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Origami
A Brief History

By the Turkish Group


History of Origami
The history of origami can be traced
back to ancient Japan. Orikata,
meaning folded shapes, were vital skills
for aristocrats and high ranking soldiers
in Japan. Several styles of formal gift/
ritual wrappings were developed for
such things as money, poetry and fans.

Credits: Georgia Tech History of Origami



Origami is derived from two Japanese
words, Ori (folded) and Kami (paper).  The
transition from the
term orikata to origami came into use in
1880.  This ancient Japanese art of folding
paper has become increasingly complex
over the years. The applications for
origami principles have expanded into
furniture design, home decor, architecture,
installation art, robotics design,
engineering, and medical solutions. 

Although there is no concrete evidence of


origami existing before 1600, a reference to
origami butter ies in a poem from 1680
suggests that it was an established art form
with much older origins. Two of the earliest
known books featuring written instructions
for origami are Tsutsumi-no Ki by Sadatake
Ise (1764) and Sembazuru Orikata by Akisato
Rito (1797). Tsutsumi-no Ki (also called
Haketsuki) provided instructions for 13
ceremonial folds and Sembazuru Orikata
contained instructions for recreational
folding of 49 linked cranes.
fl
四 Due to the expense of paper, origami was
originally limited to the privileged class for
religious rituals, and formal ceremonies. In the
Edo period (1603-1868) origami became more
widespread in Japanese society due to
the reduced price of washi paper. This gave rise to
the cultural practice of formal gift wrappers
(noshi) along with envelopes/paper purses (tato),
and letter folds for a larger population of society.
With the end of Sakoku “closed country” (the
isolationist foreign policy of Japan) in 1853,
origami practitioners began to incorporate
Western napkin- folding patterns, patenbriefs
(folded certi cates), and German kindergarten
paper folding pedagogy as foreign in uences
were introduced.

Étienne-Adolphe Piot A Young Girl with Origami Birds signed A. Piot (lower


right) oil on canavs 20 1/2 by 15 3/4 in. 52 by 40 cm
fi

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終わり
“The End”

Merrymakers, 1870 Carolus-Duran, French, 1837-1917 Oil on canvas

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