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ARCHITECTURE
DESIGN BASICS -
FORM
First In Architecture
The information contained in this guide is for informational purposes only.
No part of this publication shall be reproduced, transmitted or sold in whole or in
part in any form, without the prior written consent of the author.
02 What is Form?
03 Primary Elements
06 Transformation of Form
08 Collisions of Geometry
09 Next Steps
10 Thank you!
01
INTRODUCTION
The act of creating architecture can be seen as a problem solving process. Early
phases of design will focus on establishing the problematic conditions of the project,
and committing to finding a solution to those problems.
A designer will draw on experience, their existing design language to resolve issues
and develop solutions. The following post (forming part of our Design Basics series)
looks at some of the elements and principles of the design language. Specifically we
will start by looking at form and how it responds to conditions of function, purpose
and context.
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02
WHAT IS FORM?
Form can be described as a reference to both the internal structure and external
outline, often in the shape of a three dimensional mass or volume.
Some of the characteristics of form include:
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03
PRIMARY ELEMENTS
The primary elements of form are points, lines, planes and volumes – each one
growing from the other. A point is a position in space, a line is the extension of a point.
A surface or plan, is the extension of a line. A volume is a plane extended.
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04
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REGULAR AND
IRREGULAR FORMS
A regular form is considered to be a form that is consistent and orderly. They are
generally symmetrical about one or more axes. The sphere, cylinder, cone and cube
are examples of regular forms. These forms can be changed by the addition or
subtraction of elements, but can still remain regular.
An irregular form is one whose parts are dissimilar and generally inconsistent and
asymmetrical. A regular form can be contained within an irregular form.
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06
TRANSFORMATION
OF FORM
Many variations of a form can be generated from the primary solids, by manipulating
dimensions of the solids, or adding or subtracting elements.
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07
SUBTRACTIVE AND
ADDITIVE FORMS
Subtractive forms will have portions removed from its volume, but they often retain
their identity until the profile is drastically altered.
Additive forms are produced by relating or attaching one or more subordinate forms
to its volume. This can be broken down into different types of contact.
Spatial tension – where the forms are within close proximity to one another
Edge to Edge – where the forms are sharing a common edge
Face to Face – where the forms have corresponding surfaces which are parallel to
one another
Interlocking – where the forms are inter connected to one another
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Additive forms often grow and merge with other forms, creating relationships that can
be categorised as below:
Centralised
Centralised forms are often freestanding, and isolated within their context.
Linear
A linear form is often a response to a topography or site context. They tend to
demonstrate a selection of forms along a line.
Radial
A radial form features a centrally located core with linear forms extending outwards
from the centre. Radial forms can create a network of centres linked by the linear
forms.
Clustered
A clustered form tends to be a collection of varying forms. They are often based on a
more functional requirement, and tend not to be regular or formal. A clustered form
can be interlocking, face to face, or edge to edge amongst others.
Grid
A grid form demonstrates a form that is focused on a grid layout. These forms tend to
be considered in third dimension and are of a modular framework.
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08
COLLISIONS OF
GEOMETRY
There are often occasions where two geometries will collide to create a new
composite form.
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09
NEXT STEPS
RESOURCES
ARCHITECTURE DESIGN
BASICS - FORM
MORE INSPIRATION
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THANK YOU!
I hope you have found this guide useful.
Thank you for taking the time to read this.
Thanks again,
Emma
https://www.firstinarchitecture.co.uk/
HAPPY DESIGNING ;)
Author
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