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1 What is Art?

Jeffrey LeMieux and Pamela J. Sachant

1.1 LEARNING OUTCOMES


After completing this chapter, you should be able to:
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• Recognize your intuitive understanding of art, and potentially build a broader, more
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1.2 INTRODUCTION
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INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

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good example of the kinds of paintings made in
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painting is more than a literal presentation
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deeper, to see the symbolism behind the histo-
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3DJH_
INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

1.3 WHAT IS VISUAL ART?


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itarian in purpose but often include in their design the intent to delight, portray a special status,
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1.3.1 Historic Development of the Idea of Art


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as mimesis, or imitation of the real
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uxis, on his part, asked that the cur- Source: Wikimedia Commons
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INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

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Figure 1.3 | Left: The She-Wolf; Right: Gothic
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License: CC BY-SA 4.0

1.3.1.2 Communication
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1 Leo Tolstoy, What is Art? And Essays on Art, trans. Aylmer Maude (London: Oxford University Press, 1932), 123.

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INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

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Figure 1.4 | Perception: Art and Science
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3 George Dickie, Art and the Aesthetic: An Institutional Analysis (Ithaca, NY: Cornell University Press, 1974), 464.

3DJH_
INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

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INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

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through the use of context, visual dynamics, and
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1.3.3 The Distinction of Fine Art


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Source: Wikimedia Commons
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INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

1.3.4 Why Art Matters


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1.4 WHO IS CONSIDERED AN ARTIST? WHAT DOES IT MEAN


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INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

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INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

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Source: The J. Paul Getty Museum
four years in honor of Athena, the patron goddess of Athens,
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3DJH_
INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

Figure 1.12 | Pear Blossoms


Artist: Qian Xuan
Source: Met Museum
License: OASC

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INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

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Pear Blossoms:

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Although her face is unadorned,
her old charms remain;
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the gently unfurling curves of the blossoms are meant to
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by the seals, or stamps in red acting as a signature, each
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Artist: James Abbott McNeill Whistler
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3DJH_
INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

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Source: Wikimedia Commons
be elevating, harmonious, and pleasing to the eye, the
License: Public Domain
mind, and the soul:

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4 James Abbott McNeill Whistler, The Gentle Art of Making Enemies (New York: Frederick Stokes & Brother, 1908), www.
gutenberg.org/files/24650/24650-h/24650-h.htm

Page | 13
INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

1.5 THE ROLE OF THE VIEWER


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depicted during all that time and in
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the pre-historic period, that is, before
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Author: User “HTO”
hunted during that span of approxi-
Source: Wikimedia Commons
PDWHO\\HDUV)RUWKDWUHDVRQ License: Public Domain

Page | 14
INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

some scholars hypothesize the paintings acted


as a form of V\PSDWKHWLFPDJLF, expressing
the hope or giving thanks for a successful hunt
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then their makers, as scholars further spec-
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Figure 1.16 | Labyrinth at Chartres Cathedral
FDVWVSHOOVDQGFXUHWKHVLFN Author: User “Maksim”
9HQWXULQJ LQWR D FDYH ZKHUH DOO OLJKW IURP Source: Wikimedia Commons

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Figure 1.17 | Diagram of the Labyrinth of LQ (XURSH WKDW ZHUH EXLOW LQ WKH WZHOIWK WR ¿I-
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Author: User “Ssolbergj”
Source: Wikimedia Commons
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License: CC BY-SA 3.0 DWIHHWLQGLDPHWHULW¿OOVWKHZLGWKRIWKH

3DJH_
INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

naveRUFHQWUDODUHDRIDFKXUFK:KLOHWKHUHLVGRFXPHQWDWLRQWKDWFOHUJ\SHUIRUPHGGDQFHV
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the inevitable outcome of the complex and turning path leading to the center mirrors the certainty
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Figure 1.18 | A Bachelor’s Drawer


Artist: John Haberle
Source: Met Museum
License: OASC

3DJH_
INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

7KHYDULRXVREMHFWVLQA Bachelor’s Drawer, including photographs, paper currency, theater ticket


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1.6 WHY DO WE MAKE ART?


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nizable human activity includes not only
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made by piercing sea snail shells, found
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intentions of our distant ancestors, but it is
clear that their lives included the practice of Figure 1.19 | Blombos Cave Nassarius kraussianus
FRQFHLYLQJDQGSURGXFLQJDUWREMHFWV2QH marine shell beads and reconstruction of bead stringing
WKLQJZHDSSHDUWRVKDUHZLWKWKRVHGLVWDQW Author: Marian Vanhaeren and Christopher S. Henshilwood
Source: Wikimedia Commons
UHODWLYHVLVWKHXUJHWRPDNHDUW License: CC BY-SA 3.0

3DJH_
INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

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range of ideas about art and its place in daily
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on bark, pictorial symbols tell the story of the
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as mandalasSUHVHQWDPDSRIWKHFRVPRV
Figure 1.20 | Australian Aboriginal “Map” Symbols
Author: Jeffrey LeMieux
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Figure 1.21 | Sand Painting Figure 1.22 | Wheel of Time Kalachakra Sand Mandala
Author: Sailko Artist: Losang Samten
Source: Wikimedia Commons Author: Steve Osborne
License: CC BY-SA 3.0 Source: Wikimedia Commons
License: CC BY-SA 3.0

3DJH_
INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

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SDLQWDV,ZDQWHGWRDQGVD\ZKDW,ZDQWHGWR Artist: Georgia O’Keeffe

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5 O’Keeffe 1976, unpaginated.

3DJH_
INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

is an example of such personal


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3DJH_
INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

side of an image are thought to


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Figure 1.25 | U.S. Supreme Court Building
for community purposes, and Photographer: US Government Employee
their shapes become strongly Source: Architect of the Capital

DVVRFLDWHGZLWKWKHLUIXQFWLRQ License: Public Domain

the architectural shapes be-


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imposing stone facades using classical Greek and Roman columns that symbolize strength and
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Figure 1.26 | The Bauhaus Building in Dessau, Germany
Author: User “Mewes”
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Source: Wikimedia Commons mestic and industrial design inter-
License: Public Domain
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3DJH_
INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

Communities can remind citizens of pub-


lic virtues by commemorating the individuals
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statues of such individuals placed on pedestals,
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an Statue of Bartolomeo Colleoni by Andrea
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aisE\$XJXVWH5RGLQ )UDQFH DQG
Vietnam War Memorial E\0D\D/LQ E
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leading citizens, on ground level to humanize
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Figure 1.27 | Colleoni on Horseback
Artist: Andrea del Verrocchio
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Author: User “Waysider1925” EHORZJURXQGOHYHODQGGLVSOD\VWKHQDPHVRI
Source: Wikimedia Commons
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License: CC BY-SA 3.0
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of art are unconventional and original in their
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Figure 1.28 | Burghers of Calais LQWHQWLRQDOO\HUDVHGZKHQWKHOHDGHUIHOORXWRI
Artist: Auguste Rodin
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Author: User “Razimantv”
Source: Wikimedia Commons
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License: CC BY 3.0 ORFDWHGLQDEHGURRPRIWKH9LOODRI3)DQQLXV

3DJH_
INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

6\QLVWRU ZDV XQHDUWKHG LQ 3RPSHLL ,WDO\


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in a refectory, or dining hall, of a mon-
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WKH 3RSH¶V FKDSHO )LJXUH   %RWK GH- Artist: Maya Lin
Author: User “Mariordo”
pict crucial scenes in the teachings of the Source: Wikimedia Commons
Catholic Church, the leading European License: CC BY-SA 3.0

religious and political organization of the


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science, technology, and medicine
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conceptual thinking and physical
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Figure 1.30 | Cubiculum (bedroom) from the Villa of P. ZRUNV DUH QRZ FRQVLGHUHG D 1D-
Fannius Synistor at Boscoreale WLRQDO /DQGPDUN The Great Wall
Author: Rogers Fund
of Los Angeles designed by Judith
Source: Met Museum
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%DFD E  86$  DQG H[HFXWHG

3DJH_
INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

Figure 1.31 | The Last Supper


Artist: Leonardo da Vinci
Author: User “Thebrid”
Source: Wikimedia Commons
License: Public Domain

Figure 1.32| The Ceiling of the


Sistine Chapel
Artist: Michelangelo
Author: Patrick Landy
Source: Wikipedia
License: CC BY 3.0

by hundreds of community mem-


bers is thirteen feet high and runs
for more than one half mile through
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geles, Judith Baca: KWWSVSDUFLQOD
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Figure 1.33 | Detroit Industry, North Wall
Artist: Diego Rivera
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Source: Wikipedia
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6 Joyce Gregory Wyels, “Great Walls, Vibrant Voices,” Americas 52, no. 1 (2000): 22.

3DJH_
INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

WLDQLW\DQGZDVVHQWHQFHGWRGHDWKEHIRUHD
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ularly commissioned for hospitals because
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ODU icon might be the bronze bust of the fa-
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gold because many consider it good luck to
rub it, so it receives constant polishing by
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Figure 1.34 | The Martyrdom of St. Sebastian


Artist: Giacinto Diana
Source: Artstor.org
License: Public Domain

:HKDYHWRXFKHGRQO\EULHÀ\RQWKHTXHVWLRQVRI
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purpose: they are all intended to express a feeling or
Figure 1.35 | Knute Rockne idea that is valued either by the individual artist or
Artist: Nison Tregor
Author: Matthew D. Britt
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Source: Flickr
License: CC BY-SA-NC 3.0

3DJH_
INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

1.7 CONCEPTS EXPLORED IN LATER CHAPTERS


1.7.1 The Structure of Art: Form and Design
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VLWLRQ:LWKWKLVQHZYRFDEXODU\ZHFDQEHWWHUXQGHUVWDQGDQGWDONDERXWZKDWZHDUHORRNLQJDW
HQULFKLQJRXUH[SHULHQFHVLQWHUDFWLQJZLWKDUWDQGDUFKLWHFWXUHLQWKHZRUOGDURXQGXV

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WKRVHYDOXHVDUHGHWHUPLQHG

1.7.3 Describing Art: Formal Analysis, Types, and Styles


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GLVFXVVKRZWRFULWLFDOO\DQDO\]HRUV\VWHPDWLFDOO\GHVFULEHDZRUNRIDUW:HZLOOH[DPLQHWKHHOH-
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1.7.4 Meaning in Art: Socio-Cultural Contexts, Symbolism, and Iconography


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3DJH_
INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

WKHZRUOGDURXQGWKHP,Q&KDSWHU)LYH0HDQLQJLQ$UW–6RFLR&XOWXUDO&RQWH[W6\PEROLVP
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SURYLGLQJXVZLWKGHHSHUXQGHUVWDQGLQJRIZKDWWKHZRUNPHDQWZLWKLQWKHFXOWXUHLWZDVPDGH

1.7.5 Connecting Art to Our Lives


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means of expression, a symbol of inclusion or exclusion, a tool of communication, or a medium of
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1.7.6 Form in Architecture


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WKHSUHVHQWDFURVVWKHHQWLUHZRUOG7KHFRQWLQXRXVSUHVHQFHRIDUFKLWHFWXUHLQKXPDQKLVWRU\
indicates the vital and numerous roles structures play for both the individual and the society in
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can the history of constructed forms tell us about the needs, beliefs, and principles of our near and
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1.7.7 Art and Identity


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WKHDUWWKH\FUHDWH:KHWKHUDUWLVWVDUHDWWHPSWLQJWRH[SUHVVLQGLYLGXDOSULYDWHIHHOLQJVRUFDS-
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3DJH_
INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

1.7.8 Art and Power


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KDYHWKHDELOLW\WRHQODUJHDVKRZRISRZHUEH\RQGDERGLO\GLVSOD\RISK\VLFDOVWUHQJWKDQGGRPL-
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1.7.9 Art and Ritual Life: Symbolism of Space and Ritual Objects
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1.7.10 Art and Ethics


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Chapter Eleven: Art and Ethics introduces us to some of the issues facing artists and others in
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INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

1.8 BEFORE YOU MOVE ON


Key Concepts

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Test Yourself

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3DJH_
INTRODUCTION TO ART CHAPTER ONE: WHAT IS ART?

 Consider the change in the conventional presentation of public monuments by comparing
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1.9 KEY TERMS


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title of greatest artist by copying reality most faithfully

3DJH_

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