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One Ok Rock 

(Japanese: ワンオクロック, Hepburn: Wan Oku Rokku) (stylized in all caps


as ONE OK ROCK) is a Japanese rock band, formed in Tokyo, Japan, in 2005. Originally five
members, the band currently consists of vocalist Takahiro Moriuchi, guitarist and bandleader Toru
Yamashita, bassist Ryota Kohama, and drummer Tomoya Kanki. Former members include
drummer Yu Koyanagi and guitarist Alexander “Alex” Reimon Onizawa. They play varied styles of
music, with songs ranging from alternative rock and emo to post-hardcore and pop rock.[13][14]
One Ok Rock was affiliated originally with Amuse, Inc. ever since their debut in 2007. The band
left Amuse on April 1, 2021 and established their own management agency, named 10969 Inc. In
the United States, they are signed with record label Fueled by Ramen.
The band's name comes from "one o'clock", the time that the band used to practice their music
on weekends. They chose to play at one o'clock in the morning because it was cheaper to use
the rehearsal space during such hours. However, noticing that the Japanese language made no
distinction between R's and L's, "O'CLOCK" transformed into "O'CROCK" or "O'KROCK", which
later transformed into "OK ROCK".[15] In addition, One Ok Rock can be expressed as "10969"
(wan-ō-ku-ro-ku). The band uses both Japanese and English lyrics in their songs.
One Ok Rock rose to international fame with their 2012 single "The Beginning" from their sixth
album Jinsei×Boku=, which led them to concerts and music festivals outside Asia. Following the
success, the band started to release their later albums in two versions (Japanese-English and full
English) with 2 to 3 different tracks in each version. Their seventh studio album, 35xxxv, became
their first album which charted on US Billboard. It peaked at No. 11 on Heatseekers Albums,
[16]
 No. 43 on Independent Albums,[17] No. 23 on the Hard Rock Albums,[18] and No. 1 on the World
Albums Chart.[19] The band's eighth album, Ambitions, debuted at No. 106 on the
US Billboard 200[20] and international charts while incorporated more American pop and pop-rock.
In 2019, the band adopted electronic and pop sound on ninth album Eye of the Storm.
One Ok Rock won Classic Rock Roll of Honour Awards for Eastern Breakthrough Male Band in
2016,[21] and Rock Sound Awards for Best International Band in 2017[22] and Best Live
Performance in 2018.[23] The band was also nominated for two Alternative Press Music
Awards – Best International Band in 2016 and Best Breakthrough Band in 2017.[24][25]

Contents

 1History

o 1.12005–2006: Formation and early releases

o 1.22007–2009: Debut album, Beam of Light, Kanjo Effect and departure of Alex

o 1.32010–2012: Niche Syndrome, music festivals, and Zankyo Reference

o 1.42013–2014: Jinsei×Boku=, Fool Cool Rock, and Worldwide Tour

o 1.52014–2016: 35xxxv and international success

o 1.62016–2017: Signed to Fueled by Ramen and Ambitions

o 1.72018–2020: Eye of the Storm

o 1.82020–present: Luxury Disease and 10969 Inc.

 2Artistry
 3Band members

 4Discography

 5Filmography

 6Tours and concerts

o 6.1As a headliner

 6.1.1Japan

 6.1.2International

o 6.2As a co-headliner

o 6.3As an opening act & Special guest

 7Awards and nominations

 8References

 9External links

History[edit]
2005–2006: Formation and early releases[edit]

One Ok Rock in 2006

The foundation for One Ok Rock began on July 29, 2005, when Toru Yamashita, a high school
student, wanted to start a band. He Invited his childhood friend Ryota Kohama, who was also a
member of the hip-hop dance group HEADS they were both in years prior. He told Ryota to learn
the bass and asked Alexander Onizawa, who was their senior in school, to join to be their
guitarist and his classmate, Yu Koyanagi, to play drums. Toru was searching for a vocalist and
found Takahiro Moriuchi, who was in another band performing. Impressed by Taka’s singing skill,
Toru insisted him to join One Ok Rock instead. At first, Taka refused despite repeated attempts to
sway him, but eventually, he joined the band. The band released their self-produced demo CD
“Do You Know A Christmas?”. On December 21, 2005. There were only 200 copies of the CD. In
2006, they released 2 EPs, ONE OK ROCK and KEEP IT REAL. After signing with Amuse,
Inc. Yu Koyanagi left the band to pursue an acting career and replaced by Tomoya Kanki who
was a student at the ESP (Musical Academy) and was already in a band that was not going well.
He then joined One Ok Rock in 2006 and became an official member when they debuted in 2007.
[15][26][27]
2007–2009: Debut album, Beam of Light, Kanjo Effect and
departure of Alex[edit]
In 2007, the band released their debut single, "Naihishinsho", reached number 48 on
the Oricon[28] Charts and sold 15,000 copies. Followed by their second and third single, " Yume
Yume" and "Et Cetera" , followed that success and charted at number 43. After those singles,
they released their debut album Zeitakubyō on November 21, 2007, and had their first tour,
the Tokyo-Osaka-Nagoya Quattro Tour. They released their second album Beam of Light in May
2008. In an interview with Rockin'On Japan magazine in June 2012, One Ok Rock said they did
not count this album as an album, but rather as a part of growing up as a band.[29] When they
made the album, they had not been in the right mood, but felt that they had to make it to grow as
a band. The band came up with many sound sources and ended up making a punk album. The
album's confused origins were the reason why they would not play any songs from Beam of Light
in live performances until now. Shortly after releasing Beam of Light, later they performed a gig
at Shibuya AX.[30]
On April 5, 2009, Alex was arrested for groping the leg of a twenty-one-year-old female student
on a train.[31] He admitted to the charges and the case was settled out of court.[32] The band's next
single, "Around the World Shounen", which was planned for a May 6 release as the theme song
for the TV drama GodHand Teru, and their nationwide tour were both cancelled.[31] In May 2009, it
was announced that One Ok Rock would continue on without Alex, who went back to the United
States.[32] Toru took his place as lead guitar, and the band re-arranged their songs to be played for
one guitar.

2010–2012: Niche Syndrome, music festivals, and Zankyo


Reference[edit]
With the new four-member formation, One Ok Rock released the single "Kanzen Kankaku
Dreamer" on February 3, 2010. The song peaked at number nine on the Oricon Singles Chart in
Japan.[33] After four months, the band released their fourth studio album titled Niche Syndrome.
Released on June 9, 2010, the album peaked at number three on the Billboard's Top Albums
Sales chart.[34] For the promotion of Niche Syndrome, One Ok Rock embarked on the This is my
own judgement! tour initially in five Zepp music halls across the nation in 6 days, starting Sendai,
Osaka, Nagoya, Fukuoka and ending in a 2-day concert in Tokyo. The second part the tour took
place at sixteen different venues until December 11, 2010. They held a final performance
in Nippon Budokan, Tokyo on November 28, followed by the release of a concert DVD This is My
Budokan?! on February 16, 2011.[35] On August 6, 7 and 8, One Ok Rock headlined Rock in Japan
Festival[36] and Summer Sonic Festival,[37] followed by Rising Sun Rock Festival,[38] Monster Bash,
[39]
 Treasure05X, Mad Ollie,[40] Countdown Japan 2010/2011,[41] and Radio Crazy. The band
supported Pay Money to My Pain in their 2010 Stay Real tour, The Hiatus in their Anomaly
2010 tour, and Totalfat in their Overdrive tour.
On February 16, 2011, the band released the single "Answer is Near", later, from April to June of
the same year, they performed the tour Answer is Alive 2011. After that, One Ok Rock released
their first double A-side single "Re:make/No Scared" on July 20, 2011, one of which's songs was
the main theme for the Black Rock Shooter: The Game video game.[42][43] The band's fifth
album, Zankyo Reference, was released on October 5, 2011. One Ok Rock announced fourteen
dates between November and December 2011 for the Zankyo Reference Tour.[44] The band also
announced their final tour for this album as a two-day concert in Yokohama Arena on January 21
and 22, 2012. This was their first time playing in Yokohama Arena, the biggest venue in Kantō
region. The concert was sold out with more than 24,000 attendees.[44] Later, the documentary of
the Zankyo Reference Tour and the performance from the second night in Yokohama Arena was
released on Blu-ray and DVD on May 30, 2012.[44]
During 2011, One Ok Rock headlined many music festivals, including Jisan Valley Rock
Festival in South Korea.[45] In July the band headlined Setstock 2011,[46] followed by Rock in Japan
Festival,[47] Rising Sun Rock Festival,[48] Summer Sonic Festival,[49][50] Monster Bash,[51] Sky
Jamboree,[52] and Space Shower's Sweet Love Shower.[53] At the end of the year, they headlined
Radio Crazy and Countdown Japan once more.
One Ok Rock announcing their first overseas tour the Start Walking The World Tour.

The band declared their first overseas tour in Start Walking The World on May and June 2012,
covering Japan, South Korea, Taiwan, and Singapore.[54] They headlined Rock in Japan Festival
on the main stage,[55] as well as Summer Sonic 2012,[56] and headlined Oga Namahage Rock
Festival, Rising Sun Rock Festival, and Sweet Love Shower.[57] Their next single, "The Beginning",
was chosen as the theme song for the live action movie adaptation of the Rurouni
Kenshin manga,[58] and was released on August 22, 2012,[58] reaching number 2 on
the Billboard Japan Hot 100.[59] Later, "The Beginning" won two awards - Best Rock Video from
the 2013 MTV Video Music Awards Japan[60] and a second award as Best Your Choice in Space
Shower Music Video Awards.[61]

2013–2014: Jinsei×Boku=, Fool Cool Rock, and Worldwide


Tour[edit]
On January 9, 2013, One Ok Rock released the double single "Deeper Deeper/Nothing Helps",
and hit 2nd place on the Oricon charts.[62] The song "Nothing Helps" was used for the Japanese
version of the video game DmC: Devil May Cry,[63] and "Deeper Deeper" was used for the
commercial of Suzuki Swift Sport in Japan.[64] Their sixth full-length album Jinsei×Boku= was
released on March 6, 2013, and managed to reach second place on the Oricon weekly chart.[65] In
October 2013 the band went on their first tour outside Asia and visited Europe for five concerts.[66]
[67]
 Four out of the five concerts in Europe were sold out almost immediately.[68]

One Ok Rock performing in London, UK, December 2014

On January 12, 2014, their album producer John Feldmann related that One Ok Rock had
already started recording their forthcoming album.[69] In February 2014 they visited the US to hold
two concerts in New York and Los Angeles[70] and added two more dates in Philadelphia and
Toronto in May. They also performed at Rock on the Range in Columbus, Ohio, their first festival
outside Asia.[71][72] On May 16, the documentary film about their last Europe and Asia Tour, Fool
Cool Rock, was released and played for a limited time of four weeks at select theaters. The film,
directed by Hiroyuki Nakano,[73][74] was released on DVD and Blu-ray in November 2014, with
promotional screenings in Bangkok, Thailand, and Hong Kong.[75]
In June and July 2014 they joined Vans Warped Tour 2014 and performed in eighteen cities in
North America.[67] On July 30, 2014, One Ok Rock released the double A-side single "Mighty Long
Fall/Decision",[76][77] and while "Mighty Long Fall", was the theme song for the movie sequel
of Rurouni Kenshin entitled Rurouni Kenshin: Kyoto Inferno, the song "Decision" is the theme
song for their documentary film Foo Cool Rock.[77] The music video for "Decision" released on
August 20, 2014, is a compilation of footage from their tours in Europe and Asia. In September
2014, the song "Heartache" became part of the Rurouni Kenshin: The Legend Ends's soundtrack.
[78]
 Subsequently, in September 2014, One Ok Rock held a two-day stadium concert in Yokohama
Stadium in front of 60,000 people called Mighty Long Fall Live at Yokohama Stadium 2014.[79] This
was their first time performing in a stadium.
One Ok Rock announced U.S., South American and European tours in late 2014. They
performed at Knotfest, in both Japan and the United States,[80][81] with an additional two dates for
the United States in October. At the end of October 2014, the band started their first tour in Latin
America visiting five countries.[82][83][84] On November 27, they were a guest performer
in Hoobastank's Japan tour[85] and returned their tour, this time in Europe, performing in ten more
countries in December.[82]

2014–2016: 35xxxv and international success[edit]


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On January 12, 2014, their album producer John Feldmann tweeted that One Ok Rock had
already started recording their new album.[69] Their first single from the forthcoming album, "Mighty
Long Fall", was the theme song for the movie sequel of Rurouni Kenshin. One Ok Rock released
the new single "Mighty Long Fall/Decision" on July 30, 2014.[76] The song "Decision" is the theme
song for their documentary film FOOL COOL ROCK. The music video for "Decision" released on
August 20, 2014, is a compilation of footage from their tours in Europe and Asia. They also
revealed the theme song for another movie sequel of Rurouni Kenshin entitled "Heartache".[86]
In September 2014, One Ok Rock held a two-day stadium concert in Yokohama Stadium in front
of 60,000 people called "Mighty Long Fall Live at Yokohama Stadium 2014". This was their first
time performing in a stadium. They played more than twenty songs, including three new songs
and one cover of A Thousand Miles by Vanessa Carlton.[87]
One Ok Rock announced U.S., South American and European tours in late 2014. They
performed at Knotfest, in both Japan and the United States, with an additional two dates for the
United States in October.[88][89] They visited Chile, Argentina, Brazil, Peru and Mexico for South
America in November and France, Italy, Switzerland, Germany, Denmark, Sweden, the
Netherlands, Belgium, United Kingdom and Russia in December. They performed
alongside Ghost Town in the US and UK, and with Tonight Alive and Mallory Knox for most dates
in Europe.[90][91] On November 27, they were a guest performer in Hoobastank's Japan tour.[92]
On October 9, 2014, the band announced that next album would be released in February 2015.
The official website of the band was redesigned along with this announcement.[93][94] Around
December 16, 2014, the band revealed the cover and name of their new Japanese upcoming
album, 35xxxv. The album peaked at #11 on Billboard's Heatseekers Albums.[95] This chart is for
new and upcoming musicians, which is usually a stepping stone towards the Billboard 200. On
the same week, it peaked at number 43 on Billboard Independent Albums.[96] Then it peaked at
number 23 on the Billboard Hard Rock Albums Chart[97] and reached #1 on the Billboard World
Albums Chart.[98]
One OK Rock performing at Lucky Strike Live, October 22, 2015

In April 2015, they opened alongside Finch for Yellowcard's U.S. tour. Following that, the band
returned to Japan for their extensive album tour starting from May to September. The final
concerts included bands like Issues and Against the Current. In July 2015, One Ok Rock officially
announced that they have signed with Warner Bros. Records and planned to re-
release 35xxxv as a deluxe edition containing all English tracks on September 25, 2015.[99] The
band was set to have a North American tour in fall 2015 with a few selected cities as headlining
artists, but will spend the majority of their time as the opening act for All Time Low and Sleeping
with Sirens.[100] One Ok Rock also toured Europe and Asia to promote their album.[101]
On October 17, 2015, 35xxxv (Deluxe Edition) debuted at No. 20 on Billboards Heatseekers
Albums and its highest peak position is at No. 17.[95]
One Ok Rock returned to Japan for their One Thousand Miles Tour 2016 concert along with All
Time Low and PVRIS.[102] In early 2016, it was announced that One Ok Rock would open
for Issues and Crown the Empire on the Monster Energy Outbreak Tour in to promote their
English album in the U.S.[103] They also continued to tour in Europe at different music festivals and
solo shows.[104]
On March 11, 2016, the band released a new song "Always Coming Back" that was featured
in NTT Docomo's phone commercial series, "Kanjou no Subete / Nakama".[105] In mid-2016, One
OK Rock joined 5 Seconds of Summer on the first North American leg of their Sounds Live Feels
Live World Tour.
To commemorate the 10th anniversary of My Chemical Romance's album The Black
Parade, Rock Sound announced a special cover album, including One Ok Rock. The band
covered the first track, "The End".[106]
On September 10 and 11, the band held a special live concert at Nagisaen, Shizuoka, Japan for
a crowd of 110,000 spectators. One Ok Rock also announced the digital single release of "Taking
Off" on September 16, 2016, under Fueled by Ramen. The song was used as a theme song for
the Japanese film Museum starring Shun Oguri. The movie debuted on November 12, 2016.
Later at a special live concert, Taka announced that their 8th studio album would be released the
following year following an album tour.[107][108]
On October 8, Sum 41 released the Japanese edition of their album, 13 Voices, including the
song "War" featuring Taka. Deryck Whibley from Sum 41 mentioned to Alternative Press Japan
that "It was great to collaborate with Taka on our new song called War. I am a huge fan of his
voice and of One Ok Rock and I think that our voices work very well together".[109]

2016–2017: Signed to Fueled by Ramen and Ambitions[edit]


After signing with Fueled by Ramen[110] on September 11, 2016, they released the lead single
"Taking Off" from their eighth album, Ambitions. The Japanese version of the album was released
on January 11, 2017, with A-Sketch. The English version of the album was released on January
13, 2017, with Fueled by Ramen. Ambitions features collaborations from Avril Lavigne on the
Japanese version of the album, Alex Gaskarth from All Time Low on the English version of the
album, and the Australian band 5 Seconds of Summer on both.[111][112] Alternative Press declared
the collaboration song "Jaded" (with Alex Gaskarth) as the best collaboration song of 2017.[113]
On November 13, 2016, NHK (Nippon Hōsō Kyōkai, a Japan Broadcasting Corporation)
held ONE OK ROCK 18 Festival (18 FES) where One Ok Rock and 1,000 youths (17 – 19 years
old from the whole country) sang together on one stage.[114]
On November 18, 2016, One Ok Rock released "Bedroom Warfare", the second single from the
album. The third single, "I was King", was released on December 15, 2016.
On January 1, 2017, One Ok Rock opened a special site "WORLD AMBITIONS",[115] in celebration
of Ambitions released on January 11, 2017. WORLD AMBITIONS is a website that visually
represents images of "hope" being shared and spread from users around the world through the
website and Twitter/Instagram.[115] People from all over the world can upload pictures with yellow
in it, symbolizing hope and connecting them all. Users can share their images
through SNS (Twitter, Instagram).[116] On January 9, 2017, the band released their single "We
Are".
In January 2017, the band went on their North American tour for 6 concerts.[117] From February to
May 2017, they will held 32 concerts in Japanese arenas.[118]
On February 9, 2017, the band released the limited CD single "Skyfall", which was only sold
during the "Ambitions" Japan Tour at the show venues.[119] The CD contains 3 songs: "Skyfall"
(featuring MAH from SiM, Masato Hayakawa from Coldrain, and Koie from Crossfaith), "Right by
your side", and "Manhattan Beach".
On May 2, 2017, it was announced that One Ok Rock would open Linkin Park's One More Light
Tour in North America for 4 dates and in Japan for 3 shows.[120][121] Later on July 21, 2017, it was
announced that their North American Tour got cancelled because of Linkin Park
frontman Chester Bennington's suicide on July 20, 2017, a week before their shows;[122] while
Linkin Park's final leg in Japan was cancelled on October 3, 2017.[123] One Ok Rock paid tribute to
Chester Bennington by covering Linkin Park's song "One More Light" on their live performances.
[124]

2018–2020: Eye of the Storm[edit]


On February 16, 2018, they released their first single of 2018, "Change". The song was made by
vocalist Taka alongside the band's producer for a HondaJet commercial.[125][126] The band remained
relatively silent throughout the rest of the year (with the exception of embarking on their Ambitions
Dome Tour in Japan, announced the previous year),[127] until the announcement of a small, four
date tour with an orchestra in Japan[128] in late October, as well as a small European tour in
December.[129]
On November 23, the band announced their forthcoming album, Eye of the Storm.[130] The second
single, "Stand Out Fit In", considered the lead single for the album, was released the same day
with a music video. "Change" was also featured on th
It aired on JTBC from April 9 to May 29, 2022, every Saturday and Sunday at 22:30 (KST) for 16
episodes.[5] It is also available for streaming on Netflix in selected regions.[6]

Contents

 1Synopsis

 2Cast

o 2.1Main

o 2.2Supporting

 2.2.1People around Yeom siblings

 2.2.2People around Yeom Chang-hee

 2.2.3People around Yeom Mi-jeong

 2.2.4Others
o 2.3Special appearance

 3Production

o 3.1Development

o 3.2Filming

 4Original soundtrack

o 4.1Part 1

o 4.2Part 2

o 4.3Part 3

o 4.4Part 4

o 4.5Part 5

o 4.6Part 6

o 4.7Part 7

o 4.8Part 8

o 4.9Part 9

o 4.10Part 10

o 4.11Part 11

 5Reception

o 5.1Viewership

 6Accolades

 7Notes

 8References

 9External links

Synopsis[edit]
Set in the fictional Sanpo village in Gyeonggi-do[a], My Liberation Notes tells the story of three
siblings (Lee Min-ki, Kim Ji-won, and Lee El) and a mysterious stranger (Son Seok-koo), who
want to escape from their dead-end lives.

Cast[edit]
Main[edit]
 Lee Min-ki as Yeom Chang-hee[1]
The second of three siblings. An employee at the headquarters of a convenience store
franchise.

 Kim Ji-won as Yeom Mi-jeong[1]


The youngest of three siblings. A contract employee at the design department of a credit
card company.

 Son Seok-koo as Mr. Gu (Gu Ja-gyeong)[1]


A stranger who works at the sink factory of the Yeom family, who are unaware of his real
identity.

 Lee El as Yeom Ki-jeong[8]


The eldest of three siblings. An employee at a research company.
Supporting[edit]
People around Yeom siblings[edit]

 Chun Ho-jin as Yeom Je-ho[9]


Father of the three siblings.

 Lee Kyung-seong as Kwak Hye-suk[10]


Mother of the three siblings.

 Jeon Hye-jin as Ji Hyun-ah[11]


A neighborhood friend.

 Han Sang-jo as Oh Doo-hwan[12]


A neighborhood friend.

 Jo Min-Kook as Seok Jeong-hoon[13]


A neighborhood friend.
People around Yeom Chang-hee[edit]

 Yang Jun-myung as Lee Min-gyu[14]


Yeom Chang-hee's colleague.

 Choi Bo-young as Jung Ah-reum[15]


Yeom Chang-hee's senior colleague.

 Jeon Soo-jin as Lee Ye-rin[16]


Yeom Chang-hee's ex-girlfriend.

 Oh Min-ae as Byeon Sang-mi[17]


A convenience store owner.
People around Yeom Mi-jeong[edit]

 Lee Ki-woo as Jo Tae-hoon[18]


Yeom Mi-jeong's co-worker.
 Park Soo-young as Park
Sang-min[19]
Yeom Mi-jeong's co-worker.

 Lee Ji-hye as So
Hyang-gi[20]
Team Leader of Joy Support Center.

 Kong Ye-ji as Han


Su-jin[21]
Yeom Mi-jeong's colleague at the design department.

 Lee ho-young
as Choi Jun-
ho[21]
Team leader of the design department.
Others[edit]

 Jung Soo-
young as
Jo Kyung-
sun[19]
Jo Tae-hoon's second sister.

 Kim
Ro-sa
as Jo
Hee-
sun[19]
Jo Tae-hoon's eldest sister.

 Ka
ng
Jo
o-
ha
as
Jo
Yu
-
ri
m[2
2]

Jo Tae-hoon's daughter.

 Ki
m
W
oo
-
hy
un
g
as
Pa
rk
Ji
n-
u[23
]

Director at Yeom Ki-jeong's company.

 C
h
oi
M
in
-
c
h
ul 
a
s
M
r.
B
a
e
k[
24]

 K
i
m

M
in
-
s
o
n
g
a
s
S
a
m
-
si
k[
25]

 L
e
e
S
hi
n
-
s
e
o
n
g
a
s
H
y
e
o
n
-
ji
n[
26]

 J
u
n
g
W
o
n
-
jo
a
s
H
y
u
k
-
s
o
o[
27]

Spe
cial
app
eara
nce[
edit]

 J
u
n
g
Y
o
u
n
g
-
jo
o
a
s
w
o
m
a
n
a
t
r
e
st
a
u
r
a
n
t
(
E
p
.
1
5
)
[28]

Pro
duc
tio
n[edi
t]
Dev
elop
men
t[edit]
On
Septe
mber
24,
2021, 
Choro
kbae
m
Media 
annou
nced
that it
had
signed
a
contra
ct
with J
TBC
Studio
s to
produ
ce
and
supply
the
series
with "8
billion
won
worth
of
budge
t for a
total
of 16
episod
es".[4]

Film
ing[
edit]
On
Octob
er 5,
2021,
it was
report
ed
that
filming
is
curren
tly in
progre
ss.[29]

Ori
gin
al
sou
ndt
rac
k[edi
t]

My

S
Released M

Genre S

Language

Label

Part
1[edit
]
Relea
sed
on
April
10,
2022[
31][32]

L AL
TM
y re
Niu
r tn
o ts
i ig
. li
c st
ec
s th

1. "HH3
De e:
en n3
e8
p
l
y
"

(

)

2. "   3
D :
e 3
e8
p
l
y
"

(

;
 
I
n
s
t
.
)

Total7
length:
:1
6

Part
2[edit
]
Relea
sed
on
April
16,
2022[
33][34]

L AL
TM
y re
Niu
r tn
o ts
i ig
. li
c st
ec
s th

1. "JL3
Ta e:
oy e5
i 3
bn J
es u

n
t -
oh
gy
eu
t n
h
eg
r
"

(




)

2. "   3
T :
o 5
3
b
e

t
o
g
e
t
h
e
r
"

(




;
 
I
n
s
t
.
)

Total7
length:
:4
6

Part
3[edit
]
Relea
sed
on
April
17,
2022[
35][36]

L AL
TM
y re
Niu
r tn
o ts
i ig
. li
c st
ec
s th

1. "MS3
La h:
aOi 2
g n8
g
aY

r o
du
" -
m
( e



)

2. "   3
L :
a 2
g 8
g
a

r
d
"
(



;
 
I
n
s
t
.
)

Total7
length:
:5
6

Part
4[edit
]
Relea
sed
on
April
23,
2022[
37][38]

L AL
TM
y re
Niu
r tn
o ts
i ig
. li
c st
ec
s th

1. "HTT3
Tahh:
hnee0
ar 2
toOO
rrr
Docc
a hh
y aa
" rr
dd
(



)

2. " T 3
T h:
he 0
a 2
tO
r
Dc
ah
ya
"r
d
(


;
 
I
n
s
t
.
)

Total6
length:
:0
4

Part
5[edit
]
Relea
sed
on
April
24,
2022[
39]

L AL
TM
y re
Niu
r tn
o ts
i ig
. li
c st
ec
s th

1. "N9H3
Bada:
ei u 1
vcH4
Mky
y u
n
B-
i s
r a
t n
hg
d
a
y
"

2. " 9 3
Bd :
eu1
c4
Mk
y

B
i
r
t
h
d
a
y
"

(
I
n
s
t
.
)

Total6
length:
:2
8

Part
6[edit
]
Relea
sed
on
April
30,
2022[
40]

L AL
TM
y re
Niu
r tn
o ts
i ig
. li
c st
ec
s th

1. "NNS3
W aaw:
ei i a2
vvy6
S
i
n
k
"

2. " N 3
Wa :
ei 2
v6
S
i
n
k
"

(
I
n
s
t
.
)

Total6
length:
:5
2

Part
7[edit
]
Relea
sed
on
May
1,
2022[
41][42]

L AL
TM
y re
Niu
r tn
o ts
i ig
. li
c st
ec
s th

1. "SPL4
M eae:
yore1
k2
SDS
poSu
rne-
i goh
n-ny
gsgu
"e-n
oi
(nl
나 g



)

2. " P 4
Ma :
yr 1
k2
S
pS
re
io
nn
gg
"-
i
(l



;
 
I
n
s
t
.
)

Total8
length:
:2
4

Part
8[edit
]
Relea
sed
on
May
7,
2022[
43][44]

L AL
TM
y re
Niu
r tn
o ts
i ig
. li
c st
ec
s th

1. "H993
Dadd:
i nuu0
arcc4
m okk
or
no
d
"

(





)

2. " 9 3
Dd :
i u0
ac 4
mk
o
n
d
"

(





;
 
I
n
s
t
.
)

Total6
length:
:0
8

Part
9[edit
]
Relea
sed
on
May
8,
2022[
45][46]

L AL
TM
y re
Niu
r tn
o ts
i ig
. li
c st
ec
s th

1. "LLH2
Aeee:
een5
K 8
i YY
noo
duu
nn
Ogg
f--
hh
Coo
ooo
nnn
f
e
s
s
i
o
n
"

(




;

F
e
m
a
l
e

V
e
r
.
)

2. "LLK3
Aeew:
eea5
K k6
i YY
nooJ
duui
nnn
Ogg-
f--e
hho
Coon
ooo
nnn
f
e
s
s
i
o
n
"

(




;

M
a
l
e

V
e
r
.
)

Total6
length:
:5
4

Part
10[e
dit]
Relea
sed
on
May
14,
2022[
47][48]

N TLM AL
o i yure
. trstn
li i i g
c st
ec
s th

1. "9I 3
I ds:
ua2
T ca4
h kc
i
nH

k o
n
I g

K
n
o
w
"

(




)

2. " 9 3
I d:
u2
Tc 4
hk
i
n
k

K
n
o
w
"

(




;
 
I
n
s
t
.
)

Total6
length:
:4
8

Part
11[e
dit]
Relea
sed
on
May
15,
2022[
49]

L AL
TM
y re
Niu
r tn
o ts
i ig
. li
c st
ec
s th

1. "MYK4
Haoi :
eOom 1
r n9
eF
Ye
Wee
e ol
n
Ag
r-
ej
"u
n

2. " Y 4
Ho :
eo1
r n9
e
Y
We
eo
n
Ag
r-
ej
"u
n
(
I
n
s
t
.
)

Total8
length:
:3
8

Rec
epti
on[e
dit]
The
series
drew
attenti
on for
its
dialog
ues
and
monol
ogues
with
deep
metap
horical
meani
ngs,
and
realisti
c and
relata
ble
storyli
ne.[50][51] 
Novel
conce
pts of
"wors
hippin
g"
(Kore
an: 추
앙; R
R: ch
uang)
[b]
 and
"libera
tion"
(Kore
an: 해
방; R
R: he
abang
)[c] bro
ught
up in
the
drama
were
well
receiv
ed by
the
audie
nce.[52]
[53][54]
 T
he
series
was
also
praise
d for
its
depicti
on of
social
press
ure
that
captur
es the
frustra
tions
and
challe
nges
of
young
adult
life in
Korea.
[55]

Pierce
Conra
n
writing
for So
uth
China
Morni
ng
Post s
tated
"With
four
intricat
e and
distinc
t lead
chara
cters,
terrific
dialog
ue
and a
bount
eous
array
of
intimat
e
mome
nts for
all the
smalle
r
chara
cters
in the
cast, 
My
Libera
tion
Notes 
is far
and
away
the
best
drama
on TV
right
now"[56] 
and
gave
4.5
stars
out of
5.[57] P
ark
Han-
na
of Kor
ea
Heral
d desc
ribed
the
series
as "a
portrai
t of a
gener
ation
trappe
d by
the
preco
ndition
s set
by
thems
elves
and
the
societ
y".[54] S
eo
Byeon
g-gi
of Her
ald
Busin
ess pr
aised
the
writer 
Park
Hae-
young 
for
drama
's
stimul
ation
of
empat
hy in
every
day
life.[58] 
During
the
broad
cast,
actor 
Gong
Yoo o
n
Instag
ram,
recom
mend
ed his
fans
to
watch 
My
Libera
tion
Notes[
59]
 and
after
the
series
finishe
d
airing
he left
a
review
in his
fancaf
e,
praisin
g its
directi
on,
scree
nplay
and
perfor
manc
e of
actors
.[60]

Vie
wer
ship
[edit]
The
series
enjoye
d
mode
st
viewer
ship
share:
the
first
episod
e
record
ed a
nation
wide
viewer
ship
rating
of
2.9%
and
reach
ed the
highes
t
rating
with
the
last
episod
e,
which
record
ed the
6.7%.
[61]
 My
Libera
tion
Notes 
toppe
d TV
popul
arity
rankin
g in
last
four
weeks
of its
eight
week
run[62] 
while 
Son
Seok-
koo a
nd Ki
m Ji-
won to
ok first
and
secon
d
place
respe
ctively
in
drama
perfor
mers
popul
arity
rankin
g for
five
conse
cutive
weeks
.[63]
The
series
debut
ed at
numb
er
nine
on the
Netflix'
s
Global
Top
10 for
non-
Englis
h
televis
ion in
the list
issued
for
May
16–
22,
2022,
[64][65]
 as
cendin
g to
numb
er five
in the
followi
ng
week.
[66][67]

My
Liber
ation
Notes 
:
South
Korea
viewe
rs per
episo
de
(millio
ns)

Episode number
Seas Ave
on rage
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16

0.6 0.6 0.5 0.5 0.5 0.9 0.7 0.9 0.8 1.0 1.0 1.2 1.1 1.4 1.4 1.5
1 0.950
51 22 74 38 79 00 69 02 48 06 00 12 49 62 43 45

Source: 
Audie
nce
meas
ureme
nt
perfor
med
nation
wide
by Nie
lsen
Korea.
[68]

Original
Ep. broadcast
date

April 9,
1
2022
April 10,
2
2022

April 16,
3
2022

April 17,
4
2022

April 23,
5
2022

April 24,
6
2022

April 30,
7
2022

May 1,
8
2022

May 7,
9
2022

May 8,
10
2022

May 14,
11
2022

May 15,
12
2022

May 21,
13
2022

14 May 22,
2022

May 28,
15
2022

May 29,
16
2022

Average

 In the table
numbers r
 This drama
audience c

Acc
ola
des[
edit]

Name of the
award ceremony,
year presented,
category,
nominee of the
award, and the
result of the
nomination

R
e
s
u
l
t

A B S
P 2 e o
A 0 st n
N 2 C S
St 2 o e
ar u o
A pl k-
Name of the
award ceremony,
year presented,
category,
nominee of the
award, and the
result of the
nomination

R
e
s
u
l
t

k
o
o  N
e &  o
A Ki m
w m in
ar Ji at
d - e
w d
o
n

B
w e
ar st
d S
s u N
p o
L
p m
e
or in
e
ti at
El
n e
g d
A
ct
re
ss

B P N
e ar o
st k m
Name of the
award ceremony,
year presented,
category,
nominee of the
award, and the
result of the
nomination

R
e
s
u
l
t

H
W
a
rit
e- in
er
y at
A
o e
w
u d
ar
n
d
g

M
D y
ra Li
N
m b
o
a er
m
of at
in
th io
at
e n
e
Y N
d
e ot
ar e
s

E S
N
xc o
o
ell n
m
e S
in
n e
at
c o
e
e k-
d
A k
w o
Name of the
award ceremony,
year presented,
category,
nominee of the
award, and the
result of the
nomination

R
e
s
u
l
t

ar
d,
A
ct
or
in
a o
M
ini
s
er
ie
s

E
xc
ell
e
n
c Ki N
e m o
A Ji m
w - in
ar w at
d, o e
A n d
ct
re
ss
in
a
M
Name of the
award ceremony,
year presented,
category,
nominee of the
award, and the
result of the
nomination

R
e
s
u
l
t

ini
s
er
ie
s

P
o
p
S
ul
o
ar N
n
ity o
S
St m
e
ar in
o
A at
k-
w e
k
ar d
o
d,
o
A
ct
or

K E L
or xc e
e 2 ell e
W
a 0 e Ki
o
D 2 n -
n
ra 2 c w
m e o
a A o
A w
Name of the
award ceremony,
year presented,
category,
nominee of the
award, and the
result of the
nomination

R
e
s
u
l
t

ar
w
d,
ar
A
d
ct
s
or

Not
es[e
dit]

1. ^ 
T
h
o
u
g
h
S
a
n
p
o
is
a
fic
ti
o
n
al
vil
la
g
e, 
G
y
e
o
n
g
gi
-
d
o,
w
h
er
e
it'
s
b
a
s
e
d,
is
a
re
al 
pr
o
vi
n
c
e.
[7]
 
In
th
e
dr
a
m
a,
S
a
n
p
o
is
of
te
n
d
e
sc
ri
b
e
d
a
s
a
vil
la
g
e
n
e
ar 
S
u
w
o
n,
a
cit
y
th
at
e
xi
st
s
in
G
y
e
o
n
g
gi
-
d
o
in
re
ali
ty
.
2. ^ 
Y
e
o
m
M
i-
je
o
n
g
a
sk
s
M
r.
G
u
to
'w
or
s
hi
p'
h
er
si
n
c
e
lo
v
e
is
n
ot
e
n
o
u
g
h
fo
r
h
er
to
fe
el
w
h
ol
e.
3. ^ 
Y
e
o
m
M
i-
je
o
n
g
fo
r
m
s
a
Li
b
er
at
io
n
Cl
u
b
wi
th
tw
o
ot
h
er
c
o-
w
or
k
er
s
of
h
er
c
o
m
p
a
n
y,
in
or
d
er
to
b
e
lib
er
at
e
d
fr
o
m
th
ei
r
m
u
n
d
a
n
e
d
ail
y
lif
e.

Ref
ere
nce
s[edit
]

1. ^ 
J
u
m
p
u
p
to
:a 
  
b c

  
d e

P
ar
k,
S
o
o-
in
(J
ul
y
9,
2
0
2
1)

"







'





'

"




"(


)" 
[L
e
e
M
in
-
ki
,
Ki
m
Ji
-
w
o
n,
S
o
n
S
e
o
k-
g
u,
a
n
d
E
L
a
p
p
e
ar
in
'
M
y
Li
b
er
at
io
n
J
o
ur
n
al
'
"
Fi
rs
t
br
o
a
d
c
a
st
n
e
xt
y
e
ar
"
(o
ffi
ci
al
)]
(i
n
K
or
e
a
n)
.
N
e
w
s
e
n. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
D
e
c
e
m
b
er
2
3,
2
0
2
1.
R
et
ri
e
v
e

D
e
c
e
m
b
er
2
3, 
2
0
2


vi
a
N
a
v
er
.
2. ^ 
Ki
m
J
o
o-
h
e
e
(
M
a
y
2
7,
2
0
2
2)

"'





'
O
S
T



…'



'



['
M
y
Li
b
er
at
io
n
J
o
ur
n
al
'
O
S
T
C
o
m
bi
n
at
io
n
R
el
e
a
s
e
d.
..
In
cl
u
d
e
d
in
'
C
h
e
o
n
g
S
o
n
g'
]
(i
n
K
or
e
a
n)
.
n
e
w
si
s. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
2
7,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
2
7, 
2
0
2


vi
a
N
a
v
er
.
3. ^ 
J
u
m
p
u
p
to
:a 
  
b c

Ki
m
,
S
o
o-
ji
n
(
M
a
y
1
8,
2
0
2
2)

"'





',






..'


'





(i
n
K
or
e
a
n)
.
S
ta
r
N
e
w
s. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
1
8,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
1
8, 
2
0
2


vi
a
N
a
v
er
.
4. ^ 
J
u
m
p
u
p
to
:a 
b
 
C
h
a
e,
S
e
o
n
g-
o
h
(
S
e
pt
e
m
b
er
1
4,
2
0
2
1)

"






,
'





'
8
0





[
C
h
or
o
k
b
a
e
m
M
e
di
a,
'
M
y
Li
b
er
at
io
n
J
o
ur
n
al
'
si
g
n
e
d
a
c
o
nt
ra
ct
of
8
bi
lli
o
n
w
o
n]
(i
n
K
or
e
a
n)
.
Bl
ot
te
r. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
D
e
c
e
m
b
er
2
3,
2
0
2
1.
R
et
ri
e
v
e

D
e
c
e
m
b
er
2
3, 
2
0
2


vi
a
N
a
v
er
.
5. ^ 
"




,







!
J
T
B
C
'






'" 
[
A
n
or
di
n
ar
y
lif
e,
I
w
a
nt
to
b
e
fil
le
d
at
le
a
st
o
n
c
e!
J
T
B
C
'
M
y
Li
b
er
at
io
n
D
ia
ry
']. 
J
T
B

(i
n
K
or
e
a
n)
.
M
ar
c
h
3,
2
0
2
2.
R
et
ri
e
v
e

M
ar
c
h
4, 
2
0
2
2.
6. ^ 
P
ra
b
al
ik
a
M
B
or
a
h
(
M
a
y
7,
2
0
2
2)

"'
M
y
Li
b
er
at
io
n
N
ot
e
s'
re
vi
e
w
:
A
m
at
ur
e,
e
m
p
at
h
et
ic
K
-
D
ra
m
a
th
at
k
e
e
p
s
y
o
u
w
a
nt
in
g
m
or
e
". 
T
h
e
H
in
d
u. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
1
6,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
2
7, 
2
0
2
2.
7. ^ 
L
a
ur
e
n
W
e
b
b
(
A
pr
il
1
9,
2
0
2
2)

"'
M
y
Li
b
er
at
io
n
N
ot
e
s'
e
pi
s
o
d
e
s
o
n
e
a
n
d
t
w
o
re
c
a
p:
lif
e
in
th
e
sl
o
w
la
n
e
s
p
e
e
d
s
u
p
". 
N
M
E
.
R
et
ri
e
v
e

J
ul
y
1
8, 
2
0
2
2.
8. ^ 
J
u
n
g,
Y
u-
ji
n
(
A
pr
il
2
2,
2
0
2
1)

"[


]


,




'





'



[[
E
x
cl
u
si
v
e]
E
L,
w
rit
er
P
ar
k
H
a
e-
y
o
u
n
g'
s
n
e
w
w
or
k
'
M
y
Li
b
er
at
io
n
J
o
ur
n
al
'
A
p
p
e
ar
s]
(i
n
K
or
e
a
n)
.
S
p
o
T
V
N
e
w
s. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
D
e
c
e
m
b
er
2
3,
2
0
2
1.
R
et
ri
e
v
e

D
e
c
e
m
b
er
2
3, 
2
0
2


vi
a
N
a
v
er
.
9. ^ 
S
hi
m
,
E
o
n-
k
y
u
n
g
(J
ul
y
2
0,
2
0
2
1)

"[


]



,
'




'


...



·






[[
E
x
cl
u
si
v
e]
C
h
u
n
H
o-
ji
n
jo
in
s
'
M
y
Li
b
er
at
io
n
J
o
ur
n
al
'..
.
B
re
at
hi
n
g
w
it
h
L
e
e
M
in
-
ki
a
n
d
Ki
m
Ji
-
w
o
n]
(i
n
K
or
e
a
n)
.
S
p
o
T
V
N
e
w
s. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
S
e
pt
e
m
b
er
1
7,
2
0
2
1.
R
et
ri
e
v
e

D
e
c
e
m
b
er
2
3, 
2
0
2


vi
a
N
a
v
er
.
10. ^ 
Ki
m
,
S
o
o-
ju
n
g
(
M
ar
c
h
4,
2
0
2
2)

"'





'



,





"





...
"" 
['
M
y
Li
b
er
at
io
n
D
ia
ry
'
L
e
e
M
in
-
ki
a
n
d
C
h
e
o
n
H
o-
ji
n
e
x
pl
o
d
e
w
it
h
a
n
g
er
"
W
h
er
e
di
d
w
e
ki
s
s.
..
"]
(i
n
K
or
e
a
n)
.
X
-
p
or
t
N
e
w
s. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
ar
c
h
4,
2
0
2
2.
R
et
ri
e
v
e

M
ar
c
h
4, 
2
0
2


vi
a
N
a
v
er
.
11. ^ 
C
h
e
o
n,
Y
o
o
n-
h
y
e
(
N
o
v
e
m
b
er
2
4,
2
0
2
1)

"



,
'





'



..



-





[


]" 
[J
e
o
n
H
y
e-
ji
n
c
o
nf
ir
m
e
d
to
a
p
p
e
ar
e
d
in
'
M
y
Li
b
er
at
io
n
J
o
ur
n
al
'..
.I
m
m
ig
ra
ti
o
n-
Ki
m
Ji
W
o
n
a
n
d
B
re
at
hi
n
g
[
O
ffi
ci
al
]]
(i
n
K
or
e
a
n)
.
H
er
al
d
P
o
p. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
D
e
c
e
m
b
er
2
3,
2
0
2
1.
R
et
ri
e
v
e

D
e
c
e
m
b
er
2
3, 
2
0
2


vi
a
N
a
v
er
.
12. ^ 
P
ar
k,
P
a
n-
s
e
o
k
(
A
pr
il
9,
2
0
2
2)

"

'





'



X


X



,












[


]" 
[F
ir
st
e
pi
s
o
d
e
'
M
y
Li
b
er
at
io
n
J
o
ur
n
al
'
L
e
e
M
in
-
ki
X
E
L
X
Ki
m
Ji
-
w
o
n,
th
re
e
si
bl
in
g
s
w
h
o
ar
e
s
e
p
ar
at
e
d,
ig
n
or
e
d
a
n
d
d
e
c
ei
v
e
d
[
G
e
n
er
al
]]
(i
n
K
or
e
a
n)
.
O
s
e
n. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
2,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
2, 
2
0
2


vi
a
N
a
v
er
.
13. ^ 
"
M
y
Li
b
er
at
io
n
N
ot
e
s
-
C
a
st
(
K
or
e
a
n
D
ra
m
a,
2
0
2
2,





)"

H
a
n
ci
n
e
m

(i
n
K
or
e
a
n)

A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
2
2,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
2
1, 
2
0
2
2.
14. ^ 
Ki
m
,
H
y
e-
je
o
n
g
(
A
pr
il
8,
2
0
2
2)

"



'





'


[


]" 
[
A
ct
or
Y
a
n
g
J
u
n-
m
y
u
n
g
jo
in
s
'
M
y
Li
b
er
at
io
n
J
o
ur
n
al
'
[
O
ffi
ci
al
]]
(i
n
K
or
e
a
n)
.
S
p
or
ts
K
y
u
n
g
h
y
a
n
g. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
A
pr
il
9,
2
0
2
2.
R
et
ri
e
v
e

A
pr
il
8, 
2
0
2


vi
a
N
a
v
er
.
15. ^ 
S
o
n
B
o
n
g-
s
e
o
k
(
M
a
y
9,
2
0
2
2)

"'





'



,













['
M
y
Li
b
er
at
io
n
J
o
ur
n
al
'
Y
a
n
g
J
u
n-
m
y
e
o
n
g,
th
e
c
h
ar
m
of
M
in
g
y
u'
s
c
h
ar
a
ct
er
,
dr
iv
e
n
b
y
hi
s
a
ct
in
g
s
ki
ll
s]
(i
n
K
or
e
a
n)
.
S
p
or
ts
T
re
n
d. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
1
0,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
1
0, 
2
0
2


vi
a
N
a
v
er
.
16. ^ 
J
a
n
g,
W
o
o-
y
o
u
n
g
(
A
pr
il
1
7,
2
0
2
2)

"'





'



,








..





['
M
y
Li
b
er
at
io
n
J
o
ur
n
al
'
L
e
e
M
in
-
ki
,
th
e
tr
ut
h
b
e
hi
n
d
th
e
br
e
a
k
u
p
w
it
h
J
e
o
n
S
u-
ji
n.
.e
m
ot
io
n
al
e
x
pl
o
si
o
n]
(i
n
K
or
e
a
n)
.
O
s
e
n. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
A
pr
il
2
2,
2
0
2
2.
R
et
ri
e
v
e

A
pr
il
2
2, 
2
0
2


vi
a
N
a
v
er
.
17. ^ 
J
u
n
g,
Y
u-
ji
n
(
A
pr
il
2
6,
2
0
2
2)

"



'







',
6




...
JI
F
F





[L
e
e
J
o
o-
y
o
u
n
g'
s
'I
D
is
a
p
p
e
ar
e
d'
,
st
ar
ri
n
g
L
e
e
J
o
o-
y
o
u
n
g,
c
o
nf
ir
m
e
d
fo
r
re
le
a
s
e
in
J
u
n
e.
..
JI
F
F
S
u
p
er
S
p
e
e
d
S
ol
d
O
ut
]
(i
n
K
or
e
a
n)
.
N
e
w
s
1. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
2,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
2, 
2
0
2


vi
a
N
a
v
er
.
18. ^ 
H
o
n
g,
S
e-
y
o
u
n
g
(J
ul
y
1
5,
2
0
2
1)

"


'




'



[


]" 
[L
e
e
Ki
-
w
o
o
c
o
nf
ir
m
e
d
to
a
p
p
e
ar
in
'
M
y
Li
b
er
at
io
n
J
o
ur
n
al
'
[
O
ffi
ci
al
]]
(i
n
K
or
e
a
n)
.
S
p
or
ts
D
o
n
g
a. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
D
e
c
e
m
b
er
2
3,
2
0
2
1.
R
et
ri
e
v
e

D
e
c
e
m
b
er
2
3, 
2
0
2


vi
a
N
a
v
er
.
19. ^ 
J
u
m
p
u
p
to
:a 
  
b c

Ki
m
,
M
y
u
n
g-
m
i
(
M
ar
c
h
3
0,
2
0
2
2)

"'





'







,









['
M
y
Li
b
er
at
io
n
J
o
ur
n
al
'
L
e
e
Ki
-
w
o
o

P
ar
k
S
o
o-
y
o
u
n
g,
pr
e
vi
e
w
in
g
th
e
a
ct
iv
it
y
of
a
lu
x
ur
y
s
c
e
n
e
st
e
al
er
]
(i
n
K
or
e
a
n)
.
N
e
w
s
e
n. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
ar
c
h
3
0,
2
0
2
2.
R
et
ri
e
v
e

M
ar
c
h
3
0, 
2
0
2


vi
a
N
a
v
er
.
20. ^ 
J
o
E
u
n-
a
e
(
M
a
y
1
5,
2
0
2
2)

"'





'



,






?
"










"" 
['
M
y
Li
b
er
at
io
n
J
o
ur
n
al
'
Ki
m
Ji
-
w
o
n,
c
o
nf
e
s
si
n
g
lo
v
e
to
S
o
n
S
e
o
k-
g
u
?
"
W
h
e
n
I
s
e
e
s
o
m
et
hi
n
g
c
ut
e,
I
w
a
nt
to
b
ur
st
it
a
n
d
e
at
it"
]
(i
n
K
or
e
a
n)
.
S
p
or
ts
K
or
e
a. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
1
5,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
1
6, 
2
0
2
2.
21. ^ 
J
u
m
p
u
p
to
:a 
b
 
S
e
o
Y
u
n
a
(
M
a
y
2
3,
2
0
2
2)

"



,










2
0
0





(




)
[





]" 
(i
n
K
or
e
a
n)
.
N
e
w
s
e
n. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
2
4,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
2
4, 
2
0
2


vi
a
N
a
v
er
.
22. ^ 
L
e
e
J
o
o-
w
o
n
(
M
a
y
2
2,
2
0
2
2)

"

"





"


"




"
(





)" 
[
E
L
"
L
et
's
g
et
m
ar
ri
e
d
"
L
e
e
Ki
-
W
o
o
L
e
e
"
O
k
a
y"
(
M
y
li
b
er
at
io
n
di
ar
y)
]
(i
n
K
or
e
a
n)
.
M
B
C
E
nt
er
ta
in
m
e
nt

A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
2
4,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
2
4, 
2
0
2


vi
a
N
a
v
er
.
23. ^ 
Ki
m
,
D
o-
g
o
n
(
A
pr
il
2
3,
2
0
2
2)

"'





',



X



X








['
M
y
Li
b
er
at
io
n
J
o
ur
n
al
',
L
e
e
M
in
-
ki
X
Ki
m
Ji
-
w
o
n
X
L
e
e
El
's
e
x
ci
te
m
e
nt
]
(i
n
K
or
e
a
n)
.
S
p
or
ts
K
y
u
n
g
h
y
a
n
g. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
2,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
2, 
2
0
2


vi
a
N
a
v
er
.
24. ^ 
A
h
n
T
a
e-
h
y
u
n
(
M
a
y
8,
2
0
2
2)

"'





'



,









[
N

]" 
['
M
y
Li
b
er
at
io
n
J
o
ur
n
al
'
S
o
h
n
S
e
o
k-
g
u,
C
h
oi
M
in
-
c
h
e
ol
a
n
d
a
s
h
ar
p
c
o
nf
ro
nt
at
io
n.
..
T
e
n
si
o
n

[
N
c
ut
]]
(i
n
K
or
e
a
n)
.
N
e
w
s
1. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
1
0,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
1
0, 
2
0
2


vi
a
N
a
v
er
.
25. ^ 
K
a
n
g
B
o-
ra
(
M
a
y
2
1,
2
0
2
2)

"




,






"





?
"" 
[
G
o
o
J
a-
k
y
u
n
g,
th
e
dr
e
a
df
ul
o
w
n
er
of
a
p
u
b,
"I
s
n'
t
it
g
o
o
d
to
h
a
v
e
a
dr
in
k
?
"]
(i
n
K
or
e
a
n)
.
Si
n
gl
e
Li
st

A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
3
1,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
2
4, 
2
0
2
2.
26. ^ 
S
e
o
Y
u
n
a
(
M
a
y
3
0,
2
0
2
2)

""






"



,









(





)
[


T
V
]" 
["
O
nl
y
lo
v
e
in
m
y
h
e
ar
t"
S
o
h
n
S
e
o
k-
g
u,
Ki
m
Ji
-
w
o
n
a
n
d
Ki
m
Ji
-
w
o
n
s
u
g
g
e
st
in
g
th
is
w
e
e
k
H
a
p
p
y
E
n
di
n
g
(
M
y
Li
b
er
at
io
n
J
o
ur
n
al
)
[
Y
e
st
er
d
a
y
T
V
]]
(i
n
K
or
e
a
n)
.
N
e
w
s
e
n. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
3
1,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
3
0, 
2
0
2


vi
a
N
a
v
er
.
27. ^ 
S
e
o
Y
u
n
a
(
M
a
y
3
0,
2
0
2
2)

"



,














(




)
[





]" 
[L
e
e
M
in
-
ki
,
th
e
re
a
s
o
n
w
h
y
th
e
b
u
si
n
e
s
s
w
e
nt
b
a
n
kr
u
pt

J
e
o
n
H
y
e-
ji
n
k
e
pt
h
er
e
x-
b
o
yf
ri
e
n
d
fr
o
m
d
yi
n
g
(li
b
er
at
io
n
jo
ur
n
al
)
[
D
e
ci
si
v
e
S
c
e
n
e]
]
(i
n
K
or
e
a
n)
.
N
e
w
s
e
n. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
3
1,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
3
0, 
2
0
2


vi
a
N
a
v
er
.
28. ^ 
"






´

`;;







'


'" 
[
El
le
w
h
o
m
a
d
e
a
m
is
ta
k
e
a
g
ai
n
´

`;;
'F
ift
y'
s
p
o
k
e
n
b
y
J
u
n
g
Y
o
u
n
g-
jo
o]
(i
n
K
or
e
a
n)
.
J
T
B
C
.
M
a
y
2
8,
2
0
2
2. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
3
1,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
3
0, 
2
0
2
2.
29. ^ 
L
e
e,
C
h
a
n
g-
g
y
u
(
O
ct
o
b
er
5,
2
0
2
1)

"



,






...
9








[L
e
e
M
in
-
ki
,
N
el
l'
s
c
of
fe
e
tr
u
c
k
c
er
tif
ic
at
io
n.
..
A
s
p
e
ci
al
re
la
ti
o
n
s
hi
p
th
at
c
o
nt
in
u
e
s
fo
r
9
y
e
ar
s]
(i
n
K
or
e
a
n)
.
X
-
p
or
ts
N
e
w
s. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
D
e
c
e
m
b
er
2
3,
2
0
2
1.
R
et
ri
e
v
e

D
e
c
e
m
b
er
2
3, 
2
0
2


vi
a
N
a
v
er
.
30. ^ 
"




O
S
T

[
M
y
Li
b
er
at
io
n
J
o
ur
n
al
O
S
T]
.
Y
G
Pl
u
s.
S
tu
di
o
M
a
u
m
C
;
J
T
B
C
S
tu
di
o.
M
a
y
2
9,
2
0
2
2. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
3
1,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
3
1, 
2
0
2


vi
a
M
el
o
n.
31. ^ 
"




O
S
T
P
ar
t
1

[
M
y
Li
b
er
at
io
n
J
o
ur
n
al
O
S
T
P
ar
t
1]
.
Y
G
Pl
u
s.
S
tu
di
o
M
a
u
m
C
;
J
T
B
C
S
tu
di
o.
A
pr
il
1
0,
2
0
2
2. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
A
pr
il
1
0,
2
0
2
2.
R
et
ri
e
v
e

A
pr
il
1
0, 
2
0
2


vi
a
M
el
o
n.
32. ^ 
"
M
y
Li
b
er
at
io
n
N
ot
e
s,
P
t.
1
(
O
ri
gi
n
al
T
el
e
vi
si
o
n
S
o
u
n
dt
ra
c
k)
-
Si
n
gl
e
".
Y
G
Pl
u
s.
S
tu
di
o
M
a
u
m
C
;
J
T
B
C
S
tu
di
o.
A
pr
il
1
0,
2
0
2
2. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
A
pr
il
1
0,
2
0
2
2.
R
et
ri
e
v
e

A
pr
il
1
0, 
2
0
2


vi
a
A
p
pl
e
M
u
si
c.
33. ^ 
"




O
S
T
P
ar
t
2

[
M
y
Li
b
er
at
io
n
J
o
ur
n
al
O
S
T
P
ar
t
2]
.
Y
G
Pl
u
s.
S
tu
di
o
M
a
u
m
C
;
J
T
B
C
S
tu
di
o.
A
pr
il
1
6,
2
0
2
2. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
A
pr
il
1
7,
2
0
2
2.
R
et
ri
e
v
e

A
pr
il
1
7, 
2
0
2


vi
a
M
el
o
n.
34. ^ 
"
M
y
Li
b
er
at
io
n
N
ot
e
s,
P
t.
2
(
O
ri
gi
n
al
T
el
e
vi
si
o
n
S
o
u
n
dt
ra
c
k)
-
Si
n
gl
e
".
Y
G
Pl
u
s.
S
tu
di
o
M
a
u
m
C
;
J
T
B
C
S
tu
di
o.
A
pr
il
1
6,
2
0
2
2. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
A
pr
il
1
7,
2
0
2
2.
R
et
ri
e
v
e

A
pr
il
1
7, 
2
0
2


vi
a
A
p
pl
e
M
u
si
c.
35. ^ 
"




O
S
T
P
ar
t
3

[
M
y
Li
b
er
at
io
n
J
o
ur
n
al
O
S
T
P
ar
t
3]
.
Y
G
Pl
u
s.
S
tu
di
o
M
a
u
m
C
;
J
T
B
C
S
tu
di
o.
A
pr
il
1
7,
2
0
2
2. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
A
pr
il
1
7,
2
0
2
2.
R
et
ri
e
v
e

A
pr
il
1
7, 
2
0
2


vi
a
M
el
o
n.
36. ^ 
"
M
y
Li
b
er
at
io
n
N
ot
e
s,
P
t.
3
(
O
ri
gi
n
al
T
el
e
vi
si
o
n
S
o
u
n
dt
ra
c
k)
-
Si
n
gl
e
".
Y
G
Pl
u
s.
S
tu
di
o
M
a
u
m
C
;
J
T
B
C
S
tu
di
o.
A
pr
il
1
7,
2
0
2
2. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
A
pr
il
1
7,
2
0
2
2.
R
et
ri
e
v
e

A
pr
il
1
7, 
2
0
2


vi
a
A
p
pl
e
M
u
si
c.
37. ^ 
"




O
S
T
P
ar
t
4

[
M
y
Li
b
er
at
io
n
J
o
ur
n
al
O
S
T
P
ar
t
4]
.
Y
G
Pl
u
s.
S
tu
di
o
M
a
u
m
C
;
J
T
B
C
S
tu
di
o.
A
pr
il
2
3,
2
0
2
2. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
A
pr
il
2
3,
2
0
2
2.
R
et
ri
e
v
e

A
pr
il
2
3, 
2
0
2


vi
a
M
el
o
n.
38. ^ 
"
M
y
Li
b
er
at
io
n
N
ot
e
s,
P
t.
4
(
O
ri
gi
n
al
T
el
e
vi
si
o
n
S
o
u
n
dt
ra
c
k)
-
Si
n
gl
e
".
Y
G
Pl
u
s.
S
tu
di
o
M
a
u
m
C
;
J
T
B
C
S
tu
di
o.
A
pr
il
2
3,
2
0
2
2. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
A
pr
il
2
3,
2
0
2
2.
R
et
ri
e
v
e

A
pr
il
2
3, 
2
0
2


vi
a
A
p
pl
e
M
u
si
c.
39. ^ 
"




O
S
T
P
ar
t
5

[
M
y
Li
b
er
at
io
n
J
o
ur
n
al
O
S
T
P
ar
t
5]
.
Y
G
Pl
u
s.
S
tu
di
o
M
a
u
m
C
;
J
T
B
C
S
tu
di
o.
A
pr
il
2
4,
2
0
2
2. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
A
pr
il
2
4,
2
0
2
2.
R
et
ri
e
v
e

A
pr
il
2
4, 
2
0
2


vi
a
M
el
o
n.
40. ^ 
"




O
S
T
P
ar
t
6

[
M
y
Li
b
er
at
io
n
J
o
ur
n
al
O
S
T
P
ar
t
6]
.
Y
G
Pl
u
s.
S
tu
di
o
M
a
u
m
C
;
J
T
B
C
S
tu
di
o.
A
pr
il
3
0,
2
0
2
2. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
A
pr
il
3
0,
2
0
2
2.
R
et
ri
e
v
e

A
pr
il
3
0, 
2
0
2


vi
a
M
el
o
n.
41. ^ 
"




O
S
T
P
ar
t
7

[
M
y
Li
b
er
at
io
n
J
o
ur
n
al
O
S
T
P
ar
t
7]
.
Y
G
Pl
u
s.
S
tu
di
o
M
a
u
m
C
;
J
T
B
C
S
tu
di
o.
M
a
y
1,
2
0
2
2. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
1,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
1, 
2
0
2


vi
a
M
el
o
n.
42. ^ 
"
M
y
Li
b
er
at
io
n
N
ot
e
s,
P
t.
7
(
O
ri
gi
n
al
T
el
e
vi
si
o
n
S
o
u
n
dt
ra
c
k)
-
Si
n
gl
e
".
Y
G
Pl
u
s.
S
tu
di
o
M
a
u
m
C
;
J
T
B
C
S
tu
di
o.
M
a
y
1,
2
0
2
2. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
2,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
1, 
2
0
2


vi
a
A
p
pl
e
M
u
si
c.
43. ^ 
"




O
S
T
P
ar
t
8

[
M
y
Li
b
er
at
io
n
J
o
ur
n
al
O
S
T
P
ar
t
8]
.
Y
G
Pl
u
s.
S
tu
di
o
M
a
u
m
C
;
J
T
B
C
S
tu
di
o.
M
a
y
7,
2
0
2
2. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
8,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
8, 
2
0
2


vi
a
M
el
o
n.
44. ^ 
"
M
y
Li
b
er
at
io
n
N
ot
e
s,
P
t.
8
(
O
ri
gi
n
al
T
el
e
vi
si
o
n
S
o
u
n
dt
ra
c
k)
-
Si
n
gl
e
".
Y
G
Pl
u
s.
S
tu
di
o
M
a
u
m
C
;
J
T
B
C
S
tu
di
o.
M
a
y
7,
2
0
2
2. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
8,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
8, 
2
0
2


vi
a
A
p
pl
e
M
u
si
c.
45. ^ 
"




O
S
T
P
ar
t
9

[
M
y
Li
b
er
at
io
n
J
o
ur
n
al
O
S
T
P
ar
t
9]
.
Y
G
Pl
u
s.
S
tu
di
o
M
a
u
m
C
;
J
T
B
C
S
tu
di
o.
M
a
y
8,
2
0
2
2. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
8,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
8, 
2
0
2


vi
a
M
el
o
n.
46. ^ 
"
M
y
Li
b
er
at
io
n
N
ot
e
s,
P
t.
9
(
O
ri
gi
n
al
T
el
e
vi
si
o
n
S
o
u
n
dt
ra
c
k)
-
Si
n
gl
e
".
Y
G
Pl
u
s.
S
tu
di
o
M
a
u
m
C
;
J
T
B
C
S
tu
di
o.
M
a
y
8,
2
0
2
2. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
8,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
8, 
2
0
2


vi
a
A
p
pl
e
M
u
si
c.
47. ^ 
"




O
S
T
P
ar
t
1
0

[
M
y
Li
b
er
at
io
n
J
o
ur
n
al
O
S
T
P
ar
t
1
0]
.
Y
G
Pl
u
s.
S
tu
di
o
M
a
u
m
C
;
J
T
B
C
S
tu
di
o.
M
a
y
1
4,
2
0
2
2. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
1
5,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
1
5, 
2
0
2


vi
a
M
el
o
n.
48. ^ 
"
M
y
Li
b
er
at
io
n
N
ot
e
s,
P
t.
1
0
(
O
ri
gi
n
al
T
el
e
vi
si
o
n
S
o
u
n
dt
ra
c
k)
-
Si
n
gl
e
".
Y
G
Pl
u
s.
S
tu
di
o
M
a
u
m
C
;
J
T
B
C
S
tu
di
o.
M
a
y
1
4,
2
0
2
2. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
1
5,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
1
5, 
2
0
2


vi
a
A
p
pl
e
M
u
si
c.
49. ^ 
"




O
S
T
P
ar
t
1
1

[
M
y
Li
b
er
at
io
n
J
o
ur
n
al
O
S
T
P
ar
t
1
1]
.
Y
G
Pl
u
s.
S
tu
di
o
M
a
u
m
C
;
J
T
B
C
S
tu
di
o.
M
a
y
1
5,
2
0
2
2. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
1
5,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
1
5, 
2
0
2


vi
a
M
el
o
n.
50. ^ 
C
h
a
H
y
e-
y
o
u
n
g
(
A
pr
il
1
3,
2
0
2
2)

"'





'










2








['
M
y
Li
b
er
at
io
n
J
o
ur
n
al
'
T
h
e
w
ar
m
th
th
at
s
pr
e
a
d
s
in
th
e
e
m
pt
y
h
e
ar
t..
.
F
a
m
o
u
s
li
n
e
s
p
o
ur
e
d
o
ut
in
ju
st
2
e
pi
s
o
d
e
s]
(i
n
K
or
e
a
n)
.
T
e
n
A
si
a. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
3
1,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
3
0, 
2
0
2


vi
a
N
a
v
er
.
51. ^ 
Y
o
o
B
y
u
n
g-
c
h
e
ol
(
M
a
y
1
8,
2
0
2
2)

"'





'










['
M
y
Li
b
er
at
io
n
J
o
ur
n
al
':
F
o
ur
at
tr
a
ct
iv
e
p
oi
nt
s
th
at
c
a
n
n
ot
b
ut
b
e
a
d
m
ir
e
d]
(i
n
K
or
e
a
n)
.
K
or
e
a
E
c
o
n
o
m
ic
T
V

A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
3
1,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
3
0, 
2
0
2


vi
a
N
a
v
er
.
52. ^ 
Y
a
n
g
S
e
u
n
g-
ju
n
(
M
a
y
1
2,
2
0
2
2)

""





"


'

'


...







["
W
or
s
hi
p
m
e
"
a
s
a
'
m
e
m
e'
of
th
e
ti
m
e
s.
..
a
cr
y
th
at
re
s
e
m
bl
e
s
fa
ir
n
e
s
s]
(i
n
K
or
e
a
n)
.
H
a
n
k
o
o
k
Il
b
o. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
1
2,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
3
0, 
2
0
2


vi
a
N
a
v
er
.
53. ^ 
"[




]






[[
Li
fe
a
n
d
C
ul
tu
re
]
T
o
w
or
s
hi
p]
(i
n
K
or
e
a
n)
.
S
e
g
y
e
D
ai
ly
.
M
a
y
1
3,
2
0
2
2. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
3
1,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
3
0, 
2
0
2


vi
a
N
a
v
er
.
54. ^ 
J
u
m
p
u
p
to
:a 
b
 
P
ar
k
H
a
n-
n
a
(
M
a
y
1
7,
2
0
2
2)

"[
R
e
p
or
te
r'
s
N
ot
e
b
o
o
k]
W
h
y
s
o
m
a
n
y
K
or
e
a
n
s
re
s
o
n
at
e
w
it
h
th
e
d
e
si
re
to
b
e
'r
e
v
er
e
d'
". 
K
or
e
a
H
er
al
d. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
3
1,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
3
0, 
2
0
2


vi
a
N
a
v
er
.
55. ^ 
Pi
er
c
e
C
o
nr
a
n
(
A
pr
il
1
3,
2
0
2
2)

"
N
et
fli
x
K
-
dr
a
m
a
M
y
Li
b
er
at
io
n
N
ot
e
s:
Ki
m
Ji
-
w
o
n,
L
e
e
M
in
-
ki
a
n
d
L
e
e
El
pl
a
y
si
bl
in
g
s
in
m
at
ur
e
s
er
ie
s
a
b
o
ut
s
o
ci
al
pr
e
s
s
ur
e
". 
S
o
ut
h
C
hi
n
a
M
or
ni
n
g
P
o
st

A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
3
1,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
3
0, 
2
0
2
2.
56. ^ 
Pi
er
c
e
C
o
nr
a
n
(
M
ar
c
h
1
2,
2
0
2
2)

"
K
-
dr
a
m
a
m
id
s
e
a
s
o
n
re
c
a
p:
M
y
Li
b
er
at
io
n
N
ot
e
s

N
et
fli
x'
s
sl
ic
e-
of
-
lif
e
dr
a
m
a
is
b
e
st
o
n
T
V
ri
g
ht
n
o
w
". 
S
o
ut
h
C
hi
n
a
M
or
ni
n
g
P
o
st

A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
2
8,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
3
0, 
2
0
2
2.
57. ^ 
Pi
er
c
e
C
o
nr
a
n
(
M
a
y
3
1,
2
0
2
2)

"
N
et
fli
x
K
-
dr
a
m
a
re
vi
e
w
:
M
y
Li
b
er
at
io
n
N
ot
e
s
is
a
ri
c
h
a
n
d
re
w
ar
di
n
g
jo
ur
n
e
y
li
k
e
fe
w
ot
h
er
s"

S
o
ut
h
C
hi
n
a
M
or
ni
n
g
P
o
st

A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
J
u
n
e
5,
2
0
2
2.
R
et
ri
e
v
e

J
u
n
e
1, 
2
0
2
2.
58. ^ 
S
e
o
B
y
e
o
n
g-
gi
(
M
a
y
1
8,
2
0
2
2)

"[






]'





'













[[
S
e
o
B
y
e
o
n
g-
gi
E
nt
er
ta
in
m
e
nt
T
al
k
T
al
k]
H
o
w
'
M
y
Li
b
er
at
io
n
J
o
ur
n
al
'
b
e
c
a
m
e
a
re
v
er
e
d
dr
a
m
a]
(i
n
K
or
e
a
n)
.
H
er
al
d
B
u
si
n
e
s
s. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
J
u
n
e
5,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
3
1, 
2
0
2


vi
a
N
a
v
er
.
59. ^ 
Ki
m
S
e
o
n
g
h
y
u
n
(
A
pr
il
1
9,
2
0
2
2)

"'





'





"



?





"" 
[
G
o
n
g
Y
o
o
fe
ll
in
lo
v
e
w
it
h
'
M
y
Li
b
er
at
io
n
D
ia
ry
'..
.
"
Vi
e
w
ra
ti
n
g
?
D
o
n'
t
cr
a
v
e
it"
]
(i
n
K
or
e
a
n)
.
Y
T
N
.
R
et
ri
e
v
e

J
ul
y
2
3, 
2
0
2


vi
a
N
a
v
er
.
60. ^ 
"'





'






[
G
o
n
g
Y
o
o,
a
tri
b
ut
e
to
'
M
y
Li
b
er
at
io
n
J
o
ur
n
al
']. 
Al
lu
re
K
or
e

(i
n
K
or
e
a
n)
.
R
et
ri
e
v
e

J
ul
y
2
3, 
2
0
2
2.
61. ^ 
Ki
m
Y
e-
R
a
n
g
(
M
a
y
3
0,
2
0
2
2)

"



'





',





6.
7
%




[
C
h
u
a
n
g
S
y
n
dr
o
m
e
'
M
y
Li
b
er
at
io
n
J
o
ur
n
al
'
e
n
d
e
d
w
it
h
it
s
hi
g
h
e
st
ra
ti
n
g
of
6.
7
%
]
(i
n
K
or
e
a
n)
.
K
or
e
a
n
E
c
o
n
o
m
y. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
J
u
n
e
5,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
3
1, 
2
0
2


vi
a
N
a
v
er
.
62. ^ 
Ki
m
H
a-
y
o
u
n
g
(
M
a
y
3
1,
2
0
2
2)

"'





'


,
4





1


['
M
y
Li
b
er
at
io
n
J
o
ur
n
al
'
e
n
d
s,
to
p
to
pi
c
fo
r
4
w
e
e
k
s
in
a
ro
w
]
(i
n
K
or
e
a
n)
.
S
p
or
ts
T
re
n
d. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
3
1,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
3
1, 
2
0
2


vi
a
N
a
v
er
.
63. ^ 
Ki
m
H
a-
y
o
u
n
g
(
M
a
y
3
1,
2
0
2
2)

"



,
5








1


[
S
o
n
S
e
o
k-
g
u,
1
st
pl
a
c
e
in
dr
a
m
a
c
a
st
fo
r
5
c
o
n
s
e
c
ut
iv
e
w
e
e
k
s]
(i
n
K
or
e
a
n)
.
S
p
or
ts
T
re
n
d. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
3
1,
2
0
2
2.
R
et
ri
e
v
e

M
a
y
3
1, 
2
0
2


vi
a
N
a
v
er
.
64. ^ 
"
N
et
fli
x
G
lo
b
al
T
o
p
1
0

M
a
y
1
6

2
2,
2
0
2
2
". 
N
et
fli
x.
M
a
y
1
6

2
2,
2
0
2
2. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
J
u
n
e
5,
2
0
2
2.
R
et
ri
e
v
e

J
u
n
e
5, 
2
0
2
2.
65. ^ 
K
a
n
g,
B
o-
ra
(
M
a
y
2
5,
2
0
2
2)

"'






'
'





'







,



1
0



['
O
ur
Bl
u
e
s'
a
n
d
'
M
y
Li
b
er
at
io
n
N
ot
e
s'
K
or
e
a
n
h
u
m
a
n
dr
a
m
a
p
o
p
ul
ar
it
y,
to
p
1
0
o
n
N
et
fli
x]

Si
n
gl
e
Li
st 
(i
n
K
or
e
a
n)

A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
M
a
y
2
5,
2
0
2
2.
R
et
ri
e
v
e

J
u
n
e
5, 
2
0
2
2.
66. ^ 
"
N
et
fli
x
G
lo
b
al
T
o
p
1
0

M
a
y
2
3

2
9,
2
0
2
2
". 
N
et
fli
x.
M
a
y
2
3

2
9,
2
0
2
2. 
A
rc
hi
v
e

fr
o
m
th
e
or
ig
in
al
o
n
J
u
n
e
5,
2
0
2
2.
R
et
ri
e
v
e

J
u
n
e
5, 
2
0
2
2.
67. ^ 
K
a
n
g,
B
o-
ra
(J
u
n
e
1,
2
0
2
2)

"



,







?
'





'




5


[
S
o
n
S
e
o
k-
k
o
o,
s
uf
fe
rs
fr
o
m
G
o
o
a
b
o
ar
d
to
o
?
'
M
y
Li
b
er
at
io
n
N
ot
e
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 "Ep.
1".  Nielsen
Korea (in
Korean). Apri
9,
2022.  Archive
d  from the
original on
April 9, 2022.
Retrieved Ap
10,  2022.
 "Ep.
2".  Nielsen
Korea (in
Korean). Apri
10,
2022.  Archive
d  from the
original on
April 14, 2022
Retrieved Ap
11,  2022.
 "Ep.
3".  Nielsen
Korea (in
Korean). Apri
16,
2022.  Archive
d  from the
original on
April 16, 2022
Retrieved Ap
17,  2022.
 "Ep.
4".  Nielsen
Korea (in
Korean). Apri
17,
2022.  Archive
d  from the
original on
April 17, 2022
Retrieved Ap
18,  2022.
 "Ep.
5".  Nielsen
Korea (in
Korean). Apri
23,
2022.  Archive
d  from the
original on
April 24, 2022
Retrieved Ap
24,  2022.
 "Ep.
6".  Nielsen
Korea (in
Korean). Apri
24,
2022.  Archive
d  from the
original on
April 24, 2022
Retrieved Ap
25,  2022.
 "Ep.
7".  Nielsen
Korea (in
Korean). Apri
30,
2022.  Archive
d  from the
original on
April 30, 2022
Retrieved Ma
1, 2022.
 "Ep.
8".  Nielsen
Korea (in
Korean). May
1,
2022.  Archive
d  from the
original on
May 2, 2022.
Retrieved Ma
2, 2022.
 "Ep.
9".  Nielsen
Korea (in
Korean). May
7,
2022.  Archive
d  from the
original on
May 8, 2022.
Retrieved Ma
8, 2022.
 "Ep.
10".  Nielsen
Korea (in
Korean). May
8,
2022.  Archive
d  from the
original on
May 15, 2022
Retrieved Ma
15,  2022.
 "Ep.
11".  Nielsen
Korea (in
Korean). May
14,
2022.  Archive
d  from the
original on
May 14, 2022
Retrieved Ma
15,  2022.
 "Ep.
12".  Nielsen
Korea (in
Korean). May
15,
2022.  Archive
d  from the
original on
May 31, 2022
Retrieved Ma
16,  2022.
 "Ep.
13".  Nielsen
Korea (in
Korean). May
21,
2022.  Archive
d  from the
original on
May 22, 2022
Retrieved Ma
22,  2022.
 "Ep.
14".  Nielsen
Korea (in
Korean). May
22,
2022.  Archive
d  from the 

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