LcK§TEıN PıAhıü CourısE

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ııil alıuılİui ııııı^
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Eon baş
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i By MAXWELL ECKSTEIN
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BooK oNE
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lı suitable f or Private Teaching of the lndividual Pupil or for Group lnstruction

Thlı 8ook belongı ıo BooK oNE (o ııoı)

BooK Two (o 3701)
My Tcacher lı BooK THREE (o ızoı)
BooK FouR (o ızos)
Lcııonı 3trrlcd BooK rıvr (o ııoı)
8oox 5lx (o ııog)

Canı Frscrısn,
aı cootti 3ou^ıı. trtw Yoşıi l0ooı
INc.
cxtc^oo . lotloıa ı o^Lı^t . ıot ıxGılı' ı 3ıır İı^NC|3Co .

Copytıght MCMLI by Cırl Fıs:hcr. lnc,. Ncw Yotl

lnıonaııoıal Copvr,lAı Sc<,,ıcJ
All ıighıı tcıttvtd ırrluJın; puhIıc 1triotmınct for pıolit.
ıaıırıDliua^-

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THE PURPOSE OF THİS PIANO COURSE İS TO PRESENT lN A MOST
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NATURAL. coNctSE, AND coMPREHENslVE MANNER, A METHoD wHlCH (.:

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wlLL BE INTEREST.CREATING AND INTEREST.MAINTAINlNG Fol\ ElTHElı.
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PRIVATE OR CLASS INSTRUCTİON.
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THROUGHOUT THIS COURSE THE AtM lS PROGRESS, STEP BY STEP. AS WELL
AS FUN AND ENJOYMENT WHİLE WORKING TOWARD A GOAL.
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l THOROUGH UNDER§TANDİNG-GOOD MUSICIANSHIP
ı

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. CoNTENrs
I
' Piıgt Pıge

l FIRST FUNDAMENTAL CHART.. .. 3 "Flow Gently. Sweet Afıon". . . . .. |7

sEcoND FUNDAMENTALCHART.. { "ln Our Car"... l8
"Starting". ......;.. 5 "One, Two, Three" . l9
l -ı "Ride 'Em Cowboy" 6 "Bugle Call" ...,.......20
"Sailor, Sailor" "Dancç Little Doggie". . .. 7|
t "Pogo Stick" 7 "Seıls at the Circus" ,»1
('. ı
"Llallowe'en"
"Bicycle Bill"...
8 "For He's a Jolly Good Fellow". 2l ı ,*q
t 9 "Steeple Bells" . . 24
"Leaping Lou the Kangaroo". t0 "Tom-Tom" (Indian D.ınct)..,., 25

I
"Yankee Doodle" .. .. ıl "The Echo". 36
"Carry Me Sack to Old Virginny" . , . . . |2 "Billy Boy" 27
"Volga Boıt Song". . . ı3 "At the Fair" ..2tj
l
.

"At the Mcvies"..... t,1 "T§e Train". ,........29

\
-Safety First '' t5 DUET -- "Cradle Song". . 30, 3l
l "Merry Chriıtmas" ı6 QUlz PAc8 .. . . 32
 İ ı lırğ tğ d YV \, L t, J.\LrLg

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l 4 BEAT§
This is a HALF Note This is a QUARTER Note
2 BE^TS 1 BEAT
d
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or
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or
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THERE ARE SEVEN LETTERS IN THE MU§ICAL ALPHABET:

I

A B C D E F G a

l l l
l

t t t l

il
ı a

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C
l
C l ? /],
C

THE PİANO KEYBOARD lS SO ARRANGED THAT THE BLACK KEYS o}

COME lN ALTERNATE GROUPS OF TWO BLACK KEYS AND THREE
ı BLACK KEYS. THE WHITE KEY DIRECTLY TO THE LEFT OF
}
{
1

t
THE TWO BLACK KEYS IS NAMED C. l
ı

THE THUMB lS THE FIRST FINGER OF EACH HAND \

Lcf! Hend
Rİght Hınd ı
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KEY OF C MAJOR-_The KEYNOTE or HOME TONE IS C l'-'
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RIGHT HAND ALONE 4 ld.t e
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LEFT HAND ALONB
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Mak ing mu sıc ıs suc h fun.
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ON YOUR MARK I
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2. SING THE woRDS
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2--BEATS to each measure
80??{ İ*Each quarter note receiveg ONE beat ııtı,.ın .ı! c..ıı.ı" ıt.,,ıı" N|6%
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IN THESE PIECES
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Stems UP :RIGHT HAND
§tems DOWN:LEFT HAND
2.Ride 'Em Cowboy
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Ride 'e*, Cow boi '

Ride the range.
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REMEMBER -
Two NoTE§ - -
-
Two FINGERS
--
TWO COUNTS
3. Sailor,- Sailor
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Sail Oiı Sail Ol, Sa il your boat

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KEEP FINGERS NICELY ROUNDED
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4. Po,go Suicfo

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Jıımp - ing uFı JrrP ing down,

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stick 'to
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Ride a Po -go town.
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8o77IL cffiilaİt 9aİ\l av'Cıal ,la<İ<l. |x.. ııç Yüt §ıü^tğal Cşılorı aİcuaro Nl6%,
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İ*Each quarter note receives ONE beat

A B c t
C D
3
E
5. Hallowe'en
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fl ight1 Ride through the
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Counl, Ona Tıoo 7lrıııı Ona ?ııo Thraa
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Gob - lins 3p P-eiı rı Hal low - e'en's here.

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A DOT PLACED AFTER A NOTE ADDS TO THAT NOTE ONE HALF OF İTS VALUE * ) = 2 Beats ll
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N l696 ıllr77l
 REMEMBER 9

THREE NotES
THREE FINGERS
THREE COUNTS 6. Bicycle BiLL \
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Bi-cy-cle Bilı,
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Rides down the hiıı, Faİt - er and fast - er and fast Qiı
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Bi- cy- cle Bitl, R ides down the hill, If he's not care - ful, he's due for a -l sp
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4-BEATS to each measure

İ*Each quarter note rectives one beat
G A B C
n 8 2 ı t 2 3

c D D F^
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7.LeaPing Lou rhe Kangaroo

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Frogs '.J
can le;tp a ıvall , so can rein -deer tallİ

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COunt: Onc Tmo Tlrca ?our Ona Iıoo Tirca |.ıur 5i

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This gay
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is not kno
Does lt The piecc
Leap - ing Lou, the - roo,
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Kan g:a best oT a1l.

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Nı696 Cot!.1oı.? !(9Ll aY c^al ?lıaııı. |ı.c.. ıl!
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lr"ıh^rğıL cHalaıaf ıİGuııo Can you 6nd the WHOLE notes? 8or7l
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FoUIl NoTİs 1r,

FOUR FINGERS
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FOUR COUNTS ,lll
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8 Yan\ee Doodle .7_
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-- Yan . kee Doo - dle ş,ent to toş,n, Rid - ing OIl ı a po
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Stuck a feath - er in- his 'CaPı called it mac - a ro ni.

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af- ,
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This gay little tune was used in this country at the time of the Revolutionary War. lts origi
- n
is.not-known. The earliest printed copy ls dated l775.
Thc piccc was most likcly writtcn for'Oute or 6fe,'probably as a danee tune,,words having been
ıdded later on. YANKEE DOODLE
]n 1826 the following wordg to Yankee Doodle were popular "Yankee Doodle is the tune
-. Americans delight in.
Tıvill do to whistle, sing, or play,
,71a 'l]11l
-ıı
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!''t€r'ı,,.c"rhror ı,iıö96 And just the thing for 6ghtin""
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 üAi{l(Y Mij iJACK 'l''-' L)L! v'llttjlNN Y was wrıtten by jame; ı\. Bland
(born, Octobcr 22, t854, died. May 5, l9l1). l- \
This.song was written.for the minstrel shows which were popular entcrtainment in $ü'lıjıı
thc closing year3 of the last century.
ln 1940 the State of Virginia adopted CARRY ME BACK TO OLD VIRGINNY as I

the official §tate song.

9.Carry Me Bac\to OldVirginny

f. 1

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Car. ry -
me back to d, Vir - gın - ny; ı here s -ı
ş,here the
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.cot ton
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There's b irds ııar. ble ı_
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in old heart
sweet
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the spring-time,
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There's where the dark - ey's am longed to
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olga Boat Song

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}ieave, C heave, boys, Heave, O heave, boys
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1ü ç
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to er; O heave1 bqys.
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J In Russia, bcfore the j
adventofsteam powerı
harges loaded with
cargo had to be pulled
yp the River Volga
by man power. These
ment peasants who
lived along the river
bank, sang this melocly
to help lighten thcir
fi burdensome task.
||
t

Corılon ıCuLr tr C^ıL 7ııCxıı. ıı.C.. İıı Voaı

ı{ 8077 l ıffi atı^?lO{^L CorrıtoF, aİCuııo Nı696
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11. At rhe Mouies

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'W': go to the mov ies, Eve - ry Sııt _ ur day,

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a) i'"hen a v-) ol h

the bad hi s fate, 'We ray.

? meeta
man shout ho o
A\. -
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a
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80?
Nı696 Co.rı|ox? ı.cg|.l aV C^ıL ııaxaı. ı..c.. İıİ loıı ıirıİ.^?|O.Aı. Co+Yılaıaı ııcuraD 8077l
 LcJ t ilanıI l5
Ncw -njotc

72, Safety First r

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o ü 'When you cross the strbet, it's safe ty rşt.

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a) 'Wait un til the 1ight'e green, safe ty first.

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ıOr?t Cahı|a,,' .rCuLı D C^ıL ı.tacİıa. i.c.. iıl ,crı ııa?ııİ^"ıO.^L Go+aılaF? aıG9ııo Nı696
 ı ıJ.I]ğJ., .c\r\ğ t]ILı 11 t .f]. 1\ rJ İ liD :

AN EIGHTH NOTE J\ ıs H^LF

n§ LoNG AS A QUARTERNOTE.
,hÜ o
g o
ı

o o
o
o

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Plfil,fWo EİGHTH ,l

erry christmas
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To oNE COUNT. o o !i
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ri;. - ry Christ Deck the ry Christ - mas, one

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74. Flow G ently, Sw eet, Aft on Iri

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J. E. Spilman* btl
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ffit- St,;
İ rlR l l

11 11
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Flow gen - tly Af - mong thy green braesi

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sweet ton, a Floş, (

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Nl696 co}tııoxt uGgLl ıv c^aL 7ılCxt.. ı,c.. ıtt yoix

Can you name the members of our Family of Notes? I
ıİİın^r|dAL Golrı16n ılcuııo 8o77a
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II
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1gcn -1tly,
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11 1,4
ı'lı sing t hce iı song in thy praise; IUy Ma - ry's a - sleep by
-
thy

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mur - mur - ing stream, Flow gen . tly sweet Af ton, dis turb not her ream.
.

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INCOMPLETE MEASURE
FERMATA ri means - or HOLD
PAUSE
Thc first measure is incomnlctc. we 6nd onc
bcat only. Thc nıissiııg bcoıs ;ill bc found in the -
very ldst ına.ıst.ı€.
start to count on bcıt Thrcc.
-
Can you draw this? . A
Afton is a small river in Ayrshire, Scotland. The poem
' The one.eyed owt
was written by the great Scottish bard, Robert Burns, I

as a tribute of gntitude and respect to.Mrs. Stewart of

]

Afton Lodge which is situated on the banks of the

:l0?7t Afton. Nı6
 iıb
b
It meanıi-_PLAY THE NEXT KEY TO THE LEFT
A B WHETHER IT BE BLACK OR WHITE

KEY OF F MAJOR -..The Kcynote or home tone is F

fhe Sigıııııure is B FLAT
B FLAT is the black key at the left of B ,.ı!-
ı,
J-
IN THIS PIECE
EVERY B IS PLAYED B
" (u\
FLAT
75. In uT Car
a 3
V
A T---.--.r-----t--
ı- ı
o + a|J o
l

<}
\4? go dri ing through the coun
--I_ı--- _ tr)i ılı Our
-- caır,
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T--------r-------
f-
51

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:) ) J
ı§ I---l
ı ııı
o -
Mile on mile we mo - tor on, \4'e've trav - eled
ı.? Iı
fa r.
El -ı
ıı- -ı
fii]lTffi]llrtTill]ililr ı
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tı f-r-
I l
l ıİ-I
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'ılTillliilTfi]I,lXl|iı ii]TllılTt]T|Tılltliliüıilllüiı 3lğ
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Nl696 Can you pick out some of the B -ı
Flats on the piano?' tıtı-..tı.,..!.ğ...ı?..cı,... :l0rrl .80774
 Whcn wc writc conıp<ısiti<ıns at sch«.ıcıl l9
wc usc punctuation mırks. ln ınusic wc
THE PHRASE MARK
,

do the same. The curvcd |ines

show the phrases, which, when taken to,
gether, form a. musical s€ntence.

( 1,1
l.\\ l
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1 -i 4-ı

One, Two, Three

tl \
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76. .

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Oııe, tw hree , s fiüı l TPs--,lıı it 8 ilmc, }

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O ne, t!§of -thre e, I - \-§Py,-l- mc| What ,),-:--"

ıs m narne ?

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lI l

( |1
^

77. Bugle CalL

,a J5 3
V/
A
,ll
ıı ,)
I
r I
I
ü 1. 1 1-1
\\'hcn you hea r the bu - gle call, Lit - tle sol-diers one and all, Fbrın your

ffi a
l
I

ıı
I t

Iı
--
ı
?
a
ı

J ;} -\-
|,
rf§ı.n
iA,

1
I

aJ
raıılis, Fron t and rca r, Jo your ame an werı 'tHere']
?? ? ?
n s

J -\j -l l l I I

T- T------------l
1 ı
80
NI696 What key is this piece written in? ılo71l
 -. -.." ,r,,,..-1
Thii is a QUARTER REST \,

-F
^!ıJ\., ^.

IT coRREsPoNDS To n QUARTEn ( J)Norn A REST is a sign of silcncc in music. 2|

RESTS tell us how many beats of silence are

This is a HALF REST
-=- to be observed. ,

IT coRREsPoNDS To A HALF( J ) Norn IN THIS PIECE

''ı This is a WHOLE REST :"-lı- How many beats does a uıhole rest receive?
How many beats does a half rist receive?
,
IT CORRESPONDS TO A WHOLEtO,İNOTE How mahy beats does a quarter rest receive?
lt is also callcd a MEASURE rest, indicating a full measure of silence
in any kind of time.

18. Dance Little Doggie

.l

Iıı-"..-ı ıIı
I
/A
ılZJ.
|-
o ıLl-z
a l
ü --
An ıı,ill get * i€ı
?
ance for l1,1€ı a

frıÜ o aT a ll
ı, I I-ı ı I_
I

ıı ı Il
ı32 t| ,8 z:r l
\ \ ı
l -ı
-
a 4

-rm-Iı
JIJIı-ZJ
l?ıı
ıI
ııE_
I ı!-
o a {)
a 4
I

o e o t) @ a) / ;--- I \
(ı ı o Dınğğİlit - tle -dog_ gie, D'ance- fo r'-rne, Or. - else l'11 glve -ınone.
T} /-.?
{| {|r
it aı o ıa
ı, I - I

-\ ı ı-ı
V ı-ı
1
3 -1

)l0r7l What key is this piece written in? rri.,ğ.L.-.nç...ırıo Nl6%

 ]-+
ffi
It means PLAY THE NEXT KEY TO THE RIGI-IT
F G WHETHER IT BE BLACK OR WHITI]

KEY OF G MAJOR The Kcyııote or home tone is G

Tlıe Signatuıc is F SHARP -
ılı -
F SHARP is the black key at the right of F l
IN THIS PIECE EVERY F IS PLAYED F SHARP

Ig.Seals et, the Circus

V ı) ., 1
\
_n-rI
a+
) EI
|,/ _
T
I tl
a a r
a) F: -ı
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s eals ıt- --.- tte cır - cıls- can bııl - ance
- --'( bııll. i
ı,) .
i
ı,
L- |.

*\ n
l -
IıIEI
-h.. Ç t1
,-E-II l
o
4
I I

- ll-t-_seems .z so eas\-- No _---.fo+!,_ at all.

?-'\ı
, .ef

l'\ ı
a --ı-ı
--nı-ı
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ı

r------T-------t- -a)
wi
-ıI-ı
1
by,
N l6% Fİfu^rlğ.^l. ao-.lar aİau.ao 8 o17l The
but
 23

20 For He's a Jolly Good Fel,\oııı

\- _
J 1' ı
J IJı i-Jıl af --r,T |_
-:J/ For
,fu he's a jol - ly good fel - low, For hc's a jol - ly good fel -
ıa a a a _
?, a)a ı I
lO.
i
l u
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ııı
l I

ı IİIIİIİİİIIİ
li l ll
)

:: ıE
7 ,a
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- >a
J E-- \ıI
\\ I TT T-f ı-
u aaa
I

i
ll
low, For hels jol - ly good fel -y
d
citn 'de - - n),.
p,
a low, \trhich no - bod

a
ıa
I]
ıa a ıa -
ıl - T----T--. ı ıI
I

l{ l ll
]

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ı
I

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,a 2
- lıI-ı
J-?J
ıJ. I:Iıı -
ı-ı
ıII a1 ltll
ı
a§ ıI
aaa tTT
O O
l-
l
-
7,--T----T---r-
aaa T
t
I IIıIı
O. o
a) l
Which no-bod- y can de nY, Which no-bod-y ian de ny,

Z\o :-
a a ı-
- l. i- I E İ1 lt ı ı 3-,-
E ıijr.ı
E
- D.C, al Fin
E TIED NOTES D.C.al Fine
l
-
-
'When two notes of the same pitch are connected D.C. Da Capo-From the Beginning ---)
Fine (fee.nay) -.-The End
by a curvcd line ..-_-,, thcy are ca|led tied notes.
Da Capo al Fine _Go back to the beginning and
Thc sccond o[ the two notes is hcld and counted
play to the end,
1771
but is not struck again. :ı0r74 Nı696
 İ
v vv Jrv--vJJ\J'
^^-- a

|a a l
l l
l]/tll
\lr' A
./
-
ü 7 \.-.-- a \
ll Ding, dong,, ding, dong, St c bclls ring ing,
(\o. I I

- a, L -
E
]
I ,a
-,
I

.ı

iıı]lı 5, ı
ı ,T!ı l -
u
I

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1
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a
llll
Ş-; end - .,iııg, *,9-} -
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niog-ainb
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o
ll -F
I
- I I

(
I I I I I

l l,J

3 1 2 ı .1
Croıs B.llouaı

ilr
_tt] l1ı- Nrrı, l{ote
In the last measure of this piece, cross
lI -ll-D the

!
I n ı .second finger of the Right Hand over the Left
.1, 11
Hıııd ınd play thc ncw notc C wlıiclı is thc
r
|]I
ıY
u. l next C below Middle C.
\ııI y
r)
[r
(,ı i,
1_--
l i')

ı l i
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t* ıd
{
\ C Irİ

\,.
l',.J
Bclo C
a

11lddlı: C
Nl696 cüvaIoi, İ<!lr av (^.l ,lıcxaa. ı< . İa- roaı li?ıai^r|ğ^L <@raloı, ıa(ualo $0??.
J

, i i'..'.'. -::, "

 ol
23
Lefı H nd positio la cd To cıher

r \, l
I

I
5
C
ı
-
G
--€-
'22.Tom,Tom \
flıı
\. .,
Y./
-)

l
Indian Dance a.

3
tr]
ı
J l--ı
ç ı-
o {> O
--
-TIı ı-
Js,
f\o
vlı I
lI ] I
t--r- I ) ) l I I I I

İIII1
I

I ı-ı-aı-a--İ-ı--a--
ı, I
ı,.ı, l I
ı, ,
ı
I

- i

a 3
,ırcr ı
J-,
a

r iıı l
ı
the
uc[t
ü+ O ş
thc --
a\. , T , -- ı
-l-T_--l-_--l---T-_i-
)
ı
} I l

-J
I
t I I ]

f- -1a
1

l
aT I ı
ı -a-- E ı
I
I
I

The new note C which you played u,ith the

2nd finger of the right hand in Steeple Bells, is
noluu to be played by the 5th 6nger of the left
'0 ??,l hand.
3o71l N l696
 ğ
'j- /
c D E c C D E

( )}
(f_, "{ l
1 l 1

Iıiiddle C
-/i-
-O-:- Upper c D E
ı 3
|,
REMEMBER A l I
f,., I I
_
THE THREE C'S
y l
l
I
',' 1 3
Lowcr C D E

.,g ,a
2,3. The E cho
J-J \ıı_.-
ı ııE
_\-
a) We cal| c'rc in
out Hl! HolWhcn \ı the glen,
l
ı E-I
I
I
7A - -.a,
I

__--a-riı: I I

II
t 1
5 -
6-_.ı..l
- ii
ı\ :l 2
ş
re
I
A ,"l I

')', ı^
I I 1 l
t]
l -ı I

"} O b"t_ o rı,ill Hi! Hol A gain and .ı g:aln.

l
_ _
c

N l696 lrrtır.rtÇ^L aoniıaİ, ılcuiaa 8o77l

 R[PE,1,1TloN NOTIŞ

- { ':
',(
1",l 24. Billy Boy
1

/'
-7-Z H İ
_ı
İ
ıZ
aJ
been, Bil - |y bo y, Bi1- Iy
1. 4/
boy? Oh,_
?Iır ??
Oh, where hate vou re have you
? 1ü?
u,h c

İ.t üo ^a- a ^aıı-Iı

ı, aA
I İ ıIıIıı
- - --,V = İ
3

f1 1

-Jı l - --------|a-r,-
--
-2-
u
I
,a

been, charrn - ing Bit - ly? _ I have een to seek a u,ife, She's the
?
! b

a ı
4^

l ı
a a ıa. a ır-o ıa
---r------r---- l-
I

o
--_-Iır--i- ll
I

= I

31^
V
1g

--ııE-
_, aI
1
ı
/q ı
I
l-----.\- ı
o joy- of
\
ife, She's
a 4 ,ot)"r.
_..^a
my
?
l a
,+
young thing, aqd
?o
can- not leave her
-
'/--
ı§- I J
_ ı :LT İ f2-+-_
I
ıI
I

V
ı
32 3 41
--
|7l 3077{
Co.r.,otr vcrll .ı a..|. - ıiıl.i.i.o...( aor,.l.xt lİGr.ao
N | 696
hands play different § § ü §
notes at the same Iütiddıe
time. t E F G A B C D E F G IN THI§ PIECE
wE HAVE A
Right Hand Pos ition NEu/ NoTE.
3 l5
New Noto
I
ıI
-I -I
L
I
ı-
I

C
_I --II tl
-3 ı lnd 8 below
Lef t Hand Pos it ion ll iddlo C
*/
25. At the Fair
a 5

_
9
ı. --r- t ı
f ıı _ -T- ll
L\I-a-.- I ıı
ıI
u \l'e
l

are so
a_,
hap-py, So
t

ea - §er to
ııIıı-_
o 4. l
Out to the
1.,
fair in the
ıII
o.
morn _ ind.
-Z\. lJ
ı L
|iO,
^al- a{ a.
-----.l-----.l-T-
ı I

_ - -----I---ı ıı -T--T T
. ,/l ı I ll

\ıI l--T---r- r-- L--

ııI Iı
,+
ıı II
l

II
a) l
\\'e u,ill hnve
ıI
1.,
oo_dles and
-ı-ı_ ı ı,
oo_ dles of
a I
fun, Out
ıIı
at the
a
fair ın
a
the
dl -.?'
morn -ı ıng. -
-_. O
f, rı
o
o ıI -a _ ı ı ı r
ı ı-ı-
I I

ı-ıı I
I

3 .1 4 §

N l6q6
-6

- ;'.|,
l This is ı NATUIrAL Db
J
is thc ncarest black kcy to the left of D 29

İ,!ij!
lr,i
l l::i'l.i, iJ"i
,:,,.
i L lj!

4
_,:
t,,
l 8 means to play 8 keys HIGHER
8 keys: One OCTAVE
It means TO PLAY THE WHITE KEY C D

,".l .)
26. The Train This D is also played D Flat because it was

lr.,
so played previously in this measure.
,l
",,'
B
|a
!
J
TfTl
İ--T)
F- ııIıı
V lv,
rıı
I ıI
i ?) Va a -- 4
Il

Wait at 'Wlıis - tle l

??
_ ing the sta _ ion for the train, b l o ws , once a gain.
a c'
t

a-
a -ırıı----
ırIıIr ıIııIII
ırıaa ı
I a l--r
a
_r
l

---T---l ll
---r- _
, E
5 4
l
_ -
JalJ
a

,
l i.a rc
Il l

a)
Now \ı,e see it
Va |a
4 i

o ç
cnm
i§ ı
'ro,,ı:iİ
ıa
thc
ıa
bend,
)
ıI- ı
I
-|. i
LI II
l

I
-II-

i[
-?
ı ,r- ,ı-I
lIl
I
a ao
U
l

Hup , py jour _ ney's ---- end,

r.ıİ-a ao . - ---- )l
...:li
ırr-
J-aruı--
o
o
I l

I--
l] -
r--- : I
1,
,,,
V
üo7J l - N l6%
 Z'l .Cradle liong
SECONDO (Teacher or another Student)
Slowly I
JOHANNES BRAHMS
,.ıE o |J ı T---:::
{]
'r.I IE
l
ıı
I
,|
l

]l 2 3
frıE:ır.ıü-
ıaIİ:ıı:i--- I--- ,.i
o
İ- - ;.1

ıE ı- ı-

,J
!i

,.ır:
YC; _
2
r
1
T-----T------
ıIIıı--E.-I
:1
,i, -

I:-
al
ıI
.ı-
iI
Itl ıl
-
4 5 6 7 8 - 9
'!
i
'j

,.ılı
y ı-
t

ı
ıEİIr
ı- ---T- ,] ]

.1
I
5 J

1 c I 3
--
,i
3
z\. a
-- IıIıı- ,l
l

I ı--ı IıI_ı
TT---T----rI ı_J I t]
l -t-., - - I I

-Iı .'l
10 11 I2 13 |4 15 16 A
,I

a\. - ,,lI

'l. ı .I
l,A -
T- _ ı-_I
I
I

1i,
ı ı ,)
3 . .l,
- -----
- --ı-E .2,
,l
Nl696 ,lo,7l l,,
.,''-
 r_
//. Lradle Song 1

,Z,, PRIMO (Pupil)

Slowly
joHANNEs BR^HMS ;

2 i t .3 ;.
al
I_
l

J-? t a-
ı ] lll
()
a)
1 2 3

İ.ı o ııı-
aa a o
ı, Eı t- r ıI ---_-_---_
ş
,

-ı
ı
a2 l324 J
ı
i, 3
J
r
Iı
ı :_---T---
varT
I
,+
]

eJ a I I

-I 9
?
5 6 7
4 -,:- 8
a ı_ ^ ıO ?^?
I ll
la
l
ı, ı_ıIIııı- ,l
I
I

-lıır
--J 3 ı3
l
ırı- J
l

1
I

2
T . ---T--- l
ıı
(1n lA
T
r--T-----,IT } .?
lAlA - - ı
EI ] T-] ı
a) o 1 a a -1- o
16
10 11 12 13 14 15

ı.ırı i-all a a ? a
ıı ırlllll ıI
l I I I
o
ı - Iı |":
,l
- tl ı t { \,,}
|...
i..

}','j
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30r?{ Nl6,|6 f..J
E.1:
 TWENTY QUE§TION§
(To be answerei orally)
? u
il
n
ı. THıS ls A lİt İ
lA

]; lr4USlC lS DIVIDED t}Y

]. FROM oNE ı]AR LINE TO THE NEXT lS A L]IZ

PAGE
0
.t. wHAT ARE THEsE sıGNs d.,
),
.§.How MANY LE, ı,TERS Al\E THERE'|tN THE MUSıCAL ALPHABET ,I

6. wHlCH ıS THE Fll\ST FINGER oF EACH HAND l,

ı
7. WHAT KIND oF NOTE lS cı ) J )
? ij
,I

li. wr{nT DO Tı-lE FOLLOWıNG TıME S!ÖNATURES ıNDıCATE ?

4
3
4
4
4 ,]

WHAT ıS THE EFFECT oF A DoT PLACED AFTER A NoTE

:

9. ... .
!i
jl
ı(). wıJnT ıS ME^NT ı}Y THE lNCOMPLETE MEASUıIE ,;

ll. WHr\T lS A İıERMATA ,I

l
:l
l2. THlS SıGN $ıs A ,. . WHAT DOES lT Do To A NOTE : . ..a .;
:,ı

t]. THIS SIC;N l, lS A WHAT DOES İT DO TO A NOTE i.

ll

ı.l. THlS SIGN h,, A WHAT DOES İT DO TO A NOTE

ı5. wHnT KEY HAS oNE FLAT lN THE SIGNATURE .. NAME THE FLAT
l6. wHnT KEY HAS oNE SHARP lN THE SıGNATURE NAME THE SHARP tı
l7. WHAT KIND oF RESTS ARE THE FoLLowıNG _.-----t-_ |,.,

--- |.

ıli, wllnT n I(E TIEI) NOTES

ı9. WHAT DOES D. c. AL rlNE MEAN
20. wtlAT DoEs 8., ,. MEAN Nı696