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Music: 00:00 : Jay does knowonder riff RIFF PART ONE: Frame 1 Location: Night time going West

down Portage passing Star Grill foreshadowing whats to come Frame 2 Location: Sunrise approx. 5am Going East down Portage. City is just waking up, everyone is either sleeping or heading home from a long night. Frame 3 Location: Making a montage of all the other shots shot at sunrise (garbage hill) fading from one fragment to the other. Frame 4 Location: Park bench across from Star Grill ACTION 1: Person walks to bench. Settles down and sits on bench enjoying their coffee and the view. ACTION 2: Takes out a keychain and begins lling it out with info (email) ACTION 3: Gets a phone call. Animated discussion. Suddenly gets up on left (camera right) side of bench and (Music: Jay doing the KNOWONDER riff part keys drop.) keys fall off lap, grabs purse, a urry of actions* and the grass and the persons speaking drown out the sound of the keys hitting the ground.[get on top of Star Grill to get them walking out of it] ACTION 4: Person walks back in the direction they came from and we fade FUCK! PART TWO: Frame 1 Location: Park bench across from Star Grill Description: The scene is the empty bench where the keys have been dropped Frame 2 Description: Different angles of the keys falling in the general area that they got lost in, at the bench. All possible angles of this action. Played in reverse and forward, culminating with a sequence that shows the keys falling as the last part of this PART, transitioning into PART THREE.

essentially, due to the heat, the idea on the phone of the beach and getting their while its still early is brought up, time is of the essence and thus, in haste, the keys are lost.

PART THREE: Frame 1 Location: Park bench across from Star Grill Description: A jogger comes across camera left of the bench, in slow motion as we begin the THIRD SECTION of KNOWONDER. CAMERA ACTION: While keeping the same location of the Park Bench across from Star Grill, we include a shot during this action that is MCU in front of the jogger--->immediately followed by a CU of the joggers EYES noticing something in the direction of the bench.---->RETURN to the CAMERA SET UP at the BENCH. Jogger is getting closer to the bench, however he notices the ticket (which we do a close up of quickly on the camera left of the bench, then cut back to the MASTER SHOT STAR GRILL) He then picks it up, jogs away. NOTE*: AMBIENT NATURE SHOTS TO ILLUSTRATE UNCONSCIOUS SYNCHRONICITY can be used to ll up the sequence. PART FOUR PART I: (approx: 15:45) Music is the Do Ah DooBey part [KFX] into Psychedelic Preppy Part At this point Character 1 is on their way to their apartment, they pass breath grenades, untiLted, McLuhan video poster, reach to tap their pocket to get their keys and they realize they arent there. Character 1 checks purse, the music is pretty quick edit intense, then they realize...the fucking bench. CUT TO: PART FOUR PART II:(Preppy Part/Vampire Garagend) 1.Pats character enters on the Preppy Part, cuz Pat is a Prep. 2.He goes to the same location of the STAR GRILL bench shot. 3.With a camera and tripod he sets up a shot and then 4.Notices THE KEYS. Various MCU, CU and ECU shots of the key chain, revealing EMAIL. 5.Pats character takes out his laptop res off email to the person.

6.SPLIT SCREEN shows Character 1 on their way back to the bench all pissed and paranoid, then their mobile indicates the EMAIL. They check it out. We do a split EMAIL LAPTOP SENDER/EMAIL MOBILE RECEIVER exchange. [the musical part for this should be the original/modied space truckin to show the ping pong communication and then the relax and allow resolution of not needing to worry about the keys and just to make it to the show.] 7. The arrangement to meet at the show is made. * PART FIVE: The Arpeggio Parts This is when we show people arriving mixed with shots of the surrounding area of The Ellice Theatre. Basically, all the shots that dont have people. Trafc lights swaying in the breeze ;) and such The OK Go! WTF video effect here and there Basically this is the only part of the video Jaymez can kind of fuck with all the sequences, and it will be mixed with the live footage we shoot of people entering the theatre with the XOOM and occasionally mixing the LIVE STAGE CAMERA into the montage. More or less this continues til we get to KNOWONDER proper. The various cymbal grab/arpeggios will be synchronized with Jaymez ahead of time. ENDING WITH THE KYUSS/HARDCORE part intro and portion leading into again, KNOWONDER proper. Have many static shots of basic MOTION of anything in SLOW MOTION, hopefully a bag, kite or a kid running. Or a shot of the KEYS swaying. Before end of this PATS character notices Character 1 on screen, Character 1 will be on screen for a second or so and then long enough for PAT to notice based on the SIGNAL/a wave perhaps? PAT looks back then at the screen, puts his bass down. Jay and I fuck around while he goes into the audience gives Character 1 her keys. Then when he gets back on stage, we do Knowonder (proper) KNOWONDER: Summary of all previous SECTIONS, and the whole Google Earth concept untiLted Moon and all that chazarye.

potentially we could get the shot at Birds Hill of Character 1 and friend preferably still getting to go to beach, presumably Character 1 burrowing bathing suit from friend. untiLted will supply transport should situation schedule itself to unfold.

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