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Dana Villa
Department of Political Science, University of Notre Dame,
Notre Dame, IN, USA
Dana.R.Villa.9@nd.edu
Abstract
In this essay I trace the relationship between philosophy and politics in Hannah
Arendt’s work, with specific reference to the tension between her Socratic commit-
ments and her appeal to “common sense” or sensus communis. I argue Arendt’s idea of a
“common sense of the world” gives rise to a conception of the public realm that has too
much shape and integrity to fit the often misty and particulate nature of contemporary
reality. This is not the familiar critique of Arendt as a nostalgic Grecophile. Rather, it is
a critique aimed at the phenomenological concept of “world” underlying her analysis.
This concept—derived, but notably different, from Husserl’s and Heidegger’s respec-
tive conceptions—relies on background practices and understandings that are thick
enough to sustain both a common public culture and a shared “sense of the world.” I
suggest that Arendt’s appeal to a sensus communis runs aground of the moral and value
pluralism that both Weber and Berlin have suggested are constitutive features of mo-
dernity. I conclude with some remarks on the relationship between Arendt’s critique
of modernity and Socratic philosophical critique (on the one hand) and Frankfurt
School Critical Theory (on the other).
Keywords
to me that the central question is not whether Arendt endorses, even episodi-
cally, the idea of philosophical citizenship in her work. Rather, the question is
whether it is possible for her to do so consistently, given her own ontological
premises and her understanding of the specific reality of the political realm. I
shall argue it isn’t. However, I shall also argue that Arendt’s own philosophical
practice is eminently Socratic in nature, infecting us with perplexity by raising
doubts about our reigning table of values and how we define key moral and
political terms.
In the book I pointed out how Arendt’s appeal to the idea of a “common
sense” (or sensus communis) effectively undercuts her more Socratic commit-
ments. The idea of a “common sense”—of a faculty that functions as a kind of
“sixth sense,” fitting our individual sense experience into the intersubjective
or public world shared by all—is, of course, a problematic one. Not only is the
idea itself elusive (its basis seems to be little more than a pun: our common
sense is a common sense). It also seems to give new life to the Nietzschean no-
tion that the “health” of a given form of life ultimately depends upon the pres-
ence of a limited and protective moral-cultural-intellectual horizon. Should
dissolvent rationality (“Socratism,” in Nietzsche’s parlance) be given free rein,
the cultural consequences will be ruinous and the highest values will devalu-
ate themselves.
With her idea of a “common sense of the world,” then, Arendt seems to be
treading on ground similar to that of Nietzsche, tacitly endorsing the idea of a
limited and protective horizon. A case in point is her treatment of the Greek
polis. The “world of the polis” provides what certainly appears to be such a
limited and protective horizon, a common “space of appearances” in which
diverse yet equal citizens share not only words and deeds but also the same
culture, religion, and set of fundamental moral and political presuppositions.
It is within such a limited and finite “world” that Arendt’s political version of
Nietzsche’s perspectivism plays out, with its plurality of different perspectives
on a common or “objective” public world. On the one hand, such a shared,
finite world makes possible the play of diverse perspectives, as they are all per-
spectives on the same thing; on the other, this world is itself constituted by this
same play of plural perspectives. Human plurality finds its richest and most
“objective” expression in this public play of citizens’ different openings upon
their (shared) world.4
I am not suggesting—and neither is Arendt—that, for this play to occur,
the “world” in question must display anything like the degree of moral and
cultural homogeneity we find in ancient Athens. However, it seems clear that
4 Hannah Arendt, The Human Condition (Chicago: University of Chicago Press, 1958), 57.
the world our “common sense” fits us into relies considerably on the presence
of shared background assumptions, understandings, and practices. As de-
scribed by Arendt in The Human Condition, such a world is possessed of both
shape and integrity—two features that are, to a great extent, functions of such
shared understandings and practices. Thus, while we hardly need to share the
same religious, ethnic, or even linguistic identity to be active (constituted and
constituting) participants in such a world, we do have to share a discrete and
identifiable (“objective”) public culture. In Arendt’s work, the primary exam-
ples of such a public culture are the “worlds” of Athenian direct democracy
and American representative democracy. Each provides an example of a le-
gally and institutionally articulated public realm supported by certain char-
acteristic norms, practices, and background assumptions (e.g., “All men are
created equal”).
Arendt’s analysis of the robust plurality expressed by the active political
life of such a “world” sits uneasily with the value and moral pluralism that
Max Weber (along with such later theorists as Isaiah Berlin and John Rawls)
insisted was a characteristic feature of the modern world. Our world is charac-
terized not only by rapid social and technological change, but also by a variety
of value-spheres—scientific, political, economic, familial, erotic, artistic, etc.
These spheres are in constant tension, if not outright war, with one another,
and they reduce to no common denominator or measure. Add to this value
pluralism (emphasized by Weber and Berlin) the moral pluralism born of a
variety of faith traditions and different “comprehensive” views of the good life
(Rawls) and the result is something that bears little resemblance to the shared
experience of a public world that Arendt describes.5
Given the high degree of value and moral pluralism in contemporary soci-
ety, it seems the best one can hope for is an “overlapping consensus” on the
desirability of the institutions that provide the basic structure of the “domain
of the political” (Rawls). Indeed, the effort to promote a “common sense of
the world” in what George Kateb has called the “misty and particulate” reality
of late modernity would, at the very least, entail the promotion of a value-
hierarchy—a vision of the “good life”—currently not shared by the majority of
citizens. The predisposition of some of her admirers notwithstanding, Arendt
5 See Max Weber, “Science as a Vocation,” in From Max Weber: Essays in Sociology, edited by
H.H. Gerth and C. Wright Mills (New York: Oxford University Press, 1946), 129–156; Isaiah
Berlin, “The Pursuit of the Ideal,” in Berlin, The Crooked Timber of Humanity, edited by Henry
Hardy (New York: Vintage Books, 1992), 1–19; John Rawls, Political Liberalism (New York:
Columbia University Press, 1993), 133–153.
nostalgia for the Greeks, but rather a nostalgia for reality (in the sense of some-
thing solid, lasting, “objective,” and the same for all).
This last remark sounds vaguely postmodern in nature and may remind
some of the work of figures like Baudrillard or Deleuze. My point, however, is
not that everything is always already “virtual,” or that we live in a world in which
“there are no facts, only interpretations.” The wholesale re-writings of history
that formed the basis of totalitarian ideological fictions should be enough to
warn us away from such pseudo-Nietzschean generalizations. However, there
are in Arendt traces of a phenomenological essentialism, an essentialism ul-
timately rooted in the idea that the origin possesses a fuller, more authentic
reality than what comes after (which always appears as derivative or as a “fall-
ing away from”).
This sensibility is apparent not only in Arendt’s many classical references,
but also in her endorsement of the Burckhardtian idea that the beginning is
like a “fundamental chord” that sounds “through the whole history of Western
thought.” And it is apparent in her approving citation of Plato’s remark in the
Laws that “the beginning is like a god which as long as it dwells among men saves
all things.”6 This “return to the origin” sensibility, imbibed from both Husserl
and Heidegger, is what gives many of her phenomenological descriptions—of
the public realm, political action, and the human condition itself—a strong
normative spin. Thus, while the descriptions themselves are deployed primar-
ily for the sake of contrast and clarification, they also have a way of conflating
the “is” (or, in this case, the “was”) with the “ought.”
Bearing this criticism in mind, it seems fair to say that both Hegel (who
saw in Socrates’ introduction of the principle of individual conscience the be-
ginning of the end of Athens’ beautiful freedom) and Mill (who saw Socratic
dialectic as a vehicle for undermining the tyranny of custom, convention,
and received ideas) offer a more adequate and truthful account of Socrates’
revolutionary impact than Arendt does in “Philosophy and Politics.” The dis-
solvent impact of Socratic dialectic on the reigning Athenian values implied
nothing less than a transvaluation of values. This is something Nietzsche fully
grasped and, of course, bemoaned. The fact that Arendt either (a) attempts to
turn Socrates into a “citizen among citizens” who tries to “make friends” of his
overly agonistic Athenian peers (her position in “Philosophy and Politics”); or
(b) confines the dissolvent impact of Socratic thinking to “emergency situa-
tions” in which the conscientious individual sees all those around him car-
ried away by prejudice or ideological enthusiasm (her position in the essay
6 Hannah Arendt, “Tradition and the Modern Age” in Arendt, Between Past and Future (New
York: Penguin Books, 2006), 18.
Marx’s turning of the ideology of the “fair exchange of equivalents” against the
capitalist-market society that gave birth to it. In Das Kapital Marx reveals how
the “fair” exchange of one commodity (the worker’s labor-power) for another
(his daily wage) is, in fact, a structurally unjust one, predicated on the conceal-
ment of the fact that it is precisely the worker’s “commodity,” labor-power, that
produces not just the value equivalent of the capitalist’s investment in wages,
but also the “surplus-value” that is the basis of the whole process of unlimited
capitalist accumulation.
Putting her portraits of Socrates aside for the moment, we must ask our-
selves whether Arendt’s criticism of modern capitalism, science, and technol-
ogy in The Human Condition resembles, at least formally, the type of immanent
or contextual criticism practiced by Marx. The answer, clearly, is no. The whole
point of the last chapter of The Human Condition is to question the modern
age’s reigning hierarchy of values, a hierarchy that turns the classical one up-
side down by not just by glorifying the productivity of the animal laborans,
but also by making life itself the summum bonum. On the face of it, The Human
Condition appears to be a textbook example of what Frankfurt School theo-
rists like to call “totalizing” or “rejectionist” critique; that is, a form of critique
whose sheer breadth and inclusivity renders its normative basis more than a
little dubious.
Indeed, from what normative standpoint can one issue a critique that,
at times, comes close to indicting the entire modern age? The conservative
Catholic can appeal to the anti-modern presuppositions that support the
Church’s dogmatic commitments, just as the Straussian can appeal to the “true
standards” available (supposedly) to unaided reason that has made the dialogi-
cal ascent from (plural) opinions to (singular) truth. Arendt, however, explic-
itly disavows the bogus authority provided by such metaphysical back-up. Her
criticism of the modern age is rooted neither in the authority of a tradition nor
in a disembodied Reason allegedly free of all taint by power or prejudice. Yet
her criticism is clearly philosophical, rather than immanent, in character. The
question, then, is: in what sense is Arendt’s critique philosophical?
The answer is that her criticism is, broadly speaking, Socratic in character—
albeit not Socratic in the sense of either “Philosophy and Politics” (the philoso-
pher as civic therapist or mediator) or “Thinking and Moral Considerations”
(although, as we shall see, it bears more in common with the latter than
the former).
So, what does Socrates’ philosophical criticism consist in? Contra Strauss
and Eric Voegelin, it does not consist in contrasting the “truth” of nature and
natural law (physis) to the “opinion” embodied in custom, convention, or posi-
tive law (nomos). Nor does it consist in an “education in virtue.” In the Apology
Socrates unironically states that he does not know how to provide such an
education nor even what virtue positively consists in. Yet if Socrates the philo-
sophical critic is not a dispenser of “truth” (à la Plato) or an educator in virtue
(à la Aristotle), then what is he?
Here we are thrown back on the three similes Socrates used to describe him-
self: he is a “gadfly” (Apology), a “mid-wife” (Sophist), and an “electric ray” or
stinging fish (Meno). As a gadfly, Socrates arouses the “large and lazy horse” of
Athens to thought; as a mid-wife he helps purge the Athenians of their unex-
amined prejudgments; and as a stinging fish he “paralyzes” them with his own
perplexity about that nature and meaning of basic moral terms. He does not
teach them how to think, nor does he provide some version of the truth to take
the place of the prejudices he has helped them discard.
The unpacking of these three similes forms the heart of “Philosophy and
Politics” and it is clear that Arendt, in her portrait of Socrates as a “citizen
among citizens,” sees them as working together in something like the sequence
I’ve just presented. The civic part of Socrates’ “philosophical citizenship” con-
sists in arousing his fellow citizens to thought and maieutically aiding them in
the articulation of their individual doxa (as contrasted with rote repetition of
the received ideas of the majority—what we misleadingly call “public opin-
ion”). However, I would argue that the genuinely philosophical moment comes
when he induces perplexity about things that previously seemed self-evident
or beyond question. Socratic philosophical criticism begins with the “stop and
think”—the ceasing of all doing—that issues from such perplexity.
Now, as we moderns are aware, the office of “gadfly” can be filled by many
non-philosophical figures, including the investigative journalist, the cultural
critic, and even the university professor. Similarly, the office of “mid-wife” can
be filled by a variety of teachers, mediators, or “discussion facilitators” who
prod us, more or less expertly, toward self-clarity and clarity of expression.
The function of the “stinging fish,” on the other hand, can be filled only by the
philosopher—that is, by someone who experiences actual perplexity—and not
just righteous indignation or “holier than thou” moral disgust—when it comes
to society’s fundamental moral assumptions and reigning table of values.
This is a preliminary answer to the question of what makes Socratic critique
philosophical rather than dogmatic or “merely” immanent in nature. Socratic
critique raises questions but does not answer them; it dissolves the solidity of
the grounds upon which much of our daily lives—as both citizens and private
individuals—is based. Socrates’ suggestion that the avoidance of injustice is
more important than the greatness praised by Pericles in his Funeral Oration is
a departure so radical that it must have struck his interlocutors as tantamount
to turning the moral world upside down (the Gorgias supplies good evidence
to that effect). The point here is not conversion to a new table of values but
suspension of political activity through the creation of a space and a time for
thought away from the hubbub of the assembly and the agora.
At first glance, The Human Condition seems to do little more than turn the
Socratic “transvaluation of values” upside down, restoring the values of the
Funeral Oration (greatness, glory, political action) to their rightful, politics-
on-top, place. Yet as we know, Arendt had little patience for such “turning op-
erations.” Even when performed by such giants as Marx and Nietzsche, they
manifested (in her view) a certain type of thoughtlessness: an inverted Hegel
(Marx) is still Hegel, just as an inverted Plato (Nietzsche) is still Plato.10
But rather than viewing The Human Condition as an attempt to invert
Socrates and (thus) restore the values that animated the “beautiful freedom” of
the Greeks, we should view it in the terms she herself suggested—namely, as
an attempt to “think what we are doing.” The parallel with Socrates is clear. Just
as Socrates wanted to slow his fellow Athenians down in their restless pursuit
of opportunities to display their political (and martial) virtu, so Arendt wants
to slow we moderns down in our restless (but similarly unthinking) pursuit of
economic expansion and scientific-technological revolution, the fruits of both
being decidedly mixed.
Socrates saw the virtually demonic energy driving the Athenians’s pursuit
of imperial greatness and attempted—unsuccessfully, to be sure—to rein it
in, at least a little. Similarly, Arendt saw the relentless dynamism manifest in
capitalism’s “creative destruction” and scientific-technological revolutions as a
kind of runaway train, hurtling, if not toward oblivion, then at least toward the
creation of a world no longer capable of providing a “home for mortal men.”
Capitalism’s transformation of everything lasting and durable into ephemera
fit only for consumption combines with modern science’s “earth alienation” to
create a world in which all that is solid really does melt into air.
My characterization of Arendt’s critical project in The Human Condition
is—despite its pedigree in Arendt’s own Preface—subject to two obvious
objections. The first is that the book as a whole has been received less as an
attempt to induce thought about modernity’s trajectory than as a call to ac-
tion and a return to the bios politikos. No less an Arendt scholar than Richard
Bernstein has singled out its “inspirational” quality as The Human Condition’s
most important living legacy—a verdict seconded (albeit for somewhat
different reasons) by those who champion her “agonistic” conception of politi-
cal action.
The second objection is that the entire topos of the “critique of modernity”
is itself more than a little dubious. To be a “critic of modernity” is, as the ex-
amples of both Nietzsche and Heidegger evidently confirm, to abandon the
vocation of philosopher for that of cultural-political reactionary. This is one
of the reasons why influential recent interpretations of Arendt’s thought such
as those by Margaret Canovan and Seyla Benhabib have sought to shift the
critical focus away from The Human Condition, the better to assert the nor-
mative priority of The Origins of Totalitarianism in Arendt’s oeuvre.11 For both
Canovan and Benhabib, Arendt is less a “great anti-modernist” (Kateb) than
she is a “reluctant modernist” who—misgivings about modernity’s trajectory
notwithstanding—was nevertheless on the side of those who desired to see
the “unfinished project of modernity” brought to completion.
Neither objection can be dismissed out of hand, but I believe both serve to
diminish rather than enhance Arendt’s stature as a thinker. To foreground the
“Action” chapter of The Human Condition, whether for its inspirational or ago-
nistic character, is to miss the central point of the book: to think what we are
doing. Similarly, to draw a cordon sanitaire around the “critique of modernity”
and declare it the home of reactionaries, theocrats, or “young conservatives”
alone is to radically circumscribe philosophical questioning and, in effect, to
declare that the only permissible form of criticism is some variation on im-
manent critique. What I have called her “nostalgia for reality” notwithstand-
ing, Arendt no more wants to go back to Athens—with its slavery, patriarchy,
and endless wars—than Foucault wants to return to a world of “sovereign” (as
opposed to disciplinary) power. In both thinkers, the premodern is deployed
as a way of making the less appetizing dimensions of the modern age stand
out in sharper relief. But neither thinker believes there is a reality prior to the
modern age that we could or should aspire to “go back to” (the shared fantasy
of all reactionary thinkers).
A lot hinges here, obviously, on how one goes about defining modernity,
“the modern age,” and “the modern project.” Habermas and his followers iden-
tify the “modern project” with the non-positivistic Enlightenment—that is,
with the critical use of reason and the spread of liberal or liberal-democratic
deliberative institutions based on universalist moral premises. This identifi-
cation is in large part a retrenchment following what second and third gen-
eration Frankfurt School thinkers now view as the unfortunately totalizing or
11 Seyla Benhabib, The Reluctant Modernism of Hannah Arendt (Thousand Oaks: Sage
Publications, 1996); Margaret Canovan, Hannah Arendt: A Reinterpretation of Her Political
Thought (New York: Cambridge University Press, 1992).
12 Jürgen Habermas, The Theory of Communicative Action, Vol. 1: Reason and the Rationaliza-
tion of Society, translated by Thomas McCarthy (Boston: Beacon Press, 1984).
13 Hannah Arendt, The Origins of Totalitarianism (New York: Harper, Brace, Jovanovich,
1951), Part I (“Antisemitism”) and Part II (“Imperialism”).
15 George Kateb, Hannah Arendt: Politics, Conscience, Evil (Totowa: Rowman & Allanheld,
1984), 150.
Athens or republican Rome that could possibly save us from them. There is
only the modern world, its dangers, and a more or less informed awareness of
those dangers. If Hannah Arendt’s “anti-modern” philosophical criticism has
anything to teach the contemporary citizen, it is that those dangers are more
deeply rooted, and more fraught with consequences for our public world and
our earthly home, than many of us care to imagine. It is precisely by provoking
perplexity about the modern age—its animating forces and reigning table of
values—that Arendt contributes, not to linking philosophy and politics, but
to the creation of a thinking dialogue about where we are and where we are
going, both as a culture and as a civilization.