GP-100 Algorithm Description (EN)

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PRE DST AMP NR CAB EQ MOD DLY RVB

PRE
FX Title Description Parameters & Ranges Good For
Based on the legendary Ross™

Compressor. This is the originator of
the guitar compression e ect.
It brings the guitar compression e ect Sustain (0~99) Controls the compression amount
COMP Vintage
to the public and becomes an Output (0~99) Controls the e ect output volume
important element in the future.
It has a very natural and mellow
compression e ect.
Based on the Keeley ® C4 4-knob

Sustain (0~99) Controls the compression amount
compressor*. A recording studio - level
Attack (0~99) Controls how soon the compressor
compression e ect. Clear sense of
COMP4 starts to process the signal Modern
hierarchy, the right amount of high
Output (0~99) Controls the e ect output volume
frequency makes your guitar sound
Clip (0~99) Controls the input sensivity
brighter.
Based on famous Xotic ® EP Booster*

pedal. Provides +20DB of pure
Gain(0~99) Controls the e ect gain
Boost stimulation lift, strong low frequency, Modern
Bright(O /On) Switches extra brightness on/o
bright high frequency, making clear
sound more pleasant.
Body(0~99) Controls the body resonance

Top(0~99) Controls the upper harmonics
Acoustic guitar simulator designed for VOL(0~99) Controls the e ect output
guitars. Its prototype comes from a Mode(STD, Jumbo, ENH, Piezo) Switches from 4 modes:
AC Sim Modern
classic acoustic guitar analog STD: Simulates a standard acoustic guitar
stompbox. Jumbo: Simulates a jumbo acoustic guitar
ENH: Simulates an acoustic guitar with enhanced attack
Piezo: Simulates the sound of a piezo pickup
Control the wah sound by playing Sense (0~99) Controls the sensitivity
intensity. A wide range d envelope Range (0~99) Contols the filter center frequency range
Funk
T-WAH filter (a.k.a. touch wah) designed for Q (0~99) Controls the filter Q
Rock
guitarists and bassists that is touch- Mix (0~99) Controls the wet/dry signal ratio
sensitive and flexible. Mode (Guitar/Bass) Switches from guitar/bass modes
Depth (0~99) Controls the e ect depth

Rate (0.1~10Hz) Controls the e ect speed
Set the rate to make the wah pedal
VOL(0~99) Controls the e ect output
work regularly. Providing a variable Funk
A-WAH Low(0~99) Controls the filter low frequency range
auto wah e ect for both guitars and Rock
Q (0~99) Controls the filter Q
basses.
High (0~99) Controls the filter high frequency range
Sync (O /On) Switches Tap Tempo sync on/o
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

PRE
Based on legendary VOX ® V846*

wah pedal. The earliest wa-wah
pedal was originally designed to
allow the wind instrument passing
V-Wah through it to produce a more
emotionally expressive “wa-wah” Range(0~99) Controls the filter frequency range
sound. The amplitude is small and Q (0~99) Controls the filter Q
acts between medium and high VOL(0~99) Controls the e ect output
Vintage
frequency. To use expression pedal as a wah pedal, assign Range as
control target; you’ll hear the di erence by switching the
Based on legendary Dunlop ® pedal on and moving back and forth
CryBaby ® * wah pedal. The classic
C-Wah 60's traditional wha pedal, acting
between low and medium frequency,
moderate amplitude, neutral timbre.
Low Oct (0~99) Controls the lower octave volume

OCTA Provides polyphonic octave e ect. High Oct (0~99) Controls the higher octave volume Vintage
Dry (0~99) Contols the dry signal level
H-Pitch(0~+24) Controls the lower pitch by half notes

L-Pitch(0~-24) Controls the higher pitch by half notes
Pitch Polyphonic pitch shifter/harmonizer. Dry(0~99) Controls the dry singal level Vintage
H-Vol(0~99) Controls the high pitch volume
L-Vol(0~99) Controls the low pitch volume
H-Pitch(0~+12) Controls the lower pitch by one notes

L-Pitch(0~-12) Controls the higher pitch by one notes
P-Bend Polyphonic pitch shifter/harmonizer. Wet(0~99) Controls the wet singal ratio Vintage
Dry(0~99) Controls the dry sing al ratio
Range(0~99) Controls the harmony e ect pitch range
Gain(0~00) Controls the gain amount

Vintage tape saturation simulater
Mix(0~99) Controls the wet/dry signal ratio
Saturate providing analog warmth and natural Vintage
Output (0~99) Controls the e ect output volume
distortion.
H-Cut(0~99) Controls the e ect high cut amount
Step 1/Step 2/Step 3/Step 4 (0~99)

Step A 4-step auto filter machine for Controls filter center frequency of 4 filters (steps)
Modern
Filter creating synth-like sounds. Rate(0.10~10.00Hz) Controls the e ect speed
Sync(On/O ) Switches Tap Tempo sync on/o
Mix(0~99) Contols the wet/dry signal ratio

A ring modulator for creating Freq(0~99) Controls the modulation frequency
Ring
intresting inharmonic frequency Fine(-50~0~+50) Fine tune the modulation frequency by Modern
Mod
spectra (like bells and chimes). 1Hz
Tone(0~99) Controls the tone brightness

DST
Based on legenary Ibanez ® TS-808 Tube

Screamer ® * overdrive pedal. Since it was first
shown to the world in 1979, TS808 has opened up
a new world. There are countless guitarists who
love it. It is a warm, delicate overdrive e ect. Can Gain(0~99) Controls the gain amount Blues
Green
be used as either an overdrive or a Boost, can be Tone(0~99) Controls the tone brigntness Rock
OD
used in a variety of musical styles. VOL(0~99) Controls the e ect output volume Metal
Famous users: Stevie Ray Vaughan , Joe Satriani ,

Paul Gilbert, Andy Timmons , Kirk Hammett, Steve
Ray Vanghan , Michal Landau , U2
Based on the legendary 2-knob yellow overdrive

pedal with thick. Artist of the 70's was mostly
using a fuzz distortion sound and the overdrive
produced by it was not typical. It was however
Yellow soon accepted as the new standard of guitar Gain(0~99) Controls the gain amount Blues
OD sound. It features an asymmetric circuit where the VOL(0~99) Controls the e ect output volume Rock
positive and negative halves of the waveform isn't
distorted equally. The sound is therefore still close
to the original even though distortion have been
added.
Based on the legendary 3-knob yellow overdrive

Super pedal. The unique asymmetric overdrive e ect Blues
OD circuit adds warm and pleasant overdrive e ect to Rock
VOL(0~99) Controls the e ect output volume
the traditional guitar timbre.
Based on an legendary 3-knob Blues overdrive

pedal providing full-range overdriven sound.
Whether it's warm and natural overdrive or full Gain(0~99) Controls the gain amount
Blues Blues
open distortion, it gives your guitar the most Tone(0~99) Controls the tone brightness
OD Rock
expression, makes it easy to control the tone, and VOL(0~99) Controls the e ect output volume
allows for subtle variations in your personal
playing style.
Based on legendary Electro-Harmonix ®

Big Mu Pi®* fuzz/distortion pedal. It is very
individual, warm and thick sound wall, restless but Sustain(0~99) Controls the gain amount
Lazaro full of beauty. Tone(0~99) Controls the tone brightness Rock
Famous users: Jimi Hendrix, Santana, Pink Floyd,
Jack White

DST
Based on legendary Dallas-Arbiter ® Fuzz

Face ® * fuzz pedal. Dallas Arbiter conjured
the sound of rock and roll for half a century
in 1966 with a few simple transistors. The
Fuzz(0~100) Controls the gain amount
Red Haze sound of Fuzz Face was heavy and sharp, Rock
and its sound influenced countless famous
musicians.
Famous users: Jimi Hendrix, Santana, Pink

Floyd, Jack White
Based on legendary ProCo™ The Rat*

distortion (early LM308 OP-amp version).
The Rat* has come to life thanks to its wide Gain(0~99) Controls the gain amount
range of Filter knob, bright and compact Filter(0~99) Conterclockwize controls the tone
Darktale Rock
sound head, full end and strong plasticity, brigntness
making it a favorite of many musicians. VOL(0~99) Controls the e ect output volume
Famous users: Je Beck, Kurt Cobain

A simple and e ective distortion e ect for VOL(0~99) Controls the e ect output volume Blues
Flex OD
guitars and basses. Mode(Norm, Scoop, Edge) Selects from three sound Rock
characters
Blend(0~99) Controls the wet/dry signal ratio
It is based on a classic orange three-knob

distortion e ector, which can be used to Blues
SM Dist Tone(0~99) Controls the tone brightness
easily get the timbre characteristics of the Rock
70s-80s.
Based on MI Audio ® Crunch Box ® *

distortion peal. Sensitive and exquisite
distortion beast, it satisfies all the passion
La of Ri and Solo. The response of each Hard
Charger frequency band is balanced, the dynamic Rock
feedback is faithful to the fingertip, and the
noise can be well controlled even at high
gain.
Based on a yellow bass overdrive pedal

with wide tonal range. It combines the Gain(0~99) Controls the gain amount
original bass sound with a unique Blend(0~99) Controls the wet/dry signal ratio Blues
Bass Dist overdrive e ect to make a very good VOL(0~99) Controls the e ect output volume Rock
distortion e ect while ensuring The Bass(0~99) Controls the low frequency amount Metal
original bass dynamic tone. It can also be Treble(0~99) Controls the high frequency amount
used as a pretty good boost.

AMP
Based on Fender ® Tweed Deluxe*. This

amplifier with a dynamic range from
VOL(0~99) Controls the amp pre gain
clean to wild overdrive, from country Blues
Tweedy Tone (0~99) Controls the tone brightness
rock to distortion, the Fender ® Tweed Jazz
Output (0~99) Controls the amp output volume
Deluxe* has been a totem in every style
for more than 60 years.
Based on Fender ® ’59 Bassman ® *. The

most dramatic speaker in the history of
Rock&Roll, originally designed for bass, VOL(0~99) Controls the amp pre gain
has become the most classic guitar PRES(0~100) Controls the amp presence
speaker. As clear as water, Vacuum tube Output(0~99) Controls the amp output volume
Bellman Blues
makes the sound more beautiful, make Bass(0~99) Controls the amp low frequency response
59N Jazz
musical instrument manufacturers are Middle(0~99) Controls the amp mid frequency response
eager to imitate the product. Treble (0~99) Controls the amp high frequency
response
Famous users: Stevie Ray Vaughan,

Kurt Cobain

Based on Fender ® ’ 65 Twin Reverb ® *. Output(0~99) Controls the amp output volume
Dark With a Stratocaster*, the classic sound Bass(0~99) Controls the amp low frequency response Blues
Twin can be easily restored in both country Middle(0~99) Controls the amp mid frequency response Jazz
jazz and rock music. Treble(0~99) Controls the amp high frequency response
Bright(O /On) Switches extra brightne
Based on Mesa/Boogie ® Lone

Star™(CH1). The pre-amp circuit has
extraordinary expressive power, the
Gain(0~99) Controls the amp pre gain
comprehensive timbre and intuitive
PRES(0~99) Controls the amp presence Blues
operation are indicative of
L-Star Master(0~99) Controls the amp output volume Rock
Mesa/Boogie ® 's far superior technical
CL Bass(0~99) Controls the amp low frequency response Country
capabilities.An engaging and lively
Middle(0~99) Controls the amp mid frequency response Jazz
timbre experience.It has a more
Treble(0~99) Controls the amp high frequency response
compressed, balanced, soft mid
frequency sound, and its high-frequency
like gorgeous bell.

AMP
Based on VOX ® AC30HW* (normal channel). The

symbolic clear sound and warm and sharp
overdrive, since the day of its birth, has become
the Shadows, The Beatles, the Rolling Stones and VOL(0~99) Controls the amp pre gain
Blues
other group's favorite speaker. The British band Cut(0~99) Counterclockwise controls the tone
Foxy Rock
led the “British Invasion” has made VOX ® speaker brightness
30N Country
a household name as a British rock icon. Even in Master(0~99) Controls the amp output volume
Jazz
hard rock and British rock, Radiohead, Suede, Bright(O /On) Switches extra brightness on/o
Oasis and other super groups are preferred.
Famous users: The Shadows, The Beatles,

The Rolling Stones, Radiohead, Suede, Oasis
Based on Bogner ® Shiva* (20th Anniversary
PRES(0~99) Controls the amp presence
version, Ch1. Modern optimized circuit, with a
Master(0~99) Controls the amp output volume
double channel treasure house of sound, Blues
BogSV Bass(0~99) Controls the amp low frequency
excellent circuit design makes it have high- Rock
CL response
frequency transparent and flexible low Metal
Treble(0~99) Controls the amp high frequency
frequency, crystal clear sound, British higain
response
compact and gorgeous.
VOL(0~99) Controls the amp output volume
Based on the legendary “Jazz Chorus” solid state
Bass(0~99) Controls the amp low frequency
combo. When it came out in 1975, it is the first
response
musical instrument speaker equipped with
Middle(0~99) Controls the amp mid frequency Rock
J-120 CL Chorus e ect. It was famous for its pure sound
response Jazz
and stereo chorus e ect.
Famous users: Metallica, The Smiths, response
The Police, Aerosmith Bright(0~99) Switches extra brightness on/o

Based Matchless™ Chieftain 212 combo* (clean
tone). MATCHLESS ® 's philosophy since its
Bass(0~99) Controls the amp low frequency
Match founding in 1989 has been to make as many top- Blues
response
CL notch, all-purpose speakers as possible. The crisp Rock
Middle(0~99) Controls the amp mid frequency
graininess and perfect dynamic feedback will
response
make your playing easy.
response
Cut(0~99) Conterclockwise controls the tone
Based on Dr. Z ® Maz ³8 Sr.* combo (clean sound). brightness
With its varied sound, wide frequency response Master(0~99) Controls the amp output volume
Blues
Z38 CL and dynamic range, it is not only an excellent Bass(0~99) Controls the amp low frequency
Rock
single platform, but it can meet your needs response
whether you are a British or An American fan. Middle(0~99) Controls the amp mid frequency
response
Treble(0~99) Controls the amp high freque

AMP
Based on Grindrod ® Pendragon

PG20C* (Normal channel, bright o ). If
Knights you're a big fan of British Blues
Bass(0~99) Controls the amp low frequency response
CL sound/overdrive, this is a sound you Rock
Middle(0~99) Controls the amp mid frequency response
can't miss. It can bring the pure British
Treble(0~99) Controls the amp high frequency respon
style, sound full of penetrating power.
Based on Bad Cat ® Hot Cat 30* (clean

channel). As the world's first use of
Class A circuit design guitar speakers, Gain(0~99) Controls the amp pre gain Blues
Bad-KT
the sound quality has been greatly PRES(0~99) Controls the amp presence Rock
CL
improved. It combines British and Master(0~99) Controls the amp output volume Metal
American styles, with rich harmonics
and su icient headroom.
Based on Marshall ® JTM45* (normal

channel). In 1962, Marshall ® VOL(0~99) Controls the amp pre gain
introduced the first guitar speakers PRES(0~99) Controls the amp presence
specifically designed for rock music, Output(0~99) Controls the amp output volume Blues
UK 45
and its powerful sound laid the Bass(0~99) Controls the amp low frequency response Rock
foundation for rock music. So its panel Middle(0~99) Controls the amp mid frequency response
material plexiglas as the most classic Treble(0~99) Controls the amp high frequency respons
1960s sound specific name--- Plexi.
Based on Marshall ® JMP50* (“Jump”

VOL 1(0~99) Controls the output volume of CH1
connection). Through the adjustment
of JTM45*'s rectifier tube, the power
Output(0~99) Controls the amp output volume
was improved. In 1966, Marshall Blues
UK 50JP Bass(0~99) Controls the amp low frequency response
company launched JTM50*, and the Rock
“Plexi” sound obtained utilizing the
overdrive by more people. The timbre is
VOL 2(0~99) Controls the output volume of CH2
more full compared to JTM45*.
Based on the famous “Brown Eye” UK-

style boutique amp head (BE channel).
Improvement on Marshall ® Plexi* Gain(0~99) Controls the amp pre gain
basis. It has smooth high frequency, PRES(0~99) Controls the amp presence
tight low frequency and high Master(0~99) Controls the amp output volume Blues
UK 800
frequency gain function. It can be used Bass(0~99) Controls the amp low frequency response Rock
in many musical styles. Middle(0~99) Controls the amp mid frequency response
Famous users: Kerry King, AC/DC, Zakk

Wylde

AMP
Based on the famous “Brown Eye” UK-

style boutique amp head (BE channel).
Improvement on Marshall ® Plexi*
Master(0~99) Controls the amp output volume Blues
Flagman basis. It has smooth high frequency,
Bass(0~99) Controls the amp low frequency response Rock
tight low frequency and high
frequency gain function. It can be used
in many musical styles (BE channel) .

Cut(0~99) Controls the amp presence
Based on Dr. Z ® Maz 38 Sr* combo Master(0~99) Controls the amp output volume Blues
Z38 OD
(dirty tone). Bass(0~99) Controls the amp low frequency response Rock

Blues
BogSV Based on Bogner ® Shiva* (20th Master(0~99) Controls the amp output volume
Rock
OD Anniversary version, Ch2). Bass(0~99) Controls the amp low frequency response
Metal

Bellman Based on Fender ® ’59 Bassman ® * Output(0~99) Controls the amp output volume Blues
59B (bright channel). Bass(0~99) Controls the amp low frequency response Jazz

Cut(0~99) Conterclockwise controls the tone brightness
Blues
Foxy Based on VOX ® AC30HW* (Top Boost Master(0~99) Controls the amp output volume
Rock
30TB channel). Bass(0~99) Controls the amp low frequency response
Country
Char(Cool/Hot) Selects from 2 gain ranges
Based on the Supro ® Dual-Tone

1624T* (CH1+2, dirty tone). In the mid
60’s , vintage 1624T amps have been
sought-after for decades because the
Dual-Tone’s volume knob is turned VOL 1(0~99) Controls the output volume of CH1
beyond noon, a fat and compressed Tone 1(0~99) Controls the tone brightness of CH1
SUPDual Blues
clean tone evolves into an immediately VOL 2(0~99) Controls the output volume of CH2
OD Rock
recognizable grind that remains Tone 2(0~99) Controls the tone brightness of CH2
articulate and listenable even when Output(0~99) Controls the amp output volume
turned up to full blast.
Famous users: Jimi Hendrix,

Link Wray, David Bowie

AMP

Based on Matchless™ Chieftain 212 Master(0~99) Controls the amp output volume Blues
Match OD
combo* (dirty tone). Bass(0~99) Controls the amp low frequency response Rock

Solo100 Based on Soldano ® SLO100* Master(0~99) Controls the amp output volume
Metal
OD (crunch channel) Bass(0~99) Controls the amp low frequency response

Based on Mesa/Boogie ® Lone Master(0~99) Controls the amp output volume
L-Star OD Rock
Star(CH2). Bass(0~99) Controls the amp low frequency response

Based on Bad Cat ® Hot Cat 30* Master(0~99) Controls the amp output volume
Bad-KT OD Rock
(overdrive channel). Bass(0~99) Controls the amp low frequency response
Edge(0~99) Controls the amp mid frequency response
Based on Mesa/Boogie ® Mark II

Mess2C+ 1
C+™ (Lead channel) with 2 di erent
onboard switch combinations. In
the 1980s, Mark II C + *established Blues
the position of Mesa / Boogie ® Rock
metal style, and its voice appeared Metal
Mess2C+ 2 in the albums of Metallica and
Dream Theater, and become a
classic of American Higain.

Knights Based on Grindrod ® Pendragon Blues
OD PG20C* (Drive channel). Rock

AMP
Based on Diezel ® Vh4*. Born in

Germany in the 1990s, its timbre and Gain(0~99) Controls the amp pre gain
multifunction have attracted countless PRES(0~99) Controls the amp presence
guitar masters. The unique Modern Master(0~99) Controls the amp output volume
Dizz VH Metal
Higain quickly conquered many Bass(0~99) Controls the amp low frequency response
musicians. Middle(0~99) Controls the amp mid frequency response
Famous users: Guns N’ Roses, Treble(0~99) Controls the amp high frequency respons
Metallica, Korn, Slipknot, Bon Jovi

Based on ENGL ® Savage 120 E610*.
Eagle Master(0~99) Controls the amp output volume
Iconic Morden Higain, it is an Metal
120 Bass(0~99) Controls the amp low frequency response
indispensable part of heavy metal.
Based on Peavey ® 5150 ® (LEAD

channel). Guitarist Eddie Van Halen, Gain(0~99) Controls the amp pre gain
who began working with Peavey ® in Master(0~99) Controls the amp output volume
the 1980s, loved the sound and took Bass(0~99) Controls the amp low frequency response
EV 51 Metal
the album's title “5150” to the world Middle(0~99) Controls the amp mid frequency response
with its metallic sound. Treble(0~99) Controls the amp high frequency response
Famous users: Eddie Van Halen
Based on Soldano ® SLO100*

(overdrive channel). Also from Eddie VOL(0~99) Controls the amp pre gain
Van Hale's Brown Sound, Steve Vai's PRES(0~99) Controls the amp presence
Solo100 classic album “Passion & Warfare” was Master(0~99) Controls the amp output volume
Metal
LD recorded in SLO100*. Bass(0~99) Controls the amp low frequency response
Famous users: Steve Vai, Mark
Knopfler, Eric Clapton, Gary Moore
Based on Mesa/Boogie ® Mark IV™ Gain(0~99) Controls the amp pre gain
(Lead channel). Based on the classic PRES(0~99) Controls the amp presence
Mess4 upgrade, it inherits the omnipotence of Master(0~99) Controls the amp output volume
Metal
LD Mesa / Boogie ® , with rich harmonics Bass(0~99) Controls the amp low frequency response
and sustain from the voiceless tone to Middle(0~99) Controls the amp mid frequency response
the sharp dark morden higain timbre. Treble(0~99) Controls the amp high frequency response

Based on Mesa/Boogie ® Dual
Rectifier ® . The distortion of Rectifier ®
Mess Master(0~99) Controls the amp output volume
series is warm, and the distortion of Metal
DualV Bass(0~99) Controls the amp low frequency response
Rectifier ® series is very wide, which is
more thick and solid than Mark ® .

AMP
Based on ENGL ® Powerball II E645/2* Gain(0~99) Controls the amp pre gain
(CH4). It can bring you extremely PRES(0~99) Controls the amp presence
compact low frequency, a lot of gain Master(0~99) Controls the amp output volume
Power LD Metal
and precise dynamic response, which Bass(0~99) Controls the amp low frequency response
is very suitable for modern rock and Middle(0~99) Controls the amp mid frequency response
metal music. Treble(0~99) Controls the amp high frequency response

Based on the famous“Brown Eye” UK- Master(0~99) Controls the amp output volume Blues
Flagman+
style boutique amp head. Bass(0~99) Controls the amp low frequency response Rock
Based on Orange ® Rockerverb 100™*

(Dirty channel). Once launched, this
amplifier has become a new favorite
Master(0~99) Controls the amp output volume Blues
of rock musicians. Its sound is unique,
Juice R100 Bass(0~99) Controls the amp low frequency response Rock
and its timbre can be controlled from
Middle(0~99) Controls the amp mid frequency response Metal
warm and sweet clear tone to heavy
music, which will bring surprise to the
performers.

Blues
Mess Based on Mesa/Boogie ® Dual Master(0~99) Controls the amp output volume
Rock
DualM Rectifier ®. Bass(0~99) Controls the amp low frequency response
Metal
Based on Bogner ® Ecstasy*("Blue"

channel, Vintage mode).Ecstasy ®
was born in 1992. Blue channel is
Bog BlueV popular for its highly recognizable Metal
classic rock and roll sound. Its loud
and handsome plexi voice has
extraordinary attainments.
Based on Bogner ® Ecstasy*("Blue" Gain(0~99) Controls the amp pre gain

channel, Modern mode).The red PRES(0~99) Controls the amp presence
channel is known for its fiery high Master(0~99) Controls the amp output volume
Bog RedM Metal
gain distortion and the main timbre. It Bass(0~99) Controls the amp low frequency response
can show you from vintage overdrive Middle(0~99) Controls the amp mid frequency response
to modern higain. Treble(0~99) Controls the amp high frequency response

AMP
Based on Ampeg ® SVT* bass amp. Bass(0~99) Controls the amp low frequency response
Launched in 1969, Ampeg SVT has Middle(0~99) Controls the amp mid frequency response
Classic
always been the most mainstream MRange(220Hz/450Hz/800Hz/1.6kHz/3kHz) Vintage
Bass
bass speaker, Have a strong ability to Selects from 5 mid frequency ranges
sound shape. Treble(0~99) Controls the amp high frequency response
Based on Alembic™ F-2B* preamp.In

the 1960s, inspired by the Fender ®
speaker, the circuit was transformed
in an all-round way, which brought the
Bass Pre Bass(0~99) Controls the amp low frequency response Vintage
extremely advanced adjustment
mode at that time, which was loved by
many musicians, thus leaving a strong
mark in the history of rock music.
Based on Ampeg ® B-15* “Flip Top”

bass amp. The B-15* was conceived by
legendary Jess Oliver in 1958. It can be VOL(0~99) Controls the amp output volume
Mini Bass seen from the early clubs to the Bass(0~99) Controls the amp low frequency response Vintage
world's top studios. B-15* can be said Treble(0~99) Controls the amp high frequency response
to be a landmark product that is hard
to be ignored.
Based on vintage VOX ® * AC-100*

bass amp. In 1963, the Beatles was in
urgent need of a bass speaker with a
volume greater than that of the club's VOL(0~99) Controls the amp output volume
Foxy
crazy shouting, and the AC-100* came Bass(0~99) Controls the amp low frequency response Vintage
Bass
into being. With 100W power and Treble(0~99) Controls the amp high frequency response
4x12" box, it has successfully become
the most representative bass voice in
the 1960s.

Based on Mesa/Boogie ® Bass 400* Master(0~99) Controls the amp output volume
Mess
amp. You can hear the sound of the Bass(0~99) Controls the amp low frequency response Vintage
Bass
early bass speakers in many albums. Middle(0~99) Controls the amp mid frequency response
VOL(0~99) Controls the output volume

Based on AER ® Colourizer 2* acoustic
preamp. Originated in Germany, it is a
Balance(0~99) Controls the tone control balance;
preamp designed for acoustic guitar
turn to 0 to disable tone control
AC Pre sound reinforcement. It will bring Classic
EQ Freq(0~99) Controls the EQ center frequency from
richer dynamics and overtones to your
90Hz to 1.6kHz
acoustic guitar, making the sound
EQ Q(0~99) Controls the EQ bandwidth
more three-dimensional and vivid.
EQ Gain(0~99) Controls the EQ boost/cut amount

NR
Based on the famous ISP ® Decimator™* noise

gate pedal. The Decimator features
improvements in the expander tracking with
their new Linearized Time Vector Processing™.
Gate 1 Thre(0~99) Controls the noise gate thre Modern
This novel improvement provides a more linear
release time-constant response for the
exponential release curve of the downward
expander.
Thre(0~99) Controls the noise gate threshold

Attack(0~99) Controls how fast the noise gate
Flexible noise gate with attack and release
Gate 2 start to process signal Modern
control
Rel(0~99) Controls the noise gate release time
when signal level reaches
CAB
FX Title Description Parameters & Ranges
Custom modified Fender ® * 2x12" cabinet.

TWD 2x12
The mid-range is very strong, suitable for playing clean tone and overdrive.
Vintage Fender ® ’65 Twin Reverb* 2x12" cabinet. It has a very retro tone, with
DarkTW 2x12
tight high frequencies, suitable for playing clean tone.
Mesa/Boogie ® Lonestar* 2x12" cabinet. The mid-frequency performance is

L-Star 2x12
outstanding, and it has excellent performance in clean and overdrive.
Two-Rock ® * 2x12" cabinet. The combination of mid-range and high-frequency

2Rick 2x12
makes it sound very warm.
Legendary “Jazz Chorus” 2x12" cabinet. The transparent and bright high-
J-120 2x12
frequency sound makes it very suitable for playing clean.
Marshall ® 2550* 2x12" cabinet.

UK-GN 2x12
Its overdrive tone is very suitable for rhythm guitars. VOL (0~99) Controls
the output volume
Fryette ® Deliverance* 2x12" cabinet.
Free 2x12
With gorgeous mid-to-high frequencies, suitable for clean and overdrive.
Marshall ® * 4x12" cabinet with Celestion ® G12T-75* speakers.

UK-75 4x12 The characteristics of low frequency and
high frequency make it full of Plexi flavor.
Vintage Marshall ® 4x12" cabinet with Celestion ® Greenback ® * speakers. Four

UK-GN 4x12 speakers in the same direction make the sound more concentrated and the
mid-range is more prominent, which is very suitable for rhythm guitars.
Marshall ® 1960AV* 4x12" cabinet. Emphasizes the shaping of mid-to-high

UK-LD 4x12
frequencies, which is very suitable for lead guitars.
1968 Marshall ® * 4x12" cabinet. Combining the advantages of 1960A and

UK-DK 4x12
1960B, each frequency band is very balanced and comprehensive.

CAB
Custom modified Marshall ® * 4x12" cabinet. The powerful speakers can bring
UK-MD 4x12
you classic Marshall penetration and solidity.
Bogner ® Uberkab* 4x12" cabinet.
Pogner 4x12
The open cabinet makes its sound more flexible.
Diezel ® * 4x12" cabinet.
Dizz 4x12
Its high frequencies are very sharp and sound very aggressive.
ENGL ® * 4x12" cabinet. The balanced combination of each frequency band
Eagle 4x12
makes its sound very pleasant.
Peavey ® 6505* 4x12" cabinet. Its high frequency is very distinctive, making it
Ev51 4x12
sound very shocking.
Soldano ® * 4x12" caninet. Excellent mid-frequency is its characteristic, even if
Solo 4x12 many instruments are playing, it can also make your solo stand out from the
crowd.
Mesa/Boogie ® Road King ® * 4x12" cabinet. The semi-open design allows it to
US 4x12 have a wrapped low frequency while maintaining a transparent mid and high
frequency, which is an unmissable choice.
Mesa/Boogie ® Rectifier ® * 4x12" cabinet. This is a cabinet that pursues
Mess-D 4x12
comprehensiveness, and it can support both clean and heavy music.
Bogner ® Uberkab* 4x12" cabinet 2. The closed cabinet can provide deep and
U-ban 4x12
compact bass response, suitable for the need for more concentrated tone.
Orange ® PPC412* 4x12" cabinet. The closed cabinet brings richer details, the VOL (0~99) Controls
Juice 4x12 flat frequency response makes it very versatile, and its crisp high frequency the output volume
can make the solo more prominent.
Vintage Hiwatt ® SE4123* 4x12" cabinet. Strong and tight sound, very suitable
H-Way 4x12
for modern, aggressive rock sound.
Bogner ® Shiva* 1x12" cabinet. The low frequency is fat and the high frequency
BogSV 1x12
is compact, suitable for high-gain rhythms.
Vintage Fender ® Vibrolux* 1x12" cabinet. Retro tone, clear mid to high
Dark 1x12
frequency, suitable for country music.
Morgan ® AC-20 Deluxe* 1x12 cabinet. It has very clear feedback and can easily
Regular 1x12
capture every movement of your fingertips.
Black Cat ® Hot Cat* 1x12" cabinet. The mid-frequency is as charming and
Bad-KT 1x12
humming, making the solo full of poetry.
Vintage VOX ® AC15* 1x12" cabinet. All frequency bands are very balanced, no
Foxy 1x12
matter clean or overdrive, it will give you an objective result.
1980's Mesa/Boogie ® * 1x12" cabinet. The mid-low frequency is very wrapped,
Studio 1x12 and the high-frequency sound is concentrated, suitable for solo with distorted
sound.
Supro ® * 1x6" cabinet with oval speaker. It has a unique taste in the overdrive
SUP 1x6
sound, suitable for blues music.
Vintage Fender ® Champ* 1x8" cabinet. The 8-inch speaker gives its tone a
TWD 1x8
unique sense of tension, which will surprise you when used in blues music.

CAB
Vintage Fender ® Princeton* 1x10" cabinet. Suitable for warm and bright clean
TWD-P 1x10
sounds, and can keenly capture fingertip movements.
Fender ® '59 Bassman ® * 4x10" cabinet.

Bellman 4x10 Four 10-inch speakers give it plenty of high frequencies, making it very
suitable for country music and blues music.
MessBass Mesa/Boogie ® * 2x10" bass cabinet. The bass speakers with well-balanced
2x10 frequency bands can show the details of performance well.
SWR ® Workingman's* 4x10" bass cabinet. The gorgeous high frequencies can
Max 4x10
make the bass sound more impactful.
Ampeg ® SVT-410HE* 4x10" bass cabinet. The prominent high frequencies

Ameg 4x10
bring more string-touch sound to the bass. VOL (0~99) Controls
the output volume
Ampeg SVT-810E* 8x10" bass cabinet. Eight 10-inch speakers give it a solid
Ameg 8x10
midrange, which can provide a strong and flexible tone for the bass.
Dreadnought guitar simulation. The bass is very strong and suitable for
D
playing and singing.
Simulates an OM type acoustic guitar.

OM
The mid frequency is better, suitable for solo.
Simulates a jumbo acoustic guitar. The huge body makes it resonate very well,
Jumbo
get your Elvis suit out of the closet!
Simulates a GA type acoustic guitar. Its sound is balanced and soft, suitable for
GA
guitar playing, and also very suitable for fingerstyle.
EQ
125Hz(-50~+50) Boosts/cuts the frequency band

Guitar EQ 1
1.6kHz(-50~+50) Boosts/cuts the frequency band
4kHz(-50~+50) Boosts/cuts the frequency band
Equalizer designed for
guitars
Guitar EQ 2

EQ

Based on the 5-band EQ module on 240Hz(-50~+50) Boosts/cuts the frequency band
Mess-EQ Mesa/Boogie®* amps, can easily realize the 750Hz(-50~+50) Boosts/cuts the frequency band
classic boogie V-shaped sound 2.2kHz(-50~+50) Boosts/cuts the frequency band
MOD
Based on legendary Arion ® SCH-1* stereo chorus

pedal. Eric Clapton and Michael Landau used its Depth(0~99) Controls the chorus depth
sound to create the wonderful atmosphere of the Rate(0.10~10.00Hz) Controls the chorus speed
A-Chorus
80s! Whether it's the classic chorus e ect or the Tone(0~99) Controls the tone brightness
wonderful rotating speaker sound, you can easily get Sync(O /On) Switches Tap Tempo sync on/o
it.
Based on the legendary huge ensemble Depth(0~99) Controls the chorus depth
chorus pedal born in late 1970s (chorus mode), Rate(0.10~10.00Hz) Controls the chrous speed
G-Chorus
producing rich, shimmering vintage analog chorus VOL(0~99) Controls the e ect output volume
tone. Warm, rich, and dreamlike analog chorus sound. Sync(O /On) Switches Tap Tempo sync on/o
Depth(0~99) Controls the chorus depth

Classical bass chorus, most bass players in the early Rate(0.10~10.00Hz) Controls the chrous speed
B-Chorus
stage must choose fine works. Level(0~99) Controls the e ect output volume
Sync(O /On) Switches Tap Tempo sync on/o
Detune(-50 Cents~+50 Cents) Controls the detune

This is a detuning e ect that combines a slightly
amounts by 1 cent
Detune shifted signal with the original signal to create a
Wet(0~99) Controls the e ect output volume
chorus-like tone.
Dry(0~99) Controls the dry signal level
Depth(0~99) Controls the flanger depth

Rate(0.10~10.00Hz) Controls the e ect speed
Classic flanger e ect, producing rich and natural
Flanger Pre Delay (0~99) Controls the pre delay time
flanger tone.
FdBk (0~99) Controls the feedback amount

Based on a BBD-based blue vibrato pedal, producing
Vibrato Rate(0.10~10.00Hz) Controls the e ect speed
natural analog vibrato sound.
Based on legendary MXR ® M101 Phase 90*. Have

you heard the guitar sound in Eddie Van Halen's Rate(0.10~10.00Hz) Controls the phaser speed
Phaser
“Eruption”? That distorted tone with a sense of Sync (O /On) Switches Tap Tempo sync on/o
rotation is achived by the Phase 90.

MOD
Based on Voodoo Lab ® Micro Vibe*. Voodoo Lab

Micro Vibe has the same design as the original 1968
Depth(0~99) Controls the e ect depth
Uni-Vibe*. Jimi Hendrix and Stevie Ray Vaughan used
Vibe Rate(0.10~10.00Hz) Controls the e ect speed
these e ects extensively on their albums. The Vibe
e ect will bring about slight and regular pitch
changes.
Based on legendary Demeter ® TRM-1Tremulator*,

o ering classical opto tremolo sound. In 1982, rock
pioneer Ry Cooder approached James Demeter to ask
Opto Trem Rate(0.10~10.00Hz) Controls the e ect speed
whether the tremolo sound of the Fender ® twin
series speakers could be made into a pedal e ect
device, and this classic e ect device was born.
Depth(0~99) Controls the tremolo depth

Rate(0.10~10.00Hz) Controls the tremolo speed
Sine Trem Sine tremolo waveforms and super wide tonal range.
VOL (0~99) Controls the e ect output volume
Depth (0~99) Controls the tremolo depth

Triangle Triangle tremolo waveforms and super wide tonal Rate(0.10~10.00Hz) Controls the tremolo speed
Trem range. VOL (0~99) Controls the e ect output volume
Depth (0~99) Controls the tremolo depth

Rate(0.10~10.00Hz) Controls the tremolo speed
Bias Trem Bias tremolo waveforms and super wide tonal range. VOL (0~99) Controls the e ect output volume
Bias (0~99) Controls the waveform o set amount
DELAY
Mix (0~99) Contols the wet/dry signal ratio

Time (20ms-4000ms) Controls the delay time
Based on the legendary 3-knob BBD analog
Sweet Fdbk (0~99) Controls the feedback amount
delay pedal with “REPEAT RATE” control
Trail (O /On) Switches e ect trail on/o
Mix (0~99) Controls the wet/dry signal ratio

P-Echo Produce pure, precised delay sound Fdbk (0~99) Controls the feedback amount

DELAY

M-Echo Simulates solid-state tape echo sound Fdbk (0~99) Controls the feedback amount

Fdbk (0~99) Controls the feedback amount
T-Echo Simulates tube-driven tape echo sound Time (20ms-4000ms) Controls the delay time

Based on Maxon ® AD900 Analog
Delay*, providing warm,
999 Echo Fdbk (0~99) Controls the feedback amount
accurate delay sound
Famous Users: Pink Floyd

Producing a special delay e ect with
Rev Echo Time (20ms-4000ms) Controls the delay time
reversed feedback

Simulates the classic slapback echo Time (20ms-4000ms) Controls the delay time
Slapbk
e ect Fdbk (0~99) Controls the feedback amount

Reproduces the sound of a vintage Time (20ms-4000ms) Controls the delay time
Vin-Rack 1980's rack-mount delay machine with Mod (0~99) Controls the modulation amoun
slightly sample-reduced feedback Tone (0~99) Controls the modulation brightness

Producing a delay e ect with sweeping S-Depth (0~100) Controls the sweeping depth
Swp Echo
filter modulated repeats S-Rate (0~100) Controls the sweeping speed
S-Sync (O /On) Switches sweeping Tap Tempo sync on/o
T-Sync (O /On) Switches delay Tap Tempo sync on/o

DELAY
A ping-pong delay Mix (0~99) Contols the wet/dry signal ratio
producing stereo feedbadk Fdbk (0~99) Controls the feedback amount
Ping Pong bounces back and forth Time (20ms-4000ms) Controls the delay time
between left and right Sync (O /On) Switches Tap Tempo sync on/o
channels Trail (O /On) Switches e ect trail on/o

A multi tap delay that Fdbk (0~99) Controls the feedback amount
M-Echo2
simulates Tone (0~99) Controls the e ect tone brightness
REVERB

Simulates the Pre Delay (0ms-100ms) Controls the pre delay time
Room
spaciousness of a room Decay (0~100) Controls the reverb decay time

Simulates the
Pre Delay (0ms-100ms) Controls the pre delay time
Hall spaciousness of a
Decay (0~100) Controls the reverb decay time
performance hall

Simulates the Pre Delay (0ms-100ms) Controls the pre delay time
Church
spaciousness of a church Decay (0~100) Controls the reverb decay time
Simulates the sound Mix (0~99) Controls the wet/dry signal ratio
character produced by Decay (0~99) Controls the reverb decay time
Plate
a vintage plate H-Damp (0~99) Controls the high cut amount
reverberator Trail (O /On) Switches e ect trail on/o
Simulates the sound Mix (0~99) Controls the wet/dry signal ratio
character produced by Decay (0~99) Controls the reverb decay time
Spring
a vintage spring Tone (0~99) Controls the e ect tone brightness
reverberator Trail (O /On) Switches e ect trail on/o

Special-tuned reverb e ect
N-Star Decay (0~99) Controls the reverb decay time
with lush, bright decays

REVERB

Special-tuned reverb e ect
Deep Sea Decay (0~99) Controls the reverb decay time
with huge, deep decays

Pre Delay (0ms-100ms) Controls the pre delay time
Produces a modulated
Decay (0~99) Controls the reverb decay time
Mod Verb reverb e ect that is lush
Lo End (-50~+50) Controls the e ect low frequency amount
and sweet
Hi End (-50~+50) Controls the e ect high frequency amount
Special-tuned reverb e ect Mix (0~99) Controls the wet/dry signal ratio
Clear Sky with liquid-like decays and Decay (0~99) Controls the reverb decay time
deep low ends Trail (O /On) Switches e ect trail on/o

GP-100 Algorithm Description (EN)

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PRE DST AMP NR CAB EQ MOD DLY RVB

Based on the legendary Ross™

Based on the Keeley ® C4 4-knob

Based on famous Xotic ® EP Booster*

Body(0~99) Controls the body resonance

Depth (0~99) Controls the e ect depth

PRE DST AMP NR CAB EQ MOD DLY RVB

Based on legendary VOX ® V846*

Low Oct (0~99) Controls the lower octave volume

H-Pitch(0~+24) Controls the lower pitch by half notes

H-Pitch(0~+12) Controls the lower pitch by one notes

Gain(0~00) Controls the gain amount

Step 1/Step 2/Step 3/Step 4 (0~99)

Mix(0~99) Contols the wet/dry signal ratio

PRE DST AMP NR CAB EQ MOD DLY RVB

Based on legenary Ibanez ® TS-808 Tube

Famous users: Stevie Ray Vaughan , Joe Satriani ,

Based on the legendary 2-knob yellow overdrive

Based on the legendary 3-knob yellow overdrive

Based on an legendary 3-knob Blues overdrive

Based on legendary Electro-Harmonix ®

PRE DST AMP NR CAB EQ MOD DLY RVB

Based on legendary Dallas-Arbiter ® Fuzz

Famous users: Jimi Hendrix, Santana, Pink

Based on legendary ProCo™ The Rat*

Famous users: Je Beck, Kurt Cobain

Gain(0~99) Controls the gain amount

It is based on a classic orange three-knob

Based on MI Audio ® Crunch Box ® *

Based on a yellow bass overdrive pedal

PRE DST AMP NR CAB EQ MOD DLY RVB

Based on Fender ® Tweed Deluxe*. This

Based on Fender ® ’59 Bassman ® *. The

Famous users: Stevie Ray Vaughan,

VOL(0~99) Controls the amp pre gain

Based on Mesa/Boogie ® Lone

PRE DST AMP NR CAB EQ MOD DLY RVB

Based on VOX ® AC30HW* (normal channel). The

Famous users: The Shadows, The Beatles,

Gain(0~99) Controls the amp pre gain

PRE DST AMP NR CAB EQ MOD DLY RVB

Based on Grindrod ® Pendragon

Based on Bad Cat ® Hot Cat 30* (clean

Based on Marshall ® JTM45* (normal

Based on Marshall ® JMP50* (“Jump”

Based on the famous “Brown Eye” UK-

Famous users: Kerry King, AC/DC, Zakk

PRE DST AMP NR CAB EQ MOD DLY RVB

Based on the famous “Brown Eye” UK-

Gain(0~99) Controls the amp pre gain

Gain(0~99) Controls the amp pre gain

VOL(0~99) Controls the amp pre gain

VOL(0~99) Controls the amp pre gain

Based on the Supro ® Dual-Tone

turned up to full blast.

Famous users: Jimi Hendrix,

PRE DST AMP NR CAB EQ MOD DLY RVB

Gain(0~99) Controls the amp pre gain

Gain(0~99) Controls the amp pre gain

Gain(0~99) Controls the amp pre gain

Gain(0~99) Controls the amp pre gain

Based on Mesa/Boogie ® Mark II