Professional Documents
Culture Documents
Suddenly, Salva hears gunshots. The two-year long religious war between rebels from the south and the
government has reached Salva’s village. Outside, men, women, and children are running. Salva’s teacher
yells for the students to run, and to not go back to their village. Salva tries to scream that he wants to go
home, but no words come. He runs into the bush, leaving home behind.
Nya sits down on the ground with the container beside her. Thorns from plants that line the path cover
the ground. She examines her heel. Half of a large thorn has embedded itself there. She tries to remove
it with her fingers, and then finds another thorn that she uses as a tool to dig out the one lodged in her
foot. Nya grimaces at the pain.
Salva hears a loud boom and sees flames and smoke behind him. He runs for hours, not knowing where
he is going, where his family is, and if they will see him again. He slows to walk alongside others who are
fleeing.
At nightfall, the people stop and separate into groups by village. Salva joins people from Loun-Ariik, his
village. A few faces look familiar, but his family is not there.
The next day, the walking continues. Gun-toting rebels surround the villagers. Salva wonders what will
happen to them, and where his family is.
As evening approaches, they arrive at the rebel camp. The soldiers separate the villagers into two groups
—one of men, the other of women, children, and the elderly. Salva is unsure of which group to join. He
is Salva Mawien Dut Ariik, of an important family. Surely he can act like a man, and set a good example
for Kuol. He moves to join the men, but a soldier stops him, and points him to the women and children.
Salva thinks of seeing his family again and swallows his terror. The soldier laughs and tells Salva not to
be in such a hurry to grow up.
In the morning, not everyone wants to go with the rebels, but no one dares protest after a soldier beats
a man for resisting.
At nightfall, Salva’s group finds a barn to sleep in. He sleeps restlessly with the uncertainty of where he
is going and whether he will see his family again. When he awakens in the morning, everyone is gone.
Salva is alone.
Analysis: Chapters 1–2
Park uses a narrative structure in A Long Walk to Water that weaves two parallel stories together
throughout the book’s chapters. A third-person omniscient narrator introduces the reader first to Nya
and then to Salva. The structure itself, a back and forth between the two stories, suggests a connection
between these two main characters, though the reader has, at this point, few clues as to what this
connection might be. We know that Nya and Salva are both eleven years old and that they are both in
Southern Sudan. It is clear that it is hot and dry where Nya lives and that Salva’s family leaves their
village during the dry season, which suggests a nomadic existence determined by access to water.
However, Salva’s story begins twenty-three years before Nya’s.
The brevity with which Park begins Nya’s story in the first two chapters contrasts with the more detailed
description of Salva. What the reader initially learns about Nya is limited to short sentences that reveal
the most basic of facts. Her journey involves a certain amount of suffering and physical pain, though at
this point, it is unclear where she is going, or if this is a journey she makes every day. She walks alone, so
little is known about her family or friends, though her family has sent her out with an empty container
for a specific purpose. Park introduces us to Salva, on the other hand, with more detail, including
information about his country (Sudan), his tribe (Dinka), and his family. He and his brothers know they
are fortunate to attend school, and though they share responsibility for herding their family’s cattle to
water, their days seem somewhat carefreely spent in a bucolic setting, in stark contrast to Nya’s day.
Salva’s daydreaming suggests the warmth and closeness he feels to his family. Salva’s sisters do not
attend school but rather stay home to attend to domestic duties, and this points to differences in gender
roles in Sudanese society.
Both Nya and Salva’s suffering and struggle to survive is brought about by circumstances that are
beyond their control. The reader can guess that the pain Nya endures, from thirst to thorns, is due in
large part to the harshness of the natural environment in which she lives. She is only a child, but she
must rely on herself to deal with her pain. Salva’s suffering, on the other hand, is brought about by
human violence. The raging Sudanese Civil War that has now reached his village shatters his childhood
innocence and launches him into an experience of gutsy survival vastly different from the life he
daydreams about. In order to survive, he must flee everything he has ever known. While Salva is
determined to be brave and “act like a man” as his father has always encouraged him, the rebel soldier
tells him not to grow up too fast and forces Salva to join the group of women and children. Ironically,
the very adults who one might think would protect Salva, abandon him. When he awakens to an empty
barn, he must face a cruel reality: he will have to depend on himself for his own survival and “act like a
man.”
Every Shakespeare Play Summed Up in a Single Sentence
The 7 Most Embarrassing Proposals in Literature
The 6 Best and Worst TV Show Adaptations of Books
QUIZ: Which Greek God Are You?
By entering your email address you agree to receive emails from SparkNotes and verify that you are over
the age of 13. You can view our Privacy Policy here. Unsubscribe from our emails at any time.
First Name
Last Name
Sign Up
Quick Links
No Fear Shakespeare
Literature Guides
Other Subjects
Blog
Teacher’s Handbook
SparkNotes PLUS
Sign Up
Log In
PLUS Help
More
Help
About
Contact Us
Advertise
|
Privacy
|
Cookie Policy
|
>