Mandolin Concerto

in D
For Violin or Mandolin solo, Strings, Horns, and Bass
Dedicated to Michele di Wolkonskoy
v0.1.0 G.A.K. Colizzi, c.1773

      
  
    

   
 
 
    
   
    
Allegro nontanto

  


 
    
TUTTI

      

    

   

     

 
        
    

6

       
       
  

     


 
  

   
     
10

             

            
  

  
       

  
  
16

            
  

     
     
   
 
 
21 SOLO


          
           
  
    
      
27
legato

       
 
   




     
            

32

   

    

  

            
     
    
36

 
          


  

     

 
      
3 3


41 3 3

3 3 3 3

CC-BY-SA 2020 Zachary Bian

                
 
 
                       

      
44 3

      

3 3 3 3 3


    
3 3 

      
        
     


 
  
     
48 TUTTI

   


     
   

      
 

             
     
52 SOLO

 
            
   

   


    
   
       
58


Tenute

    
     
3 3

    
3 3


3


     


          


        
66 3

  
3

   
3 3 3



3 3 3

  


                         


70

                           3


     
    
74


  
3 3 3 3 3 3


 3

    


        
          
79 3 3
3

          
3 3 3 3


     
3

             
  
          

82 TUTTI

 
                 
 

       
3 


        
87 SOLO

     

                  
 

       
            
92


   

2 CC-BY-SA 2020 Zachary Bian

                 
       
        
97

                    
 

   
  
        
101

              
 

 
 


          


      
    
107


    
 
                      


     

112

                   



   
  



     
117

                    
3 3

   
3 3

  
 3 3

      
3 3 TUTTI
3

 
120


   
          
 
3 3 3


        
  

   
      


125



    
 
                
        
 

 
129

    
  

          
133

II

II

                                    
Adagio

   
      
SOLO

    

CC-BY-SA 2020 Zachary Bian 3
   
                 
           
    
6


         
             

 

3

 
11


          
 
 
 

         
        
     6
14


                      


  


    
20

 
          
           
 

        



 

  

    

24




                  


   

    
28

 
III

III


  
        

Allegro

        
   
 
TUTTI

 
Rondo

              


                   


 
SOLO

 
8


            

  
6


       


     
6


  
  
 
15

6 6
6  
 

4 CC-BY-SA 2020 Zachary Bian

  
                        
   
                

20

          

     


        
 6

               

25

                                



    
31

  
                                      
  


   
40


                

 
    
TUTTI


47

         

     



              

   

55 SOLO

 
           
       




 
        
6


6

  

61

 
     


                      


   
 



6 6

 
6

 
67 6

  

                                
6 6 6

        
6

         
71

 
                       
6

    
6

    
     
78

 
                             
6


    
             
6

 
83

6 6    

CC-BY-SA 2020 Zachary Bian 5

 
              
 

      
  

 
    
89




            
 
    
 
      
96

6 CC-BY-SA 2020 Zachary Bian