SITE LOCATION : ARCHITECTURAL FEATURES AREA DISTRIBUTION

• LOCATION : 27,
OPEN SPACE
JAWAHARLAL NEHRU ROAD,
PARK STREET, KOLKATA,
WEST BENGAL 700016. CORRIDOR
COORDINATES: 22.5579° SPACE
N, 88.3511° E CLOSED SPACE

• CLIMATE KOLKATA HAS A ROPICAL

INDELY.SLIMITE. ANNUAL MEAN
• CIRCULATION
TEMPERATURE: 26.8°C (80 °F)
• MAXIMUM TEMPERATURE: 43.9 °C WINDOWS INVITING NATURAL LIGHT AND DORIC COLUMN FUSED
ENTRANCE GATE 2.4M WIDE
(111°F) ARTIFICAL LOGHT IN WITH ARCH OPENING
DAYLIGHT COLONADED GROUND FLOOR FIRST FLOOR
• MINIMUM TEMPERATURE : 5°C (41°F)▸ GALLERY
• ANNUAL PRECIPITATION: 1,582MM CORRIDOR
(62.3
• AVERAGE RELATIVE HUMIDITY: 70.8%

• ARCHITECT: WALTER GRANVILLE (ARCHITECT OF VICTORIAN PERIOD)

▪ ARCHITECTURAL STYLE: NEOCLASSICAL

• COLLECTIONS: INDIAN ART, ARCHAEOLOGY, • THE DECORATIVE ART SECTION :

ANTHROPOLOGY, GEOLOGY, ZOOLOGY AND ECONOMIC IN THAT GALLERY SOME OF THE AESTHETIC
BOTANY.
CENTRAL COURTYARD LAMP STANDARD CREATIONS OF CRAFTSMEN .OBJECTS
LATERAL SYMMETRICAL LAYOUT STAIRCASE
SITE SURROUNDING MADE OF WOOD ,TEMPLE FAÇADE OF
MANDALAY ,AND SAME ARTS .
• ARCHAEOLOGY IN ARCHAEOLOGY THEY CAN USE SCULPTURE BELOGING TO THE MATHURA,
GANDHARA STYLES OF ART
EGYPTIAN ART AND 50 THOUSAND COINS GALLERY

REPLICA OF REMAINTENTS THE COINS GALLERY EXHIBITS ON

OF SANCHI STUPA BOTH SIDE AND CELING IS
• ARCHAEOLOGY • ORIENTATION ,ARRANGMENT , ARTIFICIAL
SPACE IN BETWEEN FREMAD FOR FALSE CELING
GANDHARA STYLES VIEW SHOWING THE LIGHTING OF THE DECORATIVE ARTS
COLUMNS GANDHARA PURPOSE
1. BHARHUT ARRANGMENT OF GALLERY. EACH GLASS PANNEL IS
2. GANDHARA GALLERY GALLERY DIVIDED INTO 2 HALVES AND EACH
3. COIN • ARTANTHROPOLOGY • MASK GALLERY
4. 4. SCULPTURES
PANNEL HAS LED LIGHTS FOR DISPLAY ..
5. BRONZE6. ANTHROPOLOGY: THE SECTION DEPICTS THE DIFFERENT PHASES OF HUMAN
6. PREHISTORY
7. TERRACOTTA & MINOR ART
EVALUTION THE LIFE STYLE,CLOTHING ,DIFFERENT TYPE OF TRIBES AND MASKS TEXTTILE GALLERY
8. 17. EGYPT
HUMAN EVALUTION GALLERY

IN THE MASK GALLERY THE GALLERY EXHIBITS

VARIOUS MASKS FROM WEST BANGAL, ORISSA, • IN THIS TEXTILE GALLERY ITHE
FIRST FLOOR PLAN ASSAM ,KARNATKA ARRANGMENT AND LIGHTING AND
CENTRAL ARRANGEMENT ORINTATION IS IS LOOKING GOOD .
SHOWCASES THE DNA • ART GALLERY
GEOLOGY IN THAT GALLERY AS ONE CAN SEE THAT HELIX IN ART GALLERY SHOWCASE PAINTING,WOOD WORK
10. ROCKS & MINERALS • INFERANCES:
11. EARTH & METEONTES EVAEN THE CORNERS ARE USED IN • BIRDS GALLERY IN ART GALLERY UPPER PORTION OF GALLERY USED AS • NATURAL LIGHT REPLACED TO
12. SIWALIK VERTEBRATE FOSSIL CREATIVE WAY PLACING DISPLAY BOX SECONDRY DISPLAY AREA. MACHANICAL LIGHT .
24. INVERTEBRATE FOSSILBOTANY
23. INDUSTRIAL BOTANY
TO CONNECT THIS TWO FLOOR THEY CAN USED SPRIAL • NARROW CIRCULATIOPN SPACE IN
ART STAIRCASE.MUGHAL ART, DECCAN ART , RAJSTHANMI ART AND GALLERIES
13. BENGAL PAINTING PAINTINGS • NO SPRIAL DISPLAY FOR EXHIBIT
14. OIL PAINTING
15. TEXTILE • USE OF SENSOR LIGHTS IN FEW OF THE
16. DECORATIVE ARTANTHROPOLOGY SECOND FLOOR PLAN GALLERIES .
8. HUMAN EVOLUTION
9. CULTURAL
IN BIRD GALLERY IS • FOR CONTROL NATURAL LIGHTING BLACK
ANTHROPOLOGYZOOLOGY
18. AMPHIBIA REPTILES & BIRDS ORRIENTATION AND USE SHEETS ARE FIXED ONTO THE WINDOWS
19, FISH
20. INSECTS
OF NATURAL LIGHTING
21. LARGE MAMMAL AND ARTIFICIAL LIGHTING , VPSOA BARAMATI
GROUND FLOOR PLAN 22. ANIMAL ECOLOGY CENSOR LIGHT USED VIKIRAJ GHADAGE
ROLL.NO.10
CASE STUDY :- 1 INDIAN MUSEUM KOLKATA TY.B.ARCH