USS a a alah) ae AY OH THE ARCHITECTURE THE ARCHITECTURE Ir AUROVILLE 19 A MILIEU OF yah Se TM AR aT aL Ld 2 A Taal a dl eal Ca TSR (on teed OF PUILDING , WHILE MAINTAINING tHE MEANING oF tHe SO a ao a aa ST) Olea nL aU aL La See cera ee Tae Tem De eaMeG CMCC ramet Cala Taare Cah ae eal cia alae eats Ae a Rest MALAY A a ee aie Can aN ts tated (re Tae MATERIALS Suct ac aa eo LN at ae de CAs a a 7) aaa aU ANZ THATCH Were AUFOVILLE HAD riot BEEN DECIDED ann tus tact a el SAM A merry Ee Rl MC 247 Ta cL OL eG eee UE 6 aA 2 eh a eg Salat aE td DeLACDE anv A HALE oF me idea cLtres THROUGH THE EXILORATION OF TRADITIONAL awUsE doa| | PTT ee lana aeee Tes rte. 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Cea ae = Expo7eP PRICEWORK AND SteucrUee * SWE? coMceete LoDm . dass) 4 A add cae Oh OR a hea cae r 4Le Da Dea 22/10/24 13:02 Pu aan toc eey v2 aU eo oe ed a a aaa Loe a a Ds Me Mae a od a ee SLT Frole- CTT eer a PR alert Peta 9 eT Tage LL amr Meee nee en ee ae aa cy MMOL Multa scala a Tay Oe eee a e) a acre ahei: cod Oa e Lee LED WE conaticams ampeeim eresOP ead Pe eee a ° oO x Ny cS a iN r a es Ce eae’ aa eared Te aC ae pa eae Sa ae aece Te co Ce cas aT ee yee cnc Seg ae LA re me ays Maca at aid Pe i) Sao Ta WETS 2S SCS Oe Pe perry cere as La ora) uC LAD Lo eee CaM a a a Dae] alae) Lt ee ee Le ae Toe EXAMPLES OF POaTMODERN AecHITECtiNs Das NCS eT (cere Ce aT nae ate ne tae Sra ea a da eo ia a ee CLCa Uy A ~ ie aT a7 E% ea cd 22nd FLOURISHES wie, yp OP neo in el SER ccna cee iis a ee A aN eT nS ae a TO a Cd ae oe ate eC leer ek Ly i) ke O Pia amy ZTa ey NEAR Ale It a iz eee Ce Ta ead UCC a eet i Ce ataad ee aa etic ae aL a i Devers amenine, MICHAEL WILFORZ Py ea ald Peto a Peet Sa sal : lot Pra ST 1d Re Tea a a ae he Pam TT he cl P12 S a a Mn a eam a SN td Cae DVRs a Sara aU oe a a eo OS a ta al Balen ene Pdapai Se ae Augie BAKER WHY THE dete Ce Saal] Vistkine He an at en Atle ae CaM cae Ca ar Tag ime Au ee Tt Tony aa em KMOWN AS THE “GANDHI oF agcHiTeEctuRE’, Gave IMDIx Low-Cost PBUILDING DEsIGH wr MAXIMUM eeFiclericy AND ust THE @IGHT AMourtT of AgoTHETICS. Sd ea ee dt Mg hl Tae ila Aa Cann a Mater every BULDER. Oyo SN ott a BIL IT Pe een aaa AND CSitavows, CREATING COMFORTABLE ot Ne ad + MAKER HAG TRULY ADUPTER HIS MOTTO MAKE Low-cost OC Ca a at A Cc ao Cs CO eA ah a0 a ad Ae oa ACLU LS a eeraT YC C1 (4 ee Cea SMe Ca a Bd ve aan S00) oS SSS aah Ma aa ee Cae over c(ee Sar a 2s CR oe MAHGWRE TILES ANID VEHTS ALLOWING RIGIHG HOT AIR ad SHOT ON MI A2 TPA a ba ald el cated cand Giese eS FORT Ml a ae Te OC Oz s RC To Nal gone, CLAM, Mup(eEpucen SNCS 1 a ee LIMPLASTERED \WALLS, MORE USE OF LINTE AtD ARCHES. THG IG MArER's HOME IH TRIVANDRUM. ie CL ae a ad bala Ma a ae ial acme ya me eee eidichleeaA MO WNT TTT ev MATERIALS UseD FROM urcoriverttioHAL SOURCE. aL ala Cs (CS aot Og TIAA TEESS OWS STRS ES IMS Sto (KES WO oon pis aT TT A ae OI ae Stoeckle LUV Baral ya 2022/10/24 13:03danced au coal ee Rsiaal me eta al e4 Me ae A ee ALP PY ARCHITECT LAURIE BAKER, THE Atal aay SC Cae] BCA Ue A i a eC VS CSS OM Lh do TT ae Lila Sooty Lt ame) Mia ee) Soe} TexTURE. OF RED BRIck anid KEPT AWAY FROM PLASTERING AND eee mma @o SHOT ON MI A2 ee hea \ek lal ti a NP TO SCHL)enc salad tid PCM do li Se aa i AURYROUGH A welt - LAMM! CN ad a Ta Cre anv ee mm nC nC Me Per ee a Mea ca aad Ald ep CONE CTs income GROUPS, THE (vale See aU a aha CCT oN a elcid AZ) omen WITH THE Bp WALL AMD CLUDE Jo THE MAT Pad Lae Oe a leas MAINTENANCEa ee Sma eA ie 0 31a n] Re Sa Dd a a i aa a ster oe ae PAR MCC MU 2 wea Mu eR oe eet ede al aR eM ect a Te at a Ra CM ee ea eG naa ac ta et Au OL Me ae eed NLS eal RMU aa ae eet TS) ie a i Ae 1 a Ta etal ad hee ek ee eee eT te ill a a STE ee ee peddle AMR Colada Aa a Bt) Sa The? poe eo Re ea So Ce cma ee er LSP cuereseD ONE YEAR LATER BY CHICAGO'S EroeMDUS PS NL GL aL om aaa CaN + POSTMODERTIOM EXPERIMENTATION was OFTEN OVERTLYT C \ROHIC. FOR EXAMPLE, THE CEMITRE GEURGES POMPIDoU r IH PARIS (1471-1977), BY RertZp PIATID AND RICHARD ( lt eS NCA Ta EXP0SED id ( asta tera ae ato) PAINTED Mee sr ad COLOURS, CAN sri 0 \ aaa fe STN Iss1 RP EOECRs eyes THE BUILDING WN Ca MA Sa al ea an me ea FP ace art PCL Ala POY lad el ae perm Le MA ca Te OM ol he EXPOSURE OF THE STRUCTURAL Bones OF A PUILDING. Pe nae a DRAWING OF CITY an eal a Lat CaS oe) aan Ome Yc 9 Co diel SITLE AMD POR +14 POLEMICAL ATTACKS ON WHAT +E Sy a2 a ecg ea a aN Maem? « MAHY ARCHITECTURAL CRITIC? HAVE OPSERVEDD-tHAT Poston aA ont 40 |. ee aA Ue Ta bl ea ee Pr a Aca Riad A 2 Ta CLASSICAL FORMS AD DETAILS, MANY postTMoDERH ARCHITECTURE WEKE SERIOUSLY ATTEMPTING 1D PLACE 7a Bi Co ACA acd A a ARCHITECTURE AT tHe TURM OF 21** CertuRY # DECONSTRUCTION SE ee A ee a OL eT edn a a i Ge ah alo A had asd LLL UVB rai ya 2022/10/24 1AAA Le LAU ey Ex, AMPLES of bed ea Leta Sale Trt ae aoe Pr Tal y Cat aT SC eet aCe eC eee a Sc er eet ee (Cnc ea mes a PD et Stet Mh a atte St Ene stenttTy] Ber Rn Mh Ro cot AMD PETERS. Elcermans WEXNER CErTER FOR MSC a DC Baie a tse tad * THE “1440s” wittesse> wo REMARKAMLE ARoHITECTH cl No aa eC PY ornate SoC Te a A cd Te A Ta cee Ran ee ee aa he Pee oe aaa 2 THE REVITALIZATION OF ‘THE IMDUSTRIAL CITY OF te Eel aCe Ue a Nee Men Mod dl Se A Se aL) aii AM a ag a (0 ST ed ee CMa Ac Sea a ae ee SHOT ON MI A2Steen , AND RICARDO LE a A Se ee a Aa da a en oriiadael Cea fl. IT) Lienene Viieaee Cit Wi UTA Na 1am O) MLIn | | eo alia