Pianoforte Edition

PAPAGENO

Adapted from

MOZART’S OPERA

THE MAGIC FLUTE

by

J. MICHAEL DIACK

Copyright

PATERSON’S PUBLICATIONS LTD.

PRINTED {N SCOTLAND
 PAPAGENO
An Operetta or Cantata for

Schools and Musical Societies

Adapted from

MOZART’S OPERA

THE MAGIC FLUTE

by

J. MICHAEL DIACK

Copyright Price
Choruses 2/-

PATERSON’S PUBLICATIONS LTD.

36-40 WIGMORE STREET, LONDON, W.|

AUSTRALIA- = 5 + John .F Dean & Co., 310 George Street, Sydn

CANADA - - - Boosey & Ha wes cameada), Ltd., 209 Victoria Street, Toron

A NEW ZEALAND Chas. Begg & Co. itd., Manners Street, Wallinnon A

U.S.A. = 2 8 Carl Fischer, Inc., 62 Cooper Square, New York

i
 Foreword.

Professor E.J. Dent, in his interesting booklet on The Magic Flute says:

Schikaneder (actor- manager and the original

Papageno) wanted was a fairy-tale plot of the conventional

kind - a good fairy, a wicked magician,a pair of lovers

passing through various trials and ultimately united,

thanks to the virtues of a musical instrument of magic

properties.

From this simple idea to the complicated libretto of The Magic Flute (‘one of the

most absurd specimens of that form of literature’’) is a long and tortuous journey.

This endeavour to “‘retrace our steps”? back to the simplicity of the original idea

will, I hope, enable many to become acquainted with much of the wonderful music.

The work, thus simplified, becomes a Comic Opera of.one Act in two Scenes, and

takes about an hour to perform.

Papageno and Papagena (perhaps the only two characters in The Magic Flute who

can be said to have any live human interest) become the hero and heroine. The Queen

of the Night (except for a brief ad 4b. appearance in the procession at the close),

Tamino, Pamina, Sarastro, etc. do not appear at all. The incoherent medley of masonic

allusion is entirely eliminated. The ‘‘three of the original become a two-part

chorus for female voices. There is no dialogue, no Magic Flute, but the Magic Bells

are retained to play their important part.

Orchestral Parts may be had from the publishers.

Please apply to the Performing Rights Society, Ltd.,33 Margaret Street, London, W.1.,
for the Terms to perform this work.
 Papageno
The Story

Scene I

As the curtain rises Papageno, the handsome young bird-catcher, enters playing on his

Pan pipes. He is tired after his morning’s work, and, when he has sung his firs€ song, lies

down at the side of the stage and falls asleep.

A group of lady attendants on the Queen enter and express their admiration for the

young stranger. After they have reluctantly retired, Papageno awakens and sings of his

loneliness and his desire for a “pretty young mate”; then goes off. Papagena, one of the

Queen’s ladies, returns hoping to find Papageno. She sings of the strange emotion he has
awakened in her heart. Monostatos (a Moor in love with Papagena) and his slaves appear

and endeavour to carry off Papagena. She is saved from this by the entry of Papageno,who,

though himself terrified, succeeds in frightening away the Moors. He then indulges in an

outburst of boastful triumph, and is punished by having his mouth closed with a padlock,

which is afterwards removed on his promising “all lies and boasting to give

As a reward for saving Papagena he is with a set of magic bells by the

Queen’s ladies, who promise to intercede with the Queen and obtain her consent to his

marriage with Papagena. The scene ends with a duet between Papagena and Papageno.

Scene II

Monostatos sings of his passion and his determination to win Papagena. The lovers

enter at the back of the stage and Monostatos calis on his slaves to seize them, Papageno

remembers the magic bells and plays such an entrancing tune that the slaves, powerless

to resist, disappear dancing. The Queen's ladies enter and announce that the Queen is ou

her way to greet them. The ladies retire and Papageno seats himself in front and plays

on his pipe, while Papagena wanders to the back of the stage where she is seized and

carried off by the slaves. Papageno is heartbroken when he discovers his loss and

attempts to hang himself but is frustrated by the Queen’s ladies who enter and remind

him of the magic bells. In response to the music of the bells Papagena appears, and

after a humorous duet the Queen enters with her ladies and all ends happily.
 Papageno.

Characters

PAPAGENA MONOSTATOS

PAPAGENO

Chorus of ladies -in -watting: SLAVES

Scene I.

1. SOLO PAPAGENO. A Fowler's life is bold and free.

Whence came this handsome youth? >

CHoRUs.

SOLO PAPAGENo. A maiden fair and tender. -

O gentle stranger, passing fair. 45

SOLO PAPaGENA.

19
SoLo & CHORUS. Upon your tiptoes softly stealing.
MownostaTos & SLAVES.

21
PaPaGENa, MoNosTaTos My pretty Dove, come fly with me.
AND PAPAGENO.

hm. - -
PAPAGENA, PAPAGENO
AND CHORUS.

DUET PAPAGENA & PAPAGENO. When love within the heart awakens. 35

Scene II.

SoLo MoNOSTATOS. Every man’s a slave to passion. 38

PAPAGENA, PAPAGENO, How delightful ‘tis to rove. 40

MONOSTATOS & SLAVES.

CHORUS. We come with pleasant news. 47

PAPAGENO & CHORUS. Papagenal - - 50

Pa-pa-pa. - - 59
_ DUET PAPAGENO & PAPAGENA.

FINAL CHORUS. O happy hearts. - - 66

 Papageno
Scene |

No.1. Solo—A Fowler’s life is bold and free

Hnter Papageno. He has a large bird cage on his back, and a Pan's pipe on which he plays.

MOZART

J- MICHAEL DIACK

ei

Pa

let
ot

Mh

(Papa geno enters)

———
eee

Ao et
ef
ee
ee

Copyright in U.S.A. 1937 by Paterson’s Publications Ltd.

ee”
life is 2 3 3 a o And just
the land,
great re ~nown Through-out

The last two bars may be played as tntroduction.

-~ ry town. For all the lit - tle

break of
my traps at
tom-ers both rich and

re 3

|1i ih i 1
> ne ee.

my pipe, and soon The

would be If

e ih
|
|
 flock round to

could catch

3 lit
ga25 Sau 36
6 & ~ tle trap Down,

8 and love her true, And

down it comes witha snap,

that’s the most a

(After and verse Papageno lies down,

in fron t, and falls asleep).

Papareno
 No. 2. Chorus—Whence came th is handsome youth?

Moderato. 120 (@nter the Queen’s Ladies and Papagena)

d = 144 (they see Papageno)

Ist SOP.
—

B a o a oO 3 & 2 w a a a wn 3 8 a So a 3 nD © ‘a be he

graceful Oh she!
His form so , and so
rare |
hap -py

Papageno
 a - ny man our 8 3 — ~~ a ° > @
This

youth 8 a on - 3 a 3 ° 3 outh might| well suc - cessful

28

Pit mosso, =160

Papageno
 of this stranger. Per-chance he ig of
ling-er The Queen must fhear young

to end her wi - dow - fhood,

is oOo f roy-al

wi- 3 ° z ° °o 3

Papageno
 2nd SOP.

D 5 s S ‘ > ° a bw o 2 a o a and tell her what we've seen. Were sor ry to say

ALTOS. (to dst Soprano.

”
**No an But we decline to go. Nay! naylyou musta - way, a S = 2 & ® a a

QF
ae eT
yf

ALTOS.

ist SOP. Nay! here we mean to stay,

nay! you must a-way, Nay!

2nd SOP.Nay! must a-way,

2nd SOP

will watch him, We = i=] 9° > o oO » on 5 Nay! nay! nay!

We

Papageno
 Ist SOP.
E 2nd SOP.
They wishto stay.
Allegretto. d. They wish to stay,

ee”
ALTOS They wish to stay,

2nd SOP. Ist SOP.

They willnot go, They willnot go.

ALTOS . = 2 a
BO

2nd SOP,
Ist SOP.

Pp 8 a — a °
>
'

& s a a a < 4 4 3 2 a
BE o n ° bo o

Se nal |

Papageno.
 wi e should go not so,
» nay, nay, not so, You {can - not treat

S a 3 a a = a ° ~ a
Pa ° s 9 q ' a ~~ 2 H o 3 3 a a ° you fcan -not treat us

a2

e
|

Papageno
 They will not go,

not stay, A - las! we must a

EEN;

4 gill

Papageno
 A -las! we must &@ - way,
we must

a 3 5 e a 3 a 3 ‘

way, a - las! a - way (Chorus begin to retire)

must a way,

To see a 6 a 8 9 a ~ gain, to see him once

Ja 5 ~ Papageno wakens.

on
i
mM UT |]
rot

eed
rr

Papageno
12,

No. 3. Solo— A maiden fair and tender.

Papageno *

Andante. d= 92

A maiden fair
der, To

be own, &3 3
my ve-ry o 3 a 3 Ta love but her
?

I'd love buther a - lone,

Id love but her a - lone.

Papageno
 I ch
i lil i 1 ll
P

life has no com-fort or plea

Sa He as aa
3
las! there is no one will take
ap
a3 &o
°

sure
.
A sweet,lit-tle neat lit - tle wife
ef 23 oF ee ge sf
° 4p>
? g 2 g

me. Kind for-tune! before it’s too late Pa

382 ey
:
wg

2
os Bum 8
oF Oo

Papageno
 jon for life.
sweet lit -tle neat lit-tle & To be my com-pan

oo 3 t 3 r=] o a a t =5 o a ° ° = oo g Pray send me a pret -ty young mate.

A sweet lit-tle A neat lit - tle

wife,
A pret ~ty young.
ty young mate, a pret
 15

No. 4. Solo—O gentle stranger, passing fair.

Papagena.

Larghetto. (Enter Papagena, hoping to find Papageno.)

0 gen-tle stranger,passing fair!

come liness beyond com-pare ! E

motion, un - bid-den, in my heart awakes, A

e - la-tion o'er me breaks, o' erme

A hap - pi- ness un-

sa-tis -

Papageno
 |

know,

vl

Papageno
 17

my heart I have en ined Would I but knew where I could

- shr

= ws a a o mt 2 With-in: his

he would en - fold me, Close to his lov heart would

-

ing

e tt
ey
Ly

mrha

Papageno
 bless -edness li “4 3S = w 5 © i ©

joys I would re -
sign

(She sits down at side of stage. (half hidden)

° - ther joys I would re - sign.

Papagen?
 19

No. 5. Solo and Chorus.—

Upon your tiptoes softly stealing.

Monostatos and Slaves.

P a ~~ 7
~ 8 Sand 8 a a 3 a = 2 3 & 3 $ 3
a 2
a o 3
eb a 8 a & 5 3 3B a © a

Up-on our

tip-toes soft-ly steal-ing, Let not a sound our steps be ~ tray,

MONOSTATOS,

This is no time for ten-der feel-ing, You have my ° a 3

Papagena,
 2 > On that,we know,de-pends ou;
~

bey Yes! a o 3 =] o 5 ° ’

MONOSTATOS.

wD i

id,
NG

be |
ar. a
AAS 7 |

< = 2 ~~» 32 2 = A dar -ing

man-ly hearts may trem-ble, 3 a a a - n
~ ° 3 n ' n a i

man - ly hearts may trem-ble, All coward fears you must dis- sem-ble, A dar-ing

deed we do to -| day,

deed we do to - day, Yes! Yes! it must be done to - day.

Papagena.
 21

No.6. My pretty dove, come fly with me.

Papagena, Monostatos and Papageno.

Allegro, 6 =144
MONOSTATOS (sees Papagena)
PAPAGENA,

My pretty dove,come fly with me, Id ra-ther die than go with

MONOSTATOS,

use less to re - sist me. Ye powers above

!as-sist me Have pi-ty
?

3 oo @ 2 a a om we

MONOSTATOS,

Come slaves, lay hold

eT
a
{jd I

Papagena,
 22

PAPAGENA,

bind her fast, She must not a 3 z es - cape me. Hopewith-in my breast a

I know is

eH fT

e fl
we

ith |

no gal-lant knight is

"a,

fs

Lf
wh

Paprgena.
 PAPAGENO; (enters with bow and arrow)

What sound was that? what do I a a a a

A maid in sore dis-tress Unhand her villain! or take the consequence.

will from dan - ger shield thee.

Papagena,
 24 D ¢=168
MONOSTATOS draws his sword.

atl
Ah!

y PAPAGENO, AN

S
pre Ou

strong| blow

strong blow

vil- lain! trem -ble with |fear, He'll me that’s

with fear, Hell kill me

They run off at different sedes.

I'd bet-ter

Id bet-ter go,

die
Papageno.
 E
Allegro. @

Papageno.

Has he gone?
= BE a ou 3 i] -sue him,

Papageno re-enters. F (dramatically)

Now the vic -to- is won! =

ty

Papageno,
 2

might - y arm a - lone o 2 o x 3 P= 3 w ve oO - ve c - thrown.

With a

laid him low. Pa - pa-gen-o, brave and fear-less, with a blow has laid him

¢ En ter Lady with padlock with which she closes Papageno’s mouth
and then exits

g Thus I
con-quer ev - ry foe.

Nae

Papageno.
 27

No.7. Hm,hm,hm,hm.

Papagena, Papageno and Chorus.

Allegro. PAPAGENO Gnournfuliy points to the padlock),

PAPAGENA,

hm, hm! Poor youth, thy 3 a a '

o —_ &2 b= °

PAPAGENO.

grieve me, A hea-vy s ‘ a 1

o a 2 a

PAPAGENA,

hm & hm, hm, hm, hm, hm, hm! From dread-ful dan-ger you did

Papageno.
 A. PAPAGENO. PAPAGENA,

a a
o xz a 3 | @Q x 5 5 2 ° help were mine. Hm,

PAPAGENA.

° Ee ° 3 a g

O would some

a ~
°o 3 a ° q o
a 2 oe] ° a o 2 2 o

Papageno.
 Enter chorus, Ist LADY.

Our 5 Gea = Set a = E

oo I oO = 2 Qa 23 oe oe a a % = v ° a B a

(takes off the padiock). PAPAGENO.

7
a- gree All lies and boasting to give oer.

CHORUS.

Take care! you may too a 9° 8 o

~~ ° 5 voice once more,

o 2 3
PD

«
a ° ~~ o =“ wl ~ =

lies and boast-ing Til re - frain,

Papageno.
ee”
3 ~~ — ° 3 2 a
Cu
t

1 ies an d boast- ing Vil re-frain

Ne
Ist LADY,

Your promise we ac ~ cept. ro 3 8

2nd LaDY (giving

t ime ly m ter ven t ion saved our sis-ter from the Moors. And this re -

e aul

ward our Queen has a vo a ~~ ”

Ne ah

Papageno,
 CHORUS.
PAPAGENO.
2 ee ee ee ee ee

whatev-er Achime of bells of sil-ver tone Are

can it be?
they for

CHORUS,

They are for thee, for thee a - lone.

PAPAGENA WITH SOPRANOS.

PAPAGENO WITH ALTOS.

| Ni

Papageno.
 oa
well Well meet

2 112

papace NA,

PAPAGENO.

7 w help us pray We wish to wed without de - lay

a 3 9

with = 5 3 t rm we wish to
wed with-out de - lay

Papageno.
 much re-gret, but 3 3 n s ° 2
~ a af i
Ll
5 3 Ll wn n i
3 -

PAPAGENA &

PAPAGENO.

our Queens con - sent, con - tent. They

3
s ° a Oo I

bh 2 o & a wa ~ os ' a on na om n t ~~ 2 7S 3 oI
— 8
= a ° ~~ 6 cs ‘

> S 1

4 om
eT
ae ea ae

Papageno,
 5
60 ‘a ° 3 Lol oQ a a o a a 5 a o a So you must wait and be con
a I

And

CHORUS,

will you for 2 n in - ter-cede That we w ith-out de - lay may wed ? Yes

PAPAGENA &
PAaPAGENO,

PAPAGENA &

PAPAGENO,

now, fare-well! We'll meet a - ga in 2 a & o 3 3

oo 3 in,
1

Papageno,
 a6

No. 8. Duet.— When love within the heart awakens.

Words by
(Papagena and Papageno ) MOZART
MICHAEL DIACK
J
Andantino. 2) PAPAGENA.
from The Magic Flute.

When love with - in the heart a -wakens All

PAPAGENO.

with bright- hue, ap-

glows er The birds a

PAPAGENA.

= a _ ings| meet, Love makes our

3 > ° 3 a 2 n 3 ° e bo '

hap - pi- ness

‘nt it

Papageno.
 36

ou a x S io] <

life! -ter ious power

light of mys

PAPAGENO.

og o oo a o
OL ° oc n |
2 2 Dn 2 ° z Oo ° > a =] os = f a 9 » a 3 3 ° a —_ 3 g beg <
a 3 ,
wv eo

PAPAGENA.

Thy glad ning jray on

may |shine, a a
on Q

=) > |
than wealth can know.

S pO
He
rid chHl a0
roy
wil .
i,
ll ll) rr
—
|

2 3 2 x“ = — a di-lv ine, fill. A

bo °
ith bl iss di

sty
E-4

Resadip
or
4n
I i
i wl
We i |
|

(eae
AW)
mo
iy

1
rh
 with bl iss

hearts with bliss d i-

on our path - way] sh ine

hearts with bliss d i-] vine,

shine, Ev - er

a
on our pathway ish ine, ev - er on our
a 5 8
> a ine.

END OF SCENE I.
Papageno.
38

Scene II.

No. g. Solo.— Every man’s a slave to passion.

Monostatos.

Allegro. ¢ = 108

sempre Pp

9, r of

man’s a slave to
pas - sion, And
the conqu ting po T

live I will 3 + n o her, Till she owns me as her

Pa

the weak all show com

-passion But for me no heart will

er men may try to woo her But they'd best be-ware my

f)

Te le te te
CAs Cg

But for me no heart will move

But they'd best be-ware my sword.

pt

Papageno.
 as oth- er men are?
Of all maids she is the fa ir- est,

love and I[
she to be
my bride,

— Ge do not
my hate w bres) _ Gy bo ° > o we) o wm bel ° S oo vo bee win my

can not be her bridegroom No one else my love shall

If tf do not win mate, if I do not w in my mate.

my
no ore else my love shall wed.
No one else my love shall wed,

After 2nd Ve no enter at back af 8 tage . Monostatos listens. hidden.)

TS ¢ Papagena and Papage 2

a 1 me rele
VE

40

No. 10. How delightful ’tis to rove.

Papagena, Papageno, Monostatos and slaves.

PAPAGENA & PAPAGENO,

qfi 5 2 :
126

: 3 =

2h

~—
UsraAY)
Pea

CteurCty:
ci)
Hil | im wr
Wr,Te meHer
| }-

et
pd
oF
{aad

?
° 2 in the wood-land with your = & 3 owrs

(ty UE)
MD
1 i He
TT
aan ML UL
4
i

ill il|

al
Ti Cr
HIal al (al
th

(I!
tH
ae
Das T aawn

iy
QA

uh
I
]

ina > 180 el

a
a,o 3 a
oo 2 i 2 2 To

i
|
P—
Tt lt ih
HI i |
Hl
0
—

2 : 2 flow’ rs springing a 3 3 > : ‘2 i 3 2 A

Papageno.
 PAPAGENA.
41
See on the top- most branch

PAPAGENO,

Tisa blackbird hush be silent! I will call him.

74 2 ©

PAPAGENA,
Down he comes your call

O,1 wish Lam a s &

mm — bt a O,I wish Thad
my trap,

lad syes ve
ry glad youhaveno tra P>
! as, a~las, a-las, h ave no trap,

aI

Papageno.
 PAPAGENA.
can-not
So you ps paGENO.

oo}
ooo
_ tr ~~ = a)
G ~ ve rsd oa > wu 7 > = ~~ ” = 2 Qu & > ae) = 1 > °

2 3 e §

oO 6 a an) 2 >
° i
= oO ° wa = < & o wm S& 8 3 & x
TJ
a
i
a
ooo

lit-tle
No,I would not harm the pret ~ty

now you are mine at

ee
4
foto
jy a:
ill
py yy fw
(eee

vat
Your gal -lant knight will need as ~ sist - ance,
I have slaves at n0

Papageno
 dis- tance, at no great dis -
tance, = t= 3 a ° t
a ° -sta- tos you tri -fle

PAPAGENA AND

PAPAGENO.

q wa = a > a = ~~ a 2 ~~ Q 3 o €
~ a ‘ o n a °

MONOSTATOS. (Banter slaves) PAPAGENO.

Ho! ye slaves,with fet-ters bind them Have no

a ee
ee

nev-er mind them. Zz 9 z ~~ 9 » n ~ v & «

bo
- ic
bells, They may

Papageno
 Save > a = ~_ 8 3 a a a 9 3 a
us, who can tell. Come, a 2 a a

i xsae ssas8A8
&
g &
slaves gradually become affected by the rhythm of tig

8 3s ny 3 >S
8 g w 8 § 8 9 3 & S §
Fe
MONOSTATOS AND SLAVES.

lis 8 8 2
2 3 is witchcraft ;
a
a

we to fight. La-la-

a ° 6 eS a 7 Moz-art
such
o be save

Pap agend
 For danc- ing a » om ~ for
z on ° »
joy and de-light.

F o =132
PAPAGENA.

Such the charm of mus-ic’s art, Passion’s rage to

PAPAGEN 0.

Pupageno
 in the heart Leaves no room for

Ve - ry cross and

you should be > - to

p> ° 9 a a 3 me,

cross and rude to On the mag ~ ic bells I’ll play, |Make you dance a

Papageno
 No. ul. Chorus.—We come with pleasant news.

Allegretto. 152 (Enter the Queen's Ladies)

pS. a ae ee
Os
al
Sif. oo Off Tt le
] |
i

st

wadEaisem=
Pl

HH eeHl me Log
me

eH
We come with pleas~

—e
ant

ih og
to

if
heal
greet you,

lt
Our gracious queen you

ed

Pg

will see. She 2 3 to meet you,

;

Papageno,
 magth
H. H
Ay

lth
TO
i i
pe

EY TH
a i" fe

AY
ll my iteRy
|

e
i

my
Ths i
i i Un Wit me)

tg
|

a
wale
4t
ility
ii
#
Ite AAR
es
me Hi)

[ith peEE
aL
|

eH
| Btt se =

i
|

Seal eS ci
BAH a at
I
aT
ie
4
Ti
Jt
(an a
i
|

ree

a Hu ree
Gp fA

aa iyae dite
2 = 2 HH 3 a

MS

MT i. 4 HTH iH
ie 4

aAL)i
i

i i

Papageno.
 N 8 ates ex

a
bL
te aT

—— H Pay
[af
a
— —

aig
 50

No. 12. Papagena!

Papageno and Chorus.

the young lovers are waitin

for the Queen, Papageno seats himself in f: Papa Zonk
wand. 6rs to back of stage where she is seized and carried off by the slaves.)

Papageno plays.
5
Som

Pa-pa- ge -na! Pa-pa ge 1

3

Sweetheart! { where are you? where

SYae
ry

NS,
|

a!
A

+e

Desibe
SS Ee

Papageno
 51

-ge-
na! Pa-pa- ge -nal whathave I done? Why have you left me here a -

Why have you left me here a - lone?

-tle bride to be
My lit so soon

re ae

ae La aa oT
etek
tor
rae}

as ore
fi

= +d

a}

Why do you vex and tor 4

ture mers Cu-pid has shot his cru- el

et Pag.
 ge na! where are you
I feel it here,
right thro’ my heart. Pa -pa-

straying ? a = _ 4 a=) o 4
2 a ws ° 2 aH o = a
an One a ° -_ a a ° 3 a 3 7) <a o 3s i a ° a o & o n o

than en - dure such mis -er-

With this rope my -self I li stran - gle,

Papageno
 2 a a a
tp 3 2
see, But no choice
oe re - mains for me.

can own, re- o 3 w 5 _ false maid, I

9 > o a ' o So,

°fhe ytaP 3 a wea-

ry world and you,

5 ;

ec

(addressing the audience)

hn
he
—
let = —=

But a moment I] will tar-ry me, Is there no onehere will

On a_ word trembles
a - o I might then consent to live. my fate, Whisper

Papageno
 be fore it’s too late.

>»

end of me. Welcome

rope and welcome treé;—_Make a speed-y rope and welcome

sa tal
|

i"

bet - ter plan would be, 2 ~~

fon) =
a o ’
o w 3 a

Papageno
 3

all |
<<<
+s eee
aa a2

.three!Stillno sound. All hope is gone.

Se I Al WN

end this mourn-ful tale I will say my last fare-

I willsay my last fare - well. Ohstay, Hold Pa -pa-

ry 3s wa o i o e om ° a n = Sond 9 «6 3 a youmust not

~ ° 5 ou
4

° A 3 «i °
we
say, ~
 56

PAPAGENO.

ee”
have de cid . ed To take the

et I

life my => AY a =
love de - rid - ed. 8 4

a 8 bn o t

PAPAGENO.

canfrom all thy trou- ble 8S Save thee. O what a block -head to for-
They

eS A

Papageno
——}
_ Se > = = = 2 rel a back to
> a) eo

Ld eT

me,
If they will bring her back to me

<M

rt
!

“BN
.~ a
lott

—
i

ees |
3 Ts.

N ™ —_ a 2 = = n = Sc bo clear ly In
> v
my sweetheart’s

= =

I love her dear ly, Whisper I am here.

Say
 bells ring clear - ly
Sil - ver

love her
my sweet
heart’s

Say I love her

am here. n = S

i |
| | |

Chorus extt,
CHORUS.

Tell her I

soe i : ; i i i i i i i i i i i i i

Papageno.
 59

No. 13 Duet. Papagena and Papageno.

Words by
MOZART.
HAEL DIACK.
j. MIC
from The Magic Flute.
Allegro d = 96

pa - pa - pa - pa

pa-pa-pa- pa-pa-pa-pa - pa Ppa-pa-pa- pa - pa

a a a o a 3S
a a s ™ s o ne ; ; t

are mine,now and for

Pa-pa-pa-pa-pa-pa-pa - ge - na!

Papageno,
 & + 4 a ° 3 ee 5 ev - er,

mar - ried a) 3 q oo = eve tar- rie d, too long we've

ae

~~ '
= o 3

the

i
our fears and trou bles

Papageno.
 fears and trou-bles
°
i: < a a So 3 a ~~ it -tle
Pu 2 tn '
G] a q 9 a 2 a 3 a 2 qa

ones for us to tend. First a

girl and then a boy, oh what joy!

TSH
MW

e
ye

oh what <i
) = 3
joy! Oh the hap py days i

oh what joy! oh what

store the hap

? py,

Papageno,
 ° 5 a 8 = x - = y é Qs 3 a0 o : a

yet an- oth-er Pa-pa.

rh ll

Pa-pa-ge-na,

ee

-ge-no, Pa-pa ge-no, Pa-pa-ge-no, é

Pa-pa-ge-na, Pa-pa-ge-na, Pa-

e”
Youll be the kind-est of

You’ li ke the sweet -est of all mothers,

ree

ne tet) i

Papageno.
 the lit tle darling Pa
pa t

bo o a a wn oy pa-pa -pa-pa-pa- ge »Pa

-nas -pa -pa -

pa ~pa-pa-

re
jy

Pa-pa-pa-pa-pa-pa-pa- pa -j ge-nos,

pa-pa-pa-pa-pa-pa-pa-pa - ge-nas, the ve

LYI
.3

-ma. Youll nev-er vex me or for - sake me, the lit-tle

Vi.

e Hn
iI

~~ oa “= t + 2 S ' ost a Qu ai
Qa '

an vo a ° Ae s ao 3 '

Su 3s 2 '

an) a ‘

A. 1

ge -nos »
Pa -pa
pa -pa -pa -pa-
 ~ ge-nos, Pa-pa-pa- pa- pa- pa - ge-nos,
the ve -

Pa -pa- pa-pa-pa-pa-pa-pa- the ve -

ge- nas,

Pa-pa -| ge-no, & a ap a ° Pa-pa -| pa-pa-pa- pa- pa- pa-pa- pa-

od
'

Pa
Pa-pa - ge-na,

Pa-pa ge-na, pa
-

pa-pa-pa-pa- pa- pa-pa-pa-

Pa-pa -|ge-no,

the ve - ry i- Ma - ma,
mage of Pa-pa - ge-na,

Pa-pa -|pa-pa-pa-pa- pa-pa-pa-pa -|ge - no, the ve - ry i-mage of P

Pa-pa- pa-pa-pa-pa- pa-pa-pa-pa - ge - na,the ve - ry i-mage of Ma-

Papageno.
 the ve- ry i-mage of Pa .
pa, the ve -ry

the ve- ry i-mage o f Ma-ma, the ve-ry _ i-mage of Ma- ma,

Pa-pa-pa-pa-pa-pa - ge-na, Pa-pa- pa-pa-pa-pa-

-ge-no, Pa ey bp oO a S Au 3 3
a
- pa-pa- pa- pa- 1
' ~ pa- pa- pa-pa -

I Hil N

ta
it

fh
66

No. 14. O happy hearts.

Procession and Final Chorus.

Moderate march time. @ = 112

and Papageno)

Un - end - ing joy be

° om 4 @ 3 4 4g od o a s ¢ $ 3 3 °

Papageno.
wed- ding bells will soon be ringing,

and plen-ty may you dwell, And so web id you all fare
peace

uall ak in d fare - well!

fare - well!