Sonata

Terza
a 2. soprani

  Alegra
Dario Castello

parte 
Prima              

                  
Seconda
parte  

              
B. c.
  
6 6

7                          
          

                              

            
  


                                 
   
12


                                

   
         
  
     

© Marcel Gautreau, 2020; Non-commercial copying and performance welcome

            
               
16 Adasio Allegro


                                

  
             
 

                     

     
6   6   

   
25

         
                  

     


      
       Adasio         
           
 

   
30 Alegro

                   

         
 

  
        

    
      
      
   6



35 Adasio

            
                   

    
   
  
 6 6 6

2 © Marcel Gautreau, 2020; Non-commercial copying and performance welcome

41           
              


  
                

 
       

6 6 6 (b6) 6

                 

  
46 Allegro

                     

3 3 3 3 3 3 3

  

    
    
3 3 3 3 3 3

 
5 6 

51             

  

       

  
3

  
3 3 3 3 3 3 3 3 3 3

          
3 3 3 3 3

 
3 3 3

 
3 3 3


6 6 5

© Marcel Gautreau, 2020; Non-commercial copying and performance welcome 3

  
                   
56 3 3
3 3

   

3 3

      
3 3 3

 
 ()

    
    ecco    
3 3 3 3 3


3  3 3

 
()

 

                

6  ()  () 6

   
62 Solo (adagio)

           

3 3 3 3 3 3
3 

 
()

        
    
3 3 3 3 3 3

  
3 

  
ecco

       
               
() () 6 5

       
6 6


69 Alegro

   


    
  


       
           
  6

      
73

   

       


4 © Marcel Gautreau, 2020; Non-commercial copying and performance welcome

                 

           
76 (Adasio)

 
                     
Solo (adasio) Alegro

 
  
()

   

(Adasio)


6  

81    


           

                  

     
 
6

    
       
 
85 Adagio

                  


       
  

    
             

6  6

© Marcel Gautreau, 2020; Non-commercial copying and performance welcome 5

91                               Alegro
   


                                

t.


             
     
     


           
      
  6  (5) 6 7 6 6 6 5 4 #3 

  
h
99


                            

         
 


    
                              
6 5 6 5 6 5  ()

103

            

    
      
 

   
 

          
107

     
                  

       
  
  


6 © Marcel Gautreau, 2020; Non-commercial copying and performance welcome

         
                                   
110 Presta

 
           


      
 
b6 # 

        
 
      
114

     
              
   

 
  



                              

118

                  
             

      


© Marcel Gautreau, 2020; Non-commercial copying and performance welcome 7

     
                        
123 Adasio t. (più) adagio

  
                        


  


 
()

  
()

               

126

          
 

  
    

8 © Marcel Gautreau, 2020; Non-commercial copying and performance welcome