erly packed.
- Model number of the unit
- Serial number of the unit EQUIPMENT RECEIVED IN DAMAGED CONDITION DUE TO
- Your payment or your authorization for COD shipment for parts POOR PACKING WILL BE REFUSED AND THE WARRANTY
not covered by the Warranty or if your company has a current COVERAGE IS AUTOMATICALLY VOIDED.
account with the factory
The Paso Sound Limited Warranty provides:
RETAIN ORIGINAL IN WARRANTY PARTS UNTIL YOU
RECEIVE REPLACEMENTS. PARTS THAT SHOULD BE The examination of the returned product must disclose in our
RETURNED TO THE FACTORY WILL BE LISTED ON YOUR judgement, a manufacturing defect. The warranty does not
PACKING SLIP. extend to any product that has been subject to misuse, neglect,
accident, improper installation or where the serial number of the
For your convenience replacement parts are also available product has been removed or defaced.
through Paso Authorized Distributors and Dealers nation wide.
Obtain a location list directly from the Factory or your regional Ship via insured prepaid United Parcel Service or Parcel Post to:
Paso Representative.
PASO SOUND PRODUCTS, INC.
TECHNICAL CONSULTATION 4750 Goer Drive - Building F
- Need help with your installation ? CHARLESTON, SC 29406
- Need help with the operation of the unit ? Attn. SERVICE DEPARTMENT
- Need help with a repair ? The equipment will be returned freight prepaid after repairs.
Call or write for assistance. You will find our Technical Dept.. Be sure to include the following:
eager to help or assist you with any technical problem you may - Your name and address
have encountered except “`Customizing'' for a unique applica- - Date of purchase and copy of invoice
tion. - A brief description of the difficulty
- A return address shipping label
The effectiveness of our consultation service depends on -
the accuracy of the information you furnish. OUT OF WARRANTY REPAIR SERVICE
Be sure to tell us: Follow return instructions as per in warranty repair service. Prior
- The Model and Serial number of the unit to performing all necessary repairs, you will be advised of the
- The date of purchase charges and at that time a written authorization by you will be
- An exact description of the difficulty required including authorization to return the equipment COD for
- All you have done in attempting to correct the problem the service and shipping charges. This will avoid unnecessary
delays in returning the equipment to you.
Call our toll-free phone number:
1-800 231 3034
Printed in USA Manual OM 170 PAGE BACK

Paso Om170 Dma-2015 Dma-2030 Dma-2060 Dma-2120 Digital Music Amplifier 2005 Installation SM

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® Manual

Digital Music Amplifiers

DMA 2015 - 15 Watt RMS

WATER, RAIN OR MOISTURE

Innovation through technology since 1931

PROFESSIONAL AUDIO & SOUND

❑ 4 Channel Inputs - 2 Zone Outputs DMA2120 120 Watt RMS

PROFESSIONAL AUDIO & SOUND

IMPORTANT SAFETY INSTRUCTIONS

Fig. 3 - Rack Kit Mounting

0 10 0 10 0 10 0 10 -10 +10 -10 +10

DMA2015/2030/2060/2120 SPECIFICATIONS ARE SUBJECT TO CHANGE WITHOUT NOTICE

PROFESSIONAL AUDIO & SOUND

0 10 0 10 0 10 0 10 -10 +10 -10 +10

1) INPUT 1 Volume Control 5) BASS Control

PAGE 4 SPECIFICATIONS ARE SUBJECT TO CHANGE WITHOUT NOTICE DMA2015/2030/2060/2120

PROFESSIONAL AUDIO & SOUND

DMA2015 Rear Panel

DMA2015/2030/2060/2120 SPECIFICATIONS ARE SUBJECT TO CHANGE WITHOUT NOTICE PAGE 5

SPECIFICATIONS ARE SUBJECT TO CHANGE WITHOUT NOTICE

BOTTOM PRINTED CIRCUIT BOARD

PROFESSIONAL AUDIO & SOUND

FUNCTION SWITCHES AND JUMPERS DEFAULT SETTING TABLE

JUMPER AND JUMPER FUNCTION FACTORY FACTORY

PREAMPLIFIER PCB JUMPERS (Upper Board)

S102 INPUT 4 (MIC 4) PHANTOM POWER ON - OFF OFF

S108 INPUT 4 VOX 1 - OFF OFF

S111 INPUT 4 (AUX 2/MIC) MUTE 1 - OFF M1

MAIN PCB JUMPERS (Lower Board)

S203 TEL INPUT VOX 1 - OFF V1

S101 INPUT 4 MIC 4 OR AUX 2 SWITCH AUX 2

MOH/ZONE 1 BOARD JUMPERS

S107 MOH/ZONE 1 INPUT SOURCE AUX 1 - AUX 2 AUX 1

REAR PANEL SWITCHES

S201 EQ LINK Inserts External EQ between INTERNAL

DMA2015/2030/2060/2120 SPECIFICATIONS ARE SUBJECT TO CHANGE WITHOUT NOTICE PAGE 7

PROFESSIONAL AUDIO & SOUND

V1 The VOX JUMPER has two positions: OFF, and V1

VOX JUMPERS MUTE JUMPERS

SOURCE IN AUDIO OUT

Fig. 8B - Any Input VOX 1 activated and MUTE 1 OFF

PAGE 8 SPECIFICATIONS ARE SUBJECT TO CHANGE WITHOUT NOTICE DMA2015/2030/2060/2120

PROFESSIONAL AUDIO & SOUND

MIC IN MIC OUT

OFF S203 VOX 1 BUSS ON

OFF S110 VOX 1 BUSS OFF

23 (Jukebox) mutes INPUT 4 (Satellite Receiver). When the Jukebox is

DMA2015/2030/2060/2120 SPECIFICATIONS ARE SUBJECT TO CHANGE WITHOUT NOTICE PAGE 9

PROFESSIONAL AUDIO & SOUND

CAUTION: TO PREVENT POSSIBLE DAMAGE TO SPEAKERS OR THE AMPLIFIER

MICROPHONE TYPE PASO MICROPHONES

THREE LEADS BALANCED MICROPHONE WIRING WIRING

VOX - MUTE JUMPERS SETTING MICROPHONE INPUT

TWO LEADS UNBALANCED MICROPHONE WIRING CABLE

When the INPUT 1 (MIC 1) is

PAGE 10 SPECIFICATIONS ARE SUBJECT TO CHANGE WITHOUT NOTICE DMA2015/2030/2060/2120

PROFESSIONAL AUDIO & SOUND

MUTING - PRIORITY SETTINGS

MUTING INPUT 4/AUX 1 (MUSIC INPUT)

DESK BASE/GOOSENECK MICROPHONE WITH MUTING SWITCH

VOX - MUTE JUMPERS SETTING INPUT 1 - Default Jumper Settings

Fig. 11A - Input 1 and Muting Terminals

DMA2015/2030/2060/2120 SPECIFICATIONS ARE SUBJECT TO CHANGE WITHOUT NOTICE PAGE 11