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YEAR PUBLISHED
Although anthropomorphized animals had appeared in fables
1877
and fairy tales, and even in Alice's Adventures in Wonderland
(1865), Sewell was one of the first writers to center an entire
GENRE
novel around them. She termed her work an "animal
Drama, Fantasy
autobiography." Yet Beauty and his fellow horses are not fully
PERSPECTIVE AND NARRATOR anthropomorphized. They do not wear clothes, speak with
The first-person narrator of the novel is a horse named Black humans, or have their own society as Kenneth Grahame's
Beauty who tells the story of his life as he sees it. characters do later in The Wind in the Willows (1908), but they
do have humanlike thoughts and feelings, which they express
TENSE to each other.
Black Beauty is narrated in the past tense.
Anthropomorphized animals may seem particularly
ABOUT THE TITLE sympathetic, especially for young readers who are still
Black Beauty Study Guide In Context 2
developing the ability to empathize. And to gain more sympathy whom were skilled workers. John Manly and the other head
for the horses, Sewell used first-person narration to bring her grooms would be part of the working class. People who rent
readers deep inside the horse's experience. Both first-person Beauty from the livery stable would be either middle-class or
narration and anthropomorphism serve Sewell's primary working-class individuals.
objective: advocating for better treatment of horses.
At the bottom of the working class would be unskilled laborers.
Although Sewell did not intend to write a book solely for Some experts divide this group into its own "underclass." The
children, most 19th- and early 20th-century novels with cab drivers would fall into the working class/underclass. Jerry
anthropomorphized main characters would be classified as Barker, however, is at the upper end, for he has saved enough
children's books. This classification began to change with to buy his own horses and runs his own business.
George Orwell's novel Animal Farm (1945), which uses
anthropomorphized animals for satiric commentary. Although Although Beauty's experiences are influenced by the class of
some modern adult novels, such as Garth Stein's The Art of people with whom he lives, Anna Sewell firmly rejects the
Racing in the Rain (2008), use anthropomorphized animals as notion that only upper-class individuals can provide good care.
narrators, the majority of "talking animal" books are still written Jerry Barker is a working-class man and one of the best
for children. Classics of this genre include Stuart Little (1945), owners Beauty ever has, whereas the earl's wife is an
Charlotte's Web (1952), The Cricket in Times Square (1960), aristocrat who mistreats horses.
Animal Rights
Society in Victorian England
Anna Sewell wrote Black Beauty "to induce kindness,
Social structure was well defined in Victorian England. As had sympathy, and an understanding treatment of horses." In the
been true for centuries, the nobles, like the earl who owns novel Sewell raises issues about docking horses' tails, using
Black Beauty for a time, held the most power. The aristocracy restrictive equipment such as checkreins (also called bearing
and wealthy gentry who owned land, such as Squire Gordon, reins), and overloading cart horses. A checkrein is a piece of
were considered members of the upper class. Some of those tack (accessory or equipment), or a strap, that runs from the
in the upper class might have earned their money rather than horse's back, goes over the head, and connects to the bit in
inherited it, such as owners of factories and large businesses, the horse's mouth. This rein keeps the horse from lowering its
and might have been looked down on by those who inherited head beyond a certain point, which is uncomfortable or painful
their wealth. The upper class, which also included some for the horse if it's too tight.
The middle class was a new development in Victorian England. decrease the use of the checkrein. Other practices, such as
The social and financial changes of the Industrial Revolution, tail docking, are still in use by some horse owners today,
which lasted from around 1750 to the early 1900s, had created though they remain controversial.
mechanism and usually flee from danger. England. She was educated at home by her mother, a religious
Quaker and successful writer of moral tales for children. As a
By animal standards, horses are highly intelligent, though most young girl, Anna Sewell injured her ankle and was unable to
of their brains are devoted to the interpretation of sensory walk long distances. Horse-drawn carriages allowed her to
information. Many horses can be high-strung and easily travel more easily, and she developed strong feelings for the
frightened, particularly thoroughbreds, which were bred for horses that led them. Sewell formed definite opinions about
speed rather than calm temperament. Black Beauty may proper care for horses, opinions that contradicted some
indeed be a thoroughbred, considering his ancestors won common practices of her era.
horse races. Horses appear to have good memories and can
be trained to perform many different tasks. Although Sewell
anthropomorphizes the animal characters in Black Beauty, her Black Beauty
descriptions of horse behavior are highly realistic.
She wrote her only novel, Black Beauty, to encourage children
Horses' legs are extremely delicate and easily injured, as are
and others who handle horses to pay attention to how horses
horses' hooves. The hoof is made of keratin, like a human
are treated. The novel is largely didactic—Sewell provides a
fingernail. In the novel Beauty suffers multiple leg and foot
great deal of information about how to care for horses and
injuries as a result of neglect or improper care. Horses must be
what happens when they are mistreated. Heavily influenced by
fed multiple times each day, and they do best with a variety of
her mother's work and beliefs in basic Christian doctrine, she
foods. Horses' teeth are designed primarily for grinding grains
combines humane and attentive horse care with a sense of
and grass. Horses can also nip with their front teeth, as
godliness. Sewell may have based the character of Black
Beauty's friend Ginger does.
Beauty on a black horse named Bess, which belonged to her
Horses were one of the primary means of transportation for family. Because of continuing poor health, Sewell spent about
much of history. By the time Black Beauty was written, the six years writing Black Beauty.
h Characters
a Author Biography
Black Beauty
Black Beauty tells his life story from his earliest memories to
his "forever home" around the age of 14. Beauty is not only
Beauty is called by several names throughout the book, but gives the horse a good home. As a model horse owner, Squire
Black Beauty is his name in his first adult home and in his last. Gordon is caring and knowledgeable about his animals. He
Beauty learns much about the ways of men, and nearly dies hires responsible, attentive grooms and makes sure they take
several times because of mistreatment. In the end, his inherent good care of the horses. The squire and his wife are also
good nature is rewarded, and he finds a happy home to live out advocates for animal welfare and repeatedly make efforts to
the rest of his days. help other horses that do not belong to them.
Ginger is more cantankerous than Beauty, but still has a good do much. Although he almost kills Black Beauty by accident
heart. Ginger was raised in a less loving home than Beauty. through his ignorance, he works hard under John Manly's
While not actually mistreated, she was not well cared for and tutelage. Joe eventually becomes a good groom and an animal
thus can be ill-tempered and mistrustful. She slowly improves advocate, like John and Squire Gordon. Years later, when
her disposition at Squire Gordon's, but she suffers when she Beauty arrives at the Blomefields', Joe is the head groom there.
and Beauty are sent to the earl, who is less kind than the He is delighted to be reunited with Beauty once more,
squire. Ultimately, Ginger's fate is crueler than Beauty's, and promising him a safe, happy home forever.
John Manly
Primarily responsible for Beauty during his years at Squire
Gordon's, John Manly is one of Sewell's models of an
outstanding horse caretaker and virtuous man. He is rewarded
by finding a good job after leaving Squire Gordon's employ.
Jerry Barker
Jerry Barker is another of Sewell's examples of a model horse
owner. He goes to great lengths to care for Beauty and his
other horses, despite his limited financial circumstances.
Optimistic, kind, and cheerful, Jerry Barker is a loyal and caring
father and husband, as well as a man of principles, which he
will not compromise for financial gain. He lives by the Ten
Commandments, in which he strongly believes, and feels that
people's actions speak louder than their words.
Character Map
Employee
Ginger
Nervous horse;
fights against poor
treatment
Driver
Friends
Owner
Black Beauty
Kind, well-bred,
obedient horse
Employee
Owner,
driver
Groom
Main Character
Minor Character
The London butcher's son overworks The earl's son, Lord George injures
Lord George
The butcher's the delivery pony because people Ginger by riding her too hard.
son have ordered their meat late and the
butcher must fill rush orders.
The girl is a child whose father hires
one of Skinner's cabs that Beauty is
Jerry Barker's other horse, Captain pulling. She notices Beauty's
was once a war horse. He is seriously Girl weakened condition and begs her
Captain
injured in a cab accident and has to father to hire a second cab, for their
be euthanized. luggage would make Beauty's load
too heavy.
Jakes is the baker's cart driver who Peggy is a horse with an unusual gait
Jakes listens to good advice and loosens Peggy caused by short legs and the need to
Beauty's rein. keep pace.
k Plot Summary At the livery stable Beauty is rented by many different people.
Most are clueless about horses, but a few are kind. One
customer takes a liking to Beauty and suggests a friend
Part 4
Beauty works for a bakery and then a large cab company,
which is run by a nasty boss. Neither owner takes good care of
him. One day, from overwork, Beauty drops in his harness while
pulling a cab. The company's owner wants to send Beauty to
be killed but is persuaded to sell Beauty instead.
Plot Diagram
Climax
7
Falling Action
6
Rising Action
5 8
4
9
3
Resolution
2
1
Introduction
Falling Action
4. Scarred for life, Beauty is sold to a livery stable. 9. Sold to the Blomefields, Beauty is reunited with Joe.
Climax
Timeline of Events
Late 1860s
Early April
Months later
Summer
Chapter 3: My Breaking In
c Chapter Summaries
Black Beauty stays with his master until he is four years old.
Chunking intro: Black Beauty has four parts and 49 chapters. The master believes colts should not have to work like adult
This guide groups chapters together in sections of two, three, horses any more than young boys should work like men. After
or four chapters for summary and analysis. Squire Gordon visits and examines Beauty, he likes what he
sees. The next day, Beauty's master himself begins the
process of breaking in the young horse to ensure Beauty is not
Part 1, Chapters 1–3 frightened or hurt. Breaking in is the training process for a
young horse to learn to be ridden, to pull a carriage, and to
acquire other skills. The master is thoughtful and gentle, and
Summary Beauty learns quickly. The master even sends Beauty to stay
at another farm where trains often go by, allowing Beauty to
learn not to fear locomotives. When she can, Duchess helps
Chapter 1: My Early Home Beauty learn and encourages him to strive to please his master
even though not all humans are good to horses.
The narrator, later to be named Black Beauty, describes his
earliest memories. He lives in an idyllic, pastoral environment
with his mother, Duchess. The horses are well cared for, and Analysis
Beauty runs and plays in a pasture with other colts. Sometimes
play gets a bit rough, but his mother encourages him to be well Anna Sewell's decision to narrate a story as a horse was
behaved. His lineage of horse ancestors was well respected, revolutionary at the time. The opening paragraph sounds like
she tells him. She hopes he "will ... never learn bad ways" and any human's remembrance of an idyllic childhood. Sewell
do his "work with a good will." The only negative Beauty intentionally makes Beauty's voice sound distinctly human. The
describes is Dick, the ploughboy who throws stones at the only clue in the first paragraph is the reference to "our master's
colts. But the master catches and fires him, so the horses are house," which could just as easily be a statement by a servant.
safe and remain well treated. However, paragraphs 2–4 begin to make it clearer that Beauty
is a horse. There is a reference to eating grass in paragraph 2,
and in paragraph 4 Beauty notes "there were six young colts ...
Chapter 2: The Hunt besides me."
When he is less than two years old, Beauty observes the hunt Sewell wants readers to admire Beauty. In Victorian England,
pass by. He sees the hare's violent death and the serious because people of higher social classes were generally viewed
injuries of two horses and one man. Some of the horses say it as more admirable or worthier than those of lower standing,
serves the men right, but Duchess disagrees. She claims she Sewell's protagonist becomes an aristocrat among animals.
never understood why men hunt, for "they often hurt Beauty's diction and syntax are distinctly well educated. His
themselves, often spoil good horses, and tear up the fields, and mother, in Chapter 2, refers to his illustrious ancestors, saying
all for a hare or a fox, or a stag, that they could get more easily he is "well bred and well born." Her name is Duchess, a noble
some other way." But, she continues, "we are only horses, and title. A human duchess would be a member of a noble family.
don't know." They learn the injured man is Squire Gordon's only Sewell seems to want readers to sympathize with Beauty, as if
son, George Gordon, and he is very seriously hurt. The black he were a young nobleman who lives as a servant.
horse that was injured has broken his leg and is shot to put him
Sewell introduces one of the book's main themes: the idea that
out of his misery. Beauty's mother is saddened by this death,
humans may or may not be good to horses, while horses
saying the horse was one she knew, a good one named Rob
always try to be good to their human masters. Duchess states
Roy. Later Beauty observes the funeral for Squire Gordon's
this goal for horses, which is reinforced by events in these
son, who also has died of his injuries.
chapters. Beauty's first master is remarkably thoughtful toward
his animals. He fires a ploughboy who mistreats the horses,
Beauty is also contrasted with his brother, Rob Roy. He did not
Chapter 8: Ginger's Story Continued
know he saw his own brother die as a result of the hunt.
Presumably Rob Roy also belonged to the squire, since the Ginger tells how she was sold to a "fashionable gentleman"
squire's son was riding him. It is a sharp reminder that even who made her use the checkrein, a fashionable piece of horse
horses in good homes still face risks. tack that is uncomfortable and potentially damaging for
horses. Ginger reacted badly to the pain of the checkrein and
In Chapter 5 Mrs. Gordon gives Black Beauty his name.
was sold again. She had many owners, some better and some
Although the name may sound feminine to modern readers, the
worse, including those who beat her. She acknowledges John
word beautiful was commonly used for both males and
Manly and James Howard are gentle, and she tries to be
females. Sewell, like other Victorian novelists including Charles
gentler with them. Beauty, never having known a cruel master,
Dickens, chooses names deliberately for characterization.
thinks Ginger may be exaggerating about her bad experiences,
Black Beauty has an appealing nature and appearance, hence
but he is glad she is kinder with James and John. In fact, she is
his name. Ginger is a distinctly flavorful spice and also refers to
reacting well to kind treatment.
red hair. Black Beauty's friend Ginger is a chestnut horse and
thus has a reddish coat. The pony's name is Merrylegs, a
cheerful-sounding name that also suggests a lively step. James
Chapter 9: Merrylegs
and John both have first names of apostles; Sewell's writing
often reflects and alludes to Christian beliefs. Perhaps most Merrylegs the pony is kept for the children to ride. However,
noteworthy is John's surname: Manly. Sewell intends the name some of the boys are a little too rough, and one day Merrylegs
as a compliment. Though some of her readers might perceive throws them off. He is matter-of-fact about it, saying boys
gentleness toward horses as a weakness, Sewell portrays must be broken in just as young colts are broken: teaching
John as masculine as well as kind. them respect but not injuring them. He explains to Beauty,
"Boys ... think a horse or pony is like a steam engine or a
thrashing machine," and they need to learn better. Ginger says
Part 1, Chapters 7–9 she would have kicked the boys, but Merrylegs disagrees. He
sees himself as responsible for the children and would never
do anything to injure them seriously. He admits, too, that if he
Summary did, he might be "sold off in a jiffy, and no character." Merrylegs
is aware of the benefits of their current home.
Chapter 7: Ginger
Analysis
One day Ginger asks Black Beauty about his upbringing and
tells him about hers. She envies Beauty's gentle raising. Her One of Beauty's closest friends, Ginger also serves as a foil for
own experience was much more typical for horses—not Beauty. Ginger's initial training was far harsher than Beauty's.
exactly abused or neglected, but roughly handled. She "never The incident Beauty describes in Chapter 1, of the ploughboy
had any one, horse or man, that was kind" to her or that she throwing stones at him, takes on new significance here. When
cared to please. She was taken from her mother early, and her Ginger was young, boys often threw stones at her, and no
first owner did nothing beyond the necessities for her and the human ever spoke up. On the other hand, Beauty's owner
other horses. Boys threw stones at the colts and were never ensured Beauty and the other foals were safe.
stopped, not even when a colt was injured. Between minimal
Anna Sewell wants readers to recognize the varied ways in
attention and much harsher breaking in, Ginger began to see
which a horse may be badly treated. Ginger's story is not one
men as the enemy.
of abuse—at least not by the standards of that time—but
Sewell explains in detail the practices that traumatized the
horse. Ginger's description of her training is harsh. When men
started to break her in, Ginger tells Beauty, I "could hardly draw
my breath ... another [man] took my under jaw in his hard hand
trying to fight with their heads strapped to a board. Although another tactic: rather than focusing on kindness toward
Langley acknowledges the point, he doesn't readily agree to animals, it uses a practical claim. The horses are less effective
stop the practice. and efficient at work when they are checkreined. Still, Sewell
implies Langley is unlikely to change his ways. If not everyone
can aspire to the level of the Gordons, Sewell hopes the reader
Chapter 12: A Stormy Day will try.
John Manly and Squire Gordon are out with Beauty when a bad Sewell's writing combines elements of two different literary
storm begins. A fallen tree blocks their path, and they try to movements: realism and romanticism. Realist writers sought to
use a bridge to cross the river instead. Beauty senses recreate ordinary life accurately and truthfully, without
something is wrong and refuses to cross the bridge, even exaggeration. Certainly, Sewell would argue her representation
when they use the whip on him. Suddenly a man appears, of the daily experiences of carriage and riding horses is
shouting that part of the bridge washed away. Had Beauty realistic. Realism was becoming more popular in the last
gone forward, all three would have drowned. John and the decades of the 19th century, when Sewell was writing.
squire are deeply grateful for Beauty's instinctive wisdom, and
they reward him with an especially good meal and extra straw. However, Sewell was also influenced by other literary
movements, including the earlier Romantic movement of the
late 18th and early 19th century. Romanticism often celebrated,
Analysis even venerated, nature. Sewell reflects this ideal in Chapter 12,
when she celebrates the wisdom of animals. Because of his
Anna Sewell adds to the growing body of information about animal instincts, Beauty saves the squire and John, who treat
horse care—indeed all animals—with new examples. Ginger has Beauty's action with a near-religious reverence: a sign of how
already testified about the checkrein. Now Sir Oliver describes God gives "animals knowledge ... prompt and perfect in its
the pain and unfortunate results of tail cropping. Sir Oliver way." Sewell, writing to a largely Christian audience, suggests if
describes pain and loss of function, but a cropped tail might God has given wisdom to animals, surely humans should be
also expose a horse to disease. As Sir Oliver points out, a kinder to them. Readers will keep in mind, too, the author's
shorter tail could lead to more fly bites. Because flies carry strong moral convictions.
disease, a horse with a cropped tail might be more vulnerable.
Furthermore, the tools used to crop the tail might not be clean
and could lead to infections. Puppies whose ears and tails are Part 1, Chapters 13–15
cropped might suffer similarly. In both cases the cropping
serves no purpose other than a fashion statement, and the
practice is so abhorrent, Sir Oliver gets worked up enough to Summary
challenge humans to perform similar procedures on their own
children, causing pain and disfigurement.
The squire asks Langley to imagine his soldiers with "their knows Bill, who was a classmate of his at school. James
heads tied to a backboard." He questions, "How would it be in a relates how he once caught the boy, an arrogant bully, pulling
bayonet charge against the enemy?" This analogy offers wings off flies. Their teacher found out and told the class that
"cruelty was the Devil's own trade mark" and anyone who took seems to trouble Sewell, but the cruelty of it. The boy is pulling
pleasure in cruelty belonged to the devil. their wings off for amusement. To a modern reader the leap to
hellfire can feel a bit abrupt, and Sewell's religious views would
seem severe today. She is known to have attributed some of
Chapter 14: James Howard her ideas to Horace Bushnell (1802–76), an American
clergyman who tried to bridge the gap between early Puritan
After asking John's opinion of James, Squire Gordon preachers and later thinkers like Ralph Waldo Emerson
recommends the young man for a new job as head groom for (1803–82). John, Sewell's example of good and "manly"
the squire's brother-in-law, Sir Clifford. It is a big promotion, behavior, says religion is a sham if it does not encourage
and James needs driving practice, so he begins to drive Beauty kindness to beasts as well as humans.
more often.
The old ostler is even more direct in his religiosity, quoting the
Old Testament book of Proverbs. The biblical quotation refers
Chapter 15: The Old Ostler to the raising of children, and the ostler in effect views horses
as children. Here again, Sewell argues for gentler treatment of
James drives Beauty and Ginger, taking the squire and his wife
horses. Horses were like servants, according to Merrylegs
on a trip. After 32 miles, they stop overnight at an inn. James
earlier on, and in Sewell's time, it would have been considered
watches the old ostler, or horse handler, tend to Beauty and
inappropriate to treat a good servant badly. Mistreating a child,
Ginger. The man is excellent at his job, and he and James
however, would be even worse. This "horse as child"
begin discussing horses. When he handles a horse, the ostler
comparison also emphasizes the importance of good training
claims, he can tell how well it is cared for at home, and he
for young horses.
compliments James on Beauty's and Ginger's care. Comparing
horses to children, the old ostler advises "train 'em up in the One of Sewell's main themes is that doing good will be
way they should go, as the good book says, and when they are rewarded, another strong Christian belief. The ostler, who
old they will not depart from it." The ostler then comments treats horses well, is old yet lively and cheerful, thus rewarded
about the deaths of the squire Gordon's son and Rob Roy, with contentment in life. James has been good to Beauty and
saying that "a man's life and a horse's life are worth more than the horses, and he is rewarded with an important promotion.
a fox's tail." More examples of rewards for the righteous will appear in
future chapters.
Analysis
Part 1, Chapters 16–18
Earlier Anna Sewell discusses how Squire and Mrs. Gordon
encourage kindness toward horses. The Gordons are wealthy,
influential, and socially prominent. Sewell later points out the
squire is a magistrate. Wealthier people could afford to care
Summary
for their horses. However, Sewell rejects the idea of kindness
toward animals as limited to class and economic status. John,
James, and the old ostler at the inn are all poor and powerless,
Chapter 16: The Fire
yet they strive to protect and care for the horses in their
The inn's barn catches on fire because of a lit pipe left there,
charge.
against the old ostler's warnings. Black Beauty and Ginger are
Heavily influenced by her mother, a writer of religious tales for terrified, and Beauty, like the other horses, refuses to be led
young readers, Sewell incorporates more Christian theology as outside by the ostler because of the chaos all around.
the novel progresses. In Chapter 13 she makes a connection However, when James Howard arrives at the burning stable, he
between cruelty to living things—Bill Bushby, who torments risks his own life to lead Ginger and Beauty outside. They
flies—and the devil: "for the Devil was a murderer from the survive only because of James's kind words and quick action,
beginning, and a tormentor to the end." It is not killing flies that but other horses in that stable die.
Summary
Analysis
In Chapter 15 Anna Sewell compares horses to children and in Chapter 19: Only Ignorance
Chapter 16 shows horses at one of their most childlike
moments: when they are afraid. Horses instinctively flee from Black Beauty is critically ill. The other horses have been moved
danger, and their finely tuned senses pick up danger signals, from the stable to give Beauty quiet, for his high fever
such as smoke, faster than humans do. In a dangerous sharpens his hearing, which keeps him from resting. The horse
situation, however, horses may retreat from fire or smoke is suffering from an inflammation of the lungs and has trouble
without realizing they can be trapped. They panic and may fear breathing.
strangers or commotion. Even today, horses are often victims
of fire because they hide in their stalls. Beauty and Ginger One night Beauty overhears John Manly and Thomas Green
survive only because of the bravery shown by James, who talking after the two men give the horse his medicine. Joe
Green feels guilty about Beauty's illness, and his father asks
John to be kind to his son, explaining Joe's mistake was only
Analysis
ignorance. To John, however, ignorance is no excuse. He
John is a gentle man, so his diatribe against ignorance is
recounts stories of the catastrophic results of ignorance: a
startling. John calls it "the worst thing in the world, next to
woman who killed a baby by dosing it with too much medicine;
wickedness ... which does the most mischief, heaven only
a boy who "frighten[ed] his brother into fits" and made the
knows." In Victorian England, education was becoming more
brother "no better than an idiot"; and some young ladies who
widespread and more valued. Although wealthy boys had
ruined the plants Joe's father was growing in the hothouse. All
always been educated, 19th-century Britain saw an increase in
of them claimed ignorance. Still angry, he challenges Thomas
the number of schools for middle-class and poor children.
Green, asking, "Don't you know that [ignorance] is the worst
John, James, and little Joe would potentially have been
thing in the world, next to wickedness?" Joe's father agrees, at
students at such a school.
least in part.
In spite of his vehemence, however, John hired Joe, whose
When Thomas Green asks John to give Joe a kind word, John
ignorance nearly killed Beauty. The reader knows why John
says he will—but only if Beauty recovers. And he does.
hired Joe, but John's generosity has unintended
consequences. Even John cannot keep Beauty safe all the
Chapter 20: Joe Green time. These consequences foreshadow future events: even
when the humans around Beauty try to protect him, they are
Joe has been learning well and quickly. Needing a message to not always successful.
be delivered, Squire Gordon entrusts Joe to ride Beauty. When
Joe unintentionally hurt Beauty, but Joe is not a bad person. He
they are on their errand, they see a man abusing his horses.
just needs to grow up and learn the right way of caring for
Joe speaks to the man, even offers to help lighten the horses'
horses. Anna Sewell illustrates the beginnings of Joe's maturity
load, but the man shouts at him. Angry, Joe informs Mr. Clay,
when he tries to stop the man who is beating his horses. Joe
the man's employer. The abusive man ends up on trial before
acts like John. Given John's name, Sewell implies that watching
the magistrate—Squire Gordon himself—and Joe gives
out for vulnerable animals is the "manly" thing to do. Beauty
evidence. The man may face prison time as a result. After the
and John both comment on how much Joe seems to have
incident, John and Beauty both notice Joe seems more grown
grown after the incident.
up, "as if he had jumped at once from a boy into a man."
Sensitive to the suffering in the squire's family, Beauty claims
"horses can tell more by the voice than many men can." This
Chapter 21: The Parting animal sensitivity connects to the veneration of Nature, the
Romantic thread in Sewell's writing. She fosters the idea that
Mrs. Gordon will die unless they move to a warm climate, so
horses have inherent wisdom humans overlook. Beyond the
the family must leave. Departure includes selling the horses.
thematic elements, however, horses do in fact communicate
Merrylegs goes to the vicar's family, with Joe to help in the
with each other through vocalizations as well as through
stable. The squire sells Beauty and Ginger to his friend, the
physical interactions and body language. Many riders give
Earl of W—, reputed to be a good horse owner. John,
anecdotal evidence of how a horse responds to various tones
saddened by the family's departure, does not take another job
of the human voice. While horses are repeatedly referred to as
immediately. He tells the squire he would like to be a horse
"dumb beasts," Sewell suggests that even though they may not
trainer, because he believes many horses are spoiled by bad
speak, horses perceive more than many people realize.
training experiences. The squire encourages John in this goal.
The squire and his wife leave, sad to say goodbye to the
horses. John believes they will never see her alive again.
Part 2, Chapters 22–24
Summary Analysis
Until now, Beauty has doubted Ginger's stories about the
Chapter 22: Earlshall checkrein, but after being forced to tolerate it, he fully
understands. Still, Beauty accepts the rein and does not rebel,
Black Beauty and Ginger are sent to their new owner, who is as Ginger does. Beauty's behavior demonstrates how a horse's
not as kind as the squire. The earl's wife insists on using the early experiences shape his later reactions, as John Manly and
checkrein because it is fashionable, and her husband cannot or the old ostler both have claimed. Anna Sewell offers readers
will not dissuade her from doing so. A proud and authoritative an explanation for badly behaved horses: maybe they never
woman, she demands the rein be shortened repeatedly, forcing were properly trained.
the horses' heads upright. Beauty now understands why
Ginger complained about the checkrein. After having it Beauty's new partner in pulling the carriage serves a single
progressively tightened, he dreads being put in harness. purpose: to share the horse dealer's story. This will not be the
However, Ginger says the rein is still looser than it could be. last time Beauty hears about, or personally experiences,
humans who are more concerned about their incomes than
about horses' lives. The horse dealer's attitude also reflects
Chapter 23: A Strike for Liberty one of the novel's main ideas: a person should be willing to do
what is right, even if the rest of society does something
When the checkrein is finally shortened beyond endurance, different. The horse dealer does not. The earl's wife will not,
Ginger rebels, accidentally hurting Beauty. Ginger will be used and the earl permits her to continue.
for a hunting horse now, and Beauty will pull the carriage with
Max, a horse used to checkreins. Max tells Beauty the In Victorian society the Earl of W— would be the head of his
checkreins shorten their lives. He repeats a conversation he household. If he did not want his wife to use the checkrein, he
once heard, in which a horse seller admitted that checkreins could forbid it. That he does not suggests either he is
hurt horses. Because the seller sold more horses that way, he indifferent or he is a weak husband (by Victorian standards)
continued to use them. Beauty then explains how checkreins who lets his wife rule. Neither is acceptable to the author.
damage horses' mouths and impede their breathing.
Beauty has a new name in his new home. Sewell uses this
York, the earl's coachman, is upset about the event but cannot name, as she does with others, to express something about
stand up to his employers' indifference toward their horses. the new owner. Lady Anne names him Black Auster. Auster is
Beauty thinks he should have defended the horses more one of the four Roman gods of wind. As the god of the
vigorously. southern wind, known as the sirocco, Auster brought summer
and autumn storms. Sirocco winds often have the strength of
cyclones. The name does not suit Beauty, neither wild nor
Chapter 24: The Lady Anne cyclone-like, but it does suggest something about Lady Anne,
who perhaps longs for adventure. This hint foreshadows Lady
Beauty becomes a saddle horse for Lady Anne, who renames Anne's risky attempt to ride Lizzie. Beauty's new name,
him Black Auster. One day, Lady Anne goes riding with her however, does suggest his nobility, and perhaps his speed,
cousin, Colonel Blantyre. She tells Blantyre to ride Beauty while both of which he demonstrates again by helping to save Lady
she rides a less reliable horse named Lizzie. While they are out, Anne. Beauty is loyal even when his owners are unkind to him.
Lizzie gets startled and throws Lady Anne. Blantyre sends a
bystander, an inexperienced rider, on Beauty to get the doctor,
and Beauty runs as fast as he can. Later, when Lady Anne is Part 2, Chapters 25–27
out of danger, Blantyre claims he believed "the horse knew of
Annie's danger as well as he did."
was dented—and couldn't be fixed. horses with them, could rent a horse for riding or horses and a
carriage for driving. These people would be generally be
middle class, less well off financially or socially prominent than
Part 2, Chapters 28–29 the Earl of W— or Squire Gordon, but wealthy enough to afford
to rent a horse. For Beauty, life there would be very different.
He has always appreciated his knowledgeable caretakers, but
Summary many people who rent livery horses would be ignorant, and
even indifferent, about how to handle horses.
Then one day a gentleman who knows and cares for horses
hires Beauty. He asks the livery stable staff to change Beauty's
Chapter 30: A Thief
gear so that Beauty will be more comfortable. Eventually, this
Black Beauty's new owner, Mr. Barry, is generous but ignorant
man convinces a friend of his to buy Beauty as a private riding
about horses. Not having his own stable, he hires a place for
horse.
Beauty and engages Filcher as Beauty's groom. Mr. Barry
orders the best food, but Filcher steals much of it. Beauty
grows weak from the poor food he is given, but Mr. Barry does
Analysis not notice. Finally, a friend comments on Beauty's appearance
and energy level and tells Mr. Barry to watch Filcher. It seems
Livery stables worked much like rental car companies today.
to Mr. Barry's friend that Beauty isn't getting enough
People who did not own horses, or who did not have their
never troubles himself to learn how to care for his horse. as it is better for horses to drink small amounts throughout the
Sewell implies a responsible horse owner certainly would take day rather than have to gulp down large amounts when water
the time to ensure his horse was receiving proper attention is available to them. And he is happy to have Sunday as a day
satisfied about his success in arriving on time than about Carol is among is the best-known examples of this character
making extra money. Other cabbies tease him and tell him he'll type. Jerry knows his place and accepts it. He does his job with
never get rich, but Governor Grant, the cab drivers' unofficial a song and a smile. Although he doesn't have much money, he
leader, praises Jerry for caring about things other than money. refuses to take extra pay from some customers, saying he
And Jerry, who lives by the Ten Commandments, is happier not values some things more than money.
to be rich.
Jerry's ideas toward religion are somewhat similar to John
Manly's. Both reject people who make a display of their faith
Chapter 36: The Sunday Cab without doing any real good. Both men do in fact perform
significant acts of kindness to help others, going out of their
Mrs. Briggs, who often uses Jerry's cab, wants him to drive her way to do so. When challenged to go against his decision not
to church every Sunday. Jerry resists, even when offered extra to work on Sundays, Jerry must consider which is more
money. Politely, but firmly, he explains the need for time with important: personal and religious integrity or financial gain. He
his family and rest for his horses. When Jerry later relates the chooses integrity, a choice that is ultimately rewarded when
offer to his wife, Polly Barker, she supports his decision. Mrs. Briggs finds no other driver that suits her and begins
However, Mrs. Briggs stops hiring Jerry's cab after he refuses using Jerry and Beauty again. Jerry's choice may seem to
the Sunday job. Some of the cabbies say he made a mistake contradict John's idea that people should consider others
and criticize so-called religious people who claim God as a needs when making their own choices, but Jerry's decision not
reason not to work on Sundays. Jerry, however, argues a to drive Mrs. Briggs is merely an inconvenience for her, not the
religious person should be recognizable by how he treats sort of true need that John has referred to.
others: "If a man gives way to his temper, and speaks evil of his
neighbor ... he is not religious, I don't care how much he goes to
church." Part 3, Chapters 38–40
Summary
Chapter 37: The Golden Rule
Jerry eventually gets work from Mrs. Briggs again. She tried
Chapter 38: Dolly and a Real Gentleman
other cabs and found none she likes as well as Jerry's. She
keeps using his cab, but not on Sundays. Beauty describes the Jerry Barker and Black Beauty struggle to stay warm and dry
one time they worked on a Sunday: to take a friend of Polly in winter. Cabs often have to wait outside for long periods of
Barker's to see her dying mother. Polly emphasizes the Golden time, and navigating wet or icy streets is hard on horses. Dolly
Rule as a reason for the Sunday work: "we should do to other Barker often brings her father warm food from home while he
people as we should like they should do to us; and I know very waits for someone to hire his cab. Although some of the other
well what I should like if my mother was dying." Jerry agrees cab drivers wait in the tavern for fares, Jerry, who doesn't
after Polly's "Sunday-morning sermon," saying she's "as good drink, prefers the coffee shop.
as the minister." After delivering Polly's friend, Jerry is able to
turn Beauty out in a nearby field, which is a real treat, for One day as Jerry is eating, a man approaches to hire the cab.
Beauty hasn't been in a field since Earlshall. Jerry stops eating, but the man insists he finish his lunch and
make sure Dolly crosses the street safely. Jerry is impressed
by this kindness. This "gentleman" begins to hire Jerry's cab
Analysis often, sometimes taking time to stroke Beauty and speak
kindly to him. Beauty says "ninety-nine out of a hundred would
Jerry is a good man, almost too good. Like many Victorian as soon think of patting the steam engine that drew the train."
novelists, Anna Sewell creates a virtual saint who cheerfully Jerry and Beauty also see the man intervene to stop a drunk
endures hardship. Dickens's Bob Cratchit from A Christmas cart driver from beating his horse. Beauty hears the man,
whose name is Mr. Wright, tell a friend, who has asked why he group of drivers who rent the horses by the day and end up
bothers to intervene in others' business, "If we see cruelty or overworking them. Seedy Sam works seven days a week and
wrong that we have the power to stop, and do nothing, we cannot make enough to provide for his family or ever rest his
make ourselves sharers in the guilt." horse. Furious about his desperate situation, he can do nothing
to save himself. Jerry is better off than Sam because he owns
his cab and his horses, and he can take Sundays off. Yet much
Chapter 39: Seedy Sam of what Sam describes in the cabman's life could apply to Jerry
as well.
Beauty is lucky to have Jerry Barker as an owner. Other drivers
who don't own their own horses must rent them from big cab In the next chapter, Sewell foreshadows Beauty's possible fate
owners. The drivers are forced to pay exorbitant fees and work by briefly reuniting Beauty with Ginger. Ginger already talked
long hours just to break even. One of Jerry's colleagues, Seedy of being ruined in Chapter 27 at the earl's. Now she is truly
Sam, vents his frustration and desperation after being teased ruined, begging for death. Ginger was Beauty's closest friend.
by another cabbie. Sam complains about being poor and When he hopes Ginger has died, the reader feels the true
exhausted from cab work, detailing the impossibility of making horror of what Ginger's life became.
a living because they are subjected to fixed rates and
passengers' tightness about money. Sam continues by Sewell links these stories together for several reasons. First,
explaining that he doesn't mistreat his rented horse out of both Seedy Sam and Ginger suffer at the hands of large cab
cruelty but because he has to choose between overworking owners. More important, both hint at what could happen to
the horse and feeding his family. The others sympathize with Jerry and Beauty in the future. Jerry, like Sam, could grow ill
him. A few days later, Sam is too ill to work, and the day after, from overwork. If anything happens to Jerry, Beauty could find
he is dead. himself in much the same situation as Ginger.
the hospital. They are an explicit statement of the author's night, Jerry Barker is told to pick up customers at 11 p.m., but
belief: animals are some of "the least," so being kind to an they make him wait out in the cold and sleet for more than two
animal is kindness to God—and a path to heaven. hours. They never apologize for being so late and grumble
about paying for Jerry's time. The next day, Jerry develops
Sewell has repeatedly foreshadowed troubles for Jerry, and bronchitis and cannot work. He gets worse and is near death
she does so again near the end of Chapter 43 when Jerry talks but recovers, according to the doctor, in large part because he
with Mrs. Fowler. Jerry admits he has had health issues, and has abstained from alcohol. Harry Barker cares for the horses,
such admissions generally signal more of the same in the and Governor Grant drives Hotspur, sharing the money he
future. At the same time, Sewell foreshadows a challenging earns with Jerry's family.
time for Beauty. If Jerry chooses, he could leave cab driving,
thanks to Polly's mistress. But then what will happen to Polly exchanges letters with her former mistress, Mrs. Fowler,
Beauty? who offers Jerry a job as coachman when he is well, and
Jerry's family can live on her estate. It is wonderful news for
the family but bad news for Beauty. Hotspur is easily sold to
Part 3, Chapters 44–45 Governor Grant, but Beauty worries about his future. Polly,
Dolly Barker, and Harry Barker are saddened to say goodbye
to Beauty, and Beauty never again sees Jerry.
Summary
Analysis
Chapter 44: Old Captain and His As she has shown in earlier chapters, Anna Sewell was deeply
Successor concerned about the consequences of heavy drinking.
Captain's injuries, caused by a drunk cart driver, raise the topic
Captain is seriously injured when a drunk driver loses control again. This time Sewell gives a concrete example of how
of his wagon and Jerry's cab tips over. Although Jerry is not someone can overcome a drinking habit. Surprisingly, her
seriously injured, Captain is. Furious, Jerry rants about those example is Jerry. Although Jerry is a model citizen now, he was
who put others at risk with their drunkenness. Jerry admits he once a heavy drinker, who "cured" himself through relatively
once drank heavily but broke himself of the habit with help minor actions, such as drinking a cup of coffee or reading a
from God and Polly Barker. In spite of Jerry's best efforts, book. No modern medical professional would suggest these as
however, Captain will never be right again. Jerry arranges for a treatment for alcoholism, but they fit with Victorian ideas
him to be shot dead to end his misery. about alcoholics. The Victorians generally believed alcoholics
were weak and lacked moral fiber. They thought simply
Jerry gets a new horse, Hotspur. Hotspur once belonged to a
exercising a little self-control, as Jerry does, could resolve any
nobleman but injured himself after running away. Although
drinking problem.
perfectly healthy and strong, the horse now has scars that
render him "no longer fit for a gentleman's stables." Hotspur Sewell has established Jerry's good intentions toward his
thinks cab work is demeaning at first, but as he gets used to horses. If Jerry's best solution for Captain is to have him shot,
Jerry, Hotspur tells Black Beauty "an easy mouth and a free readers should have no doubt about the severity of Captain's
hand made up for a great deal." After a week, he adjusts well to injuries. Horses are surprisingly delicate, and even modern
life with Jerry and Beauty. veterinary medicine acknowledges that horses may suffer
untreatable injuries that require euthanasia. In fact, a bullet to
the brain remains a legitimate choice for euthanizing horses.
Chapter 45: Jerry's New Year This incident reinforces how little control horses have over
their lives. Captain survived a war zone, was lucky to have a
The holidays are busy for cab drivers, who work long hours
good owner, and still lost his life because of another human's
during these times. They have many customers and often must
carelessness.
wait outside parties for hours, no matter the weather. One
The author's name choices strike again with Hotspur. Aside One day a lady stops the driver, Jakes, and asks him to cease
from the obvious sound of the name, it is a reference to whipping Beauty and release the checkrein. Jakes ridicules the
Shakespeare's Henry IV, Part 1. Hotspur is the nickname of a idea but does it to please the lady. Jakes is surprised when
hot-tempered and rebellious young nobleman who stands Beauty pulls the cart better. The lady says humans have an
against the king and ultimately dies in combat. Since Beauty obligation to be good to animals and tells Jakes "we call them
and Hotspur do not have much time to get acquainted, the dumb animals ... for they cannot tell us how they feel, but they
name alone paints a picture of what Beauty's new partner must do not suffer less because they have no words." Jakes agrees
be like. It also suits a high-quality horse that has come down in to release the checkrein on hills, but will not promise to stop
the world, which is certainly how Hotspur presents himself. using it because the other drivers would laugh at him if he did.
To this comment the lady answers, "Is it not better ... to lead a
Sewell's foreshadowing finally comes to fruition for Beauty and good fashion than to follow a bad one?" Impressed by being
Jerry. True to the novel's point of view, Sewell provides very spoken to like a gentleman, Jakes does in fact loosen Beauty's
few details of Jerry's illness, about which a horse couldn't rein and removes the checkrein when going uphill. Even so,
know. Bronchitis, the only diagnosis mentioned, is not generally Beauty gets worn down by all the hard work and is sold to a
life threatening today. However, if left untreated, or treated cab owner.
with Victorian medical knowledge, it could develop into
pneumonia. Sewell establishes the severity of the illness Beauty also comments on another problem for horses: poorly
through others' actions. If he could manage it, Jerry would be lit stables. The darkness sensitizes horses' eyes to light,
out with the horses. He would not depend on another cabbie's causing considerable pain and difficulty seeing when the
work to feed his family. Jerry's illness is very grave indeed. horses are exposed to daylight. Had Beauty remained there, he
says, he might have lost much of his sight—a condition worse
One of Sewell's themes, reinforced in these chapters, is that than complete blindness.
good people are rewarded. Governor Grant, not a soft-hearted
person, gives up some of his own income to help Jerry's family.
Polly's old employer offers Jerry a new job with better Chapter 47: Hard Times
circumstances for the whole family. However, the other side of
Sewell's theme is also touched on here: horses, no matter how Beauty is now part of the large cab company for which Seedy
good, may not be rewarded. There is no good news for Beauty Sam, in Chapter 39, worked. Its owner is a cruel man, Nicholas
in these chapters. Jerry says he wants to put Beauty in a good Skinner. Beauty's driver is equally cruel, and the horse is
home, but Beauty has heard that before. Squire Gordon worked much too hard and whipped until he bleeds. One day a
thought sending Beauty to the earl was doing the horse a family tries to hire Beauty's cab, but the young daughter of the
favor, and readers know how that turned out. family says Beauty looks too weak and should rest. She wants
to hire a second cab to carry part of their load. She is
overruled, and they take Beauty's cab, piled with the family's
Part 4, Chapters 46–47 luggage. Beauty collapses on the drive.
Analysis g Quotes
Beauty's final salvation comes through the intervention of a
child: Willie, the farmer's grandson. Like the child in the "I never yet could make out why
previous chapter, who begged her father not to overtax
Beauty's tired body, Willie is more perceptive than his elders.
men are so fond of this sport ... but
Victorians often idealized children as pure and innocent beings. we are only horses, and don't
Some believed children were closer to God. Whether or not
Willie is divinely influenced, he puts his grandfather's lessons know."
about horses to good use and convinces the farmer to save
Beauty. — Duchess, Part 1, Chapter 2
Ginger makes this sad revelation when she tells Black Beauty the devil, is one of her harshest criticisms in the book. Although
the story of her life. With such a lonely early life, it is others might be ready to ignore injuries to a fly, Sewell sees
unsurprising that Ginger becomes a difficult horse. According them as signs of larger problems and exhorts the reader to do
to the author, early training and treatment are crucial in likewise. Because the boy, whom the story is about, has
forming a horse's attitude and behavior. already been seen beating his pony, he clearly is moving
toward greater levels of violence and abuse.
Merrylegs's assessment of the boys' behavior brings up one of — John Manly, Part 1, Chapter 13
the novel's themes: the problems that arise when people treat
an animal like a machine, which has no feelings.
Although not well educated, John has his own theology, which
meshes nicely with Jesus's statements in the Bible. John
emphasizes actions rather than words. In the Bible, Jesus
"We horses must take things as values those who do the right thing more than those who say
they come, and always be content the right thing but do not follow through with actions.
horse. They consider the horses' comfort and how the tack
"It's no use; men are strongest,
makes the horses' tasks easier, symbolizing their own innate
and if they are cruel and have no goodness, and their understanding of their horses' needs.
Others, including the earl and his wife and Black Beauty's
feeling, there is nothing that we
driver at the bakery, choose tack according to fashion. They
can do but just bear it." force the horses to use checkreins, which are uncomfortable
and unsafe, because of the way they force horses to hold their
heads. Other drivers use blinkers because they mistakenly
— Ginger, Part 3, Chapter 40
assume that horses will shy at things in their peripheral vision.
However, the horses claim they would be less frightened if
Ginger, the horse who always fought back, no longer believes they could actually see what was happening around them
there is a point in fighting. She wants to die. Her broken spirit rather than hear or sense things they can't identify.
may be more upsetting to Black Beauty than her broken body.
Certainly readers will be struck that Beauty's reaction is to
hope Ginger dies soon, but they never know exactly what
broke Ginger's spirit completely. Scars and Other Physical
Damage
"Inasmuch as ye have done it to
one of the least of these."
Few horses in the book escape without some type of physical
damage or scarring. These marks symbolize human
— Jerry Barker, Part 3, Chapter 43
thoughtlessness, carelessness, and selfishness. Because of
Reuben Smith's carelessness, Black Beauty gets scarred
Jerry quotes the Bible after he helps the woman and her sick knees, which repeatedly change the course of his life. He is
child get to the hospital. These words express Jerry's Christian sold from the earl's stables because his scarred knees are
faith and also foreshadow his future. According to the Bible, unattractive. Later on, people notice Beauty's scars and fear
those who have done good deeds are permitted to enter they signal another fall, even though they were not his fault.
heaven. Helping those in need is both a good deed and an Ginger, too, bears physical damage as a result of poor
indication of godliness. It is an act that pleases God. In this handling. Other horses, such as Captain, are marked by serious
case it helps Jerry, too, by putting him in touch with his wife's injuries, all caused by humans' thoughtlessness.
old employer, who later offers him a job that will make his
family's life something of an earthly paradise. Anna Sewell also makes a point of including Sir Oliver's story.
One of Squire Gordon's other horses, Sir Oliver had his tail
cropped by a previous owner and now suffers as a result. Sir
Oliver tells the other horses about how he has seen dogs' ears
Kindness to Animals: A One of Anna Sewell's intentions for Black Beauty was for the
book to be a source of moral instruction. Therefore, almost
Christian Duty without exception, human characters who are righteous and
obedient are rewarded. The horse characters, however, do not
always get what they deserve.
Anna Sewell wrote Black Beauty to encourage people to The humans who do good are ultimately rewarded, even if they
practice kinder treatment of horses. The concept is grounded experience suffering. Mrs. Gordon grows seriously ill, but at the
in Sewell's Christian faith, and she equates kindness toward end of the book she is still alive and in good enough health to
horses with Christian teachings about helping the needy and exchange letters with friends. Despite a difficult childhood,
less powerful. John Manly has saved enough money, after working for Squire
Gordon, to be able to have some choice about a new job. Such
John Manly talks repeatedly about both helping the less an opportunity most likely would be unusual for a man in his
fortunate and being kind to horses, linking the two together. position. James Howard risks his life to save Beauty and
James Howard, his first assistant, tells how a classmate was Ginger, and he ends up with a promotion and a good job. Joe
cruel to flies, leading their teacher to associate cruelty, even to Green, after his initial mistake with Beauty, also proves himself
insects, with the devil. When Black Beauty and Ginger are a worthy person and fine groom and has a good job by the end
stabled at an inn overnight, the old ostler quotes the Bible as of the book. The Barker family, who live through poverty and
he explains how horses trained well in their youth continue to the challenges of Jerry's illness, are rewarded with a good job
be easy to handle as they grow up. Later, Jerry Barker, one of for Jerry and a home in the country.
the kindest owners Beauty has, cites the biblical exhortation to
help "the least" in society as he helps the poor woman take her For the horses, however, life is more capricious, no matter how
child to the hospital. Jerry also talks about being responsible good they are. Merrylegs is patient with children yet fears he
for one's behavior and making decisions to guard one's soul, could lose his position. Beauty suffers through many bad
even if those decisions go against popular sentiment or cause situations, even when he has nearly killed himself trying to save
a loss of income. a human's life, as he does for Mrs. Gordon. Other horses, like
Jerry's horse Captain, suffer life-threatening injuries through
Sewell includes biblically influenced expectations of helping no fault of their own. While Sewell's human world has a moral
the destitute and rearing children, and she connects these logic to it, the horses are at the mercy of their masters. This
expectations with kindness toward animals. Caring for one's situation, connected to the previous theme, gives Sewell a two-
animals is equivalent to raising children, and helping other pronged argument: good people are rewarded, and kindness to
animals—as several characters attempt to help horses is part of being a good person.
Beauty—parallels helping the needy. This theme not only adds
another dimension to Sewell's writing through biblical allusions,
but it also serves as a method of persuasion, which was
Sewell's primary goal. Horse versus Machine
Goodness Rewarded: Humans Black Beauty was written only decades after the first modern
railway carrying passengers opened (in 1830) and machinery
began to take over many tasks done by horses and humans.
Sewell explores the problems that arise when a horse is
treated like a machine. Unlike a machine, a horse is a living
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