GE1701

Name: Jannamae Francine Loise Gilla Section: BSIT 202

Date: 6/22/2022 Score:

Directions: Fill in the table below with information you gathered from 05 Video 1.

Timeline Description of Art

The Romans ruled such a vast empire for so long that a summary of the art
produced during that time period can only be brief and selective. Perhaps the
most distinguishing features of Roman art are its diversity, the embrace of art
Rome, 290 A.D.
trends past and present from every corner of the empire, and the promotion of
art to such an extent that it became more widely produced and more easily
available than ever before. Roman artists copied, imitated, and innovated to
produce art on a grand scale, sometimes compromising quality but on other
occasions far exceeding the craftsmanship of their predecessors.
Traditional Thai art is primarily Buddhist in nature, with Hindu elements and
iconography incorporated. Almost all traditional Thai sculpture depicts images
of the Buddha. Traditional Thai paintings typically include book illustrations
Thailand, 1450
and painted ornamentation of structures such as palaces and temples. Thai
art, architecture, and design are distinguished by their subtlety of design and
form, as well as their extensive use of symbols, amulets, mystical drawings,
and both public and private statuary.
The Napoleonic expositions Paris 1801 The national resolve to strengthen
French industry, to make it equal or superior to the productive power of all
other nations – particularly England's – drove all three Napoleonic expositions.
Paris, 1801
The open rivalry with British industry, so vehemently declared by Neufchâteau
in 1798, (1) would remain a dominant force in French expositions up to and
including the exposition universelle of 1867. The Napoleonic expositions, like
their predecessor in 1798, were viewed as a series of contests by French
leaders: not exactly wars, but displays of strength proclaiming France's ability
to compete in military and economic struggles.
Salon de 1833
The 1832 Salon was cancelled because of a cholera outbreak in Paris. There
were 3, 318 entries in the 1833 livret, of which over seventy-five percent were
Paris, 1833
paintings and drawings. Louis-Philippe moved quickly to engage the visual
arts in the service of/to legitimize his new government. Among other projects,
he created the Museum of French History in the former royal palace at
Versailles for the display of works by contemporary artists that represented
French historical events and major figures from Late Antiquity to the present.
Vernet’s painting of Louis-Philippe leaving the Palais-Royal to accept the
kingship at the Paris town hall (Hôtel de Ville) is an early example. Louis-
Philippe also allowed/tolerated the veneration of Napoléon as evidenced in the
allegorical painting, Napoléon the Lawmaker, exhibited by Jean-Baptiste
Mauzaisse (below; Musée National du Château, Malmaison).
Childe Hassam, Flags, Fifth Avenue, 1917
This scene of Fifth Avenue by American Impressionist Childe Hassam was
one of 30 such images showing the flag-bedecked thoroughfare during World
New York, 1917
War I. The canvas captures the dynamic verve of New York just as the country
began its ascent to superpower status.
 Burt Glinn was one of the most prolific photographers of the postwar period.
His wide range of political and cultural interests and his consistent ability to
obtain excellent photographs for any assignment have earned him the moniker
New York, 1949
the “editor’s photographer”. Pictured here, New York’s Museum of Modern Art,
1949.

The Venice Biennale is an indecipherable, anachronistic, reassuring event; a

19th-century exhibition model of dynamic Modernism, designed after the first
international World Fairs of Crystal Palace, Paris and New York, nestling
Venice, 2005
inside a largely unchanged medieval city structure. Its untidy cluster of national
pavilions sits inside the Giardini like a McLuhanesque global village: a city
within a former city–state.

05 Worksheet 1 *Property of STI

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