Bachianas

Brasileiras #4
ii. Canto do Sertão

           
Arranged for Guitar Ensemble by Charles Eager Heitor Villa-Lobos

            
Largo

Guitar I

        
         
   
 dolce (flutes)

   
            
Solo (oboe)

Guitar II

                     
          
 Acc. (flutes)

Guitar III

           
           
 French horns

   
 
Guitar IV (6=Re)
 French horns

  
A    
        
  
8

           3        
 
Guit.

         
        

            
Guit.

     
 
        
dolce      
Guit.

            
             
rallentanado e pesante

       
(bassoons, celli) French horns


1

       French horns
Guit. 3

2 3
6

rallentando e pesante (bassoons, celli)

                       
          

15
B più mosso

             
Guit.

  
          


  
legato (violins I)

      
Guit.

  
            
legato (violins II) 

Guit.

    
     


    
Solo (cello, viola, English horn)

Guit.

           
 (double bass, French horns)


       
    

20

Guit.

 
Guit.
   
                   

      
    
Guit.
    
 
    
  
Guit.

      
       
ritorna gradualmente
23 rall C al tempo primo

   3    
          
Guit.

       
         
3 3

3
Guit.

    
rall 6

   
6
6 

Guit.     
    
      
rall

    
Guit.
rall.

2
                   
     

26

                            
Guit.



       
Guit.

              


Guit.

       
    
3

   
   
4
Guit.


3

       
1


                    
3

      
1

 
D


30

    3 
Guit.

               
solo. molto espressivo (trumpets and trombones)

       
3

Guit. 

             
3


            
dolce e con molto
vibrato (violini I & II)

Guit.

   CIII          
  
 dolce (flutes, xylophone, celeste)

   
 
2

 
Guit. 3

           
           
                 
  
36

        3         
  
Guit.

  

3

  
3 3

           
Guit.

            
3 3 3 

Guit.

      
      
     

Guit. 3

3
    E     
              
43

           
            
Guit.

     
     
  
Guit.

  
2

       
           
3

     
 
Guit.

              
      
3

  
solo sul D (celli, viole, bassoons, clarinets)

   
  
Guit.

      
               
F

  3
50

         
Guit.

        
 solo (violini I)

  
  solo (violini I)    
3

             
            
Guit.
      
     
  
       

sul A




 
sul D

                        
 
Guit.

      
CIII 
            
              
(flutes, piccoli, celeste)

      

 
Guit.

                        
  3 3
58

Guit.

             
3



solo, dolcissimo

                
(trumpets and trombones)

Guit. 3
      

    

      
 dolce


4




  
Guit.



    
      


    
   
Guit.



4
         
                       
G

  
poco rall.

3
66

Guit.

                        

3 3
 

      
3

       
Guit.
   

   
         
 

 
Guit.    

      
      
3

  


 


    
     
Guit.

         

         


           
     

72

   
Guit.

                  
           
3 3 3

 
     

Guit.


            
                
3 3


3
    




      
   
Guit.

         
3 3


    3

    
 

           

       
Guit.

5
        
             
        

    
 

  
75

                  
Guit.

                     
 
3 3 3
     

Guit.

  
                 
3

  
3 3
  


 

    


 
     
Guit.

            
3
 3  3

    


  
 

   


       
     
Guit.

                                              

         
78

Guit.

                                        
3 3 3 3
   

               
  




Guit.

   
                                   
3
  3   3    3




       
 
1

Guit.


        
          
 
3

  
3

    
    

       
 3   3

          
  
Guit.

6
            
           
       
82

    
Guit.

               


          
 3  3 3

 
   



 
Guit.

    
    
     
3 3 3

          

     

 
Guit.

            
   
3 3 3

    
    

   


Guit.
          

  

         
           
    
         
H

    
 
85

Guit.

             
3


               
3  3 

      
  

       


Guit.


  molto allargando

          
3 3
  
3

          

pizzicato




         
  
Guit.


       
3

   
 
  

     


         
  
Guit.



7
      
            
 
88

         
Guit.

          



         
Guit.

           
       
 

          


         
Guit.

   


      


Guit.

 pizzicato (basses)

  
       
larghissimo
90


Guit.

   
   


 





Guit.

            





Guit.

  
     
3 2


      
3 3
Guit.
 6