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TheHistoryoftheDevilandtheIdeaofEvil 10205642
TheHistoryoftheDevilandtheIdeaofEvil 10205642
H t s ronv
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or r un D EV I L . By D r . P a u l Ca r m s . L arge 8 vo . 500 p ag es .
i ll i C lot h
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p ages C lot h , ( 69
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ii pp i i lk i i ll
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N t RV RN A : A com p i an on st ory to K ar m a . By D r Pa u l Ca r u s
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m lI . Secon d ed ii t on . Pages , vi , 325 . C lot h , ( 7s 6d . . The
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T H E O PE N COU R T PU B L I S H I N G C O .
3 24 D E A RBOR N S rau
' '
r C H ICA G O , I LL .
H I ST O R Y O F T H E D EV I L ,
AND TH E
I D EA O F EV I L
F R O M T H E EA R LI EST T I M ES T o T H E PR ESEN T D Y A
DR . PA U L C A R U S
um m ,
w
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D er m u ss as rein I
— G O E TH E
C H CA G O I
T H E OPE N C OU R T PU B L I S H IN G C OM PA N Y
3 24 D EA R BOR N ST R EET
L ON D ON
K EG A
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T R U B N E R 81 Co . Pat ern os t e r H ou se
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900
C ON T EN TS .
B u ddh ism
T h e D aw n o f a N ew Era .
T h e I n q u is it ion .
T h e A ge o f t h e R e f o rm at io n
T h e A b olit ion of W it ch P ros ecu t io n
-
I n V erse an d F ab le
A E
P G
F ro n t ispiece .
A f t er P icart
H u m an S acrifi ces A m o n g t h e G ree k s A f t er an an cie n t cam eo
.
in B e rlin
A H in d S u b s t it u t e d f or Iph igen ia A f t e r a P om pe ian f resco
A f t er R aw
.
F o rm s of T ao u rt . lin s o n
Se t h. A ft e r B ru gsch
T h e S o u l V is it in g t h e M u m m y F ro m t h e A n i P apy r u s
.
S e t T e ach in g t h e K in g t h e A rt of W ar A f t er E rm an .
T u rin papy ru s
X is u t h ru s ( t h e B aby lo n ian N o ah ) 1n t h e A rk A f t er an an
.
in d e r
. A f t e r S m it h
T h e Tree o f L if e D corat io n s o n t h e e m b ro id e ry o f a roy al
. e
m an t le . B rit ish M u se u m
M e rod ach D eliv erin g t h e M oo n G odf ro m t h e E v il S pirit s .
M u seu m
vi TH E H I ST ORY OF T H E D EVI L .
T h e G o dd es s An na B rit ish M u se u m
B as re lie f in t he
F igh t B e t w
-
.
E v il D e m o n s B rit is h M u se u m
D e m o n o f t h e S ou t h w
.
e st W in d S t at u e in t h e L o u v re A f t er . .
L e n o rm an t
C le rcq A f t er L en o rm an t
.
A n A ss y rian C am eo
A P ers ian C am eo
A s sy rian Cy lin d er
Sc u lp t u re s o n a R oy al T o m b L e n o rm an t .
S au l an d t h e W it ch o f E n d o r A f t er S ch n orr v o n Carolsf e ld .
n o rm an t
Th e B rah m an A f t er C o lem an
T rim u rt i .
V is h n u L ak sh m i an d B rah m a
, , A f t er a n at iv e illu s t rat ion .
,
re pro d u ce d f rom H e rm an n G 6 11
Th e M at sy a A v at ar o r F is h I n carn at io n F ro m P ic art .
L ak sh m i t h e G odd es s o f B e au t y
, M u s é e Ou im e t .
H an u m an t h e M on k ey K in g B u ild in g t h e B rid ge Ov er t h e
S t rait B e t w
, ,
ee n I n d ia an d L an k a R eprod u ce d f ro m H er .
m an n G é ll
Th e V fi m Av at ar o r D w
an a ar f I n carn at io n
Th e Parash u ra A v at ar o r B at t le A x I n carn at io n
,
-
Th e R am a Ch an d ra A v at ar
Th e K rish n a Av at ar
I
L ST OF I LL U ST R A T I ON S . vii
PA E
G
m an
V is h n u an d Sh ri -
L ak s h m i
R am a Ch an d ra an d S it a A f t er as
H an u m an R ecit in g H is A d v en t u res t o R am a C h an d ra an d
S it a Reprod u ced f rom Colem an
.
P an t h eon
K rish n a B ron z e st at u e M u sé e G u im e t
.
,
pr o d u ce d f ro m C o lem a n
T h e B at t le B et w
.
ee n t h e K u ru s an d Pan du s on t h e F ield of
o C o m pan io n s e it
S h iv a w
.
it h P arv at i M u sé e G u im et .
S h iv a Trim u rt i
-
M u sé e G u im et .
S t at u e M u s é e G u im e t ,
Picart
S h iv a W ors h ip F ro m P icart .
S h iv a an d P arv at i F ro m G é ll
K ali A ft er an I n d ian pict u re F rom Sch lagin t w
.
eit
D u rga . e it .
m K h a s G ro m a t h e T ib et an K ali M u sé e G u im et
’
.
,
H ar i H ara F ro m W ilk in s .
A gn i . F ro m H e rm an n G é ll
K am a . F rom V V o llh e im da F on ce ka
S h iv a S lay in g a D em on F ro m W ilk in s.
A E
P G
M ara s Arm y
’
G an dh ara scu lpt u re s M u se u m of L ah o re
wd l
. . .
F ro m G rti n
‘
e e
R eprod u ce d f rom G ru n w
,
.
t u re s . e del
o o d carv in g M u s é e G u im e t
On i n o N e m b u t z u A f t er a w
.
,
o o d carv in g in t h e au t h or s po s
’
- -
.
s es sio n
H o n o K u ru m a
-
v on Caro ls f e ld
H eav en an d H ell . A ft er H . F .
, an u n k n ow
n Old -
G erm an
m as t er
M u sé e G u im et
T h e T rin it y an d M ary A f t er L ti b ke ‘
lau be
J acob B oh m e
V ign et t e of J acob B oh m e s B oo k ’
on the T h ree fold L if e of
M an
T h e T h re e P rin ciples F ron t is piece of J acob B oh m e s b oo k ’
.
m an P ict u re B ib le -
D iv es T o rm en t ed in H e ll F ro m a G erm an P ict u re B ib le
.
-
T h e L as t J u d gm e n t A fresco in t h e C am p o S an t o P is a
.
,
C am po S an t o B erlin ,
T h e W o m an o f A b o m in at io n s By A lb rech t D u rer .
t u r ensd zat z
age o f t h e R ef o rm at ion
W eighin g t h e E v il an d t h e G ood of th e So u l . F ro m t h e ca
t h edral in A u t u n , F ran ce
The D oo m of t h e D am n ed A f t er L u ca S ign orelli
.
fro m M u t her
H ad es . F ro m M an I n “ . .
p e r um W .o o d c u t o f t h e fif t ee n t h cen t u ry
all p ic t u re of a t o m b
.
-
i n C o rn e t o
C h aru n t h e E t ru scan D e m o n o f D eat h Wait in g f o r a V ict im
, ,
.
F ro m an E t ru scan v as e
X TH E H I STORY OF T H E D EV I L .
A E
P G
Okn os an d t h e D au gh t ers o f D an ao s in H ad es F riez e of a
R o m an w
.
all d ecor at io n
I x io n o n t h e F iery W h eel
G igan t o m achy ; t h e G ian t s S t orm in g H e av en V at ican M u .
seu m
Z e u s C o n qu e rin g Ty ph oeu s B au m e is t e r .
W ar in H eav en By A lb rech t D fi re r
Ch im aera o f A rezz o N o w
.
at F lo re n ce
.
T h e se u s an d P irit h o u s B au m eist er
Pe rse u s w
.
it h t h e H ad of t h e D ecap it at e d M ed u sa
e B au .
m e is t e r
it h M ed u s a H e ad
T h e G o rgon eio n o n t h e Sh ield of Ph idias s A t h e n e
’
t h e k M u n ich
,
M e d u s a R o n dan in i G ly pt ot h ek M u n ich
.
,
T h e L io n K illin g H e ro o f K h orsab ad
-
P rom e t h eu s T ie d by Z e u s t o t h e S t ak e ( or C ross ) an d E x
p o s e d t o t h e E a gle ; R e sc u e d by H ercu le s V a s e n ow .
at B e rli n B au m e is t e r
,
Th e M y t h o f P ro m e t h e u s o n a S arco ph ag u s
T h e Te m p t at ion s o f C h rist M osaic in t h e cat h e d ral o f
.
M on reale S ic ily,
C h ris t ian G e m
M it h ras M o n u m en t o f Os t b u rke n
M it h raic Sy m b o ls F ro m C W K in g
. . .
E o n o f e an A karan a F ro m L ay ard .
A b rax as G e m
A gat h odze m o n F ro m C W K in g
. . .
I ao G e m
S e rap is
Se rap is G e m
I
L ST OF I L L U ST R A T I ON S . xi
H erm es S av iou r o f So u ls
,
S t aff o f H e rm es
H erm es as J u pit er
A Sh ip Sy m b o lis in g t h e Ch u rch
A C h rist ian G em w it h Se rpe n t
A G n os t ic G e m
Ch rist ian S y m b ols of t h e Cat acom b s
A ram m an W arrio rs W e ari n g t h e C ro s s as an A m u le t f o r
,
P ro t ect io n in B at t le A f t er W ilk in s o n
S t A n t h on y F igh t in g t h e D e v il w
.
. it h t h e C ro s s A f t er S al .
v at or R o s a
L o u v re
A rch an ge l M ich ael H o ld in g t h e S cales f o r W e igh in g S ou ls .
A ft er L ore n z o S ab b at ie ri
H e] t h e G o dd e ss o f t h e N e t h e r W orld
, B y J o h an n e s G eh rt s . .
D an t e s I ce H e ll By G u s t av e D o ré
’
.
S t D u n st a
. n an d t h e D e v il F ro m S ch e ib le .
T h e D ev il s B ridge Ov e r t h e R eu s s
’
M os es an d A aro n P e rf o rm in g t h e S n ak e M iracle B e f o re Ph a
rao h Af t e r Sch n o rr v o n Carols f e ld
.
T h e E gy pt ian S n ak e N aj a H aj e M ad e M o t io n les s by a P re s
s u re o n t h e N e ck F ro m V erw o rn af t e r p h o t o gr aph s
.
v on C aro ls f eld
T e n sk ww at a a, t h e Sh a w
P roph et in 1 808 R eprod u ced
an o .
fro m t h e F ou rt ee n t h A n n u al R eport o f t h e B u re au o f
E t h n o lo gy
T e n skw at aw a t h e S h aw an o P ro ph et in 1 8 3 1
, R eprod u ced .
Th e E cs t as y of t he G h os t D an ce of the N o rt h A m erican In
d ian s
Th e B les s in g A C erem on y in t h e G h os t D an ce of t h e N ort h
.
A m erican I n d ian s
H e n ricu s C orn elius A grippa ab N et t es h e im Re pro d u ced
from t h e origin al ed it io n o f h is w
.
ork s
/ 276 ,
'
p na
E x orcis in g by t he C ro ss . B as -
relie f on a w at er v es sel fo u n d
n e ar Pis am a
m an F ro m 0 H en n e am R hy n
. .
D ii sseldo rf
W it ch es C j H St orm
o n u rin g a ail -
K On n ecke
Wit ch es F ro m H o rn dorff
.
Th e W it ch es S abb at h A ft er P icart
’
.
T h e S ign o f t h e F irst H o u r o f S u n d ay
T h e D iv in e N am e Ar ran ge d f or C on j u rat io n
K n igh t an d D ev il
T h e B is h o p o f L od i P re ach in g at t h e T rial of J oh n H u ss .
F ro m C as t e lar
S avo n aro la
S av o n aro la Pray in g in
C ell F rom C as t elar
H is .
Po pe U rb an V P roclaim in g t h e B u ll I Ca m D om i n i
. n
-
, I 3 6 2 ,
C o n d e m n in g H eret ics
Th e B an n e r o f t h e S pan is h I n q u is it ion F ro m P icar t .
I
L ST O F I L L U ST RA T I ON S It iii
Th e B an n er o f t h e I n q u is it ion of G o a F ro m Picart .
Th e Ch am be r of t h e I n qu is it ion F ro m Picart .
P icart
A M an an d a W om an Co n v ict ed o f H e resy F rom P icart .
A M an an d a Wom an C on d e m n e d t o b e B u rn ed F ro m .
Picart
Th e I n qu is1 t 1on in S e ss io n o n t h e M ark e t S q u ar at M ad r id e .
F ro m P icart
Procession o f t h e I n q u isit ion o f G oa F ro m P icart .
T h e W at er Ord eal
Th e T o rt u re R o om at N u re m b erg
-
A f t e r C R au R epro
. . .
du ced f ro m B E K on ig
A gn es B ern au er D ro w
. .
n e d as a W i t ch at t h e R e q u es t o f E rn es t ,
L an s perg s H D elirium ”:
’
v on of fm
T h e K in gd o m o f S at an o r t h e S ev en H e ad e d B easlt o f t h e -
oo d c u t o f t h e t im e o f L u t h er
F ro m a G e rm an w
.
T h e D ev il o f U n ch as t it y . o od cu t
By H an s H o lb e in
T h e L at es t F ad in C lo t h es P illoried F ro m S igis m u n d F eye r .
ab e n d s Tf uat u m D i abolor u m
’
r
M ac b e t h C o n su lt in g t h e W it ch es
T h e N at u ral S t at e o f M an
T h e H o ly G h ost I llu m in es t h e H e art
T h e H o ly G h ost in Po s session
x iv TH E H I ST ORY OF T H E D EV I L .
S at an
’
s R et u rn w
i h t S eve n Ot h er S pir it s M ore W ick ed t h an
Th e I m piou s D o o m ed W h en H e D ies
M an I s
A H eart F ort ifi ed in C h rist
T h e P iou s M an is S av ed at D e at h
P os t er o f t h e S ix t e e n t h Cen t u ry
F acsim ile o f t h e C on t ract W h ich U rb an G ran dier I S R e po r t ed
t o h av e M ad e w it h t h e D ev il
A ppari t ion s o f t h e C ros s F rom G rii n b eck .
n as iu m at C olo gn e
g ro t h
S ign at u re of C hr is t ian Th o m asiu s
Sch o t t e l s W he e l o f H e ll
’
Th e Ch rist ian H e ll
Sch w e n t e r s H en E x pe r im e n t
’
R e prod u ced by F at h er A t h a
.
n as i u s K irch er
P at er G ass n er E t ch in g by D an ie l Ch odo w
. ie cki
D e m o n s o n t h e To m b o f D ago b ert Ch u rch of S t D en ys . .
,
n ear P aris
it h t h e D ev il in B lood By .
F ran z S im m
T h e L e gen d of T h eo ph ilu s F ro m M o n k C o n rad s illu
’
.
m in e d M S
A E
P G
S at an in H is U glin es s . F ro m an A n glo -
S ax on M S in t h e .
B rit ish M u s e u m
T h e T rin it y F igh t in g B e h e m o t han d L ev iat h an A ft er D idro n .
A rch aeolo gy
M ilt o n s S at an A f t er D o ré
’
.
. r r
Th e F alle n L u cif e r A f t e r D o ré .
A f t er S ash a Schn e id e r
.
Th e F e e lin g o f D e pen d en ce .
m in iat u re
Th e D iv in e T rin it y . F ro m a MS . in t h e B iblio t h eq u e de
S ain t e G e n e v iev e
I t alian Trin it y D id ro n .
S at an ic T rin it y D idro n
F ro m a w in d o w
.
T h e Tr in it y . in t h e Ch u rch o f N o t re D am e ,
at Ch alon s F ran ce ,
Th e T rin it y o f E v il F ro m a F re n ch M S in t h e B iblio t h eq u e
. .
R oy ale at P aris
T h e T h ree H e ad e d S e rapis F ro m B ar t oli s L u eer n a V et er u m
’
-
.
Sepu leh r at es
Az iel t he G u ard ian of H idd en Tre as u res F ro m F ran cis ci
’
, . s
Pr ot eus 1 11 er r1a11s
f
° °
P is a
H ercu les w it h C e rb e ru s F ro m a v ase f o u n d in A lt a m u ra
.
en gr av in g, 1 4 20 -
4 4 99
Th e G oo d L o rd an d t h e D ev il . By F ran z S im m
The De v il in the C am po S an t o ( P is a)
Se al of S at an . D idro n
G OO D A N D EVI L AS RE LI G IO U S I D EA S .
H I S W ORLD OF OU RS is a or ld of opposit es w .
o f u ni t y domina t es t h e developmen t of t ho u gh t M an .
n io n s Monism w
A ccordin g ly hile t h e belief in g ood
w
.
,
w
t al evol u t io n t o g et her cons t i t u t e a D u alism hi ch t o many
w
,
- -
w
,
w
,
A s t at e w
of i rreli gion in hi ch mankind o u ld adopt w
an d pu bli cly t each a do ct rine of A t heism is an im possib il
w w w
,
w w w
,
t h e All w
hi ch enfo rces a definit e mor al con du ct ”
God
w
, .
w
la s of nat u re ; God is t h e int rinsi c ne cessi t y of mat he
m at ics and lo g i c ; God above all is ha t ex pe rie n ce w
t eaches u s t o be t h e inalienable feat u res of r i gh t eou sness ,
t eri st ic of t h e la w
t hat pe rvades t h e u nive r se ; it is t r an
w
,
w
,
‘
See t h e au t h or s
'
I dea f
o God; S ou l f
o (M m , pp 33.8 e t se q .
; F u n da m e n t al
Pr i m er Pl d/osop/zy Th e M om
'
Pr oblem s p , . 1 5 2 et
pa ss i m ; o
f , p . 1 70 et pass i m ; st ,
V ol
. III .
, pp 3 5 7 e t.seq ; H . om i lies f
o S ci en ce, pp 79— 1 20
. .
GOOD A N D EVI L AS R EL I G I OU S I D EA S . 5
D EV I L W OR SHI P
‘
R OM A SU RV E Y AL of t h e acco u n t s gleaned fr om
W ait z Lu bbock and Tylor on t h e p rimi t ive s t at e
, , ,
w
,
w
hi ghe r st ag e of God o r ship and t he re seems t o be no
-
w
,
t o r eli gio u s w
or ship This is t h e reason h y t h e da rk w
w
.
w
, .
w
hi h capparent ly means t hat w
hi h c is above ou r con
t r ol ) as follo s w
T h ere is y e t in
V irgin ia n o place discou ered t o b ee so S av age
in w h ich t h e s av ages h au e n ot a religio n D eare an d B ow an d A r
row A ll t h in ges t h at w
, ,
es e re ab le t o d o t h em h u rt b ey o n d t h e ir pre
v e n t io n t h ey ad o re w it h t h eir k in d e of d iv in e w
.
o rs h ip as t h e fi re
w
,
o rs h ip is t h e D iu e ll H im t h ey call 0k 1
'
. e,
it h ch ain e s co p
w
,
p e r a n d b e a d e s a n d c o u re d it h a s k in i n s u ceh m an n e r as t h e
d e form it y m ay w ell s u it w
, ,
it h s u c h a G o d ( O r ig in a l d p .
”
e .
, .
J am es T ow
.
,
n e an d t h u s per f o rm ed
F if t ee n e of t h e properest y o u n g b oy e s b et w
.
,
ee n e 1 0 an d 1 5
“
w
,
y e a re s o f a g e t h e y p a i n t e d h it e H a u in g b ro u g h t t h e m fo rt h t h e
w
, .
,
p pe o le s pe n t t h e f o re n o o n e in d a n c in g a n d s in g gin a b o u t t h e m i t h
rat t les .
“
In the h ose ch ild ren t o t h e ro o t e of
af t e rn oo n e, t h ey p u t t
e en e t h e m ere ,
it h t h e ir B as t in a
d oes an d t h ey pat ien t ly e n d u rin g an d receau in g all d efen d in g
t h e ch ild ren w it h t h e ir n ak ed b od ies f ro m t h e v n m ercif u ll b low
,
es
, .
,
w
.
, . .
f l u t h e li t t le di ti a y f th l g g
c on r o e an u a e of t h e sav ages of V irgin ia hi h i c s
pr in t e di n th e sam e p am ph l t C apt ai S m
e it h
, t n rans lat es Oke
”
si m pl y by “
go d s .
”
D E V I L W OR S H I P . 9
t he w om en wp ee e an d crie o u t v er y p as s io n at e l y; pro u id in g m at s
wd
,
sk in n e s , m o s se , an d d rie oo , as t h in gs fi t t in g t h e ir ch iidre n s
fu n erals
A f t e r t h e ch ildren w
.
dow n t h e t re e b ran ch e s an d b o u gh s w
,
it h s u ch v io len ce t h at t h ey
ren t t h e b o dy an d m ad e w
, , ,
re at h es f o r t h e ir h e ad s o r b e d eck e d t h eir
it h t h e le au es as
b u t t h ey w
.
w
,
an ce c h ie f] b e in g d e m an d ed t h e m e an in g of t h is
[ r
sacr ifi ce an sw e re d t h at t h e ch ild re n w
, e re n ot all d ead b u t [ o n ly ] ,
t h o se ] w h o ch an ce d t o b e h is by lot t ill t h ey w e re d e ad B u t t he
res t w
.
, ,
e re m ad e t h e ir P rie s t s an d C o n iu re rs
, .
w w
,
sug/i es
( h ic h ar e t h e ir o t h e r G o d s
) o u ld le t t h e m h au e n o D e a re
an d ye t b e s id e s h ee w
,
Tu r k ies C o rn e n o r fi s h
, , o u ld m ak e gre at
: ,
s lau gh t er am o n s t t h e m
g .
aaees o f Q u iyougtzeo/zanoek ; r
w
,
e s an d
s ne
m en w
, ,
o u ld n o t s e n d h im an
y .
in al cd .
, pp .
3 ,
2 3 3,
‘
See Tue Wor ks of Capt .
j
ol m S m it b of W illou ghby et c . Ed it e d by E d w
a d r
Ar b
er . B irm in g am h . 1 8 84 . pp 74 fl. .
10 TH E H I ST OR Y OF T H E D EVI L .
w
,
w w w
,
“
reli g ion of t hei r nei g hbo r s sou gh t t o sacrifi ce t hei r so ns ,
”
and dau gh t ers t o devils or let t hem pass t h rou gh t h e ,
”
fi re of Molo ch t o devour t hem bu t so near t o t h e reli
Wor ld I II p 1 29
wk wb
. .
.
, .
it
See his or , De r eou s oceau i eis et n o or e.
D EV I L W O RS H I P . 11
—
(J u d g es x i, 29 4 0) .
g lo r y of A t hens a s at
h o as sacrifi ced on t h e ww
t omb of A chilles in o rde r
t o pacify t h e dead he ro s
’
G reek ar my .
A ON THE G
HDH A N S A c rt cE N G
Pro g ress in civilisa
R B B KS .
[ P ly
o a di
xen by t h h a d f N pt
es e n o eo o
l m
e us on th t mb ef A h ill
o — Af o
t c
Il led I
es
O 3 m Odl fi cat l on
t e r an
“ m m “ m “ 1 b u t n ot t o a di re ct aboli
-
w
,
, w w
t h e ei gh t headed ser pe n t t hat ann u ally devo u red one of
-
w
,
cha r a ct e ris t i c t r ai t s of
-
w
Devil o r ship b u t n ot ,
w
li ght in i t nessin g t or
t u res and t h e hei g h t of
,
in cannibalism W hi ch [ A g m h
am e m n of a t h i
l h
er i h a
d
er , ve s s e
w
,
d Ody d n th
, ,
h l D d
t e I Om e es an sse u s e ve r e v 1r
p m t h
ears l d d a
c up b
s ban i g tnh m r n s e
u s I s n ot du e t o s car
, h i d — Af t P p i f
n er a ]
om e an r esco .
ci t y of food bu t can
w
,
and ot he r vi rt u es of t h e slain m an .
w
,
'
variou s erro rs hi ch s cien ce and philosophy pas s t h rou gh
in t hei r nat u ral evol u t ion
w w
.
”
t h e vario u s e ffo rt s made t o es cape evil Tho u gh t h e fear
.
w w
almos t all o rship as paid t o t h e po e r s of evi l h o w w
w w w
,
w
po e r of g ood is r e co gnised and m an finds ou t by ex peri
en ce t hat t h e good al t hou gh it s pro gress may be ever so
w w
,
ri g h t , an d t ru t h
.
TH E H I ST ORY OF T H E D E VI L .
FO RM S or T A OU R T . w
(A f t er R a lin son ) . SET .
( Aft er B rugsch )
.
Set is oft en w
on t rast ed i t h Osi ris Set as t h e dei t y
c . w
of t h e dese rt of dr ou ght and feve ris h t hi rst and of t h e
, ,
w
, ,
Th e m oo n ( re pre s e n t in g Os ir is ) is, w
i h t h is fert ilis in g an d
t h e s u n h ow
,
of plan t s e v e r ( re p r e s e n t in g T y ph o n i d e t e rm in ed
) s
w
, , ,
qu e r s f re q u e n t ly e v e n t h e m oo n
( v i z .
,
at e r s of t h e N ile an d t h e se t t in g of t h e s u n Th u s he
w
, .
w
,
t er sols t i ce w w
hi ch is con t ras t ed i t h t h e ri g ht or b ri gh t
w
,
ey e of H or t h e i n cr easin g su n hi ch symbolises t h e
w w
, ,
w w
.
p o r t an t p r o v i n c e es t of t h e N ile b u t t his , a s t h e na t u
th e Lo rd of t h e dese rt
w w w
.
w
, ,
w
to n of t h e fr ont ier , and d u rin g t h e t ime of i n vasion t h e
the H y t t it es , w
iden t ified t hei r o n g od Su t ech i t h
h o w w
t h e E gyp t ian Set B u t even amon g t h e Hyksos Set as w
w w
.
,
*
s cien ce of arche ry .
w w
,
a S i g n of t h e hi gh ho n o r in hi ch he as held amon g t h e
shephe rd kin g s ; and indeed e are informed t hat t hey w
r e g a rded Set or Su t ech as t h e only t ru e God t h e sole
w ww
, , ,
“
See L eps iu s D en km aler V ol V
, p
‘
3 6 T h e
, p . .
, . .
°
ct u re is re
pro d u ce di n o u t lin e
by d f
A o l E r m an in h is L if e i n A n ci en t E gypt E n gl , t r an s p . 28 2 .
A N C IE NT EGY PT . 19
w w
,
th e I s raeli t es int o t h e cu lt Of Y ah v eh l
p 7 0 6 .
”
n to us .
” “ ”
“
dou ble or his o t he r self
, hi ch r emainin g in t h e , ,
w
.
s cript ion s w
hich give eviden ce t hat in t h e opi n ion of
m any t hou gh t fu l people t h e bes t and indeed t h e sole
means of p rot e ct ion ag ai n st t h e t yphoni c i n flu en ces aft er
w
deat h as a life of ri gh t eou sness This is fo rcibly ex.
r e ct ion .
g ods de c
,o r a t ed i t h an e r e ct fea t he r hi ch is w
h e r em w
blem u she r s t h e depart ed one i n t o t h e Hall of Tru t h
w
,
.
t h e names of t h e assesso r s e q u o t e he r e an e x t r a ct of ,
I d id n ot do e il
v — . I di d n ot co m m it v io le n ce — I did n ot
t o rm e n t an y h ea t
r — I d id n ot s t e al . I d id n ot cau s e an y on e t o
h
b e t re ac e ro u s l y k illed — I did n ot les s e n the o ff e rin gs — I d id n ot
do an y h arm .
— I did k e an y o n e w
n ot u t t er a lie
ee p .
—I did n ot m a .
it h o u t
su fli cie n t re as o n — I d id n o t t u rn a d e af e ar t o t h e w
. .
o rd s o f t r u t h
I did n o t com m it w
. .
a
c us e a s lav e t o b e m alt r e at e d by h is m as t er — I did n o t d e s pise .
G od in m y h e art .
w
an ce Of t ru t h he re it is ei ghed by t h e ha k headed
, w w -
w w
,
”
ei gh t t h e ei gh t bein g shaped in t h e fi gu re of t h e
,
w
, ,
or .
24 TH E H I ST OR Y O F T H E D EV L I .
w
zon i t h an al t ar of Off er in g s before t h e ha k sy m b olis
, w ,
”
in g R a t h e mas t er of heaven I n t h e mi ddle part
“
w
, .
w w w
, ,
w
fu rt he r on he o rg anises t h e o rk of b u ildin g ma g azi n es
at Theb es He s u pe rint ends t h e art is t s en g ag ed at t h e
.
w
,
( p p)
A a ,as e r ead in t h e B oo k f
o t h e D ea d ( 1 08 4 ,
and 5) 1
T h ey u s e S et t o circu m v en t it [ t h e se rpen t ] ; t h ey u se h im
t o t h ro w an iro n ch ain aro u n d it s n eck t o m ak e i t v o m it all t h at it
h as s w allo w
,
ed
”
.
w
.
”
t o Osi ris on his cofi n lid s ays R a linson (V ol II p
w
, . .
, .
“
marks a n e r eli g iou s developme n t in t h e an nals
of E gyp t The ab sorpt ion of t h e j u s t ified sou l in Osi ris
.
,
”
appear an ce he r e f or t h e fi r s t t ime
w
.
w
nat u r e as su gges t ive of Set su fi ered a similar de grada
w w
,
w
.
Th e po w er o f Ty p h o n , h ou gh d im m ed an d cru sh ed is st ill
alt ,
p p
r o it iat e an d s o o t h e h im by m e an s o f c e rt ain s acr ifi ce s
”
.
B O U T TH E Y E A R 3 000 B C lo n g bef or e
w
. .
,
”
as
“
blackheads or blackfaces ; y et e need n ot f or
“
*
m ou nds of Babylonia speak also Of t hem as A dam at u or
red skins w
hi ch makes it p robable t hat t hey e re reddish w
w
-
w
,
dar k or b ro n H OW m u ch t h e Semi t es o e t o t h e A c
w
.
‘ y
A popu lar et m olog con n ect e t is y or d h wd
A dam at u it A dam u or A dm u , wh
m an
"
,
w
h h
ic lat e r as R a lin so n po in te
, w
ou t d
r eappe ars in t h e B i le as t h e
, b
n am e of t h e fi
r s t m an See Tlt e Chaldean A ccou n t of Gen esi s ,
. G eo rge S m it , by h
.8
p 3 .
30 T H E H ST O I RY VI L
OF T H E D E .
Th u s wknowf
e e ain t hat in t heir mode of de
or c rt
w
of a eek of seven days and t hat t h e Sabbat h as t heir , w
holy day of rest The li t e r al meanin g of t h e o ri ginal A c
w w w
.
w ”
la f u l , and t h e Assy rian t r anslat ion S o bo t t a si g nifies
“ ”
a day of res t f or t h e heart Fu rt he r t h e le g ends of
.
,
w w w
, , ,
w
,
”
r en t ; Hid D ekh el t h e r ive r i t h t h e hi gh bank , is an
“
-
w
,
w
sy riolo gis t s i t h A r o n/1111 (A rax es ) and by Sir H R a w
w
linson i t h J u kha ; and Kin g Sarg on calls Elam t h e
co u n t r y of t h e fo u r r ive r s .
”
ally God + t h e place
Gat e + of The e t ymolo gy of
w
.
”
t h e name Babel f r om bu lbel t o confo u nd hi ch is “
, ,
*
The le g end Of t h e del u ge
agrees in all import ant de
t ails i t h t h e analo g ou s w
s t ory in Genesis I t is t h e .
X (THE B
IS U T H R U S A B Y L ON I A N N O A H ) I N a s u n he r o and an Assy r -
A“ T“
ian He rcu les h o g oes , w
w
Sa d t h
ve
gh t h a i t
roua f t h g d e ss s n ce o e o s
f m t h d l g [ A ft a a i t B by t h ro u gh t h e t elve S I gn s
ro e e u e . er n n c en a
l i
on an c y li d R p d n df er S m it h e ro u ce ro m
S y C, A f o p 3
.
of t h e Z odI ac t h e elev ,
a “ . “ ] . o .
,
. 00
”
I
“
t he r ain y .
w
,
Sa y ce ,
p 3 04 a n
. d also D r P a
, u l H au p t .
’
s h ab ilit at ion lec t u r e D er kei li n s clrr i/ t li cbe
S in tfl u t fi oer i ch t , L eipz ig, 1 88 1 .
{ T h i s is t h e co m m on l y ad op t e df or m o f t h e n am e alt h ou g h th e p p
r o e r t ran
scr ip t ion is G ilgam es h H e is also calle d G ist u b ar
"
T h e lit e ral m ean in g of t he
wd i
. .
m as s o f fi re S ee L e n or m H i s t oi r e A n a d e l Or i en t V
' '
’
or s an t s e m ze 1 99
p
k i gly lik t h w
.
. . . .
f So m e of t h e pict u res o f th e Z d ia
o c ar e s t ri n hi h m d e os e c o ern
ch a t m pl y
r s e o f or in s t an ce t h e ce n t au r an d the s cor
p i w h i h a b on . a c c n e see n o n n
A y ia h a s relie fi t h e B rit is h M u se u m d d i L ma t Hi t i A ’
ss r n -
n repro u ce n e n or n s s o re n
’
ci en ne ae l or ien t , V
’
80
.
, p. 1 .
A CC AD A N D T H E EA RLY S EM T ES I .
w
i n g ed man Mark by a lion Lu ke by a s t ee r and
, , ,
w
.
WA L
L R A TI ON
D EC O or T H E R OYA L PA LA E AT N I N EV H
C E IN THE IR P RE E N T ST ATE
S .
(A f t er Pla ce, re
p d d f m
ro L
u ce ro en or m an t .
)
w
.
A cu r io u s legen d is e x t an t h is k in g t o t h e e ffect
r e s pec t in g t
t h at h e w
,
as b o rn i n a cit y o n t h e b an k s o f t h e E u ph rat e s t h at h is ,
m o t h e r con ce iv e d h im in s ecret an d b ro u gh t h im f o r t h in a h u m b le
p l a c e t h a t s h e p la c e d h i m in a n a r k o f ru s h e s an d c lo s e d i t w it h
p it c h t h a t sh e ca s t h im u
p o n t h e riv er i n t h e w a t e r t ig h t ark t h a t -
A kk i w , h o b ro u gh t h im u p t o h is o w n t rad e ; an d t h at f ro m t h is
p o s i t io n t h e g o dd e s s I s t ar m a d e h im k i n g .
”
A S t o t h e A s sy riO -
Babylonian o ri g in of t hese leg ends
t he re can be no dou bt . The bes t au t ho ri t ies a g ree
h at Ch alde a w
t as t h e o rigin al h o m e o f t h e se s t o ries an d t h at t h e
ew e ce iv ed t h e m y f B b ”
J s r o rig in all ro m t h e a y lo n ian s ( S m it h .
, . .
, ,
w w
,
SA RE D T R E A N D SER PE N T
C E .
w
hi ch rep resen t t o per w
F m a a i t B by l ia y li d
ro n n c en a on nS OH S seat ed u nde r a t r ee
c n er
.
A ft
er s m it h — S y (L a P 88 0
a ce
. . .
and a se rpent near by
The t ree of life is an idea hi ch m u st have been w
very popu lar amon g t h e Assy rians and Babylonians f or ,
36 T H E H I ST OR Y OF T H E D EV I L .
t hei r
art ist s do n ot t ir e of depi ct in g it in every form I t
w
.
TH E TR L IFE
EE or
D eco rat io n s on t h e e m b id y f a y al m a
ro er o ro n t le .
( B r i t is hM u se u m . La ya d r ,
fi lon u m en t s , r s t ser ies , pl 6 . . L en or m an t l I V , . . .
.
p
w hy h f g h b h
I t is n ot e ort d M 76
t h
at k w hi h b h
a u s, t e eec t ree , an 53 t e oa c are ot
y l gi lly id i l w i h h E gli h w d b /w
.
et m o o ca e n t ca } d h G t Bt e n s or eef : an t e er m an ur m ean
w Th w d w
,
i h bl f i hi h i d i d "
“
i g
eat n h or t e t ree t eat a e ru t e or a cor n c s n ot er v e
dw
.
,
f ro m k b t i
oa u i h h fi ld
s co n n ect e h f i i h
t a r e, t e e m ean s ar v es t o r ru t t as
w E /w
, .
i h h G
’
no i
con n ex o n l (
t ) b
t ei i h e r m an h G zc aco rn ut t s t e s am e as t e e r m an
w
,
E at hi h i h
er , c f h b
s th f i e n am e o t e eec t ree ru t .
A CCA D A N D T H E E A RLY S EM I T Es . 37
t h e deep
w w
.
w
,
g o d , B el u s o r B e l Me r oda ch -
The s t ru gg le ho eve r is .
, ,
ME R O DA H D E L I V RI N
C E G TE E M OON G OD-
F R OM T H E E VI L IRIT
SP S .
F
( ro m a B aby l ia y li d
on n c n er . F rom S m it h ’
s Ch alde a n A ccou n t o f Gen es i s )
.
has to fi gh t t h e seven w
i ked
s t o rm demons h o darken c -
w
t he moon He kills d r ag ons and e v il spi ri t s and t h e r e
.
,
w w
, ,
. .
N e Se ries V ol I pp 1 28 1 3 1 )
,
— . .
, .
38 TH E H I ST ORY O F T H E D EV I L .
at t h at t im e an s w
.
,
an d s in ce t h e n am e w
.
cre at ed , as su ppo s ed t o b e t h e s am e as t h e
t h in g n am ed t h e ir n am e s h ad n o t as y et b e e n p ron ou n ce d A
w
.
,
at e ry ch ao s alo n e e x is t e d M u m m u T iam at t h e ch ao s o f t h e ‘
d eep Ou t o f t h e b o so m o f t h is ch ao s proceed ed t h e go d s as w
, ,
ell
’
as t h e cre at e d w
.
n m e an in g an d t h e n A n s ar an d -
t h e u pper an d lo w L as t o f all w
, ,
K i s ar e r fi r m am e n t ere b o r n
’ ‘ ’
-
, .
B e l or I llil t h e lo rd o f t h e gh o s t w
, ,
o rld an d E a t h e go d o f t h e-
r iv er an d se a .
“
B ut b efo re t he yo u n ger go ds
b le h ab it at io n d
co u l fi nd a s u it a
d rago n of ch aos w T h e t as k w
,
, ,
h im h is arm s . it h an accou n t o f
t h e p re p arat io n s m ad e t o e n s u re t h e v ict o ry o f ligh t o v e r d a k n es s r ,
an d o rd e r o v e r an archy .
h ich t ak e s t h e fo rm o f a poe m in h o n o r o f
,
t ex t by t h e au t h o r o f t h e e p ic as s lain an d h er allie s pu t
in b o n d age w h ile t h e b o ok s of d es t in y w
.
h ich h ad h it h ert o b ee n
w w
,
o u t o f t h e s k in o f T iam at an d b ecam e t h e o u t w
.
ard sy m b o l o f A n
,
TH E H I ST ORY OF T H E D EV I L .
lyps e ( R 7
ev . x ii, h e av And t
‘
e n M ich a e l h e re wwas ar in :
A n d t h e gre at d rago n w
,
an y m o re in h e av e n as cas t o u t t h at o ld
an d S at an w h ich d ece iv e t h t h e w
.
,
se rp en t calle d t h e D ev il h ole
w W e are als o re m in d ed o f t h e w
, , ,
‘
Th e L ord s h all pu n ish t h e h o s t o f t h e h igh o n es t h at are o n h igh ,
s h u t u p in t h e pris o n .
( B r i t is hM u seu m . L en or m an t V , .
, p. n o r m an t , V .
, p .
w
, ,
t u de of ado r at ion
w
.
w
female and it is no t e or t hy t hat t h e female r ep resen t a
,
ww
, ,
F I HT B ETW E N B
G E EL MER O DA H A N D TI A M A T
C
wi t h B it i h M
-
.
F ro m an a i t A y i
n c en ss h
r an as re
-
li fe , no n e r s u se u m .
t h e go d w ho w e n t b e f o re E a an d w as t h e h e ale r an d m e d i at o r f o r
‘
m an k in d .H e re v e ale d t o m an k in d t h e k n o w le d ge o f E a ; in all
”
an d ill B aby lom s e and H is t ory , p
'
.
— an . 1 27 .
w
The st ru g gle be t een Bell Me rodach and Tiamat as -
w
w
a favori t e s u bj ect i t h Assy ri an art is t s I n one of t hem .
,
42 TH E H I STO RY OF T H E D EV L I .
w
hi h is c no wp ese ved in
B ri t ish M u seu m t h e Evil
r r t he
w w
,
t h e B abylonians M r B u d g e says pp 1 3 9 1 4 0 , .
, .
,
H ad es w
T h e ir as n o t so v ery f ar d iff eren t f ro m S h eo l o r t h e ,
‘
p i t o f
’
t h e B i b le n o r t h e D e v i l m u c h t o b e d is t in g u is h e d f r o m
t h e S at an w
,
e read o f
”
n t o u s by a
o rd f o r H ad e s i e S h e o l , . .
, S crip
t u re s h as b e e n f o u n d in B aby lo n ian t e x t s ; b u t t h is asser t io n h as
b een m ad e w
,
w
.
g a l an d t h e p la c e it se l f h a d a r iv e r ru n n i n g t h ro u gh i t o v e r h ich
T h er e w a po r t e r o f t h e w at e rs (w
, ,
s p irit s h ad t o c ro s s as also
. h ich ’
Th e t ab le t m e n t io n ed ab ov e t ells u s t h at
To t h e lan d f o n o r et u r n , f
t o t h e a ar o ff , t o re gio n s of cor ru pt ion .
I ta
s r. the da gh t
u er of t he M oo n god h er -
, at t en t io n fi m ly
r
fi d
xe t he d a gh t
u er o f the M oon god h er -
at t en ti on fi d xe
d wlli g f t h d it y I kalla (t
, .
t th
o ad w
e roh wy i w it h
ose t t a s ou re u rn
t th h
o e wh ou set a i b ft f ligh t
ose en r n ce s e re o
a pla w h m h d t i t h i f d t h i m at m d
ce e re uc us s e r oo e r e u
w wh t h y d wll i d k
, ,
h ligh t i
e re s n e v e r s ee n , e re e e n ar n ess
gh t li
os sk b i d wh i l
e d a r d d sth a lt r ro u n n ro u n e v u s
o v erth d a d w
e ai
oo rs ti g t h n i thi k d t n sco n ere s c us .
Th e o u t er g at e of t h is ‘
lan d of n o ret u rn ’
w as st ro n gly
g u ar ded an d b olt ed f o r t h e
, p o r t er , h av in g re f u sed t o gr an t I s t ar
a m d is s io n , t h e go dd ess s ay s
ACCA D A N D TH E EA R LY SEM I T ES . 43
Open t h y gat e an d le t m e en t er in
If t h ou open es t n ot t h e gat e, an d I co m e n ot in ,
I f
o rce b lt I h at t
t h e gat e , t he
‘
o s er ,
I s r t ik t h t h
e h ld a d I
e res o , n cr oss t h e d oors .
I r ai
se t h d ad de e f th , e v ou rers o e livi n g ,
(f or ) t h d ad d t h li i g ’
e e excee e v n .
Th e re is an o t H ad es t h e s ign s w
h er n am e h ich form it
f or ,
cu lt t o s ay w
.
, , .
”
e st .
, .
E S .
Th e Assyr ians e x pe ct ed t o ( F m a C h al d a t l i t h B i t i h ro e n s ae n e r s
fr i g h t en demons a ay by
M A ft
w L m t ) u seu m . er en or an .
w w
sh o in g t hem t hei r o n shape and by e x ho rt in g t hem
t o des t r oy t hemselves m u t u ally in an in t e rne cine com
44 TH E H I STORY OF T H E DE VI L .
pag e 4 94
'
’
zst ozr e a n czem ze de , .
, .
“
In t he arm y of t he G o od as wll e as in t h e y o f E v il
arm
w
,
wi
.
g h o s t s p h,a n t o m s a n d v a m p ir
,e s .
F re q u e n t ly t h e m ar t h e law m a an d , ,
t h e W ay are q u o t e d an d a d is t in c
t io n is m ad e b e t w een t h e
g o o d a n d
t h e e v il m as t h e go o d an d t h e ev il
,
lam m a t h e go o d an d t h e e v il u l u q
in ge d
’
b u lls t h e m gall o r w
,
’
r in ge d lio n s
'
z ,
an d t h e in n u m e rab le k in d s o f h e av
en ly arch an ge ls T h e go d s A n n a
.
an d E a calle d t h e s p irit o f h e av en
,
( z i a nm 1
) a n d t h e s p i ri t o f t h e e a rt h
as t h e go d s O f e e ry s ci v
e n ce are co m m o n ly in v o k e d i n in
,
(S t at ue in t h e L A ft
ou v re L. er e
n orm an t eV il s pir it s . Th e m o n u m en t s of
ww
so u t h es t ind Len orm an t says V p 21 2) .
, .
T h e L o u v re po s se s se s t h e im age o f a h o rrib le d em o n in up
rig ht p o s t u r e w
d o g s h ead e agle s fee t lio n s paw
i h t a
’
s an d a
’ ’
H alf o f t h e h e ad s h ow
, , , ,
h as f o u r s pread w
. .
in gs A rin g at t h e t op o f t h e h ead s e rv ed t o
.
ACCA D A N D T H E EA RLY SE M I T ES . 45
sou t h w in d an d t h at it sh ou ld be placed at t h e d o or o r t h e w
,
in
do w f o r t h e s ak e o f ward in g o ff h is in j u rio u s in fl u en ce T h e sou t h .
N I R OA L L I
wf d d
.
L ion -
h ad d a
e e n d eagle cla - -
oot e em o n s .
( B r i t is hM useu m . f
A t er L en o r
m an t , 1
. c V .
, p .
w wi d
es t n Ch ald e a co m e s f ro m t h e d e sert s o f A rab ia an d it s
in ,
t h e kh am s in in S y ria an d t h e s im o o n in A f rica .
A t K u yu n j
ik, in t h e p alace of A s u rb an ip al, w e s ee in sev eral
w
, ,
e agle s f ee t Th ey appear in
’
gro u p s o f t o, co m b at in g o n e an
o t h er w
.
AN ANC IE N T A Y RI A N B R ON TA B L ET R PR
SS ZE TI N THE W O R LDE ESE N G I N TH E
C A N E V I L D M ON
L UT C H Es o r E .
C ll t i
o ecf M d Cl
on o q (A ft L m a t )
. e erc . er e n or n .
in i n can t at io n The e v il d e m o n s sh o u ld ge t ou t , t h ey s h ou ld m u
t u ally k ill o n e an o t h er .
’
s cribes it as follo s : w
“
A b ro n z e plat e in t h e collect ion o f M D e C lercq con t ain s in
a s y n o pt ic w
.
,
48 TH E H I STORY OF T H E D EV L I .
ay as d o e s t h e E gy pt ian Os ir s T h e re is t h e
I .
s u b t e rran e an r iv er re m in d i n g o n e o f t h e S t y x an d A ch ero n o f t h e
I t goes w
i ho
t sayi n g t hat t h e old biblical le g ends
ut ,
w
t ions of t hese t o nat ions t hat w
hile t h e Assyrian t able t s
w
,
det ails gi ves it a pecu liar sobe rness and g randeu r hich
is absolu t ely lacking in t h e Assy rian myt h of t h e cr ea
t ion.
w w
Egypt e re t h e fo u nder s of Je ish monot heism I t is .
w w
e re n ot it ho u t influ en ce u pon t h e d evelopment of t h e
I sr aeli t i c r eli gion .
w
H E T R A N S I T I ON f rom Devil or ship t o God
-
en t fo r m of d u alism
w
.
w
,
”
as t h e G reeks called him , Zoroast er a name
-
hich
”
in it s lit er al t ranslat ion means g olden splendor
“
.
w
, ,
as n ot so m u ch t h e fo u n de r of a n e er a as t h e con clu d
”
Dat e of Zor oast er arrives at t h e con clu sion t hat he
w
lived be t een t h e lat t e r half of t h e sevent h and t h e mid
dle of t h e six t h cent u ry and D r E W Wes t l point s ou t ‘ ’
w
, . . .
m in is t ry as I re s m B a I b li i A t at t o t h
p u e o rn s e e v e n ro p e n e e
w w w
, .
, , ,
e s t o f M e d ia t h is ro h t it h t h i h i o o u n t ry m e t
p p e o u o n o r n s n c
w
,
m u s t h av e b e e n rap id as
it h T u ran a s t h at .
s am e s av age race in h is t o ry at w
,
h en
'
j ou r n al o f t he A m er ica n Or i en t al S ociety , V ol . XV I I , p.
96 .
f In J a k
a let t er t o al l d d Pro
t f
pa
essor
g 0 f h i a
c sony u e o on e 2 o s ess .
3 Th t y t h at C e s or li f w a a d t h h Z
roesu s s
g a t i
'
a i fle p o
s s ve rou oro s r n n u en ces u n
t h m i d f Cy
e n a t old by N i ola
o r u s, D am a s w h wt i t h fi t c t
us y sce n u s o ro e n e rs cen ur
B C i q it p b ab l s u W e ad (i ro f agm 6 5 M ull e F g m
e re H i t G n iii r e r, ra s r
w
. .
, . .
, . . . , .
,
09) t h at li g i pl
re i add
ou s i t i t
scru t h id a
es roset i an d t h d on o o er con s er on s, n e or s
( Z p da p M y ) w all d t m i d t h at t h fi
4
o f Z oa t or s er a o r ov za h ld t b d
ere c e o n e re s ou no e e
fil de Th f t h P ia h t d t h at t h lif f C o
. e re ore e ers ns h ld b pa d
s ou e e e o r es u s s ou e s re .
Ra l d m t I t d pp li l ii
‘
Com pa reA ta t t ez , v es ra , n ro .
, . x v .
. xv .
52 TH E H I ST ORY OF T H E D EV L I .
wd
.
in early h is t ory .
”
m ov em e n t t a k in g p lace co n t e m p o ran e o u sl yw
it h t h e ir co m po sit ion
an d t h at m ov em e n t w as e x c p t io n ally pu re an d m o st e arn e st
e .
p al m o ff d o ct rin e s u p o n t h e s ac re d c o m m u n i t y i n t h e n a m e o f t h e
g r e a t p p
r o h e t as i
,
n t h e V e n d id ad an d l at e r Y a s n a i s q u it e o u t o f ,
w w
Ther e e re t o reli gi ou s part ies in t h e days of Zo
r oas t e r : t h e w
o r shippe rs of t h e daév as or nat u re g ods -
w
,
w
,
“ ” *
hich means t h e evil spi rit , and i i e , fals e , . .
hood .
w
,
w
,
p r essed i n t h e o r ds of t h e t hi r t ie t h Y a s n a I .
pe n d en t o n e is t h e b e t t e r a n d t h e o t h e r is t h e w o rs e a s t o t h o u gh t
as t o w o rd as t o d e e d an d b e t w ee n t h e s e t w o le t t h e w
,
, , ise ch o ose
arigh t
”
.
‘ D j fi d i alw
ru ay f m i i
en s w sh il A h i
e n n e, i ma lie r m an s scu ne
w
, , .
{ T h T ea ia f
ur n m f A fn a i
orfi b o p b
r s b ly F,a asa ab b ro a rr u s rr n .
t Co m pa S a d B
re k o f
cr et h E oo ts XXX I e p 9 as . .
. . 2 .
54 TH E H I ST ORY OF T H E D E VI L .
”
t h r o u gh t h e e x cellent t h e p u r e and s t i rrin g o rd
“
w
,
.
“
Th ere is on e A h u ra M azd a
G o d, o m n ipo t en t
He w
,
th e w
follo in g for m u la hi ch as in common u se among , w w
th e Persians and served as an in t r od u ct ion t o eve ry li t u r
gi c w orship :I
A h u ra b e rej o ice d M ay A n grd b e d est roye d by t h ose
M ay
w h o do t ru ly w h at is G od s all im port an t w ill ’
-
I praise w w e ll sp ok en w
.
ell d o n e d e e d s
-
ord s an d
w
.
, ,
g o o d d e e d s ; I rej e ct all e v il t h o u gh t s e v il o rd s an d ev il d ee d s , , .
e v en w it h t h e f u ln ess o f m y t h ou gh t s o f m y w
,
o rd s o f m y d eed s
I giv e u nt o you ev en m y ow
, , ,
an d of m y h e art : n lif e .
The W dw
creat iv e hi h w a i th b gi i g (A h a V ai y Ha
or c s n )
e e nn n un -
r o. n over
re m i d n t ly f t h C h i t i
s on e n o on id a f t h M y g 6; h i a
o e r spp } b t al an e f th o e o 1 : v u so o e
B ah m a V a } (wd a t h L at i w) w
,
r n c: t y m l gi ally t h
or , ame o o c h i h i gl ifi d e s e s e n ax , c s or e
i th f
n t h hy m
e our f t h R ig V ed
n o a p a d i g h a
e a d a th a, si ti g i e rv n e v en n e r ex s n n
all t h wld a d
,
e or ts di g t th h a
n ex en n o e e v en s .
( T a l a t d
r ns f m L e m a ro t F h d i
e n or g 1 p 3
n 88
'
s ren c ren er n , . e .
, . .
t S d B k
acr e f t h E t
oo : oV l XX II I p e as o 22
w
.
, , . .
w
.
§ T h i A e s x li a Sp t
ma a (t h dy i g
-
a d ll d
ar i g ) a
e un h a t C h ni n e -
o n on es re r s
w
.
g re a t t a mes g t h mon A h a M
e a d a a m t h
ur a d t h d iz i i t y fc t h th
e o ov ers o e v n o e o er
Th y m ai d p wf l g d b t h w
. ,
i
s x . e re ne o a ga d d a t h i f at h
er u o s. a d
u e s re r e s e r er n cre
at or W. ad i e reY t XI X n 6 t h at t h y h a
as , a d th
.
, 1 am. t h i ki g e ve on e n e s e n n . on e
a d th
n am e s p a k i g
e s e a d t h n am d i g on e a d t
n h a m f a
e st h a de l d o n on e n e s e er n or
w
. . .
h i A h a M a da
o s ur z
h fi S p taw m
.
At fi t th Am rs e es p ifi a t i
en f i t
ere b t la t
ere o erson c ons o v r u es , u ev n
th y w
e t t d w
ere en ru s e it h t h g m t f th a i e d m ai f t h
overn en i o e v r ous o ns o e u n v erse.
56 TH E H I ST ORY OF T H E D E VI L .
It w as A h rim an w
,
nr e ll as t h e s p ir it
r
Th e s t ru ggle b et w ee n t h e s e t w
,
ev il con s t it u t e s t h e w I n A h rim an w
.
,
o rld s h is t o ry e fi n d again t h e
’
o ld w w
, .
s on ifi cat io n o f ev il an d w
,
h o in V ed is m u n d e r t h e n am e of A lzi is
, ,
Yim a b u t is h im se lf d e t h ron ed
, I t is t h e s o u rce o f t h e G reek
.
w w
.
g io n k n o s o n ly t h e s t ru gg le t h a t a s c arr ie d o n in t h e a t m o s p h e re
b et w e en t h e fi re god an d t h e s e rp e n t d e m o n A fr as ia
-
b A n d it w
-
as .
,
, orld ,
Aves t a
“
e re t w
T h e re w o ge n eral id eas at t h e b ot t om of t h e I n d o
ar in n at u re (Sac ed B ooks of t h e E as t IV ‘
e
p r , .
, .
lvii) .
w
The la in nat u r e pr oves t h e isdom of Ah u ra h o w w
w
,
'
”
resu rr e ct ion ill be come immort al
w w
, .
”
t h e mys t e ries of Mi t h ra .
, ,
w
, ,
“
acco u nt an t s brid g e
’ ”
he re it s f u t u re fat e is de cided
w
,
.
w w
, ,
life of bliss ; hile t hose in hom g ood and evil are equ al w ,
The most cha ract e rist i c feat u res of t h e Per sian reli
g ion af t e r t h e life t ime of Zo r oas t e r consis t in t h e t ea ch
in g t hat a g reat crisis is near at hand hi ch ill lead t o , w w
t h e r enova t ion of t h e w
orld called f r as/zdker et i in t h e
Aves t a and f r as/zakar t in Pahlavi Savio u rs ill come
, . w ,
“
He ill be t h e son of a vi rgin and t h e All conqu er -
”
in g . His name shall be t h e V i ct o riou s
R i ght eo u sness in carnat e (ast vat er et a) and t h e Saviou r
- -
w
N aza re t h h o pr ea ched t hat t h e kin gdom of heaven is
,
w w
.
”
Jeru salem her e t hey o rship him i t h t h e e t e rnal fi re
,
‘
F or a con cis e s t at em en t of t h e Pe rsian religion , w
hi h i c n m an y res pect s f ore
sh ad wt h C h i t i d t i
o s e f a S r s an oc r n es o av io u r an d of t he b d ily
o res u rrec t io n of t he
d ade .P f A V W illi
se e ro j k
. . . am s ac so n s e xcellen t ar t icle ,
'
T h e A n cien t Pers ian
D t i f aF t
oc r n e o L if p b li h d i
u u re e, u s e n t he B ibli ca l Wor ld , A u gu st . 1 8 96.
PE S A R I N D U A L I SM . 59
( 6 1a
‘
n op ds Iii/ 6 5 1 8 1 06 5) b u t t he r e
many Je ish cerem o are w
w
,
”
A rabi c Gospel of t h e I nfan cy ( Chap t e r t h a t t h e
ww
,
w
,
*
ment Therefo re e do n ot possess r ep resen t at ions of
.
AN A S S Y RI A N C A MEO . A PE R I A N C A MEO
S
A ss iAN C Y L I N D ER .
ar d
L aj ,
Cu lt c d c Al it h r a , pl . xx x .
. No 7. .
L e n or m an t , V .
, p . 24 8
ei t he r
g ood o r evil spi r i t s hi ch ar e e x cl u sively and p e w
cu liarly Pe r sian E ven t h e pi ct u r e of Ah u ra Mazda (as
w
.
w
.
The fi g u re fr om hi ch t h e b u st of t h e g od of li gh t and
g oodness r ises can be t r a ced t o Assy r ian emblems and
w w
,
s wk or L
’
a r t an t i qu e de la Per s e in
w
,
hi h fc or t h e prese n t
p p
u r os e t h e t it le v ign e t t e an d t h e illu st rat ion s on a
p ge 4 are
of in t eres t .
60 TH E H I ST ORY OF T H E D EVI L .
w
o hippe
rs s t andi n g befo r e t h e idol of a god Behind him
r .
w w
.
w w
, ,
S c u L PT U R Es ON A R O Y AL TO M E .
w w
man fi gu r e i t hou t in g s r isi n g f rom a cres cen t t hat ,
at t it u de of ador at ion .
a lot u s flo er w .
t h e Ci rcle of Sov er
“
t h e hands of Ah u r a Maz da as
w
-
.
w
,
w w
, . .
w
,
w
.
,
s , , 1 88 9
w
.
. . , . .
p . 1 8 7. cz , ,
p 4 6 et se
q .
TH E H I STORY OF T H E D E VI L .
t o S at an ch ief of t h e an ge lic h o st w h o n ow
,
h as t h e m ean s of d o in g
an d in h is re st o rat ion w ill h av e t h e po w
, ,
ev il t o m an k in d e r of t e
ar d in g t h em . ho ,
alon e h av e n ev e r s po k e n ill o f h im an d h av e s u f fe re d so m u ch f o r
,
w
, ,
w w
, ,
g ion of God o r w
ship ; and
-
t his chan g e ma r ks a de cided
s t ep in advance r esu l t in g soon aft e r a rds in t h e Per w
w
,
A z az el, t he God f
o t he D eser t .
W e read in Le vi t i cu s x v1
“
And A aron s h all cast lo t s u pon t h e t w o go at s ; o n e f o r t h e
t h e go at on w
, .
,
it h h im an d t o let h im go t o
A z az el in t h e d e se rt
.
, ,
w
.
w
,
ere only r elu ct ant ly dis carded are t h e lin g ering ves
w w
,
S uper st it ion s .
w w
,
“
mand of God all it s inhabit an t s er e slain , bot h m an
w
,
”
and oman you n g and old , and ox and sheep and ass
w w
, ,
saying
“
C u rsed b e t h e m an b e fore t h e L ord t h at rise t h u p an d b u ild ,
t h e en t r an ce int o t h e co u nt ry fr om t h e dese rt r o u t es it
w
,
“
I n h is d ay s H iel t h e B et h e lit e b u ilt J erich o ; h e laid t h e
,
g a t es t h e r e o f in h is y o u n ge s t s o n S e gu b acc or d in g t o t h e o rd of
t h e L ord w
, ,
h ich h e spak e by J o s h u a t h e s o n o f N u n
,
”
.
w
The t e rrible i t ch p rose cu t ions hi ch in t h e Middle
-
w
Ag es har assed Christ ian i t y have t hei r root in passag es of
t h e Old Tes t ament
w
.
p e at ed in Levi t i cu s he r e e r ead
, :
68 TH E H I ST ORY OF T H E D EV I L .
f
a t er iz ar ds I
, ill even ill cu t ,
h im o ff f ro m am o n g h is pe op le ( L e v xx
A m an also or a w
. . .
“
o m an t h at h at h a f am iliar s p iri t o r t h at is
,
it h
s t o n es t h e ir b loo d s h all b e u pon t h e m ( L e v x x . . .
S A U L A N D THE W T H OP E N DOR I C .
( f
A t er Sc h n or r V on C arolsf eld ) .
an x ie t y called on t h e i t ch of E n do r
, .
17 ; 2 Ch ro n x i 1 5 ; I saiah x iii 21 ; i d x x x iv 1 4 ; J er
. . . . . .
l 3 9 ; Psalms cv i
. . Thei r names are S ei r i nz (ch i
mer as or g oat spi ri t s ) L ili t /z (t h e n i gh t ly one ) S /zeai nz
-
, ,
'
A SS Y RI A N GOAT D M ON
E S .
(Carvin gs on a b d
ou l er . f
A t er L enor m an t .
)
w
b re s are t o be r e g arded as t h e r e sid u u m of a lo e r r eli w
g io n s s t a g e p r e cedi n g t h e pe r iod of t h e mono t heis t i c Y ah
w
veh cu l t or as i t n esses t o t h e e x is t e n ce of s u per st i t ions
w
,
the h abi t s
a sava g e age ere lon g lin ge rin g The
’
of w -
w w
.
*
r i t es an d even h u man sacri fi ces cont in u ed t o e x is t even
w
,
”
fi eld (Genesis iii .
w
, ,
“
Sat an hi ch means enemy is freely u sed bu t as
, , ,
tw
.
Y ahveh and in t h e yo u n ge r on e t o S at an
, , .
W e read in 2 Sam u el x x iv 1 .
“
Th e an ge r of t he L o rd w as k in d led again s t I s rael , an d he
Th e same fact is m en t io n ed in 1 Ch r on . xx i 1
.
S at an st oo d up again s t I srae l an d p r o v o k e d D av id to n um
b er I s rael .
”
I n all
olde r books of Heb r e lit e rat u re espe
the w ,
“
See pp . 1 0 1 2 of
-
t hi s book .
72 TH E H I ST ORY OF T H E D E V L I .
w
place of t h e ord S heol t h e o rld of t h e dead u nder w
w
,
w
.
,
lvii 5 Ez x v i 20; J er x ix
. . . child r en e re pla ced in
. .
”
fr o m hich t oph meanin g dru m ) t h e place as called
,
'
”
Tophet E ven t h e kin g Manasseh lon g aft er David
.
, , ,
p 88 )
.
of w h ich w
.
,
as t h e co lle ct io n o f t h e c a o n did n o t ad m it m y t h s t h at n ,
*
Th ere is no reas on to d btou b
t h e B i lical re po rt s co n cer n in g M oloc h f or
w
,
wh wy
-
,
t ifi es it t h e G ree K ro n o s k “
in t h e s am e a ; so t h at i id at i f th
n con s er on o e
y wh
,
l h w h w
,
K ron os t o be t h e sam e d it y a
e s t he A m m o n it e Mo oc a , at iat d by t h
o s s e e
sam e h bl
o rr i e sacr i fi ces .
I SRA EL . 73
o se d o t h at it wa s v ery w e ll k n o w n an d v e ry po pu lar
pr e s u pp p r v es
w
,
it h t h e peo ple T h e ab se n ce o f t h e m y h
.
t i n t h e can o n — an d t h is ,
di st in ct an d con clu s iv e ev id en ce t h at w
,
m e n t a f rag m e n t o n ly o f t h e old t e
Th e m as f ro m t h e v e ry
begin n in g in I s rael a hy m n t o Y ah
v eh . T h e Y ah v e h hy m n t h ere fore
-
is t h e f av o ri t e place f o r m ak in g
refe re n ce t o t h e d rago n m y t h of
— -
w h ich w
,
e h av e a b e au t if u l in s t an ce
in P s alm lx x x ix T h e poe t t h at
.
p o r t ra y s Y a h v e h s o ppres s io n o f h u
’
m an it y (J o b x l e t s e q ; ix I 3 ; xv i
. . . .
1 3 ; als o P s alm t h e p ro ph et
w it h p ic t u re s o f Y ah v eh s o m n ipo
’
t e n ce ( A m . h e t h at aro u se s t h e
o le lan gu is h in g u n d e r a f o re i n
p pe
g
d om in io n ( I saiah li 9 e t .
all
THE E N A RME D C
S VE -
A N D L ES T c
p o w e r ev e n o v e r t h e d ra on
g .
OF T “ D“ ?
It w
is not e o rt hy t hat t h e seven arm ed candles t i ck -
*
h
I t m ay be added t at t h e ref eren ces in t h e passages in q u e s t ion are ab so
y
lnt al u n in t elligib le u n less in t erpr et e som e su c d by
lig t as t at given G u n el h h h by k
wh
.
w
,
w
,
w
,
roo s er en t f om
r Pan
yw h i h id t ifi t h A ll ( d ) w
, , ,
th i m t h t h
e s e eor c i t h G d (8 6g)
en es e a v o 8
w
.
,
{ S i M i r M i W
on er i lli
-
am d i ti g i h
on er b t B h as s n u s es e een ra m n is m , t h e old
f ait h f t h I d ia A y a a d H i d i m t h m d
o e n n r s, n f m f thi
n u s . e o ern or o s sam e religion ,
a it d
s l p d aft
ev e o th e p l i f
er B ddh i
e exm f m I d i
u s on oa u s ro n .
B R A HM A N I S M AND HI N D U I S M . 75
im am ! M a n ia
TE E B R A HM A T M U TI U d
N RI R . n ern eat h th k
e m ar s o f t h e sec t s o f V is h nu (1 S iv a
( 13 R am a D u rga (3 1 an d t h e T rim u r t i 33 3
-
(A ft er Colem an )
.
and —
ot her mons t er s are n ot r adi cally bad and canno t be ,
V ishn u an d Siva , .
B r ahma th e fi rs t o ri gi ,
-
n at ed of all bein g s t h e lo rd of ,
mi nd h o is t h e be g innin g of
all He is called Aja t h e
.
,
n ot bo r n be cau se he has o ri g
-
w
,
in at ed b u t as n ot be g o t t en
,
.
w
, . .
,
in g in hi ch he e x ist ed from
,
B R A HM A
B r ahma S 8 ar as I
.
(2011 8 0rt
( F
r agm ent fo a carM .é G im t )
us e u e .
’
w
it w
i t h a body a p ro ce ss hi ch is r epo rt ed in t h e re
—
B R A HM A N I SM AN D H I N D U I SM . 77
w
in hi ch h e holds a spoon ,
of t h e fou r ha n ds is f re
q u en t ly r ep r esen t ed as
emp t y He S i t s on a lo t u s
w w
.
navel ,r ep r esen t i n g t he
w at e r s .
(R p d df m H ma G b ll ) e ro u ce ro er nn .
w
,
f ar mo r e impo rt an t t h an B rahma
w
.
‘
S in ce i t is ou r in t en t ion t o b e b i f wd t
r e , e o no en ter in t is h e xpos it io n o f t he
an t s of t h e m y th s .
78 TH E H I ST ORY OF TH E D EV I L .
*
in t h e del u g e .
, ,
VI H NU L AK HMI
S , B S , AN D
‘
RAH MA .
[ V is h nu reclin es on a fl w o pp t d by t h
er , s u or e e se rpe n t ym b
A n an t a (a s ol of
e t er n it y ) fl ,oat in g o n t h e pr im ev al w
at e rs o f t h e u n difi ere n t iat e d w ld b ta
or -
su s n ce ]
f
A t er a n at i v e illu s t rat ion repro uce ro m H er m an n G Oll
, d df .
w
, .
w
,
ww
, , , . .
,
MS .
, p 3 5
.
4 E n g
,lis ht r an s lat ion f rom Sc hw t ar z e s
'
lat es t t r an s lat io n by G . R .
S M ea
. d e. p 3 54
. .
80 TH E HI ST ORY O F T H E D EV L I .
be g an t o c ur h n the o cean , w
hi h p od
ed V ishn u s g em
c r uc
’
,
I n d ra s ho r se i t h seve n
’
w
w
,
heads ; Kamadhen u t h e co ,
of ple n t y ; A irav at a I nd ra s ,
’
elephan t ; t h e t ree of ab u n d
ance ; Cha n dr a t h e g od of ,
t h e moo n ; S u ra t h e g oddess
w
,
v an t ar i t h e I n dian J Escu la
w
,
pi u s h o is in possession of
w
,
pen t be g an n o t o spi t v e
nom hi ch bli n ded t h e de
, w
mons w hile t h e g ods d rank ,
t h e Am ri t a
w
.
is called L aksh m i or Sh ri ;
an d it is no t e o rt hy t hat w
like Aph rodi t e of t h e G reek s
she o r i g i n at es f rom t h e f ro t h
O f t h e o cean .
, w
( M é G im t )
us e u e
V ishn u in t h e shape of a
.
w
,
w
ild boa r kills i t h his t u sks t h e de m on H iran y aksh a ,
w
,
w
, ,
w w
, ,
w
,
avat ar I t s mo ral is t o i m
.
Pr alada s gr andson B a
’
w
,
t o t h e g ods f or he
, w
as j u s t
abou t t o complet e t h e h u n
dredt h gr and sacrifi ce by
w w
,
h i ch he ou ld have ac V N A R A M M
iSH NU “
-
q u I r ed s u fli cI e n t po e r t ow de
(F a gm tr f a a en M o é Q im t )
c r . us e u e .
g r a n t ed u n de r a r i g i d oa t h t ha t o u ld be bi n din g o n
w
, ,
.
H A NU M A N , TH E M ON K K I
EY NG , BU I LD I N G THE BR ID GE O V R E TH E S TR A IT B TW N
E EE
IN D I A A N D L
A N xA .
( R epro d u ce df ro m H er m an n G 6 1]
, ,
84 TH E H I ST ORY OF T H E D EVI L .
w
eal h t B r ahman t ries t o t ake t h e co fr om him
of the w
w w
, ,
w w
,
p a r a cu s t h e G,r eek n él ex v s
( hen c e t h e name of t his ava
t ar ) b u t also in ca rna t es himself in R ama
, K art t av iry a .
b u t R ama endo ed it h t h e
w
,
T HE M KIN S
o N xE Y F I HT s cribed in t h e R amayana an
G UG R I V A G
w
,
IN G (R p d df m C l ma )
e ro uce ro o e n
.
epi c hi ch 1 S t h e Hindu Od
.
w
, .
,
w
i h g ian s and demons
t t monkey king s Lu griv a ho wht e
w
, ,
and Hanu man became his all ies h o Hanu man j u mped
, ,
V I H NU
S AN D S HRI -
L A R SH M I A M A C H A D R A A N D S TA A PTER THE
As R N I IR HA PPY
R E UN I ON (R p d
. e d f m C l ma )
ro u ce ro o e n .
w w w
,
t he s t r ai t by t h r o in g s t ones in t o t h e at er h o R ama ,
86 TH E H I STORY OF T H E D EV I L .
w
abdu ct ed ife The my t hi cal par t of all t hese s t o ries
w
.
K alan ku r a (i e cr ane ) . .
, ,
t h e t y r an t of Mat h u r a ,
r e ceives t h e p r ophe cy t ha t
t h e ei gh t h son of his s is
RW G AN D s
cides t o kill all t h e chil
A R “ A“ '“
(R p d
e ro df m C lm
u ce ro o e an
w
, , ,
w
,
t h e Pand u A rj u na t h e skilled
w
,
t h e o t he r s t h e oldes t Pand u
w
,
p ri n ce Y u dh ish t h ira as in , ,
Ku ru s ho eve r h o m an
w
, ,
ag ed t o r emain in po e r t ried ,
t o b u rn t h e Pan du s b u t t hey ,
w
,
i t h a po e rfu l monarch t h e ,
“ WW "
A a h ph d l d play i g t h fl t
s s e er
P an du s r eappea r ed at H ast in a
a n e u e
[ t h
e fl t i m i
u ei g] ( B
s t at
p
ss n u r and 1 n du ced Dh n t ar ash t ra
ron z e s ue
w
. .
G m ”
0
M
0
“ 53 ° “ e
t o dI V I de t h e kI n g dom be t een
0 O
4T h at t h e fi ve Pa d h ld D a padi i
n us e r u n co m m o n as t h e ir w
if e, pro v es t he h igh
an t iq it y f t h
u o e s t or y P ly a d y w
. oa ppna r s a re n t l y ap a r ct ice n ot u n co m m on in ah
wh w
es
w
-
.
.
at v arian ce y
it t h e A r an cu s t om s of t h e age i n ic t h e M a a arat a as h h h bh v ersi
B RA H M A N I S M AND H I N D U I SM . 89
R
( p od d f
e m C
r l m
ucea ) ro o e n .
it , w
and t h u s t h e ar be came u navoidable Then D u ry od .
fi ed V y asa (t h e
, om e r or H arran ger of t he poe m , an d it s su
ppose d a th u or ) t r ies
to explain i t allegor icall y by d ec lar in g t h at D rau pad i is L a k hm i a d
s , n t h e fi ve
Pan d b th
u ro er s re pr esen t fi v e difi eren t f or m s of on e an d t h e s am I da
e n r .
90 TH E H I STOR Y OF TH E D EV I L .
c w
hoi ce be t een his (K rishn a s ) company as a mer e ’
ad
K RI H N A
S
’
S A DV N T U RE
E S .
(R eprod u ced f ro m C ole m an .
)
w
, , ,
J A A NN ATH W ITH
G H IS T wC o o M PA N I ON s .
(A ft er Sch lagin t wit )
e
w
.
, e need n ot ,
H is t oi r e d a B u d d /zi s m e , I .
, 3 38 .
B R A H M A N I SM AND H I N D U I SM . 93
w
B u ddha avat ar as a p rominent fa ct o r in t h e f o rmat ion of
w
B u ddhism hile on t h e ot he r hand Gau t ama s t eachin g s ’
w
,
w
.
What ever may be t h e hist ori cal relat ion bet een t h e
H ind u B u ddha and t h e B u ddha of t h e B u ddhis t s t his ,
On N an da t h a d b ll ( M é
. e s cr e u us e L ean in g on t he lin ga t h e , s ym b o l of
G u im et .
) t h e creat iv e f acu lt y ( M
. u s é e G u im et .
)
i s e x pe ct ed t o appea r on a in g ed hi t e ho r se t o r e ard
t h e vi rt u ou s conve rt t h e sinne r s and des t r oy all evil
, , .
94 TH E H I ST ORY O F T H E D EV IL .
ment .
w
,
t o n g u ed flame of hi ch
is pi ct u red in a t riang le
t u rnin g it s poin t u p
a rds 41 w .
S HI VA D A N I N C S R OU D D
G U HALO O F h is symbol t h e lin g a is
R N E EY A
, ,
F LA M (B
ES st t M é G im t )
ro n z e a ue us e u o
neve r I n t h e m I n d of a
. . .
w
Sai va (or Siva o rshippe r ) conne ct ed i t h inde cen t ideas
-
w
w
,
”
n or i t h se x u al love The li n ga or as t h e R omans
.
, ,
w
, ,
w
name The lin g a develops in t h e han d of t h e medi cine
w
.
w
,
n ifi can ce (See
. Cha r les Coleman T /ze A /y t /zo/ogy f
o t /ze ,
H in du s p
, .
S I VA AN D A R VATI
P . d
( R epro u ce df ro m H er m an n G OIl
w
.
,
w
, ,
K AL I
wi
.
f
A t er an I di
n an pic t u r e .
(R epro d df
u ce rom Sch lagin t e t .
)
is w
main re cipien t of Hin d u o rship all ove r t h e co u n
the
D UR A
wi )
G .
I d ia
n n scu lpt u re .
(R e prod u ced f rom Sch lagin t e t .
w
The Pant heism hi ch l ies at t h e bot t om of t h e hol e w
Hind u myt holo gy finds e x p ression in t h e or ship of w
H ariH ara , w
h o is a combinat ion of V ishn u and Siva In .
K A L I D U R A I N THE H I N D U PA N T E ON
-
G H .
(R epro d u ce df ro m W ilk in s ) .
*
T h e legen s d Of t h e S h rin e Of df
H ar iH ara t ran slat e
, rom t he S an s k rit by R ev .
Th o m as F o u lkes .
B R A HM A N I SM AND H I N D U I SM . 1 01
ru le s O f co n d u c t it h h at re d O f V is h n u s o als o
:
ick e d m e n s h all go t o h e ll so lo n g
as t h is w Iw ill n o t rece iv e w
.
or ld en d u res o r s h ip f ro m an y m an
w h o m ak es a d is t in ct io n b e t w ee n V as u d ev a an d m y o w
.
n d iv in it y :
Iw ill d i v id e ev e ry s u ch m an in t w o w
’
it h m y s aw F o r I h av e as
.
t h e re is a d iff e ren ce b e t w e en u s
an d h e w h o k n ow s w it h in h im
se lf t h at H ari H ar a is t h e go d o f
g o d s s h
, all in h e r i t t h e h i gh e s t
h eav en .
H ariH ara
is depi ct ed
as a combinat ion of t h e t o w
g ods in o n e fi gu r e hi ch , w
is half male and half f e
male f or accordin g t o t h e ,
So u t he rn ve r sion of t h e
le g e n d V ishnu ass u med t h e
form of a beau t ifu l oman w
ho w w
as emb r aced so f er
m a agi g:W
“ m ay
n
ilk i
by Siva t hat bo t h
n ) ns .
be came on e .
G AN EA
S .
( p
R e r o d uce df ro m W ilk in s )
. AG NI . R
( pe rod u ce df ro m H e rm an n
G Oll
.
)
K AMA . S I A SLAY I N A D EM ON
V G .
(R epro d df
u ce ro m W ollh e im da (R e p d
ro d f
u ce W il
romk i ns .
)
F on ceka .
B U DDH I S M .
w w
, ,
w
.
M ar a , t he Evil On e .
olo gy w
ihw hom I nd a s ggl es N
t h r is t h e mis
t ru am u c e
spi i w
.
w
.
”
The name N am u ch e means n ot le t t in g g o t h e at e rs “
w
.
w
.
”
said t o be V arsav art i f l meanin g he h o fu lfils desi res ' “
.
t h e t hi r s t f or pleas u re t h e t hi rs t f or po e r , He is t h e .
w w w
,
w
,
*P p :y a m a
z an m e ns yw i k d it i t h
ore o r v er p a t i e f mc f t
e h s e co m ar v or o e
S a k it p pi
ns r . w ai k d n, c e .
f V t i i
a r s a va r S a k i t Ts h Pfi li f
ns m i r V t t i d i e df or s as a v a er v e ro m v as a ,
w w
.
,
i h d i
s C h ild
es re p l i t h
ers ex d a b i i
a ns
g g i t ebj t i or M is r n n n o su ec on ar a s
i m it V a a at t i w
. .
,
l all d P h i h m a b i gi g i t bj t i t h at “
a so c e aran m a s v c e ns r n n n o su ec on
wh i h i at d by t h
,
”
c s cre e o er s .
t P ali t h , ; S an k i t t i
a h an s r ,
r s na.
1 06 TH E H I ST ORY OF T H E D E VI L .
w
he e eve y body has his w s w
r r ee w ill and o n t
r r ill alone ’
.
He w
h o liv es lo o k in g f o r p leas u res on l y , h is s e n ses u n con
1 08 TH E H I ST ORY OF T H E D EV I L .
t o rt u r es of Hell w
hi ch are similar t o t h e Chris t ian belief ,
g ood B u ddhist s w
ill be r eborn in t h e W est e rn Paradise .
M ar a , t he En em y of B u ddha .
con t in u es
n ot ill
ap pe ar an d w
,
t h e Padhana S u t t a
C am e N am u ch e s p ak in g w eo rd s f u ll O f co m p as s io n Th o u :
‘
a t le an ill f av o re d d e at h is in t h y n e ighb o rh o o d
r -
L i in g life O v
is b e t t er ! L iv in g t h o u w
,
.
, ,
t h o u V e n e rab l On e e, ilt b e ab le t o do
w w
,
cult
’
to e n t e r u pon .
t h e in d o le n t t h o u w ick ed o n e f o r w
, ,
h at pu rpos e h as t t h o u co m e
h ere ? E v e n t h e le as t good w o rk is o f n o u se t o m e an d w
, ,
h at good
w I h av e fait h an d pow
,
ay t h e
m in d gro w s m o re t ran q u il an d m y at t en t io n, u n d e rs t an d in g an d
, ,
m ed it at io n b e co m e s m o re s t eadf as t L iv in g t h u s m y m in d d o es
.
,
n ot lo o k f o r s en su al l B h ld b i i y !
’
p e a s u res e o . a e n g ps u r t
h o e x alt s h im se lf an d
despises ot h ers T h is 0 N am u ch e is t h in e t h e B lack On e s ’
h oev er co n q u ers
W oe u po n life in t h is w
.
,
I am go in g ou t t o do b at t le t h at h e m ay n o t d riv e m e f ro m m y
p lac e T h is ar m y o f t h in e w h i c h t h e w o rl d o f m en a n d g o d s c a n
no t co n q u e r I w ill cr u s h w
.
,
it h u n d ers t an d in g as o n e cr u s h es an
w
, ,
un b ak ed e art h en o t i t h a t o
p s n e .
H av in g m ad e m y t h o u gh t s su bj ect t o m e an d m y at t en t ion
“
fi rm I S h all w an d e r ab o u t f ro m k in gd o m t o k in gd om t rain in g d is
w
,
ci les
p T h e y i ll b e z e a l o u s a n d e n e r ge t ic o b e d ie n t t o t h e di s c i p
lin e O f o n e f ree f ro m lu s t an d t h ey w i ll go t o t h e place w
.
,
,
h ere t h e re
is n o m o u rn in .
g
“
And M ara s aid Fo r sev en y ears I f ollo w
:
‘
ed Bh agav at , st e p
by s t ep , b u t f o u n d n o f au lt in t h e P erf e ct ly E n ligh t en ed an d
Th o u gh t f u l
w
When B u ddha en t t o t h e B O t ree Mara t h e Evil -
,
G an dh a a
r scu lpt u res . M useu m of La h ore . R
( pe r d
o df
u ce rom G rtln e el .
)
1 12 TH E H I ST OR Y OF TH E D EV I L .
’
B u ddha s asse rt ion and called u pon his ar my as it w
nesses w
hile B u ddha de cla red I have no an imat e ' “
w
,
”
i t nesses p resent ; bu t s t ret chin g ou t his ri gh t han d
w
,
w
,
”
i t ness ? And t h e mi ght y eart h t hu n de red : I bear
y o u w
i t n ess And Ma r a s elephan t fell u pon it s knees ’
w w
.
,
“
Pass wy wL
a a no or d fro m ex is t en ce ! L et t h e B le ssed On e
wdi N w w
, ,
no e! i h
o i s t e t m e f or t h e B lessed On e to p as s a ay !
”
,
alk in g acco rd in g t o t h e pre ce p t s — u n t il
, ,
n e st ab lis h it o pe n i t
w
, , , , ,
m in u t e ly ex plai n it an d m ak e it cle ar u n t il t h ey h en o t h e rs ,
-
fu t e it an d s o t o s pread t h e w on d er w
,
,
o rk in g t ru t h ab ro ad ! -
“
I sh all n o t die u n t il t h is pu re religion o f m in e s h all h av e b e
co m e s u cce s s f u l p ro s pe ro u s w id e s p re ad a n d p p
o u la r i n a
-
ll it s
f u ll e x t en t u n t il in a w it s h all h av e b e e n w
, , ,
, o rd ,
ell pro claim ed
,
am o n g m e n
w wLo d
,
w
,
”
e x is t en ce B u ddha an s e red
,
B U DD H I S M . 1 13
M ak ehyself h appy ;
t the fi n al ex t in ct io n of t h e Tat h agat a
s h all t ak e place b e fo re lo n g .
M ar a in B u ddhist A r t .
w
-
,
‘ B u d d h is t is ch e K u n s t i n I n d i en . B erlin : S pem an , 8
p 7
. .
1 14 TH E H I STO RY OF TH E D EVI L .
h i m in t h e h o pe o f aw ak e n in g i n h im a t h o u gh t o f lu st o r h at red o r
en y
v , w h o f o llo w s h im lik e a s h ad o wc an b e n o o n e b u t M ara
,
g o d s . I n h i s c ap a c i t y a s t h e g o d O f p le as u r e M ar a is e s p ec ia lly ,
e n t it le d t o t h is at t r ib u t e o f t h e H in d u go d s A s V as av at t i h e re ign s
.
c in g g i rls an d m u s ic ian s .
BU DD H A T M T D B Y M
E P E ARA s
'
D A HTER
UG S
wd l )
, .
d
G an h ara sc u lpt u r es .
(R epr o d u ce df ro m G rfi n e e .
t h ey w o u ld h av e u s u n d e rs t an d t h at h e in v en t ed t h e w
,
h o le for m u la
from b egin n in g t o e n d B u t it is t o b e ob serv ed t h at t h e fo rm u la
re p e at s i t s e lf t h at t h e h u m an b e in g is b ro u gh t in t o e x is t e n ce t w
.
,
ice
— t h e fi rs t t im e u n d e r t h e n am e O f co n scio u s n ess an d n am e an d ,
sur m is e t h at t h e fu ll f o rm u la in i t s t h a i a i f
p r e s e n s p e s p ec e o
p a t ch w o r k p u t t o ge t h e r o f t wo o r m o r e t h a t w e re c u rr e n t i n t h e
u la o f D e p e n d e n t Ori in at io n i t ld a a t h t t h dd it i
g o u pp e r a e a o n
co n s is t e d in t h e fi rs t t w
,
o pr o po s it io n s F o r ig o r an ce o f co u rse n
is t h e o ppo s it e o f w is d o m an d w
,
.
,
is d o m is t h e m e t h o d f o r get t in g
,
w
,
w w
, .
,
he r e e r ead
By re aso n o f ign o ran ce cam e t h e Co n f e ct io n s t by re aso n o f ,
t h e C o n f e ct io n s c o n s c io u s n e s s by re aso n o f co n sc io u s e ss n am e
, n
an d f o rm
-
by r aso n o f n am e an d fo rm t h e six o rgan s o f se se by
,
e - -
n ,
*
T h e V isu dh i M agga d eclares ka m a
r -
ex is t en ce is equ iv ale n t to e x is t en ce .
, , ,
T h u s is , ,
.
it t h at t h e u lt im at e po in t in t h e p ast of all t h is t im e is n o t ap
p are n t —
.
”
T r an slat e d by T W R hy s D av id s i n Sacr ed B ook
. .s of t h e
E as t V ol XXX V
,
. .
m is e ry gr ie f an d d es pair
, , T h u s d o es t h is en t ire aggregat ion o f
.
m ise ry arise .
“
B u t o n t h e co m ple t e f ad in g o u t an d cess at io n o f ign o ran ce
ceases k arm a ;
On t h e ce ss at io n o f e x i s t e n ce ce ase s b irt h
p . 1 66 .
v i n ny an a (sen t ien cy )
( )
4 n a m a r u p (a name , and fo r m -
,
w
,
in g ) (1 0) bhava (gr o t h ) ( )j (
1 1 a t i bi r t h ), ( )j1 2 a r a
w
, ,
w
, .
, , , .
w w
,
w
,
Wheel of L if e The .
T h e r e i t is relat e d ho wB k u ddh a in s t ru ct e d A n an d a to m a e
as in t h e h ab it o f d o in g h ee l
w et w een w ch w
.
,
e re t o s y m b o lise lu s t h at red an d
A ll ro u n d t h e t ire w as t o go t h e t w
, , , , ,
cau s at io n (p r at i ty as am u t
p ado
) i n the re gu lar an d in t h e in v erse or
der B e in gs w
ere t o b e re prese n t e d ‘
as b e in g bo rn in a s u pe r
wy ( w w
.
n at u ral a aupapaduhah ) as by t h e m ac in e r h y of a h l
at er ee
Th w
, ,
w wy (d
.
as m ad e an d p laced in t h e gr an d e n t r an c e gat e a vo r a
w
, ,
w
,
Aj an t a Cen t r al I ndia *
i t h Tibe t an and Japanese pic w
w
, ,
w
, ,
D escr i b d by L
e . A . W add ell M , . B .
, M R A S . . . .
. in t h e jo u r n a l of t h e R oy a l
A s i a t i c S oci ety , A pr il , 1 894 . L u x u r iou sl y r e pro d u ce di n colo rs on Plat e 8 V ol I , . .
,
of Th e Pa i n t i ng s i n t h e B u dd h i s t Ca v e Tem ples o
f Aja n t a , by J h o n G r imt h s .
L on d on , G r iggs , 1 896 .
{ T he Tib et an an d J ap an ese i
p ct u res are ex plain e d by P f ro esso r B as t ian in h is
E t h n olog i s ch es B i ld er b u ch .
B U D D H I SM . 1 2]
gods t h e r e
, alm of men t h e r ealm of na g as (o r snakes
, )
A TI BET A N W HEE L or I
L PE .
( R epro d u ce df rom B as t ian ) .
“ W e m u st rem e m b er h
t at in so m e par t s o f d
I n ia t h e se r pe n t is t h e s ym b
ol of
per f
ec t ion an d w
i d s om — a be lie hi h w
fw a ad
c s o pt e d by t h e h
Op it es a gn o s t ic sect
k w
. .
h
t at rev ere d t he k
s n a e Of the G d ar f Ed
en o en as t h e in s t r u ct or in t h e l dg
no e e
w
-
w
,
co r ne r t he re is B u ddha t h e t each er in t h e at t i t u de of
w
, ,
w
, , . .
,
t h e la r eli g ion or t ru t h
, I n t h e left h and corner t he re
, .
-
K ay o t h e B u ddha
, h o has en t e red in t o N i rvana and
at t ained t h e hi ghes t bliss
w
.
t elve li t t le pi ct u r es ei t he r on t h e t i r e or s u rr ou ndin g
t h e t i re
w w
.
”
E n glish by confe ct ion “
r ep r ese n t s t h e u l t ima t e con
,
1 24 TH E H I ST OR Y OF T H E D EV I L .
w w w
, . .
,
“
The fift h nidana is called t h e six fields or shada
yat an a ”
, w w w
hi ch ar e hat e call t h e five senses and
, , w
mind or t hi n kin g hi ch is conside red by B u ddhis t s as
a si x t h sense I t is pi ct u red as a h u man o rg anism
. .
” ”
The S i x t h n idana is ph asso or sparsa “
i e “
w
, . .
,
w
.
”
g a r et s son
’
g My pea ce, is“
g one my hea r t is so r e , .
( S c ene x v ) .
w w
, . .
,
”
The t ent h nidana is bhava (b ri dal emb r ace ) or ,
”
The eleven t h nidana is bi rt h j at i in t h e pi ct u re “
w
, ,
, w
and it s vari ou s su ff e rin g s hi ch con sis t of old age dis ,
in g e x a ct ly t h e same Be g innin g at t h e t op on t h e r i gh t
w
.
w w
, .
w w w
, ,
a a
w w
The he el of life as n o fr equ ent ly pi ct u r ed in B u d
dh ist t emples Of Japan can in it s ande rin g s fr om I ndia
, w
t hr ou gh Tibet and Chin a, be t raced back t o a remot e an
1 26 TH E H I S TO R Y OF TH E DE VI L .
w
.
w
spr eadin g his o n r eli gi on addin g t her e t o his o n in t e r w
ww
,
p re t at i o
, n and t h u s po u r in g n e ine in t o old bo t t les .
w
,
of life is t oo s t rikin g t o be fo rt u i t ou s .
M E IEU . TH E D A R K TRI B UN A L .
R
( pe r d
o u ce df ro m a colore dJ apan ese illu s t rat io n in K a r m a
w
,
t h e co u n t ry he re t h e cu s t omary homag e ou ld n ot be
paid t o L ao T sz e and Confu ci u s as ell as t o B u ddha
-
w
w
.
in g t h e mo r al life of China .
Bu ddhis t s and w
e find t he r efo r e in t hei r t emples inn u
w
,
w
, ,
K ON O
G TH E S H E R I PP EM MA J D
THE U GE
wd J
. .
, ,
ON I -
No -
N EM B UTZU .
bw
.
co llect m o n e y .
(A ft er a oo car v in g in th th
e au or s
'
po sse ss io n .
)
B U DD H I S M . 1 33
the w
evils of t his o rld r ep resen t ed in var iou s devil per
,
‘
w w
,
w
,
”
mean s a complet e ensem ble and it e x hibit s a sys t em ,
H ONO K U R U M A THE C A RT O
, E H E LL . ( A f t er an old J apa
n ese pai n t i n g
.
)
”
m en t or Sam b odh i
, pe rfe ct enli gh t enment t hat is t o
, ,
w
, , ,
en t an d e t e rnal t h e li gh t an d life of t h e
, o rld an d t h e ,
1 34 TH E H I ST ORY OF T H E D EV IL .
T B ET A
I N D E V I L A LT A
'
S R .
(F ro m W add ll )
e .
1 36 TH E H I ST ORY OF T H E D EVI L .
U DD H A E
B xT E N D I N G H H L P A S PP
IS E I N H LL
To U ERER E .
y
his on l goo dd d ee , se r v es h im i h ll a
n e m a f
s a ap (R p d
e ns o esc e . e ro df
uce ro m a
colore d J apa
n ese illu st rat ion in K a r m a ) .
w
is t h e t eache r h o by e x ample and ins t ru ct ion Sho s peo w
ple t h e pat h of salvat ion .
TH E D AW N OF A N EW ER A .
H E T R A N S I T ION fr om t h e O ld t o t h e N e Tes w
t amen t is an ag e of u n r es t w
The Je s had be come
w
.
g r w
e livelie r sin ce Ale x ande r t h e G r eat
’
s t ime f or n o w
w w
,
w w
dict ory fo rms b u t t hey e r e n e and at t ract ive and apt
, ,
su rr ender of all s t rife and a r adi cal ren u n ciat ion of self .
1 38 TH E H I STORY OF T H E D EV I L .
w
,
ment (y m i o i s)
The realisat ion of t h e Gnos t i c ideal as called n ib ; w
p /oi 1 a or fu lfilmen t , w w
hi ch as eit her e x pect ed by t h e
s ou l s at t ainmen t of salvat ion aft e r t h e fashion of t h e
’
w
.
z
.
,
( O ep a n ev r a z t he r ape u t ae
)
'
*
h
P ilo ex plain s t h e n am e “
t h er apeu t a
e also as w h ipp T h
ors ers e g n u in e
e
d w
.
n ess of h
P ilo s b k D i t a t pl t i a
’
oo e v co n em a va n i h i
t h y i
t t e v er ex s t en ce of t he
t h erapeu t ic ha b sd bt d by P E L i
een ou e . . u c us . wh Vi wh w
ose e s. o ev er . are t h or
oug h ly ref u e t d by F d C C yb a Ph il A b
re . . on e re . o ou t t h e Con t em pla t i ve L if e (Cla
r en don Press . O f d 8 95 )
x or . 1
14 0 TH E H I STORY OF T H E D E VI L .
w
.
wd E
‘ Th e E (i G kB w ort d 15 i L i
ssen es , or scoes n ree oo -
o an 0m l“ at n E s s en i ) .
i d i d by E w
. n
ld f 73 p
3 d i bb i i l a b ro m u ar an . a ra n ca t e rm ecau se t hy
w h g di
s er v e g reser v er. e
wd
.
ll d h O h d i "
ca e l t em se v es f G d at c ers . u ar an s . se rvan t s o o t e rs er ve t he or
w ld i d f h Th p
.
i n fly ko f g) b q i b b l
t o t a e re
p p h il l gi lly u e seem s to e u te ro a o o ca con si d d
er e
w
e.
w
. ,
esp i lly
ec a h d i d i h i
as t h i h h B ddh
e i k or s u se n t e se n se n c t e u st t a es ref uge in
th e D ha m a r , illus t rat e d in su c h ph rases as ”In 2”93 (t o
“
ta k e re u ge f in G od) ,
Psalm s ii . 12 ; v . 15 ; v ii . 2 ; xxv . 20 ; xxx i . 2 ; xxx vi i .
4 0. e t c . A f ou r t hd eriv at ion
f
is rom 99 (t o be pious . t o be en t u sias t ic. t o b e z ealous in love )
“ P ilo says t e h . h hy
are calle d
E sse n ce on accoun t of t eir olin ess (n ape Th" e ardru m ) an d uses t h e h h
term bo l . i w t h e sain t s .
"
or t h h ly
e o on e s.
"
as a s n on y ym f or Essen ce Th i s
it w ld
e
w i f li l
. .
, .
v at on si
T h wd E b i i
.
e or on t es fl q
y alli d w
.
or sha p t r s
‘
sou n d
h m t i d i it igi al A a
T he n am e N azaret s no ere en on e n s or n r
ly i th N w T tam t w it m ad it w
.
m ai f mc a d
or . n h
occu rs on ay i t th n e e es en en ce e s n o e
pa t i t i
r s lit a
ct f la t C h i t i
era i t y N i t h m
u re o t t h am N a a erb co r s n e er us e n e z r en e e n
f ddw w wl t h i
.
it h N a a it T l; a ab t ai h a a i ibl ig
r f hi n s n e r. o s v s e s n o s vo e s
h ai g wb t b t h wd m ay h a b d i d f m t h am
oun e z e
r ro . u o t R th
“
or f s ve een e r ve ro e s e roo . e or
m eri th n f S pa at i t
e sen se o T h N iph l f t h b m a t pa at
“
e r s e e o e ver e ns
“
o se r e
wt d t
.
lf f m th ; t ab t ai lf t
”
on ese ro t o ers o s n. o vo . o e v o e on ese o .
TH E D A WN OF A N EW ER A . 14 1
A S M OD I . A N E V I L SPIR IT . C AST O UT B Y PR A Y E R .
(A f t er S h
c n or r v on Carolsf eld .
)
t he c w
oncept ion of Sat an gre mo r e my t hologi cal and at
t h e same t ime mo r e d u alis t i c He developed in t o an in
w
.
w
.
,
ops in t o t h e demon of l u s t .
, .
”
Sav iou r hom t h e Lo rd calls my son Jes u s “
w
.
all go o d t h in gs :
ere a fi re o n t h e r igh t
h an d an d o n t h e le f t a d eep w A n d o n e o n ly pat h b e t w
,
at er ee n :
t h em b o t h e e n b et w ee n t h e fi re an d t h e w
,
v at e r s o s m all t h at t h e re
I f t h is cit y n oww
, ,
co u ld b u t o n e m an go t h e re at o n ce e re giv en .
u n t o m an f o r an in h e rit an ce if h e n e e r s h all p as s t h e d an ge r se t v
b efo re it h o w
,
s h all h e re ce i e t h is in h er it an ce ?
’
,
v
A n d I s aid I t is s o L o rd
“ ‘ ’
, , .
H E AV E N A N D H E LL .
f
(A t er H F a k wOld G m a m a t )
n un no n -
er n s er .
Preservin g t h e gn os t ic T it y id al f G d f t h G d m t h
ri n -
e o o a er . o o er . an d God son .
T H E DA WN OF A N EW E R A . 14 5
“
All t h e sec re t s o f w
i d s om w
ill fl wf o ro m th e t h ou gh t s of h is
m ou th , f o r t h e L o rd of t he s p irit s h as giv e n w
i d s om u n to h im an d
w
.
,
spir it o f h gi
H im h p h o i d
v et h p i i
co m re en s o n , an t e s r t o f t h e do c
t rin e an d f h p w
o t d h
e p i io f ll h
e r, an w h t e s r t o a t o se o are j u s t ifi e d
an d are n o wl pi g A d H ws ee ill j d gn ll h idd n e u e a h in gs an d
en t
w ill p k ifli g w d b f
.
,
n o on e s ea Hi
tr f n H i or s e or e m or e s ch o sen b e
w
,
fore t h L d f h
e orp i i o H i tp f
e s l i l
rl ts . e s o er u n a s ecre t s o f j u s t i
w
,
ww
,
1 1 0 B C by a J e
. . w
of t h e Pharisee part y *
.
f
(A t er Pie t ro B errett in i . R epro d u ce d f m [ I V at i
ro ca n o . plat e xx .
)
14 8 TH E H I STORY OF T H E D E VI L .
w w w
,
left it s t race in t h e
Ch ris t ian apocrypha ,
f or in t h e Gospel
“
acco rdin g t o t h e H e
”
b re s Ch ris t spoke w
of t h e Holy Ghos t as
*
his mot her .
it in t h e r eli g ion of
Babylon (see p
THE TRI N ITY A N D M A R Y
.
B
( y A m b giro F a oll d B g g
o ss F 1 11 B rah m an l s m
n o . ca e (s ee
o r o n on e or
wat t h p
.
mer ly i t h S S im pli ia
n e . at M ila c no
and in B u d n . no e
.
Brer a .A ft L ti b k )
er e .
dh ism The B u d .
“ H i cr o n . ad v . Pelag . I II .
, 2 .
TH E DA WN O F A N EW ER A . 14 9
the w
passag es hi ch seem t o involve it bein g sp u riou s ;
b u t it fo rms an i n t e gral part of almos t all Gnos t i c sys
t ems , w
here it ei t her appear s as t h ree abs t ract prin ciples ,
w
, , ,
vie ed as one .
w
,
as r e t ained amo n g t h e
O rien t al Chris t ians t o t h e
days of t h e rise of Moham
m edan ism The Ko ran
w
.
kno s as y et no t hin g of
t h e spi ri t u alised T rini t y
co n cep t ion of t h e W es t e r n
Ch u rch b u t r ep resent s t h e
,
n at u r al ideal w
hi ch in t h e
fu rt her developmen t of
Ch ris t ian i t y p r oved s t ron g
eno u gh t o influ en ce t h e
Roman C at holi c C h u rch in
THE C HRI TI A N TRI N ITY S .
h er devo t io n t o Ma ry t h e F m t h I , g fi h
ro i Ch ét i
e co n o (R ra e r en n e . e
w
,
p ii ) uc . e xv .
i t as a t ri u ni t y fo u nd it s a rt is t i c e x p ression in pi ct u res
,
TH E H I ST ORY OF T H E D EVI L .
The fo u r eyes in
t hei r medi t at ive at t i
t u de make a ei rd w
impr ession on t h e
spe ct at or t h e t h r ee
w
,
b road fo rehead is
dom .
A M oder u Gn ost ic .
TRI N IT Y P SAL R NO
THE O E .
Bohme S
J acob
By ti tyl
z an f L w I t ly p b bly f t h
ne s e o o er a .
ro a o e philosophy is in t his ,
X III t y S k t h d by t h a t i t f t h G
ce n u r e c e e r s o e ar
con n e x ion Of I n t e r
. .
t l
en a u b i a e i at S l
n f
n th
nn igi l a ern o ro m e or na ,
p ai nt i g w h i
n h h a b c ld i t h m sa t imeen t so n e e n e o
est b ecau se It r epre ,
au E gli h m
n s an .
sen t s a r evival of t h e
spiri t of Gnos t i cism in it s bes t and mos t t ypi cal for m
w
.
J a cob B Oh m e as a Ge rm an mys t i c bo rn in 1 5 75 at ,
g r o u nd of e x is t en ce as ,
t h e Ung r a n d His bi .
og raph er in t h e Eu
cy clopm di a B ri t an n i ca
H im we s in k in t o H im
ww
.
,
Th e s am e i
v e h en oi
fe t ed in t h e co l e r d lo gic of
S pin oz a, is so m e t im e s se t
V IG N m B or JA OB
C B oH M R
'
s B oort o r: r un
T n ag g p ou ) p g 01? M AN ,
as i de as at h e I s t I cal .
E v il as f d d i Ti
u n ol e n m e .
d iale ct o f m at e rial sy m bo ls
w
hi h dou b t s s o m e t im es w
h e t h e r h e m e an s t h em as
( as to c on e
rta
'
t ee/ mica) wfi
h at B oh m e co n ce i e s o f t h e co rre lat io n o f t w
e nd t o v
a sy n t h es is ; an d t h e t w
.
,
o ar co n e ct e d by an im po rt an t li n k
e n In
t h e h idd e n lif e o f t h e G o dh ad w
.
t an t t h e A go n y o f t h e u n m an if e s t e d G o dh e ad T h e t ra sit io n is n
m ad e ; by an act o f w
.
,
n d o f t h is w
,
g e l s , o f L u cif er a , o rld .
p r im a r y p r in c ip le o f d iv i n e m a
ni f e s t a t io n — i t is t h e w rat h s id e
”
of God .
The p roblem of t h e
idea of evil is ve ry p romi
n en t in Jacob B ohme s ’
elu sion t ha t t h e e x is t en ce
it is u l t ima t ely r oo t ed in
t h e na t u r e of God himsel f .
T THREE PRI N I PL E H II C S
isat i on cons t i t u t es a s u ff e r
.
ph il phy o so
th e act of r evealin g him
w
self his ill manifes t s bo t h t h e b ri gh t and t h e dark as
p e ct of life .
*H
olze an d fi g ? Gr an d: v on d em D r eyf a clzen L eb en d es Ai en s clzen n a e/I
d er d r ey
’ ' '
n a e}:
g bt t
‘
lzcker E r leu ch t u n
’
g . Am s t er d am . 1 68 2 .
1 54 TH E H I ST O R Y OF T H E D EV L I .
F or all t h in gs st an d in t he w ill, an d in t h e w
ill the y are con
du ct ed If I do n ot co n ce iv e w illawlk to a m y b o dy re m ain e t h
w
.
,
at a s t an d -
s t ill T h e re fore m y ill b h eare t m e, an d if I h av e n o
ill in m e B u t if
I d esire som et h in g else it is o f t h e essen ce t h e w
.
,
ill
Th e et ern al w o rd is t h e e t ern al w
, .
"
ill p . . I 7.
B efore Ad am w
h is as in t h e f orm o f an an gel b u t af t er
s lee p
h is sleep h e h ad fl es h an d b lo o d an d t h ere w
,
as a clo d o f t h e gro u n d
,
"
in h is flesh —D ie dr ey Pr i n apzm
'
.
, p . 22 1 .
on Th e Tfi r edola L if e o f M p
'
an 1 6 , .
Wes en s . A m s t er am d . 1 68 2 .
1 56 TH E H I ST ORY OF TH E D EV I L .
E v e ry wk or in d icat es by it s f o rm e ss en ce , an d ch aract e r,
w wif w
,
the i d s om an d v irt u e o f it s k
m a er . No e co n t e m p lat e t h e
t h e y are h ard ,
w e s h all at o n ce d isco v e r t h e t w
, , , ,
h e a y an d ligh t
v : o f old m o t h er o f
t h e m se lv es t o ge t h e r w it h t h e fi rm am en t t h e s t ars t h e e le m en t s
an d all t h e v is ib le co ce i ab le cre at u res w
, , ,
it h v an it y
T h u s t h is wo rld s t an d e t h in t h e m ix e d life o f t i m e b e t w
.
ee n
as m ad e
”
.
w
,
w
,
blan ce .
TH E F IE N D. So w IN G T A R Es A M ONG TH E W HE AT (F
. rom a -
b
G er m an Pict u re B i le ).
D IV ES , N OY I N
E J G L I E AN D L
F , A Z A R IJ S S UF FE RI N G .
(F rom a G er m an -
b
Pict u re B i le ) .
D I V TO RME N TE D
ES IN H LL
E .
( F ro m a G er m an Pict u re B i le
-
b .
)
EA R L Y CH RI ST I A N I T Y . 16 1
is co m fo rt e d an d t h o u art t o rm en t e d
’
no e , .
TEETH .
(F m a G m a Pi t roB ibl ) er n c u re e
-
.
salon ian s , w
her e St Pau l says .
No wwb e es e ec h
b ret h ren by t h e co m in g o f o u r L o rd
y o u , ,
T h at y e b e n o t s o o n s h ak e n in m in d o r b e t ro u b led n e it h e r
“
by spirit n o r by w
, ,
, o rd n o r by let t e r as f ro m
,
u s t h at t h e day o f ,
Ch rist is at h an d .
”
1 62 TH E H I STOR Y OF T H E D E VI L .
w
.
TH E DAY OF T H E R D (A f t M i h la g l )
LO . er c e n e o .
“
A n d h e (j es u s) s aid u n t o t h e m V erily I s ay u n t o y o u t h at
:
‘
“
F or if wbe eliev e J esu s d ied an d rose again ev en so
t h at
t h em also w it h h im
F o r t h is w e say u n t o y o u by t h e w o rd o f t h e L o rd t h at w
.
“
e
w
,
it h a sh o u t
w it h t h e v o ice of t h e arch an ge l an d w
,
it h t h e t ru m p o f G od ; an d
,
Then w e w
.
‘
h ich are aliv e an d rem ain S h all b e cau gh t u p t o
g e t h e r w it h t h e m in t h e c lo u d s t o m ee t t h e L o r d i n t h e ai r a n d s o :
sh all w e ev er b e w it h t h e L ord
W h ere fore com fort on e an ot he r w it h t h e s e w
.
o rd s
‘
.
T h is s e co n d b elo v ed I n ow
e p is t le , w r it e u n t o y ou ; in b o t h
w h ich I st ir u p y o u r pu re m in d s by w
,
ay o f re m em b ran ce :
T h at ye m ay b e m in df u l o f t h e w or d s w h ich w e re s p o k e n b e
apo s t les o f t h e L o rd an d S av io r :
sco ff e rs w alk in g af t e r t h e ir o w
,
,
n lu s t s ,
A n d s ay in g
“
W h e re is t h e prom ise o f h is co m in g ? f o r S in ce
‘
t h e f at h e rs fe ll as lee p all t h in gs co n t in u e as t h ey w
,
, e re f r o m t h e
illin g
-
t h at an y s h o u ld pe ris h b u t t h at all s h o u ld co m e t o re pe n t an ce
B u t t h e d ay o f t h e L o rd w
, .
“
ill co m e as a t h ie f in t h e n igh t ; in
t he w h ich t h e h eav en s sh all pass aw ay w it h a gre at n o is e an d t h e ,
1 66 TH E H I STORY OF TH E D EV I L .
e le m e n t s s h all m e lt w
i h ft e rv e n t h e at , t h e eart h als o an d t h e wk or s
t h at h e re in sh all b e b u r n t u p
are t
“
h at ,
m an n e r o f p rs o s o u gh t y c t o b e in all h o ly co n v e rs at io n an d god
e n
lin es s ,
“
L o o k in g f o r
h ast in g u n t o t h e co m in g of t h e day o f G o d
an d
w
,
h e re in t h e h e av en s b e in g on fi re sh all be d isso lv ed an d t h e e le
m e n t s s h all m elt w
,
it h f er v e n t h eat ?
N r t h e le ss w
“
ev e e acco rd in g t o h is p ro m is lo o k f o r n ew e,
h eav e n s an d a n e we art h w
, ,
h e re in d we lle t h r igh t e o u s n e s s
, .
w
The p resen t o rld r emains in t h e p o e r of Sat an w
u n t il t h e p r ophe cy of t h e se cond adven t of Ch r is t be f u l
w
filled and e had be t t e r be p repared f or mee t in g his ou
,
Pet e r
Be so ber be v igilan t b ecau se y o u r ad v ers ary t h e D ev il as
wlk see k i g w
, , ,
a ro ar in g lio n a et h ab o u t , n h o m h e m ay d ev o u r .
”
*
The ne ly dis cove red fo u rt h book of Daniel con
t ains a s t o ry w
hi ch cha ra ct e ri s es t h e e x pe ct a t io n s of t h e
*
E d it e d by D r E d B r at ke B on n
.
. . 1 89 1 .
1 68 TH E H I ST ORY OF T H E D EV L I .
w
,
”
Apos t les and are n ot s eems t o be dir ect ed a g ains t St
w w
.
*
o ff e red as a sacrifi ce t o idols
w
.
1 4 an d I C or 8
*
R om . . .
EA R L Y CH RI ST I A N I T Y .
“
A n d h e t h at ov erco m e t h an d k eepe t h m y w o rk s ( i e the
w w
ill I giv e t h e p ow
. .
,
la ) unto t h e en d , t o h im er o v er t h e n at io n s
an d he h all ru le t h e m
s w
i h t a rod o f iro n : as t h e v e s se ls o f a p o t t e r
on e w
i t h a pai r of balan ces and t h e las t one Deat h fol
, ,
w
lo ed by Hell are let loose The mart y rs of God re
,
.
1 72 TH E H I ST OR Y OF T H E D E VI L .
TH E W O M AN OE BO MI N ATI ON
A .
f
A t er t h e R e ve lat ion of St .
joh n (.B y A lb
rech t D fl rer .
)
EA R L Y C H RI ST I A N I T Y . 1 73
w
John t h e Divine , hi ch is a ve ry impo rt an t book as it
w w
,
Th e D escen t I n t o H ell .
con t ain t h e p as s ag e
‘
w
,
reads as follo s:
TH E H I S T OR Y OF T H E D EV I L .
“
S at an , t h e p r in ce d eat h s aid t o t h e prin ce of
an d cap t ain of
h o b o ast e d
t h at h e w as t h e S o n o f G o d an d y e t w
, ,
as a m an af raid o f d e at h
fu l ev en u n t o d eat h B es id es *
h om I
m ad e b lin d an d lam e an d t h o s e als o w h o m I t orm en t ed w it h sev e ral
d ev ils h e cu red by h is w
, o rd ; y e a an d t h o se w h o m I brou gh t d ead
t o t h ee h e by f o rce t ak es aw
,
, ay fro m t h ee .
“
To t h is t h e prin ce o f h ell replied t o S at an W h o is t h at s o
w w
,
p o er f u l p r in c e a n d y e t a m a n h o is a f r aid o f d e at h ? F o r al l
t h e p ot e n t at es of t h e ear t h are s u bj ect t o m y po w er w
,
h om t h o u
b ro u gh t e s t t o s u bj ect ion by t h y pow B u t if h e b e s o pow
,
er . er f u l
er W h en t h ere fo re
h e said h e w
, .
, ,
as af raid o f d e at h h e d es ig n e d t o en s n are t h ee an d
u n h appy it w
, ,
“
Th en S at an reply in g s aid t o t h e prin ce of h ell W hy d id s t
t h o u ex pre ss a d o u b t an d w
, , ,
as t afraid t o re ce iv e J e su s o f N az are t h
, ,
b ot h t h y ad v ers ary an d m in e ? A s f or m e I t e m pt ed h im an d
S t irred u p m y o ld p e o le t h e j e w w
,
p s i t h
,
z e a l a n d a n
, g er a ga in s t
s u bj e ct b o t h t o t h ee an d m e
Th e n t h e prin ce o f h ell an sw
.
e r in g s aid T h o u s aid s t t o m e
“
j u st n o wt h at h e t o o k aw T h ey w
,
ay t h e d e ad f ro m m e by f o rce ho
h av e b een k e pt h e re t ill t h ey S h ou ld liv e again u po n eart h w
, .
e re
t ak e n aw ay h e n ce n o t by t h e ir o w
, n po w er b u t by p ray e rs m ad e t o ,
ay t h e d e ad
f ro m m e w it h o u t prayer t o G o d ? P e rh aps it is t h e s am e w h o t oo k
aw ay f rom m e L az aru s af t e r h e h ad b een f o u r d ay s d e ad an d di d
, ,
“
See M at t h xxv i .
38 .
TH E H I STORY VI L
OF T H E D E .
EA R L Y C H RI ST I A N I T Y .
ho
are in e art h ; f o r t h e de w w
,
‘
h ere is t h y st in g ?
,
“
W h en all t h e sain t s h eard t hese t h in gs Spok en by I saiah
t h ey s aid t o t h e p rin ce of h e ll Open n ow t h y gat es an d t ak e aw
,
ay
er
T h en t h ere w
, , .
as a gre at v o ice as o f t h e s o u n d o f t h u n d er
“
, ,
g at e s o f h e ll a n
, d t h e K i n g o f G lo ry i ll e n t e r i n .
ou t as t h o u gh h e h ad b ee n ign o ran t W h o is t h at K in g o f G lo ry ? ,
, , er
f u l t h e L o rd m igh t y in b at t le h e is t h e K in g o f G lo ry an d h e is
H e h at h lo ok ed d ow
, ,
w
,
p o in t e d t o de a t h A . n d n o t h o u fi l t hy
, a n d s t in k in g p rin ce o f
he ll o pe n t h y gat e s t h at t h e K in g o f G lo ry m ay en t er in
, , f or h e
is t h e L o rd o f h e av e n an d e art h
W h ile D av id w
.
“
as s ay in g t h is t h e m igh t y L o rd ap pe are d in
n ligh t e n e d t h o s e p laces w
,
t he F orm o f a m an an d e , h ich h ad ev e r
befo re b ee n in d ark n ess an d b ro k e asu n d e r t h e fe t t e rs w h ich b e
fore co u ld n o t b e b ro k en ; an d w it h h is in v in cib le p o w
,
e r v is it e d
t h os e w h o s at e in t h e d eep d ark n es s by in iq u it y an d t h e S h ad o w of ,
h en t h ey
s aw
, ,
p e a r in g in t h e ir h ab it at io n s ; t h e y c ri e d o u t t h er e f o r e an d s ai d , ,
1 78 TH E H I STORY OF T H E D EVI L .
er ,
t h e fi rs t ran k w
, ,
h o can co m m an d in t h e f o rm o f a serv an t as a co m
,
dow
,
e re m o v e d an d n o w
,
all t h e s t ars w
,
h as t t h o u t h y libe rt y am on g t h e
d ead an d giv es t d is t u rb an ce t o ou r le gio n s ? W h o art t h ou w
,
ho
d o st re leas e t h e capt iv es t h at w
, ,
e re h e ld in ch ain s by o r igin al S in
in t o t h e ir f o rm e r lib ert y ? W h o ar t t h o u w
,
an d b rin ge s t t h e m ho
d o s t s pre ad s o glo rio u s an d d iv in e a ligh t ov er t h o se w ho w
,
ere
m ad e b lin d by t h e d ar k n e s s o f S in
“
I n lik e m an n e r all t h e legio n s o f d ev ils w e re s e iz e d w it h t h e
lik e h o rro r an d w
, it h t h e m o st su b m iss i e f e ar crie d o u t an d s aid
v , ,
p o e r f u l an d g lo r i o u s in m aj es t y s o b r,igh t as t o h a e n o s p o t a n d v ,
an d t o o k o u r e art h ly f at h e r A d am w
, , ,
it h h im t o h is glory
T h e n t h e p rin ce o f h e ll t o o k S at an an d w
.
it h gre at in d ign a
,
t io n s aid t o h im O t h o u pr in ce o f d e s t ru c t io n au t h o r o f B e e lz e
, ,
b b s d e fe at an d b an is h m e n t t h e s co r n of G o d s an ge ls an d lo at h ed
u
’
,
'
n t o o u r re gio n s a
p e rs o n in n o c e n t a n d r ig h t
e o u s an d t h e re by h as t lo s t all t h e s in n ers im i a d i h t
p o u s n u n r g e o u s
w
,
w
,
p e rs o n s in t h eh o le o r ld ?
“
W h ile t h e p rin ce o f h ell w as t h u s s p e ak in g t o S at an t h e ,
A d am an d h is r igh t e o u s s o n s w
,
h o are m in e Th en j e su s st ret ch e d
fort h h is h an d i n d s aid C o m e t o m all ye sain t s w
, .
, , e, h o are cre at ed ,
180 TH E H I ST ORY OF T H E D E VI L .
n ess o f fl ow e rs t h at t h e s w
e e t o d o r t h e n ce pen e t rat e d e v en u n t o u s
Th e in h ab it an t s o f t h at s pace w e re c lo t h ed w
.
it h t h e ro b es o f r ad i
an t an ge ls ; an d S im ilar w e re t h e ir ro b e s t o t h e ir s u rro u n d in gs
ere h ov e r in g ab ou t t h e m h o liv ed
t h e re w as t h e s am e an d w
.
it h o n e v oice t h e y s an g in glad n es s re
,
s po n s iv e hy m n s o f p rais e t o G o d t h e L o rd in t h at la e S ai d t h
p c e .
“
An d I sa w h er place righ t o pposit e rou gh an d b e in g t h e
an o t
w
,
p lac e o f p u n is h m e n t A n
. d t h o s e h o a r e p u n is h e d t h e re a n d t h e
p u n is h in g a n g e ls h a d t h e i r r o b e s d ar k ; a s t h e c o lo r o f t h e air o f
t h e p lace is also d ark : an d so m e pe o ple w ere h u n g u p by t h e ir
h ere w
t as a p it large fi lled w it h b u rn in g d irt ( flcipflop o s) in
an d
w s t u ck w
,
e re t h o se
w h o h ad ad o rn ed t h e m selv es f or ad u lt ery ; b u t t h o se w
.
.
h o h ad s o iled
t h em se lv e s wit h t h e m ias m a o f t h e ad u lt e ry of t h o se w o m en w e re
‘
I did n ot b eliev e t h at I s h o u ld e n t e r in t o t h is place m ur .
’
C HRI TI A N R PR
S E ES E N TA TI ON H LL or E .
ev il v e rm in an d t o rm e n t e d by t h o s e an im als an d s q u irm in g u n d e r
e v e r s t o o d by an d gaz ed at t h e
, ,
p u n is h m e n t o f t h e ir m u r d e re r s an d s a i d O G o d j u s t is t h y j
: u d
‘
g
B u t n ear u n t o t h at p lace I s aw a place o f t orm e n t in w
,
m en t
’
h ich
t h e b lo od an d t h e s t en ch o f t h e pu n is h ed fl ow ed d ow
.
n s o as t o
182 TH E H I STORY OF T H E D EV L I .
k
m a e a p o o l an d t h ere w w ere om en to w
h om t he b lood re ac h ed
h e m m an y in fan t s s at w
,
up t o t he n ec k; o p p o s it e t h o h ad b ee n
b rou gh t in t o t h e w o rld b e fo re t h e ir s e as on an d t h ey w e re w
, eep in g .
w o m en F o r t h ey w e re t h e c u rs e d o n es w h o h ad co n ce iv ed an d
A n d t h e re w e re m en an d w
.
m ad e ab o r t io n s o m e n s t an d in g in
fl am es w it h h alf t h e ir b od ie s an d t h ey w e re t h ro w
.
n in t o a d ark
w w
,
p l a c e an d e r e s c o u r g e d by e v il s p ir it s A n d t h e y e r e d ev o u re d
in t h e ir b o w e ls by w or m s w h ich do n o t die Th ey w ere t h o se w
.
. ho
h ad pe rsecu t e d t h e righ t eo u s an d s u rre n d e red t h e m ; an d n e ar by
t o t h o se again w e re w o m en an d m e n w h o h it t h e ir lip s an d w e re
p u n i s h e d a n d r e c e iv e d h o t i ro n s o n t h e i r e y es T h e y w e r e t h o s e
w
.
p o s i t e t h e m e r e o t h e r m e n a n d o m e n h o h it t h e i r t o n g u e s a n d
h ad b u rn in g fi re in t h e ir m o u t h s T h ey w e re t h o se w h o b o re f als e
w I n an o t h er place w ere flin t s sh arpe r t h an s w
.
it n ess o rd s an d
lan ce s re n d ere d b u rn in g h o t an d w
.
o m e n an d m en in d irt y rags
e re w allow in g o n t h e m in t o rm en t T h ey w
, ,
w e re t h e r ich an d t h o s e
.
an d w id o w s w h o h ad a co n t m p t f o r t h e co m m an d s o f G o d
e In
an o t h e r large fi e ld w it h m at t er an d b lo od an d se e t h in g d ir t w
, .
e re
b o t t om w
,
r e s p it e f r o m t h is t o r m e n t h o h ad po llu t ed
t h e ir ow A n d by t h e s id e o f t h is p re cipice w
.
n b o d ie s as a plac e
h ad m ad e w n h an d s carv e d im ages an d w
,
it h t h e ir o w o r s h ip p e d
t h e m in s t e ad o f G o d an d n e ar t h e m w ere m e n an d w o m en w it h
sw i t ch e s w
,
A n d again o t h er w o m e n an d m e n s t o o d n e ar by b u rn in g an d w
.
rig
w w
, ,
g lin g ,a n d r o a s t i n g T h e y. e re t h o s e h o h a d le f t t h e p a t h o f
G od .
We pr f
e er t o om it f th d
ur er e t ails .
184 TH E H I ST ORY OF TH E D EV IL .
cal pr e e x is t en ce -
.
lo s
“
M ary co n t in u ed f u rt h er an d said u n t o j esu s A gain
A nd :
‘
p u n is h m e n t a re t h e re t h e r e in ?
’
A n d j es u s an s w
“
ere d an d s aid u n t o M ary : T h e o u t er d ark ‘
n es s is a h u ge d rago n w it h it s t ail in it s m o n t h ; it is o u t s id e t h e
w
,
r t h e re are in it t w
.
F ro m t h e j aw
-
, , ,
t h on in .
‘
An d t he r u ler in t h e seco n d d u n geo n ; i t s au t h en t ic f ace is a
’
cat s : it is calle d , in it s re gio n , C h arach ar .
‘
And the r u le r in t h e t h ird d u n geo n ; it s au t h en t ic face is a
d og s ’
: it is calle d , in it s re gio n , A ch arOch .
‘
And the ru ler in t h e fou rt h d u n geo n ; it s au t h e n t ic f ace is
a s erpe n t s :
’
it is calle d , in it s re gio n , A ch rOch ar .
k
m a es h is C h r is t express h im lf se in q u it e difleren t
'
ser m o n s : t hy
e po i n t , in m y
Opi n ion , t o an ol e rd gn o s ti b
c k oo , or a gn os t ic g p
o s el .
Thi m i d s re n s us o f th m y t h
e s o d d
f t h e M i gar serpen t an d an t icipat es t h e in
-
n u m er ab l m d i e e e v al represe n t at io n s of H e ll as a b ig m ou t e ragon -
h dd .
EA R L Y C H RI ST I A N I T Y . 18 5
34 0“ W
wf flm w
0 00 b u 4 “ t in firm s“ Pub 9a m
“ clm beram t frinbfgi ral?fetid!
i
w
n on bin ]! ab m rficnzcth m am a . a
sfl
: m s eruff
m 84 bay I n ifat a
d m o Ru b e:
a
fo m i gci l m na bam pu nz tflbItt m m a l m i: an n a b m lfdi lcbe
'
m fa n unt fi j
’
fi
'
-
‘
Cit in m : M yri a l
a to hu m /b; as! a
a
’
Demo btt u ri am m
’
: m mag
W
fim fi W ” WW “ W W ait “beam M m sm abm amm .
THE TY PI AL C O E PTION OP H LL
C NC E .
G er m an W d t f t h ag f t h R f m at i
oo cu o e e o e e or on .
TH E H I STORY OF T H E D EV I L .
“ ‘
An d t he ru le r in t h e fift h d u n geo n ; it s au t h en t ic face is a
b lack b u ll s ’
: i t is calle d , in i t s regio n , M arch o u r .
‘
An d the ru le r in t h e s ix t h d u n geo n it s au t h e n t ic f ace is a
b oar s ’
: it is c alle d , i n it s regio n , L am ch am Or .
‘
An d t he ru ler in t h e h d u n ge on ; it s au t h e n t ic f ace is
s ev e n t
a b ear s ’
: it is calle d , in it s re gio n by it s au t h e n t ic n am e L ou ch ar
, ,
.
‘
An d the ru le r in t h e e igh t h d u n ge o n ; it s au t h e n t ic f ace is a
v u lt u re s :
’
it i s calle d , in it s re gio n , L arafi ch .
‘
A n d t he ru le r in t h e n in t h d u n geo n ; it s au t h en t ic face is a
b asilisk s ’
: it is calle d , in it s regio n , A rch eOch .
‘
h d u n g o n are m an y ru lers ; each of t h em
A n d in t h e t e n t e
, h ich is v
’
:
w
, ,
R h 6ch ar
wlf h d
.
‘
A n d in t h e t e t un ge o n t h ere are also m an y r u lers ex
cee d in gly n u m e ro u s , e ac h of h e m in it s au t h en t ic
t face h at h seven
,
d o gs ’
h e ad s : an d t h e gre at o n e t h at is ov er t h e m , is called in t h eir
regio n , Ch rém aOr
h ese t w e lv e d u n geo n s w
.
‘
Th ese r u lers, t h en
h ich are in , of t ,
A n d e ach of t h ese d u n ge on s b at h a d o o r w
.
,
‘
h ich open et h t o
t h e h e igh t so t h at t h e d rago n o f o u t er d ark n ess co n t ain e t h t w elv e
d u n ge o n s of d ark n e ss each of w
,
h ich b at h a d oor t h at o pe n e t h t o
t h e h eigh t ; an d an an ge l o f t h e h e igh t w
,
at ch e d at e ach of t h e
L
/ d oo rs o f t h e d u n ge o n s .
T h ese I eo u
‘
t h e fi rs t m an t h e o v e rse e r o f t h e ligh t t h e
*
an cien t o f t h e fi rs t s t at u t e h at h s e t t o w
, , ,
at ch o v e r t h e d rago n les t , ,
g o n t e rr ib le b ey o n d t h e p u n is h m e n t o f all t h e j u d g m e n t s ?
’
T h e s av io u r an s w
“
ere d an d s aid u n t o M ary : N o t on ly are ‘
s co rc h in g fi re an d s h all b e n o n ex is t en t f or t h e et ern it y
’
-
M ary an s w
, .
e red an d
“
s aid W o e f o r t h e s o u ls :
‘
o f s in n e rs ! N owt h ere
fore 0 M as t er w
,
het her
is t h e fi re in t h e w
, ,
o rld o f
h u m an k in d o r t h e fi re
in A m en t i t h e fi ercer ? ’
Th e s av io u r an
s wd
ere an d s ai d un to
M ary :
‘
A m en , I s ay
unto t h ee , the fi re in
A m en t i s co rch et h f ar
m ore t h an t h e fi re am o n g
m en , n in e t im es m ore
w
.
‘
A n d t h e fi re hi h c
is in t h e p u n ish m en t s o f
t h e gre at h ao s is n in e c
t im es fi erce r t h an t h e fi re
d
R em in in g on e of sim ilar n ot ion s prev alen t in
i n A m en t i
b F hd
.
Fr
. .
A n d t h e fi re W t
‘
h
in A u t un , ance .
)
is in t h e j u d gm e n t s of
t h e ru le rs w
h o are in t h e wy a of t he m id s t , is n in e t im es fi ercer
t h an h m en t s w
t h e fi re of t h e pu n is h ich are in t h e great ch aos
A n d t h e fi re w
.
‘
h ich is in t h e d ragon o f o u t er d ark n ess an d
t h e t o r m en t s w
,
*
A h an t icipat ion of D an te
'
s ice h ell .
EA R L Y CH RI ST I A N I T Y .
w
hi h i c s in t h e c h as t isem e n t s an d j u d gm en t s of t h e ru lers w
h o are
in t h e wy a of t h e m id s t — t h is fi re is fi ercer t h an t h ey
, s even t y
t im
’
es
w
.
“
And h en d t h is u n t o M ary sh e sm ot e
the s av io u r h ad s ai
h e r b re as t s h e cried o u t alo u d w
,
it h h er s ay in g ,W oe f o r t h e s in n e rs f or t h e ir t o rm e n t s are ex
: ,
THE D oo u o r THE D A N E D
N .
(A f t er L u ca Sign orelli )
.
pr in ciple of lh
ig t
. of d
o r er an d goo gd
ov ern m en t ( R e pr
.o u ce d d f m M th
ro u er .
)
1 92 TH E H I S T OR Y OF T H E D EV I L .
M in (Sho wip6
. r - s (i n ?
) r ail n o
mpofr
M at t . vi . x4 .
(G reat ly re d u ce df ro m Al an . I n st . V III .
,
legen d of a re t u r n f ro m t h e realm o f t h e d ad a
e n d t h e con qu es t o f d at h
e
h wPl t a d P ph
.
[ T he u pper cen t er s o th
s l f th N t h
u o n erse on e , e r u e rs o e e er
W ld i t h i pala
or n th
e r f m w it h
ce , pt a e d K aor t h er a d p t h
sce er n n aros , or s cre cu e
h a d a d i h fi ll d w it h f it a d fl w
, ,
lat t h ld i g t h
er o n t e c ross -
orc n K tha
s e ru s n o ers . an ro s
m b t h a abaa b t l t h E gy pt ia y m b l f im m t alit y a d t h d i k
e an s o sc r us ee e, e n s o o or n e r n
d i th m y t i w
-
,
i g
n l
v esse u se n h i h p bably d i it am f m m
e s e r es c ro er v es s n e ro so e un
k w
no n i w it h t h
co n n e x o n a aba U d at h w H a l t a i g t h
e sc r eu s. n ern e e see er c es m n e
th h ad d C b
ree -
e e i erth m m
eru s t f n i g th A h e w
o h i h igi at
en o c ross n e c ero n . c or n es
w w
, , .
m p
es i t t
o n s out h a d l a d i e ro
g b a k t t h pep l
nd Th D a a id
c it ho t h e u er or e n es
it h pla id i t y w
e
w t w
.
at l
e r v esse s o n th igh t h a t h i p e r i hm e r h il S i yph
e r un s en c e s os on
it y ( A y nh ld t h w
,
th l ft ly t a d h ip '
Di
‘
e e m t b m
see s o e N
o re s ev e re xe . re ecess va m o s e
i h
n igh t h a d b t h
er r nl ft t d t th fi
u er e a la l b a h (T h b a h
e x en s o e su erer u re r nc e r nc
ba h w
.
,
i m i i g i m a y im ila pi t
s ss n n n s I t i appa r t ly t a
c u res appl hi h s re n no n e r nc c
w
. .
a a ym b l f N m
s s o i a o e a h es s , l gi t gg t )
s s om e rc e o o s s su es
w
.
Th pp e u t h i
er sce n e ong h t h H ipp d a m ia
e r a d P l p tSh la t
o t i
s a o e n e o s, e er n
Ph y gia
r
p n cai g w i t h
co n vers nM y t i l w h p m i t m a r ai l f m
os . t h o ro ses o re ov e n ro
w h l f Oi a
ee o h a i t i t h a f H ipp dam ia h i f t b id t i k
n om os s c
'
r o n e r ce or o e s u u re r e, a r c
by w
,
hi h h m i i t i
c e re U d
a n s v c or o u s th a t h j dg f t h d ad T i pt l
n ern ea re e u es o e e r o
w
. ,
e m A ia
os . d R h ad a a t hy t h l t t
cu s . an i t h at t it d
m n f pl ad i g
s, ea a it h er n e u e o e n a c se
gre at z eal .
pict u re ha ve los t th i t ib l pp
e r a a a d l
errt t h e a e r n ce n e e s in ger pass by u n m oles t e d .
]
1 96 TH E H I ST ORY OF T H E D E VI L .
B ibli P p (W d t f t h fi f t
a au th
er u m t y)
. oo cu o e een cen u r .
T h im m lat i
e f I aa
o h wC h i t d at h i it
on o s c is o s r s
'
s e n s con n ex o n w
i h h
t u m an
a ifi
s cr a d th
ce . t
n y f th e t
s or
p li f t d p i
o t h wilde se r en e u n e e rn ess e xe m
pli fi es t he
h li g p w f fait h
ea n o er o .
G R EE C E AN D I TA LY 1 97
T UC H U L C H A EM ON o
. TH E D r I N EER CH A R UN T H E TR U A N DE M ON o
, E SC r
N AL TORT U R E A OR D I N S CC G To T H E D E A TH W A I T I N PO A V I TIM
, G R C .
B E TR U A
m
u O p F TH E SC NS
(F m a E t H ll i d
wll pi
‘ '
ro n a a ru sc n v se . e en s e
(Par t of a a ct u r e o f a t om bi n t yl ) s e .
C orn et o .
)
A N D T E D A U G HTER S or D os I N HAD E
OE N os H AN A S
I at te t i O ) w f h ay w
.
Okn os (i . e .t h Ta dy
, e r ea i g a
or p n hi h i
n ve ne v n ro e o c s de
by t h
d
v ou re e d k y a d t h da gh t
on e n f Da a d a i g t fi ll t h
e u ers o n os en e vor n o e u rn
w
,
it h t a b tt
ou o om
wll d
.
Fi
( r e z e of a R o m an e ecorat ion . V at ican .
)
g ods in O lymp u s O
( y y
d sse X L 6 01—6 26 ) Ano t he r he r o
w
, ,
U d at h a a gi g E i y H ph a t t h m it h f t h g d l k at
n ern e n v en n r n s e es os , e s o e o s. oo s
th w h l h i h a d iwk w
.
e ee , s it h app
n tor at i fa t i
, H i ady t
aren t s s c on . e rm es s re o re u rn
t
o t h U pp
e W ld A h a l gi t h
er or . t y t
rc d d i i t p ti g th
eo o s s av e n o e succee e n n er re n e
s ig ifi a
n f t h a g l lik fi g
c n ce o e n b t h id f I i
e e u res o n o S es o x on
I i a Th alia k i g m m it t d a m d b t w l t at d by Z h im
-
.
x on , e ss n n co e ur e r, u as us r e eu s
lf w w tabl B t t h im i al l t d aft
.
h ad it t d h im a a g
o m e t t hi s ues o s o n e u e cr n us e er
w
se .
H th q
era, e f th g d
ue en o I h pl e h o m b s d l nd h i h
erb t h i
acem e e race a C ou c ore o
Th p Z h d I i f t d t a fi y w
.
th ly a
e u n ru f C ta
r ce o en u rs . e re u h l
on e us a x on as e n e o er ee
i H d
n a es .
Th fi i gI i
e su i
er n m m ly x on
g d d a
s co t h y t h l gi l pon ip it t f
re ar e s e m o o ca rec a e o a
f m g d f t h ky a i l f Z ; b t t h f at
or er o o e s r va f h i d i i it y h
o eu s p l d u e e u res o s v n av e a e
w w
,
i th h m
n e u pt i f
an co n ce l t g h i
on o h l ag i
a er a e f t h m y t h c as n o on e r con sc o u s o e
o ol gi a l ig ifi
c s nf hi d d
can ce o s ee s .
200 TH E H I ST ORY OF T H E D EV I L .
w
e e r abandoned b u t t ransfo rmed Hesiod t ells u s in
n ot
w
.
t h e Ti t ans ; and St Pe t e r
*
hen speakin g in his se cond
.
, w
let t e r of t h e revol u t ion of t h e an gels t hat sinned says
w
,
“ ”
t hat God h u rled t hem do n t o Tart aru s The ex
w
.
”
Tart aru s ) is t r an slat ed sent t hem do n t o hell “
.
G I A N TO M A H Y
G C TH E G I A N T STO RMI N
S G HE AV N
E . A n an cie n t G ree kf rieze .
w
,
e re o n e h u n d re d h ad s o f a s e rp n t o f a fi rce e e e
d ragon play in g w F ro m t h e e y es in h is w
,
, it h d u s ky t o n gu es on .
d ro u s h e ad s fi re s t ru ggle d b e at h t h e b ro w s F ro m h is t e rrib le
en
m ou t h s v o ice s w
.
ere s e n d in g f o rt h e v e ry k in d o f s o u n d in e ffab le
h elp s n
Th e h u g m on st r w
, , ,
an d t h e h is s o f a s e rp n t e o u ld h av e r ig n d
. e e e e
WAR I N H AV E N
E .
f
A t er t he R e velat ion of St j h
. o n (B y A lb
. h t D it rec re r .
)
202 TH E H I ST ORY OF T H E D E VI L .
H eav e n an d s e a w
.
,
o n d ro u s h e ad s o f
t en w it h b low s i t f e ll d ow in t o w
.
,
, n lam e an d Z e u s h u rle d h im , id e
T art aru s .
C HI M R A OP A
E R Ez z o . Th e m on s t er slain by B eller oph on . (N o w Fl
at ore n ce .
)
“
And t h ere w as w ar in h e a e n M ich ael an d h is an ge ls f o u gh t
v .
p r ev a i le d n o t n e i t h e r w a s t h e ir p la ce f o u n d a y m o re i n h e av e n n
A n d t h e gre at d rago n w
.
as c as t o u t t h at o ld s e rp e n t calle d t h e
v v as c as t
o u t i n t o t h e e art h an d h is an ge ls w e re c as t o u t w
,
it h h im
”
.
,
204 TH E H I STORY OF T H E D E VI L .
m an eat in g ma r es of Diomedes
-
co n qu e r s H y poly t e t h e , ,
T he so u l of t h e lat t er is re res e n p t d a m
e all fi g l a
s a si g t h b d y a u re e v n e o n d s t ill
t yi g t
r n t ai t h h ad
o re n e e .
cla s s . A lt er t u m s .
)
t h e sophist Prodicu s
*
r e g ar ded him as t h e r ealisat ion of
ER E U A N D A D R O ME DA )
P S S N .
*
Xen M am , ii . I . Plat o Sy m p , , 1 77 B .
b id f d at h w
r e o it h gi d l
e w a d il i t i d t t wp l A b h C pid
r e . cr o n, n ve s e o o o es ov e er u
w w w
, .
ta d d i h i h i f dd i A d d ld
'
s n g g s en t a e m t p p a at o g en m
n a e re r on o a e n n ro e s o
h d h a tw g a d w
.
n urs e an ig
s B hi d
er d ab th a e it h Ph y gia
n an ov e e n u rse re u r s r n
w
.
ap a d a O th l f t C a i p ia A d m d a m th h h ib i t t h '
c s n rm s n e e ss o e n ro e s o er, o ex s e
f w w
.
, ,
v a it yn h i h th l g d
o c h e i eat d i en ti it h h
accu ses e r, s se e n co n v e rsa on er ser v
a t n s U d at h P
. n ern e fi gh t t h m t w hi h
e rse u s i w it d by t h s e on s er , c sce n e s n esse ree
N id
er e id i g
s . on e r a a h n on d lph i a d t h t h i d
se -
m b li g t h
orse , on e o n a o n, n e r rese n e
t y pi al fi g
c f S y ll u re oTh m t
c difi ah f m t h t y pi l M d a fi g
. e on s er er s e re ro e ca e us u re.
206 TH E H I ST O R Y OF T H E D EV I L .
I I L I A N C OI N W ITH M D U A H EA D
S C E S -
.
Th e f t h T iq t
u se o e r (t h l g ) i f q
ue r a reet i th th
e s s re u en n e ree corn ered islan d
w
-
.
Th e ears of h at i d i at t h p
e n c bial f t ilit y f Si ily t h
e e rov e r er o c , e gran ar y of R om e .
f a b t tl w
.
Th h d f th M d i
e ea o e d d by
e usa s s u r ro u n e scen es o it h A m a
a e z on s
w
.
O ne o f t h fi gh t
e (t h m ers i t h t h bald h ad ) i
e an e e s S u ppose d t b a p t ait f
o e or r o t he
a t i t Ph id ia
°
r s s .
x os
) t h e celes t ial ( ékziy m o s ) des t r oye r of flies ve r min , , ,
) He v v
'
z
w
, , .
,
p o v d a V ér os
)
deadly f righ t l .
‘ '
Th G
e k who; i t lim it d t t h d fi it i f b a t if l a w t h wd
r ee s no e o e e n on o e u u s e u se e or .
( T h
e M de i m
u sa tsi d b y H m en A 6on e
3 4 t ib lo m t
er ,f t h N t h as a e rr e on s er o e e er
W ld ; it w d a a m l t t
,
or as u se s t
n a il a d b
u e th f
o av e r f it d
ev , n ecam e e re o re a av o r e e
G R EECE AND I TA L Y . 209
*
clo u d an d slays t h e Chim a r a a mons t e r half lio n half
, , ,
ilar evils .
en ce t h e occiden t al n a c
t ions at t h e ve ry da n of w
t hei r civilisat ion Th u s .
Hercu les is t h e Ty ri an
Baal M elkart h p r obably
w
,
THE L I ON K I LL N H ERO K O
’
J -
I G or H R S A EA D
q u er o r of Tiama t ; and
w
his t elve labo r s are t h e deeds of t h e su n god in t h e -
w
t elve mont hs of t h e year Ph oeni x like he dies by .
-
Th t at e s
p d d u e re
p 8 b l gro t a
uce ld p oni d f
20G kat a d
e on s o n o er er o o ree r n
d wd w it h w i g w
.
,
th he P ga
o rse i et a y t su s s no hi h b a
s e en o ey it n s, c ec m e v er soon s
m i i g at t i b t
n ev er ss n Th m d r ti u est h at P ga i th
e ym b l f p t
o ern n o on e su s s e s o o oe
a a d w
-
.
i al
c then ia m ly d at
us ba k t t h fif t t h t y f
s on es c o e a f ig
een cen u r o o u r er , n s o re n
t th G
o e k ree
F
{ gi f t h li
u res o ki lli g a i a e al onf -
d A nia t i i
s v ou r a d Are so ou n on s c co n s n on s
y ia y li d
s r n c n er s .
21 0 TH E H I STORY OF T H E D EVI L .
I n spi t e of t h e s t ro n g admi x t u r e of fo r ei g n my t h
o lo g y He r cu les has be come t h e na t ional he r o of G ree ce
, ,
most t ypi cal e x pression hi ch has been mos t beau t ifu lly w
w w
,
R E UED
SC H ER U L E
EY C S
wi
.
w
li gh t and fi re do n t o t h e eart h B u t at las t t h e divine .
t o ry
over t h e t emp t at ions of t he flesh and o t her w
o ldly r
passions .
):
a
THE TE M P ATI O T N S or C HR ST
I .
(Sev en t h y
cen t u r . M osaic in t h e cat hedral of M on reale Sicil ) , y .
w
mos t of t hei r de t ails it h t h e e x cep t ion of t h e doct ri n e
,
w
,
He [ E r, t h e so n of ] d A rm
t h a t w h
e n iu s e n h is s os ai
u l le f t
t h e b o dy h e w e n t o n a j o u rn ey w it h a great co m pan y an d t h at t h ey
w w w
,
cam e t o a m y s t e rio u s la a t h i h t h t o i n g i
p c e c e r e e re o p e n s n
tw
,
o o t h e r o en in gs in t h e h e av e n ab o v e I t h i t m d ia t e s p a c e
p n e n e r e
t h ere w e re j u d ge s s e at e d w
.
h o co mm an d e d t h e j u s t aft er t h ey h ad
, ,
g iv e n j u d gm e n t o n t h e m an d h ad b o u n d t h e ir S en t e n ce s in f ro n t o f
t hem t o as ce n d by t h e h e av en ly w ay o n t h e righ t h an d ; an d in
lik e m an n er t h e u n j u s t w
,
e re h idde n by t h e m t o d esce n d by t h e
“
h ich t h ey h ad d on e t o an y
on e t h ey su ff e re d t e n fo ld
”
.
o u rs elv e s w We w
, ,
it n e s sed ere at t h e m o u t h o f t h e c av e rn an d ,
ere ab o u t t o reascen d
w
, ,
o rld b u t t h e
w
, , ,
m ou t h in s t ead o f ad m it t in g t h em ga v e a r o ar h e n ev e r a n y o f
t h e se i cu rab le S I n n ers or s o m e o n e w
, , ,
n h o h ad o t b een s u fi cien t ly n
p u n is h e d t r ie d t o as ce n d an d t h e n w il d m e n o f fi e ry a s p ec t w h o
w
, ,
an d A rdiae u s an d o t h ers t h ey b o u n d h e ad an d fo o t an d h an d an d
t h re w t h em d o w w
,
n an d fl ay ed t h e m it h s co u rges an d d ragged
t h e m alo n g t h e ro ad at t h e s id e card in g t h em o n t h o rn s lik e w
,
oo l
an d d eclarin g t o p as s e rs b y w h at w
, ,
-
e re t h e ir cri m e s an d t h at t h ey
ere b ein g t ak e n aw
,
w ay t o b e cas t in t o h e ll A n d of all t h e m an y
’
as n o n e lik e
t h e t erro r w
,
h e ar t h e v oice ; an d w h en t h ere w
, ,
as s ilen ce o n e by o n e t h e y as
ce n de d w T h es e s aid E r w
,
it h ex ceed in g j oy e re t h p en alt ie s e
an d re t rib u t io n s y et t h ere w
.
, ,
e re b le ss in gs as gre at
”
, .
216 TH E H I ST ORY OF TH E D EV I L .
L e ap t f ro m a w all in t h e h o pe So o n er t o reach t h e B ey o n d ;
N o t t h at h e e er h ad en co u n t e red an ill t h at m ad e lif e t o h im h at e fu l ;
’
w w
.
w w
.
w
,
w
,
t e rr ible t han befo r e The Ch ris t ian con cept ion of hell .
“ C leo m b ro t u s m ay ha b
ve een t h e sam e disciple of Socrat es w
h o is m en t ion e d
in P h d ae o II .
, p 59 C
. . . Th i t
s s ran ge case of su ici d e is allu d d t by S t
e o . A u gu st in e
in de Czv
'
. D ez
'
, I 2 2 —T h e
.
, . v erses are t ran slat e di n t h e origin al m et r e .
G R EE C E AND I TA LY . 21 7
w
o n ima ginat ion of an an g u ish t hat ill never cease ”
w .
He says
We k
m a e a m ist ak e if w hi
k t h at t h is aw
e t nfu l Sh ad ow w as
ere in t en d ed as m od es o f propit ia
w
,
t errors an d J es u s t h e M e s siah
, as t h e las t an d b es t of t h e
,
Am j
n
pw r G eoi o f t h e re d e e m in g go d s I n t h e d re ad o f d e at h an d in
h ich perv ad ed m en s m in d s ’
a f ew w
, ,
p h ilo s o p h er s e x ce p t e d Ch r is t ian it y h a d a p oi n t d a pp m it h ’ ’
o u t av ailin g it s e lf of w h ich it w
, ,
o u ld n o t h av e m ad e a S in gle s t ep
t ow ar d s t h e con q u est of m e n s m in d s
”’
.
ww
And h y as Ch rist a be t t er Saviou r t han t h e gods
an d he r oes of G ree ce ? Simply be cau se he as h u man w
and r ealis t i c n ot my t holo gi cal and symboli cal ; he as a
, w
s u ff e r e r and a man
— t h e son of man and n ot a slaye r
, , ,
w
, ,
m et h eu s ,
*
says of t h e perfe ct man h o ou ld r at he r be ww
t han appea r j u s t :
T h ey w
“
ill t ell yo u t h at t h e j u s t m an w h o is t h o u gh t u n j u s t
w ill b e s co u rged rack e d b o u n d ; w ill h av e h is ey e s b u rn t o u t ;
an d at las t af t e r s u ff erin g e v ery k i n d o f ev il h e w
, ,
, , ill b e h u g u p ,
n
”
at t h e p ale .
” ”
u p at t h e s t ake fi x ed on a pale is an older sy n o
“
or
w
, ,
nym ,
”
t r anslat ed t o cru cify .
de clar es :
On e o f t h e G ree k Ph ilo so ph ers s aid T h e j u st
m an s h all b e t o rt u red h e s h all b e s pat u po n a d , , n
n is u s pas s e d an u n j u s t s e n t en ce of d eat h an d ,
as at las t s en t e n ced t o
G m i d e t h by h e law
,
CH 'ST ‘“
a t le ss 1 .
”
w
.
, w
ot her e x planat ion f or s u ch remarkable coin cidences t han ,
sacrament t h e Lo rd s Su ppe r ’
w
, ,
as a ccordin g t o t h e t es ,
t im on y of J u st in Mart y r ,
celeb r at ed by t h e Pe r sians in
t h e same ay as by t h e Ch r is w
*
t ians ; and J u st rn I s I n
g e n u ou s eno u g h t o a t t rib u t e
M I HR A M O U ME T OP O
T S N
t his coin ciden ce
N
i t ho u t t h e
S TE U R R E N .
w
sl i gh t est h esrt at I on t o t h e I n
flu en ce of evil spi r i t s Te rt u llian is also a are of many w
w
.
M ITHR A I S M 1 C Y EO L S .
Apo l , 86 .
{ D ei sacram e n t a S at an as afi ec t at De ex h ca s t I 3
w
. . .
. .
M it h a b t w t h w
, . . .
s uppo r t e rs , o n b t h id
o s es . r s, e ee n e s t ars of t he t i ns (t h e D ios cu r i ) ,
h ld t h h
o s e o rses o f the r isin g an d o f t he se t t i n g su n , o r of f
li e an d d at h
e . A b ov e
h i h ad t h
s e e rav e n in t h e sky t h e e m lem s b of s u n an d m oo n U d
n e r n ea t h t he
t abl w
. . . .
eit h t h e co n secr at e re a db
an d t h e cu p d of t h e E u c ar is t h .
G REE C E AN D I TA L Y 221
Th m
“
t b a
e th i
o n u m en ipt i e rs D S li I e i t M it h a
n sc r M it h a
on
“
eo o nv c o r e . r s
a ifi
s cr i ces a a b ll f
n a c thve f gi u f i
or A d g li k t h d ippi g
e or v e n ess o s ns o c s e r n
d fl id ) A p t w
.
bl d all d
oo , c m a eb i “
na (t h se es on l
e sacre th g d u . ser en c ra s on e ro u n .
A sco r
p i p i hon 3 t h b
nc l l
es t 0 t i l A
e y t h
u a t t h
'
s l f t tes a t
c es h p ou e e u rn s o rc u
w igh t d ww wh i h h l k lik a w l w
.
a d ; at t h
r s a d
e r ,A a o n r s . r it
v en , c ere oo s e n o , n esses
th e sce n e O th a thve r ge cd H ve , li a d t h
e su n g dd f ot h m e S
os ,l n e o ess o e oon , e en e ,
d i pa t i t h i h a i t W h t h t h a ifi f t h h ll w
.
.
r ve s n e r c r o s e a p a ti d
er e s cr ly ce o e u s r c se o r on
w C
.
co m m m at d i
e t k
or e s no i g th
no ig ifi a
n f t h M it h
on ce rn n m y t i e s n c n ce o e r as s er e s
w pt t hat i it iat i w by p a
.
lit t l i k
e s no n , e xce n fa t lf m t ifi at i
on s e re en n ces , s s . se -
or c on s ,
l t at i
us r a d w at
on s , a d fi n p b a
er t i n B pt i m
re w a p ro t i d a d M
on s i t h a a s s rac se n r s
w
.
,
a s call d t h m d iat
e f eth e m i i or orf i Th e re t im p ta t
ss o n o f e s n . e m os or n re ere n c s
b id t h m
es es t a
e a
on u m en s
p a g i J t
re i M a t y A
ss p l I es 6 6 a d
n T us t l lia n r r, o , .
, , n er u n ,
P r a es cr h .
4 T h M
a er et i t h a0 . l t h a d m
e a y t a i mr s cu g t h R m a l n vo r es a on e o n so
d i y ga i d i t h
er rr so n e th n p i e n or ern rov n ces .
222 TH E H I ST ORY OF T H E D E VI L .
w w
,
w
.
,
the w
int e r sols t i ce as t h e bi rt hday of t h e Saviou r Con .
says in W illiam Smi t h s D ict ion ary of Chr ist ian A n t iqn i ’
t i es (pp 3 5 7 8 )
— .
‘
As d u ally b len de d w
M it h raicis m it h Ch ris t ian it y ch an gin g
gra ,
it s n am e b u t n ot alt o ge t h e r it s s u b s t an ce m an y o f it s an cien t n o ,
w
, ,
co m m e m o r at io n o f t h e B irt h o f Ch r is t .
in an cie n t in script io n s e g S OL I I N V I C T O E T L UN A E
, . .
,
A E T E R N A E C V E TT I G E RM A N I L I B D U O P A R A T U S
. .
*
y t i f M it h a w i t d d i t G
Th e m s er es o at t h
r s t im f Al
e re n ro u ce n o reece e e o ex
a d
n er Th y gai d m a d m
e i flne t il t h y
o re a h d a lim a i t h
n ore n uen ce u n e re c e c x n e
d t y f t h C h i t ia a M t f t h m a y m m t w
.
secon ce n u r o e r s n h i h th
er os o e n on u en s c e
M it h a w h ip l f t all
.
r s ors th R m a em pi p ially
ov eri G allia a d G m a y
e o n e re . es ec n n er n
dat f m t h i p i d w
.
e ro h it h ad alm t b m a i al f C h i t ia it y
s er o en os eco e r v o r s n .
224 TH E H I ST ORY OF T H E D EVI L .
zz, § 6, v ol . i .
p .
7 2 , e d . B allerin i ) . A gain , t h e s am e fat h er oh
‘
cle m en t is lu ce rad ian t e co ram ( al t o t am ) sen s ib u s n os t ris m ira
, .
‘
b ilis s acram en t i in gerit clar it at e m
’
1
'
( S er m 26 , I p
f u rt h er cit e on e or t w
. .
, .
“
We m ay o in s t an ces f ro m an cie n t Ch ris
t ian po e t s : P ru d en t iu s in h is hy m n A t N at a/em
, r D om ini t h u s ,
s pe a ks ( Cat h em er i n on , xi . in it .
, 6
p 3 4,
. ed A rev alu s )
‘
Q ui d es t , q da
uo rct u m circu lu m sol j am recu rren s deseri t ?
C h ris t usn e t erris n asci t u r qu i lu cis au get t ram it em Pf
’
s -
, ,
t hi kn s of t h e su n of f
G od a t er t h e B a byl on ian an d y
E g pt ian fa h i s on , as ha v in g
w
i g w
hi h
n s c are of a w
hl o e so m e or h ealin g in fl uen ce .
d
T h e prece in g lin es of t is qu o t at ion ro m C r sos t om ( o rn 3 1 ) plain l h H y f hy .
h h
s t at e t at C r ist s b hd y
ir t a h as ee n b fi d
xe
’
u po n t he day of t h e irt of M it ras : b h h
h
'
On t is day (t h e irt b hd y
a h
of M it ras ) also t h e ir t a b hd y
of C ri s t as lat el h w y
fi d at R m i d t h at w
xe o e h il t t h h at h w b i d w
n or er it h t h i p fa
s e e en ere us e e r ro n e cere
th Ch i ti m igh t p f m t h i h ly it di t b d "
m i
on es . e r s an s er or e r o r es u n s ur e
i wt hy f h
.
S m t w o h m t h i day f
e o l b at i
o s o t om
ou r ce e h r on s or o on or n o s uc
on a t f th bi t h f C h i t a f
cco u n o e th r ak f th
o n w
r s al f t h s or e s e o e re e o e s un
w
.
th d h d f h i
f B t u ay app a
no o t m
er app p i at t
e rs a t ao us
y p ore ro r e n o or ors
w
-
i
p g n i h n a d a
eav en t h t h F a nt f t h e N a t ir t y a de h i l e s i toh m t i a l e vi n e e ve n n e a er
wld (i t h l m t ) a wligh t h i H
,
t h b igh t
e r f H i w d f l a am
n ess o ts on er u s cr en .
1 W h y
“
d t h al a
oes dy l a t h i
e su n l f t h a
re t i t h e? ve e c rc e o e rc c n or
I t Ch i t b
S no p t h a
r st h w h w ill
o rn ut h p t h
on f li g h t ie e r a ? o e a o n cre s e
T ly af t t h l t i w
"
ru er h C h i t i b i t h b dy
e so s ce , en r s s orn n e o
W it h a w h w th w
, ,
neill h a g t h f igid d ay
su n e f th C n i de e r s o e n or n
W h il h i fi i g t m t al t h bi t h t h t w
.
e e s o er n ill b i g t h m
o or s l at io e r a r n e sa v n.
Ch i t w it h t h p g
r s f d ay gi e m m a d t h at t h
ro ress o igh t b d li i g
s v es co n e n s e ec n n .
G REE C E AN D I TA LY . 225
an on ym o u s Sy rian w rit er w h o d is t in c t ly re f e rs t h e fi x in g o f t h e
day t o t h e ab o v e cau se ; w how
,
m u ch w
, ,
eigh t t o t h is las t a s ag M o r e im p o r t an t f o
p s e o r u r p p
u r o s
. e
is t h e in j u n ct io n of a co u n cil o f R o m e
s at an y rat e t h at
f or a lo n g t im e af t er t h e f all o f h eat h
e n is m m an y t race s o f h e at h e n rit e s
,
s t ill re m ain ed
”
.
E on lion faced
, the it h , w
key t o rch and meas u rin g st aff
, ,
U lim it d T im f
fou r seasons His relat ion t o t h e .
n e e
thei r emblems .
N h all l b at t h t f J
o on e s y d t h B m alia
ce e r e e Is o an u ar an e ru
w w
.
{ T h t at h
e s p due d a f d i
ere re t h M i t h
ro m f
u ceO t ia h C
s ou n n e raeu o s ere
9 A D ; it w
.
,
V al ier us H a l a d hi er c es d d i at d it i t h y
n s so n s a fig
e cd e n e e ar 1 0 . . s u re
for th fi t t im by L ay d i h i R h h
e rs e M it h
ar Plat L XX
n S im ila
s ec er c es s u r ra, e . r
s tat u esa f d i a i M it h a a
re oun n v r ou s r s c v es .
226 TH E H I STORY OF TH E D EVI L .
alle d u p A rou n d
h im w e re m an y lit t le lam ps in t er ra co t t a se t w
.
,
it h t h eir n o zz les
t ow
,
U n d e r h is f ee t w as a glo b e w
.
,
t h at of a m an h e n ce s pran g a ser
w
.
,
p e n t h i ch e n co m p a s s e d a ll t h e id o l a n d it s h e a d e n t e re d in t o h is ,
d ow nw I do n ot co n sid er it a v ery an t iq u e w
, ,
ard s . o rk b e in g d o n e ,
m e an in g s ay in g it s ign ifi ed t h e D ev il w
, , ,
h o in t h e t im e o f h eat h en
is m r u le d o v e r t h e w
, ,
o rld ; h e n ce t h e glo b e u n de r h is f ee t ; t h e s er
p e n t w h ic h b e g ir t h i m a n d e n t ere d i n t o h i s m ou t h h is f o re t e lli n g
t h e f u t u re w
,
it h am b igu o u s res po n se s ; t h e k ey s in h is h an d s h is
so v e re ign t y o v e r t h e w
,
as t h e v e rs io n .
g i v e n by t h e a f o r e s a id F a t h e r I h a v e d o n e e v e ry t h in g t o s ee t h e
id o l b u t S ig Oraz io b e in g n ow d e ad h is h e irs do n ot k n ow w
.
,
. h at ,
I ao t h e g od it h t h e adorable name (i e Ab r ax as ) w
w
, . .
,
“b ak i E gy pt ia a d a b wd w
A r s ad n, n m e ns
"
o o n or
"
ore . Th e wd or occu rs
i t h B ib l G
n e 4 43 S
e, a ( t a d i g f
en S d l i ).m a1, . s s n n or a s z e ns
"
n am e . A ba
r xas is
th am
e n t b d d (S K i g Th G t i p
e o e a ore . ee n , e n os cs , .
228 TH E H I ST OR Y OF T H E D EVI L .
t h em S om e, in d e e d , se t t h e s t on e in a r in g an d e n grav e u p o n it
w wd w
.
a serp e n t i h t h is h e ad cro i h
ne t y s accord in g
ra , as is pre
s cri b ed by K in g N ech epso s in h is t h ir t e e n t h b oo k .
”
Ho we
sable t hese g nos t i c s u pe r s t i t ions e re in
x cu w
t hose days appea r s f r o m t h e s t r an g e fa ct t hat s u ch a sobe r
He con t in u es
Of h is I h av e h ad am ple ex perie n ce h av in g m ad e a n eck
t ,
lace oi s u ch s t o n e s an d h u n i d h i k d d ’
g t ro u n t e p at e n t s n e c e s c e n
in g low
,
e n o u gh f o r t h e s t o n e s t o t o u ch t h e
m o u t h o f t h e s t o m ac h an d t h ey p r ov e d t o ,
b e o f n o le ss b e n e fi t t h u s t h an if t h e y h ad
b ee n en grav e d in t h e m an n er laid d o w n by
K in g N ech epsos ”
( D e S im p . M e d I X ) . .
,
.
w
To u s h o h ave gr o n u p u nder w
t h e infl u en ce of Ch r is t ian t radi t io n s ,
w
s t r an g e b u t e m u s t bear in mind t hat
,
Th e s e rp e n t n e v er d ies n at u r all y bu t yw
on lhen in j u red by
w
,
v io le n ce , h Ph oen ician s h av e n am ed it t h e go od ge n i s
en ce t he u
A
( g at h o d a
e m o n
) S i m i lar ly t h e E y
g p t i an s h av e calle d h im C n e p h
’
if t n e ss o f
t h at b ird .
Ser apis , w
hi h c is a Hellenised fo r m of O si ris Apis -
,
G R EEC E AN D I TA L Y . 229
waas w
elig ion hi ch in many respect s resembled Ch ris
r
t emples w
e re an e x act pr ot ot ype of t h e Ch ris t ian monas
t eries w
hi ch o ri ginat ed in E gypt and flou rished t he re b et
t er t han any he r e else w
w
.
and ria .
w
.
w
, , ,
”
div ine cosmi c o rde r He is called I bis t h e Glorio u s “
w
.
,
”
and t h e I bis h o p ro ceeded from Pt ah
“
Osi ris t h e
w
.
,
”
“
O si ris t h e Ibis t h e Blessed O ne To g e t he r i t h t h e
w
, .
born
“
See Socr at es E ccl H is t ” 5
. .
, 1 7, w
hi h c repor t is repeat e d by S o z om en es .
f R . Pie tsch m an n . H er m es Tr i s rn eg i s t os , p 7 . .
23 0 TH E H I ST OR Y OF T H E D E VI L .
w
,
or SO S .
ca u se of all evil
, Y et t hey are philosoph e r s n ot past o r s
.
, .
t h e poo r in spi ri t .
Ch ris t iani t y , w
hi ch ex pl ains t h e bit t erness it h hich w w
t h e Ch u rch fat he r s r evile g nost i c doct r ines
-
B ut t h e
w
.
him as i ras cible jealou s and reven g efu l and cont r ast
w w w
, , ,
a ri gh t t o it , bu t he as overcome t h ro u gh t h e deat h of
Jes u s The demi u rg e t hou gh t t o conqu e r Jes u s hen he w
w
.
ww
,
w
. .
, ,
w
t o eat of t h e t ree of kno ledg e so t hat he mi gh t es cape
t h e bonda g e of i gno r an ce in w
hich Y ahveh t h e demi ,
w
.
THE C H U R H C . S ER PE N T .
w
ho eve r havin g paid t h e deb t of mankind has t h e po er
, , , w
t o r edeem t h e so u ls of men f r om t h e cl u t ches of t h e Devil
w
j u s t i ce ( hi ch is t h e Pr ot es t ant con cep t ion ) bu t t o pay
w
,
t r ap an d t h e Devil
, as foolish eno u gh t o allo himself t o
be cau gh t .
C HRI TI A N SY M BOL
S S OP THE C A T A CO M ES .
b u t St .
, w
A u gu s tin e h o fo rm u lat ed t h e o rt hodox Ch ris
t ian do ct r ine de n y in g t h e independen t e x is t e n ce of evil
w w
,
s
a
t:
a
ST A
. N TH ON Y F 1G H T 1N G T H E D Ev u . ST G O
. E R GE, THE PRI E N C SS . A N D THE
W xT H TH E CRO SS . See pp 239
.
-
240 . D A ON
R G .
(A f t Sal at
er v or R osa ).
(Trad it ion al represen t at ion .
)
h er gi rdle r o u nd t h e d ra gon s ne ck h o no
’
alt ho u gh
w
, ,
w
,
rians he, w
as an abj e ct crin gin g fello
, and hen he had w , w
at t ained t h e hi gh posi t i on of archbishop p roved a cru el
ww
,
w
,
A R H A G E L M I H A E L CO QU RI N G
C N C N E A R H A EL M I H AEL H O
C NG C L Dl N G THE
SA T AN . S A LE F O R W
C S SO Ei G H t N G tJ L s .
it
(B y R aph a l I t h L e .
) n e ou vre .
( A f t L Sa
erb b at i
o re n z o eri .
)
w
kno n t o God t han t o I t is difli cu lt t o say
whe t he r His Holiness as cons ciou s of t h e i ro n y of t his w
passag e
w
.
R epro d u ce df rom Sc h ib l
e e, D a s K los t er .
u z D eo
f Q
’ ’
m ag i s q u a m h om
’ ’
zm bu s n ot z s u n t .
24 0 TH E H I ST ORY OF T H E D E VI L .
w
i cal mome n t hen only t h e cross saved t h e u n dau n t ed
sain t from defeat d u ri n g a darin g onslau gh t of t h e fiend
in his mos t ho rrible shape (See t h e ill u s t r at ion on page
.
w w
, .
p er i o r s in s t r e n
, g t h in g ene r osi t y
, i n fai rn es s t o a r d
t hei r en emie s , and in p u r i t y of m oral s .
U R OPE .
w
ideal as n ot t o sh ri n k face
it sq u ar ely an d u n flin ch in g ly c w
as t h e
w
,
H E L THE GODD E
, S S or THE N ETHER W OR LD .
(B y jo ha n n es Geh rt s )
.
TH E H I STOR Y VI L
OF T H E D E .
w w
and h e rit hes i t h pai n w
hi ch makes t h e w
o ld
r t remble
w
,
w
.
”
t en ce R esis t n ot evil
“
be g an in a greemen t i t h t h e
, ,
24 6 TH E H I STORY OF T H E D EV I L .
w w
.
” “
The very name hell is a Te u t oni c o rd hi ch o ri gi
n ally si g nified a hollo w
space or a cave u nde rg rou nd and
w
,
w
, .
w
.
“ Di T j b g
e N
ro a d E
ur p
en Gl gor C l Fl m m i g
-
uro as 8 93
. o au . ar e n , 1 .
24 8 TH E H I ST O R Y OF T H E D EVI L .
t ions Dan t e reprodu ced in his des crip t ion of Sat an and
w
.
w
.
w
,
D A N TE ’
S I CE H E LL . é
(B y G u s tav e D or ) .
w
.
w
Dis agrees e x act ly it h t h e appearan ce of t h e p rin ci
p a l N o rt he r n dei t y o f evi l , as he as commonly r eve r ed w
among t h e Cel t s t h e Teu t ons and t h e Slavs Dis has
, , .
w w
, .
w
,
7716 Gian ts .
g ian t s s,t o r m g-
ian t s f r os t g ian
, t s f o g g ian
-
t s or ha t n,ot -
, ,
250 TH E H I ST ORY OF T H E D E VI L .
w
devils ; an d e can obse rve t hat all t h e conq u es t s of man
ove r nat u re are in t h e old sense of t h e Teu t oni c my t h
w
,
are o u t i t t ed i n on e ay or ano t he r .
w
, , ,
su n he r o fi gh t s
-
, i t h him an d cu t s o ff his arm ; he t hen
e n cou nt er s Gren del s mo t he r t h e g ian t ess of t h e mar sh
’
w
,
t h e r ef r ai n
“
K eer u em s om , j
r eu z en , r eu z en
j
[ R e t u rn o n ce m o re lit t le gian t , lit t le gian t .
]
Floeg el
'
s Ges ch zch t e d es Gr ot es k K o m isch en
'
-
. by E belin g. p . 286 . q u ot es t he
gi an t
-
son g as s u n g in Y pern .
252 TH E H I ST ORY OF T H E D E VI L .
w
.
,
w w
p u rpose hi ch as closed as s oon as t h e child as w
w eaned .
w
.
K lost er V ol X II ) t hat
, . . hen in 1 8 1 3 t h e ice b roke t h e
dam of t h e river Elbe and t h e en ginee rs had g r eat t rou ble
in r epai ring it an old man add ressed t h e dike inspe ct or -
w
, ,
”
in it an inno cen t lit t le child , and Grimm add u ces even
a mo re modern ins t an ce (S ag en p 1 095 ) hich dat es w
w
, .
”
as b u ilt G rimm t ells u s t h e people t alked of a child
“
w
, ,
”
hi ch shou ld be b u ried in it s fou ndat io n s .
w
.
l e Po wf
er o Evi ! Ou t it t ed w .
‘
he as ou t i t t ed .
h o re t old
w w
,
”
it in hi s poem Th e D evil O u t i t t ed , 1 h i ch M r E
“ ’
. .
“
G ri m m ,
M d r ch en , NO . 1 89Deut s ch e M y t h olog ie. N O 98 8
. . . “ fluenh ofi .
N O 3 77
. . Th i ele, D dm
‘
s ch e
‘
Sag e”, N O 1 33 . .
{ D er bet r ogen e Tm f el .
25 4 TH E H I ST ORY OF T H E D EVI L .
T h en cam e t h e D e il in a fl are v
P ro t e st in g H alf t h e w o rld is m in e
Of y o u r cro p s t oo I w
,
an t m y sh are
’
, .
,
T h e low e r h alf w
, ,
e ll giv e t o t h e e
’ ’
B u t t h e D e il alw
,
Th ey t u rn ip s so wd e all o e r t
’
h e ir fi e ld
w
,
Th e A rab s t oo k the s u b s o il y ie ld ,
And t he De v il go t t h e t u rn i p t o ps ,
And w
h en h e r y ear cam e ro u n d
an o t
Th e D e v il s p o k e in w rat hf u l s co r n
‘
T O h av e t h e lo w er h alf I m b o u n d l
’ ’
T h e D e v il t o ok t h e s t u bb les b are
A n d f ed w it h t h em t h e fi re o f h e ll .
w
.
w
t o t h e at e r heel A smi t h w
*-
h o f or his hospi t ali t y on ce
w
had a ish gr an t ed by Ch ris t be w
.
hen he died
w
, ,
. .
, p . 1 83 .
f M en t ion ed in G rim M ar ch en
' '
m s .
256 TH E H I ST ORY OF T H E D EV I L .
rhyme t h u s ,
St D u n st an as t h e st ory goes
.
, ,
On ce pu lled t h e D e v il by t h e n ose
W it h red h o t t o n gs w
-
h ich m ad e h im roar
Th at h e w
,
as h e ard t h re e m ile s or m o re
”
.
w
. .
Gu y addin g
,
‘
B u t be m o d erat e , p r ay b er t h u s m u ch
,
— an d re m e m
S in ce y o u re t reat e d as G e n t le m e n s h ew
,
’
y o u rs elv es s u ch
, ,
A n d d o n t m ak e i t lat e B u t m in d an d go s t raigh t
’
H om e t o bed w
,
N or w re n ch o f f t h e k n o ck er— o r b ell f ro m t h e
ga t e .
DE M ON OL OG Y OF N O T R H ER N EU R OPE . 25 7
lark w it h t h e w
, , ,
A n d don t at ch o r an n oy t h e police
’
ay
’
,
TH E L E EN
G D OP S T C U T H EE R T
. .
(F
rom t he I ng old s by L eg en d s .
)
as b e fo re em
’
,
the , w
R ed Sea in E gypt sa O ld N i ck carryin g in a b ag a
n u mbe r of los t sinne rs The saint t ook compassion on
w
.
N i ck s p risone r s es caped
’
.
T H E L EG EN D or ST M
. E DA RD .
( F ro m t h e I ng old s by Leg en ds ) .
Aw a wt
y e n t h e Q u ak e r — aw a y w e n t t h e B ak e r
Aw
,
ay w
,
en t t h e F a
r i r— t h at fi n e f at G h o s t
W h o se m arro w
,
Aw
ay w
en t the n ice lit t le C ard in al s N iece
’
,
j w e ,
THE D E V I L '
S B RI D E OV ER T
G HE R EU SS .
an d salvat ion are based u pon pre Ch ris t ian con cept ion s
-
t ic r i t es of cannibalism in w
hi ch man hoped t o part ake of
D E M O N O L OG Y OF N ORTH ER N EU ROPE . 26 1
rifi ce of Di v i n e Lo ve .
cu r se be ca u se it is ou r o n and in t h e same ay t h e
w
, , ,
w w
if e are only illin g t o accep t t h e lesson hi ch his ex w
ample t ea ches .
M i r acles an d M ag i t .
w
,
”
est idem (if t o do t h e same t hin g i t is n o t , t he
M O D ER N AK E C
SN H A R H ER S .
(R p d
e ro uce df m ro B re hm .
)
w
Simon as a compet it or of t h e Apos t les and t herefo re his
w
,
T HE E YPTI A N S N A
G RE N I A A H AI E M AD E TI ON L E B Y PRE U RE ON THE
MO SS SS N Ecx f
w aft ph t g aph )
.
(R epro d c d f m V
u e ro er or n er o o r s .
*
Cf . F o u r t een t h A n n u al R epo r t qf t h e B . o f E li: 1 8 92 -
I 8 93 , p . I 50 .
f l r en adv h a er I 20—2 1 j us t i n Al a r ty r A pp I I E fl
. . .
, .
, .
pp 69
— 0
7 ; p
.zj u m .
ad . I m am , XXII .
, I ; E u seb II . E .
, II .
. p. 13 .
t Th e k
sn a e rm m bles a st ic k s t ill it is n ot s t iff but fl acci da nd
plian t .
TH E DE VI L ’
S P RI M E . 265
w
.
*
M in u ciu s Feli x p u t s t h e common no t ions hi ch in ,
w
,
key s head and t hat t hei r o rship is obs cene The libel
’
w
,
.
Oct a v i u s ,
ei n D i a log des M . Al i n u ci u s F eli x . d d by B D m ba t
E it e . o r . S ec
d it i
on d e on . E rlan gen , 1 88 1 . A n t e N icen e Clzr . L ib a V l X I II p 4 5 if
r . o . .
, , 1 .
266 TH E H I STORY OF TH E D EV I L .
w
of t h e Ch rist ians it h cont empt ; hile on t h e ot her hand w
t h e Ch ris t ian s do n ot Sh rink f rom r idi cu lin g t h e holies t
a Ch ris t ian of t h e hi ghest t ype and bes t edu cat ion , speaks
“ ”
of So crat es as t h e A t henian b u fi oon .
w
,
r in t h i an s
, aft er an en u mer at ion of s u ch S inne r s as ill
n ot inhe r i t t h e kin g dom (v 8 1 1
— — t h e passa g e had be t t e r
w
.
,
”
r emain u n q u o t ed ) says an d s u ch e re some of y ou
“
,
w
.
ru mo r of a S in t ha t is n ot so m u ch as n amed amon g
“
,
O t
c av usi , C h p 38
a S
. t .a Atti ocra es scu rr cu s .
268 TH E H I ST O R Y OF TH E D EV I L .
w
. .
w
.
” “
polished vi ces and ,
mart y r s is mer e ob st i
nacy in t h e opinion of
R oman p rae t or s
w
.
W e look i t h con
t emp t u pon t h e I ndian
p rophe t h o poses as a w
r ain make r b u t r ead t h e -
w
,
s t o ry of E lij ah i t h g reat
edi fi cat ion an d hile e , w w
T ENs w W THE SHAWA NO PROPHET I N j u s t ify t h e holy zeal Of t h e
TA A,
lat t e r e o u ld make no ww
allo w w
,
w
,
w
,
. . .
an d doomed t o be b u r ned
*
alive .
83” 1
reli g ion is me r e ma g i c
On e of
mos t charact e ris t i c feat u r es of t h e pre
the
F d t il th F
or e a t th A
s se e l R p t of t h B
e ou r f
een E t h lnn ua
gy e or e u r ea u o no o ,
P t ar 6
p 73 2,E a d D
. k T.
,
hn ra e , ecu m s e , 2 .
f R p d d fe m t h
ro F ucet t h A
ro l R p te of t h B
ou r f E
eent h l n n ua e or e u r ea u o no
gy
o ,
p 6 70
. .
270 TH E H I ST OR Y OF T H E D EVI L .
w
magi c ill inevi t ably p revail So lon g as t h e du alis t i c
w o rld con cep t ion dominat es t h e minds of t h e people an d
-
i t ch craft
w
.
w
t h e s u pe rnat u r al po e r of one s o n r eli g io n hile
’
w w
w
,
w
,
*
some very mean deeds are cou nt ed as mi r acles hile ,
Th a m i a l at t ib t d i
ere re r c es th e C h rist ian y h
A pocr p a to j him
h i h w ld b im i l
r u e n ev en es us
self w
, c ou e cr na .
272 TH E H I STORY OF T H E D E VI L .
*
darkness by t hose h o believe in a reli g io n of mir acles
w
,
w
,
vat i cinat es or foret ells fort u nes and calls t h e dead from
Spi ri t Land -
.
H ex en p r oces s e, p .
f See , e .
g
.
,
F o u r t een t h A n n u a l R epo r t f
o t h e B u r ea u of E t h n ology , 1 8 92
1 8 93 , 6
p 5 1
. .
274 TH E H I ST ORY OF TH E D EV I L .
mass readin g o r ot he r -
ri t es s u pposed t o pos
s ess o t he r t han a p u r e
g ion of ma g i c is based
on a belief in t h e con
t ra nat u r al and as soon -
as a r eli g ion of ma gi c
becomes an es t ablished
ins t i t u t ion it ill de , w
v elop the not ion of
i t ch cr aft by a dis w
crimi n a t ion be t w een i t s
H C OR
E N R ICU S A RI PPA N TTE H IM
N EL I U S G o n mi r a cles and t hose
AE E S E w
w
.
R
( p ed d
ro f m t
u ce h ig
ro i l d i t i
e or f h i Of o t he r people
na e h o are
on o s
wk or s
u nbel i eve r s .
Ho S w
imila r t h e n o t io n s of le g i t ima t e an d i lle g i t i
mat e mi racles are may be lear n ed fr om t h e ri t in g s of
,
w
*
N ot ice f or in s tan ce t h e ,
d ee pl y r eligiou s spir i t o f h
t h e g os t da nce t au g h t th e
N or th A I d i by t h
m e ri can n an e p ro ph et W o v ok a T he d e v ot io n of W o v ok a s '
f ol
l w i wll ill t t d i t h
.
at t i t d i t h gh t d a
u es n e os n ce . Cf . A n n u a l R epo r t of the A m er i ca n B u r ea u of
8 — 18
E t h n olog y , 1 92 93 .
276 TH E H I ST OR Y OF T H E D E VI L .
se rvat ion based u pon anat omi cal measu rement s is con
, ,
”
Body . Mat hemat i cs , nat u ral s cien ce and myst i cism ,
w
,
and fan cy .
w no
as magi c be it black or hit e , he came t o t h e con w
w w
,
D e I n cer t it u d i n e et V a n it a t e S ci en t i a r u m et A r t iu m , a t qu e E x cellent ia
V er bi D ei D ecla m a t i o . b h di
Pu lis e n 1 530 .
278 TH E H I ST ORY OF T H E D E VI L .
w
All in all e fi n d t hat a r eli gion of magi c involves a
w
,
w
po e r s is r e g arded n ot as impossible b u t as a lack of loy
alt y Hence he resy and i t ch craft are al ays de clar ed w w
w
.
u r alis m .
E x oR C I S I N G BY T HE C RO SS.
”
(B as -
re lie f on a w at e r v ess el o f the se ve n t h ce n t u r yf o un d n e ar Pisam a ) .
ba ln ei s , pp 1 3 6 fl. . an d 143 6 . .
Sam u el C h t h am
ee sa s y in S m it h h h C ee t am D i ct i o n a r y of Ch r i s t ia n A n t i qu it i es ,
h wt h t it w
-
p 6 5 2 :
“
T he con t or t ion s o f t h e pe rso n on t he gd
ro u n see m to a a
S o a s n
wif lw
.
ex orcis m of o n e po ssesse d No t he v e ss e a a f s t f
on h ld i g t h bapt i m al
or o n e s
w w ld
.
,
t is m al e xorcis m It f
see m s t h er e o re m o re pro babl t h t it w i t d d f t h
e a as n en e or e
h w t ai h ly w
.
A t r iu m of a C h u rc h it m igh t b
, e re e u se dt o co n n o t a er .
"
28 0 TH E H I ST ORY OF T H E D EVI L .
A n d all D ev i l g u ild s ?
Q .
A A n d I fo rs ak e all D ev il gu ild s
v il w
. .
A d ll D rk s ?
Q n a e o
A A n d I f o rs ak e all D ev il w o rk s an d w
.
. o rd s T h o n ar ( T h or) , ,
T E xT OR THE B A PTI M A L A I S E U R A T I ON FO R M U A I N OL LD Lo wG ER M A
-
N .
(R p d df e ro u ce ro m O . H am R hy
en n e n .
)
w
.
{ T he origin al, w
hi h i c s Old L o wG -
er m an , rea d s as f ollo s
" " — "
Q F orsach is t u diab olz ? A B C f o rsach o diaboles ! Q En d allu m
“
. . .
B eli ef in Wit ch cr af t .
Wi t h w
belief in i t ch craft a n e pe riod be g ins in
the w
t h e evol u t ion of ma n kind The Devil becomes g reat e r
.
w
,
t hin g s o rdina ry t o u s
, e re very e x t rao rdinary
, .
*
I n t h e D ia log as M i racu lor u m by Caesariu s von ,
I llu s t r i u m m i r a cu lo r u m et h is t o r i a r a m m em o r a bi li u m libr i X I I a nt e o u
w
,
wd i i w
.
,
1 599 . A ne e t on as m ade by j h
os e p us S t r an ge , pu bli h d by j M
s e . . He be rle .
28 4 TH E H I ST ORY OF T H E D EVI L .
ne gr o .
w
.
w
.
F or a bif
r e su m m ar y see W olfgan g M e n z el D eu t s ch e L it er a t u r g es ch ich t e
, ,
pp .
3 1 0— 12
3 . See also R oskofi ,
Ges ch ich t e d es Teuf els , pp .
— 26
3 7 3
1 .
33
T H E D EV L S P I ’
RI M E . 28 5
w w
ans ered t hat indeed he as m u ch olde r t han a t hou sand
w
years f or he as one of t h e demon s h o fell it h Lu cifer
, w w .
The p ries t conside red his S ins u npa rdonable and asked
w w
,
”
him het he r he an t ed t o do pen an ce Y es he said .
“
, ,
“
if t h e penan ce is n ot t oo heavy f or me W ell ”
re
“
w
,
plied t h e confesso r b o do w
.
n t h ri ce a day sayin g
,
“
,
THE D EV I L OP C O EI T S E N B Y A
NC AS E
WIT HES
C N U RI N A H A I L STORM
CO J G -
. C L ER Y M A N ON THE D RE
G A S S or
(A f t er an old G e rm an prin t .
) F O
AS H I L A DY
N A E LE .
oman w w
.
t h e s t o r y of a h o f or t h e sake of cleari n g h er
,
w
have i n t e rcou rse i t h h u man bei n g s Sat an is s u pposed .
w
,
w
,
THE M A I N A C TO R I N M E D I V A L
S E
w w
,
*
C on cern in g t h e Pr oces s u s S a t h a n ce , see Dr R
. . S t in t z in g .
Ges ch ich t e der
o . ca n . , . .
kofi
'
s b k oo on the D ev il con t ain s on a
p ges —
3 4 9 35 5 ex t r acts f rom St in t z in g .
G u s t av K t mn ecke , M ar
’
b u rg, 1 895 , p 93 . .
f F loeg el
'
s Ges c/zich t e d es Gr ot es k K o m i s ch en -
'
,
b
e ar b
e it et v on Fr W . . E be
lin g pp 70
. .
—
7 1 . 1 —
1 9 1 20 .
TH E DE VI L ’
RI M E
S P . 28 9
w
,
ww
.
w
.
K i n dr ed S uper s t it ion s .
w w
Belief in it ch cr aft as only t h e m ain r esu lt of t h e
es t ablished au t hori t y of a reli gion of magi c i nvolvin g t h e ,
290 TH E H I ST ORY OF T H E D EV I L .
W ITC H F S .
( F ro m H orn dor ff D e m ag ici s a r t ib u s
t h e ri gh t fai t h w
e re r ele n t lessly pe rse cu t ed even u n t o
,
deat h
The Devil w
.
w i t ches sabbat hs on w
’
hi ch o ccasio n s homag e as paid w
w w
,
w
Fran ce h e re Giles De R ais (also spelled R aiz and R et z )
one of t h e gr eat es t di gni t aries of t h e St at e , a des cendan t
of t h e hi ghes t noble families of B ri t t any , and a mar shal
w
of Fran ce as charg ed i t h kidnappin g abo u t one h u n w
w
,
*
t o Sat an The fact s seem impossible b u t t h e comple t e
w
.
w
.
S ia
, h o confessed t o h er o n fat her t hat Sh e as a i t ch .
bu t w
she as r es cu ed and imprisoned The physi cian a .
,
”
t hin g ill be ell hen I am dead Thereu pon t h e phy
.
f at io u w
She as t hen t reat ed accordin g t o t h e prescrip
w
.
w
-
w
a slip of paper u pon hi ch he r ot e “
Devil help me , ,
w w
h o s u r vived ou ld be b u llet p roof all his life
w
-
.
not ion t hat Mansfeld Thaler s make one bu llet p roof and
w
- -
ww
Tu rkish ars h o did n ot carry at least one of t hem abou t
294 TH E H I STO RY OF T H E D E VI L .
w
.
w
.
w w
hi ch e r e s u pposed t o indi cat e t h e place her e t r eas w
V I R G U LT A IVI N A
D .
co ppe r o r ba )r ss .
ur es lay hidde n , w
ere made in g reat qu an t it ies There .
P b li h d f m a
*
u ld M S by G
s e g C d H
ro t i h i
n oZ b b ibli t.h k eo r on ra ors n s au er o e ,
I pp 9 ff W ab t i h
.
, . 2 f m p d i g th i a t ti t h t m t b
. e s a n e re ro d re ro uc n e nc n a on s a us e u se
i
n ord t b er f l o e s u ccess u .
296 TH E H I STORY OF T H E D E VI L .
w
fu t u r e as t h e cast in g of horos copes hi ch s t ill served , w
as t ronomer s in t h e seven t een t h cen t u ry as a means of
makin g a livin g Keple r h o enjoyed t h e confidence of
.
, w
t h e s u pe r s t i t io u s E mpe ro r Ru dolf II fel t t h e deep h u mil
w
.
THE S I G N OF THE F IR T H OU R S OR TH E D I V I N E N A ME A RR A N D PO GE R
S UN D A Y .
“
C O N I U R A T I ON .
f
t o t h e p eo ple t h ro u g h
d au gh t er s f oolish n ess
h er B ut w h en ’
w
.
g u e s se s are li m i t e d t o y e s an d n o o n e h a s al a y s ab o u t h alf,t h e
w
O ne r eason h y t he re e re al ays so many fools w w
w h o in spi t e of t hei r fea r of e t e rnal damnat ion t r ied t o
w
make cont ra ct s i t h t h e P ri n ce of Dark n ess as t h e p rev w
alen t idea ill u s t r at ed in many old le g ends t ha t it as w
D i d by P t
*
ev se d A lba f th
e ru s pl a t i f t
e h w k R po no or e
"
ex or on o e ee . e r
d f m
"
d El t M agi a i D ph il p 4 6 5
“
uce ro e m en a c n e o cc . .
, . .
w
all t h e saint s e re su pposed t o be al ays ready t o assis t w
people in cheat in g t h e Devil ou t of h is o n As an in w .
K N I HT A N D D EV I L
G .
( Old G e r m an Prin t ) .
Middle A g es w
e qu o t e t h e le g end of St Ge rt ru de an
w
, .
,
*
Ta r n slat e d by E . F . L . G au ss f ro m D eu t s ch er L i ed er h o r t , ( E rk B Oh m e )
V ol I I I
. . See also D a s K los t er , S t u t tgar t , 1 846. V ol . II .
. Par t I .
, p . 1 76 . T he
or igin al MS . of t he poem is preserv e di n the H id lb
e e e rg Li bay r r .
298 TH E H I ST OR Y OF T H E D E VI L .
A k n igh t w k
as s t ric e n by p ov ert y gre at
w d
,
H is good s h e all h ad as t e
w hi w
,
A n d go n e fro m h im h l
as s o e es t at e ;
S u ch b i t t er w
an t h e d t as t e d
’
T h at t o t ak e h is life h e in t en d ed .
“
H e rod e t o t h e fo re st d ark an d dim ,
B u t t h ere t h e D ev il aw
, ait e d
Th e k n igh t an d said t o h im
Th o u sh alt b e rein s t at e d
‘
‘
I ll giv e t
’
h ee ch est s f u ll o f g lit t er i n g go ld
In h an ge f or t h y lov in g m aid en
ex c
T h e n can st t h ou liv e w
,
ell an d f re e an d b old ,
h ile liv in g .
’
“
And h appy w as t h e m aid en f air
Th e n ew w
,
‘
B u t s ay m y L ord sh e as k ed
, ,
’
fro m w h ere ,
‘
‘
O, lady d ear w ilt t h ou rid e w it h m e
T h ro u gh a fo re st gre en an d ple asan t ?
T h e b ird s o f t h e f orest t h e re p lay in glee
A n d t h e s o n gs are n ow
,
h eard in cess an t
W h ich gaily t h e b ird s are s in gin g .
’
To ge t h e r fo rest t h ey reach ed ;
a gre e n
A n d n ear t h e road w as s t an d in g
ere e x pan d in g
T o all : o u r w
,
ort hy m o t h er ou r lady , .
“
To t h e k n igh t d
t h e m ai e n s ai d :
‘
L et m e
H ere s t op in p io u s feelin g
3 00 TH E H I ST ORY OF T H E D E VI L .
Di gg e r, w
hi ch on acco u n t of it s p ra ct i cal beau t y an d
*
sou nd mo ral lesson deserves t o be t ranslat ed and qu ot ed .
“
S ick h e art poor in possession
at ,
T h in e m y s o u l b e at t h y ple as u re l
‘ ’
I w ro t e d ow n w it h m y o w n b lo o d .
W on d ro u s fl am es I t h en co llect ed
U n t o h e rb s an d b o n es select ed , ,
in g ,
A S I d learn ed I du g f o r t reasu re
’
,
On t h e s po t 1 fo u n d by m e as u re
B lack an d s t orm y w
.
as t h e n igh t .
An d
‘
I saw a ligh t s f o r m at io n
’
B r igh t en in g t o a s t ar s co n s is t en ce ’
,
as f u rt h er pre parat io n
A n d a b eau t e o u s y o u t h w it h glow
,
in g
S p len d or f ro m a cu p o e rflo w
,
in g
'
“
Y e t h is y e y es
d e ligh t ed ;
m sou l
’
N e at h a w e alt h o f fl o w e rs t e n d er ,
W it h t h at cu p o f h eav en ly splen d or
S t e pped h e in t h e m agic rin g ;
9 Ta
r n slat ion by E . F . L . G au ss . of h
C icago I ll . .
T H E D EV I L S PRI M E
’
.
3 02 TH E H I ST ORY OF T H E D E VI L .
F rie n d ly d rin k in v it ed
m e to ,
A n d I t h o u gh t t h is y o u t h s o p u rely
:
Off r in g gif t s of h e av e n s u re ly
’
C an n ot b e t h e ev il k in g .
‘
C o u rage d r in k , an d life
’
s p u re p le as u re ,
’
Q u ot h he f r.o m t h‘
is L e arn
o cc as io n ,
Th at by a x io u s co n j u rat io n
n
N o b o o n ca t h is p lace affordn .
D ig no lo n ger f o r v ain t re as u re
W o rk by d ay , an d g u es t s at le is u re ,
To ils o m e wk ee s an d f e as t day s ple as u re ,
’
B e thy f u t u re m agic wd or
w
,
H u ss e r e co n demned t o be ,
at t h e ag e of seven t y as im
Th i i m t lik ly t h p m f w
*
s s os e eh i h S h ill wit t G t h i a l t t
oe o c c er r es o oe e n e er
d t d M y 3 797 I t i
a e a 2 1 :
"
p l y b
s so e xe m t if l d
ar d d
e aup f t u t h t I an ro u n an er ec a
f lt y f ibly w d i g it h w m ll w
, , . ,
e v er h il
o rc ,
e rea n , o h l im pl id a a
ev en a s a o e, a S e e , c n
g i t
ve u sh j y m
e en o t f t h h
enig h o t bye p f tes p ,
t at i er ec rese n on .
”
{ T h m e t t h osg h o ro u
p i t i exf t h i os d h
on oap t i t h h i t
s sa y f
c i ili at i er n e s or o c v s on
i f d i P id t A d wD i k W h it t w l d w k A H i t y f t h e
re c so n
'
o vo u m e or s or o
w
s ou n n r es en n e s
Wa f r of
ar eS i w i t h T
c en ceh l g y i C h i
eo ot d m n N Y k
r s en 8 96 o . e or . 1 .
3 04 TH E H I STORY OF T H E D EV I L .
TH E DE VI L ’
S P RI M E . 3 05
w
i h p ose
tc -
r cu t w
ion i t h all kindr ed su pe rst it i ons am ong
w w
,
w w
.
H er et i cs Ou t la wd e .
ww
pe rsecu t ion of t hose h o er e su pposed t o be ad
h er en t s of t h e Devil ; na m ely sect arians he r et i cs and
w w
, , ,
w w
po e r nobody as safe ag ains t t h e accu sat ion of bein g in
,
n ou n ced as Devil w
or shippe r s The o rder of t h e Temp
w
-
.
ciou S kin g of Fr an ce w
as an x io u s t o dep riv e t h em of t hei r
308 TH E H I ST ORY OF T H E D E VI L .
w w
, ,
g o d s h ich t h o u h as t n o t k n o n t h o u n o r t h y f at h e rs
N am ely of t h e go d s of t h e people w
, , ,
“
, h ich are rou n d abou t
y ou n
, igh u n t o t h e e o r f a r o ff f ro,m t h ee f r o m t h e o n e en d o f
,
t h e
e ar t h ev e n u n t o t h e o t h e r e n d o f t h e ear t h ;
A n d t h ou s h alt s t o n e h im w
.
,
“
it h st on es t h at h e die ; b ecau se
h e h at h sou gh t t o t h ru st t h ee aw ay f r om t h e L o rd t h y G od w
,
h ich ,
su ch w
, ,
ick ed n es s as t h is is am on g y ou .
an d fo rm ed a se ct w
hi ch cont inu ed t o e x ist f or a lon g t ime
in Spit e of t h e ex comm u ni cat i on of t h e Ch u rch Pope .
w
.
, ,
—
t h e fo u rt h cr u sade ( 1 202 1 204 ) and e x t erminat ed t h e A l
w w w
,
, ,
w
of t h e Chu rch , f or n o even bishops cou ld be ci t ed before
t h e papal t r ib u nal of t h e I nq u isi t ion .G reg ory I X ap .
“
thesle u t h hou nds of t h e Lo rd
-
hi ch ori ginat ed in a ”
w
w
,
w
.
p osi t ion f o r t h
, e people be c ame r ebellio u s and even t h e ,
W h oe e r fe ll in t o h is h an d s h ad on ly t h e Ch o ice bet w
“
v een a
b t n o j u st d e fe n c gran t ed
u e — n o t e v en t o peo ple o f pr o m in e n ce
as a h ere t ic t h at h e
n ,
h ad t o u ch ed a t o ad t h at h e h ad k is s e d a pale m a
,
or so m e m o n n,
icio u s cr im es o f w h ich t h e y k n ew
.
rat h er t h an co n f e s s t o s u ch v
Th e w
,
t h ev w ere n o t gu ilt y e ak o e s in o rd e r t o s av e t h e ir li es
. n , v ,
3 12 TH E H I ST O R Y OF TH E D EV I L .
lie d b
a ou t h e m sel e s an d o t h er peo ple es pe cially ab ou t su ch
t v
n en t on es w n am e s w
,
p r o m i h o s e er s u gg e s t e d t o t h m by e C o n r ad e
T h u s b ro t h e rs accu s ed t h e ir b ro t h e rs w
.
i e s t h e ir h u s b an d s s r ,
v ,
e
t o pro t e ct t h e m se lv es an d t h e gr at s t co n f u sio n , e e
o r igi n at ed
”
.
( A lh i i M o a hi
er c h o ad an c c r n . . .
TH E B A NN R OP THE SPA N I H
E S THE B A NN ER OP TH E INQU I SI TI ON
INQU I ITI ON S . OP G O A .
{
w
.
,
R osko fl ,
Ges ch ich t e d es Teuf els , II .
, pp . 21 5 -
21 6 .
w
Mean hile t h e s u ccess of t h e I n q u isi t ion had been
g r ea t ly impe r illed by t h e opp osi t ion hi c h Con r ad of w
Ma rb u rg en cou nt e red in Ge rmany Whe n t h e I nqu isi t o r
w
.
w
.
*
b u rg ou t h e Lah n an d slain
, Th u s he fell a ma rt yr
, .
S ee K o n r a d v on hi a r b u r g , by H k en e ( M ar b u r g, an d an o t h wker or Of
t h e sam e t i t le b y B k (B
ec r es lau ,
C on ra d w th fat h
as e f
e r con es so r o f E liz a b th
e t he id wf
w o O t h e L an dgr av e Of
w
,
Th u r in gia T h e poo r o m an su b m d
it t e t o m os t in d ecen t co r po r al p u n is h m en t s ,
w wd
.
hi ch he as killed .
V A RI OU S M A NN RE S or C RO SS -
E xA M I N I N G TH E D E PE N D A N T S .
w
el omed i
c Fr an ce by Lo u is t h e Pio u s Philip t h e Fai r
n , ,
gr av in e an d h er fat h er f
con esso r w ld p b bly h
ou ro a av e bee n t ran s ferr e df ro m t he
a b k app
oo e are di d f n e e n se o f C on r a da s an in qu is itor an d of h is fi d i h d d by
en s ee s
K alt n e r un d er t h e t it le K o n r a d v an M a r b u rg und d ie I n q u i s it i o n i n D eu t s ch
la n d . Pr agu e , 1 88 2 .
3 16 TH E H I STOR Y OF TH E D EV I L .
*
his salary .
H R TIE E CS C ON D M N D
E E To BE B U R N ED .
w
, ,
“
L am o t h e -
L an gon , III .
, p. 299 , an d S ol d an . p . 1 93 .
w
eal hies t most po e rfu l t h e most learned
t , t he w
ere , , w
t h r eat ened alike and even A r chbishop Carr an za t h e pri
, ,
o T HE I R C ON P
r ON ESS I .
w
.
qu i s it or s i n a c i r cu la r le t t e r t o p r o ceed i t h seve ri t y
w
,
“
su mmarily i t hou t ado an d i t hou t any j u di ciary
, , w
Fr . j oan n es N ider ,
S u ev i or di n .
pr a ed i ca t . s . t h eolog pr of es s et h er et ica e
. .
p es t i s i n qu i s i t o r i s ,
li b er i n sig n is de m alefi ci i s cl eo r u m d ecept i o n i b u s .
ho w
w
.
, ,
d w dw hi d h w d
. . . . .
h o rea the
w d
. . .
A wh di d i
. . .
E . Th e e en an t s an d t hei r am ilies . . h
II . II E scu t c eo n o f t he I n qu isit io n .
*
S ee R a y d ad
n al . an n . 1 451 .
3 20 TH E H I ST O R Y OF TH E D EV I L .
w
in hi ch Edelin s case is report ed i as one argu men t
’ ‘ '
cu t or s w
er e pu t do n w .
THE H E R ET I cs
'
D E TH O THE F
A N A G OT s .
w
agreed p u bli cly t o confess all t h e abominable crimes of
hi ch t h e W aldenses had been accu sed A t a p u bli c .
Th e b ki f
oo s requ en t l y app d d t t h
en e o e M alleu s M alef i ca r u m .
w
.
Th e Wit ch -
H am m er .
w
.
s u flocar i e t ex t in gu i
'
s ion of w
it ch craft
w
.
w
.
”
s o f ar as t hey do n ot cont radi ct t h e sa cred canons This .
r
p o bably i n com m e m or at i Of I
on n n oce n t V II . T h e people of h is t im e, t hi k i
n ng
w
.
H u nc m er i t o po t er i t dicer e R o m a pe tre m .
"
3 24 TH E H I STORY OF T H E D E VI L .
n ot t o believe in w ”
i t ch cr aft (haer esis est m ax i m a oper a
m a le y ic
‘
a r u m n o n c r e der e ) Ho eve r if t h e w
a cc u sed ,
w w
,
w w
,
w
boon and her eve r possible commit s u i cide ; f or t or t u re
made of eve ry one a hopeless cripple u nfi t f or ei t he r o rk w
or enj oymen t of life even t ho u gh he mi g h t be r eleased
w w
, .
p o r a ri ly t o s t op p r o c eedin g s A n o lle p r o s as r ec o m
w
.
w
,
h en q
t h e in u is it io n ha d d t h
n e eir Vi ct i m s Ov er h
to t h e secu lar au t ori t ies .
TH E I N Q U I S I T I ON . 3 25
w
,
w w
.
”
t h e noise and for m of la ye r s and j u d g es
w
.
Th e Tor t u r e .
w
and simple b u t it as n ot I t as t h e res u l t of a fi rm
, . w
and deep seat ed reli gi o u s convi ct ion , as may be learned
w
-
fi gu ra — a p
, h rase , w
h h ic as , e sa w ww, as alm os t li terall y repeat e d by P p o e E u ge
n i us I V.
3 26 TH E H I STORY OF T H E D EV I L .
w
.
w w
.
“
I t is t o b e lam d t h at t h e n u m b e r of w
en t e it ch e s in all co u n
t ries is v e ry g re at f o r in d eed t h ere is n o t a v illage b e it ev e r so
s m all w
, ,
. h o pu n is h t h e se crim es
”
again s t G od an d n at u re .
plaint
“
M en an d an im als die t h ro u gh t h e in f am y h es e w
Of t om en
m align i t y o f w
,
an d n o n e d ers t h at it is du e t o t h e
co n s i it ch craf t
T h e re are m an y w
.
h o s u ff e r f ro m serio u s d iseases an d do n ot e ve n
know t h at t h ey are b e w it ch ed ”
.
w
,
ce n t III : again b
a o lis hed it in t h e L at eran Co u n cil 1 2 1 5 Th e
fam o u s law b ook The Sax on M i or w by B ike v o n R epk ow
.
,
rit t e n rr
in t h e y ear 1 2 30 p rov id es t h at if t w
, , ,
t h in g an d t h e n eighb o rs can b e ar n o w w
,
it n ess , the at er o r-
d eal S h all
d ecid e .
”
at er ; accord in g t o t h e ot h er t h e in n ocen ce o f t h e
p re v ail e d t h at it ch e s p o s se s s ed a s pe c ifi c lev it y
an d t h e ru le w The w
, ,
as ad o p t e d t h at at er re fu se d t o rece iv e in it s
‘
w
, , , .
G lor ia
The han gmen t ook p ride in t hei r p rofession and re
g a r ded t hemselves as dis g raced if t hey co u ld n ot make
t hei r vi ct ims confess w
hat ever t h e inqu isi t or s ant ed w
w w w
.
w w
.
,
w
.
w w
,
mi ce an d ve rm in of all sort s
, .
Th e h an gm an b in d s t h e w
o m an w ho w as p re gn an t a d n
p lace s h e r on . o u ld f ain
It ou g ht t o b e S oli D eo Glor ia .
wh
.
*
s u pe rs t i t ions , p 24 0 .
“
T h e re was a farm er by the n am e o f V eit liv in g in a v illage
wf w
,
of S ou t h er n B o h em ia He as am ou s f or h is i t an d u n u s u al
s cally s t ro n g an d w
h w phy i
.
h u m or A t t h e sam e t im e e as h en ev er
t h ere w
.
.
By an d by h e w
,
regard ed as a w
, .
as s o o n s u ppos ed t o b e in leagu e
w i t h t h e E vi l On e N o w it h ap pen ed t h at t h e V illage w
,
as t ro u b led
w it h m ice an d V eit w
.
, as s u sp e ct e d O f h av in g cau s e d t h e p lagu e .
Wh en q ues t io n ed ab ou t it h e gran t ed in a m om en t o f h u m o r t h at
h e had se n t t h e m ice b u t w o u ld s o o n d riv e t h e m aw
,
ay again an d ,
m ak e m ice as ov er
cro w
.
it h a b ig b ag u n d e r h is arm
in t o w h ich h e re qu es t ed t h e co m pan y t o t h rowt w
, ,
e n t y pe bb les
Th ey d id s o w it h o u t n o t icin g t h at t h e b ag w And w
.
as d ou b le h ile
on e part w as e m pt y t h e o t h e r co n t ain ed t w
.
e n t y m ice W h en t h e “
w
.
p e bb le s er e p u t in t h e b a g V e i t m u rm, u r e d a m a gic f o r m u la an d
le t t h e m ice loo s e in t h e pre se n ce o f h is f righ t en e d au d ie n ce
T h is pe rf orm an ce h o w
.
e v er h ad u n ex pe ct e d an d t ragic t e
“
Th e people w ere co n v in ce d t h at it w as t h e w
, ,
s u lt s or k o f h e ll an d
V e it es caped w V e it w
.
,
it h d ifficu lt y f ro m t h e in n as arre s t ed t h e
.
i t n esses
agree d t h at h e w as a ge n u in e w H is case w
,
iz ard as t h o ro u gh ly in
.
v es t igat e d an d ev en t h e U n iv e r s it y o f P ragu e w as co n s u lt ed ; t h e
as
*A
u sg eb u r t en des M en s ch en wh a n s , e in V Olk u ch , Ru d ols t a t d .
TH E I N QU I S I T I ON . 3 33
again st h im and V ei t w
y m ain t ain ed h is in n ocen ce h ad
h
o st ou t l
A t las t h e w
, , ,
t o en d u re all t h e t o rt u re s o f t h e in q u is i t io n as b u rn e d
aliv e an d t h e as h e s o f h is b ody w e re t h ro w n to t he w
.
in d s We
read in t h e re co rd s o f t h e law
.
s u it t h at V e it m o u n t ed t h e s t ak e
-
‘
w it h o u t S h o win g rep e n t an ce or d o in g pe n an ce An d w h en Ch ain s ’
w
.
crie d w
, , ,
v ict io n o f t h is in n o cen t m an
”
.
w w
,
Th e A ng el o f A ug sbu rg .
w
W i t ch p r ose cu t ion as a convenient eapon in t h e
-
w
hands of u ns cru pu lo u s men f or accomplishi n g crooked
ends or sat isfyin g some p ri vat e vengean ce O ne of t h e .
w w
,
w
k n o li t t le or not hin g abou t t h e relat i ons bet een D u ke w
Alb rech t and A gnes ex cep t t hat he cou r t ed h er and t ook
w
,
he bo re t o A gnes
w
.
.
,
w
, ,
w
,
w
. .
w
,
of Basel .
w
,
w
.
Poe t s w
h o have immor t alised h er name ,
*
and th e
*
F lk g
o so n on A gn es die Pern a wi er n C ou n t T h rr in g B ti t t ger
dw
.
Me l hi
c or M y e r F i d i h H bb
r e r c e el Ot t o L u ig (a pos t h u m ous f ag
r
wd
,
w
people of B ava ria amon g hom h er memo ry is s t ill che r
”
ish ed call h er
, t h e an g el of A u g sb u rg
“
.
a:
ll t:
w
a a
u r es
w w
.
w
.
w
,
C ALV I N I M T A RI N D
S E G o w n TH E R O M A N E M PIRE .
R om a C at h li b
n l q
o c u r es u e of the s eve n eent th t y
cen u r .
*
learn t h e t r u t h w
hi ch char act e rises t h e e x ponen t s of Pr ot
*
Th e b ildi
u n g re
pr ese n t in g the E m pi r e b ear s t h e i n scr ipt ion T h e gat es of
“
h ell s
ph all n o t re v ail again s t f it d F
. h T h e G erm an pr i n ce s o f the R e or m e ai t ar e
p i t d
c u re i fli gy i t hn cm p a y f d n il Th C e cot P ala t i F d i k
n V o ev s e ou n ne re er c so n
i l wf t h K i g f E gla d w w f B h ia i
.
,
a -
a o e h n h d j t l t th
o n n o a us os e cro n o o em s se e n
falli g d w O t h igh t h d t h P i E l t f S
, ,
n o n . n e r -
y a L th a a d
an e r n ce ec or o axo n , u er n, n on
t h l ft h
e ed th it y f V
an i e c p t d o f i t j
en ce are
g i t h C al i i t re rese n e as re u s n o o n e v n s s
w
.
T h pi te
p p t
c u re t l id t
ur t t h
or s m m a
o e uc h t h la a l a
a e by o e co on m n a sc o rs c n e rn
t dy i g
s u iptn sc r u re .
W Gi t d h di S h ift t h
as er e u rc e c r v er s a n.
D l h t d G ahl d g ai as M e r as m en m nen an n .
TH E A G E OF TH E REFOR M A T I ON . 34 1
e s t an t i s m is no t i ceable ho w
. It ever t hat t h e mo ral ele
, ,
THE K I N DO M O
G F S A T A N O R THE S EV E N HE AD E D B A T
-
E S or T H E RE V LATI ON
E .
w
be g ins n o t o be bet t er u n de r s t ood as a psycholo gi cal
condi t ion of s u bj e ct ive s t at es .
L u t /zer .
w
Lu t her as in his demonolo gy a r e al ch ild of his
w w w
, ,
“
And w e re t h is wld wi h d
or t ev ils fi lled
T h at t h re at e n t o un do us
We w
ill not fe ar , h at h w
f or G o d ille d
H is t ru t h t o t ri u m ph t h ro u gh u s .
Ou r an cie n t v icio u s f oe
S t ill ks to w o r k h is w
s ee oe
H is craf t an d po w
.
e r are gre at
A n d arm e d w it h c ru e l h at e .
On e ar t h is n ot h is e q u al .
Th e Prin ce Of t h is w o rld
H is b an n e r h as u n f u rle d
A n d yet h e w ill h arm n o n e
F o r h e is all u n d o n e
On e lit t le w o rd d e f e at s h im .
”
w
The Devil as t o Lu t he r a real livi n g po w er a con , ,
g ood Lo r d s han ’
g man and t h e ins t ru men t
, of his an g e r
and pu nishment *
God needs t h e Devil f or a se rv an t and
.
1 25 9)
*
W alch Tzs ch r ed m
'
. , v, 8 39 ; v. 1 1 09 ; v i ii , 1 23 , x, 1 25 7 ; xi i . 4 8 1 . an d 204 3 .
34 4 TH E H I ST ORY OF T HE D EV I L .
m y m in d t o b elie v e T h e re f o re s ee an d co n v in ce y o u rself t o y o u r
w
.
o n f
s at is ac t io n ,
le s t y o u be m is t ak e n an d I m ay b e m is t ak e n
t h ro u gh
w
.
T EHP O A PR O E A T C O
T AT I H .
P du alism T ST N N CE .
O v TI H or L
a wd
Lu t he r dem an ded t h at
.
G er m n t f t h t im
oo f L th
cu o e e o u er .
Ch ri s t shou ld n ot only be
r e co gnised as t h e Sa v io u r of mankind bu t t hat eve ry man ,
A ng d z A n n alcs
'
Al a r ch za: B r a n d en b u r g i a c
'
, p .
3 26 (
q ot e
u d by So l da n, p
The o rigi n al rea s d R ogo t e , o m n ia v elis ce r t iss i m e e x plorat e , n e su b
it
b
t i i qu oqu e n e f allare e t e go per te falla r .
TH E A G E OF T H E R EFOR M A T I ON . 34 5
TH E R A E C F OR FO RT UN E .
wd
.
rese n t e di n th e oo cu t o n t h e oppos it e a
p ge .
( Aft e r H e n n e b e rg s
'
Oil pain t in g .
)
L u t h er
’
s S u ccessor s .
While L u t he r
ins t inct ively abho rr ed pe r secu t ions Of
any kind he st il l re t ained t hose beliefs hich e r e t h e
, w w
u lt ima t e ca u se of w
i t ch p rosecu t io n W e m u s t t he refo re .
, ,
,
34 6 TH E H I STORY .
OF T H E D EV I L .
w
fo llo e rs con ce rnin g t h e e x ist en ce po e r nat u re and , w , ,
demeano r of devils
w w
.
w ww
me n t and se rio u s in his demand t hat eve ry one pe r son
ally sho u ld hones t ly a g e a ar it h t h e po e r s of evil
and t hat no chu rch no
w ,
fo rm u las or ri t u als h ad
any savin g po e r Lu w
w
.
D za bolor u m hi ch ”
as
'
, w ,
“
t h e t i t le says is a u sefu l ,
”
and sensible book con ,
t ains a g r ea t n u mbe r of es
THE D U L or
w
’ ‘
v NCH AST I I Y
say s
G m
er an oo cu , us r n e su
(T f t h R f m t
im e O )e e or a i on
J Odocu s H ocker u s O s u a
b u r g en s is H erm an n u s H am elm an n u s A n d r eas M u s cu l u s
, , ,
w
.
1 . S ATA N A TTIR D
, E AS A B I H O P L AY
S . S S THE
p R EAC H E R z AC H A R I A J H W TH I TH E 3 . T H E S ON I S S LA I N .
A S S l S T A N C E OF T H E coox .
2 . AT A N A PP A R
S E D I SG U I E
S IN E 4 A T A N A N N S D A TH
AT T HO T H . S NOU CES T H E E F E
V I N T AG E . O M OU TH O HE LL S N AT T H E F .
SC E N E FR OM M JA OB R U P R L I I OU D R A M A V O E H R R N W
'
w PL O
S C N D
’
. F S E GTE S ss E E I N G AR N
E 1N PS
H UI CH N S XM A TH O A M GEZM AR O A M LU A M
GEN U sz E 21 , C 1 2, C A
0 C P
2 A lT E L ( P f m d at Z i h 5 3 9 A D
er or e M ay ur c , 1 . .
, on
F m K O k af t ro t mp a
n n ec e ill t at i er co n e o r n eous us r on s .
TH E A G E OF TH E R EFOR M A T I ON . 34 9
M A C EE T H C ON U L TI N THE W IT
S G C H ES .
350 TH E H I ST OR Y OF T H E D EVI L .
w
,
S /zakespear e .
C u lt u re w h ole w
h ich s m o o t h t h e w o r ld lick s
A ls o u n t o t h e D ev il s t icks .
w w
,
”
childhood t hat fea r s a pain t ed Devil and one fiend as
w w
, ,
w
.
”
“
The Devil , e r ead in Hamle t hat h po e r t o as ,
“
w
,
an o t h er d es cen d t o t h e d e e pes t w
, ,
”
, ells .
T h at w
,
e m u s t ch an ge f o r h e av e n ? t h is m o u rn f u l glo o m
is So ran can d is po se an d b id
v ,
A b ov e h is e q u als F are w
,
e ll h appy fi e ld s
W h ere joy f or ev er d w
.
, ,
o rld an d t h o u pro f o u n d es t h ll e
R eceiv e t h y n ew w
,
p o ss e s so r o n e h o b r in gs
A m in d n o t t o be C h an ged by place or t im e
T h e m in d is it s o w
.
n p lace an d in it s e lf ,
C an m ak e a h e av en o f h e ll a h ell o f h e aven
W h at m at t er w
, .
h ere if I b e s t ill t h e s am e
An d w
, ,
h at I sh ou ld b e all b u t less t h an h e
W h om t h u n d er h at h m ad e gre at er ? H ere at le ast
W e sh all b e free t h e A lm igh t y h at h n o t b u ilt
H ere f or h is en y w ill n o t d riv e u s h e n ce
v
T o reign is w o rt h am b it io n t h o u gh in h e ll ,
L eft f o r re pe n t an ce , n o n e f or pard o n le ft ?
N on e lef t b u t by s u b m iss ion an d
w
And h o n oble appear s Milt on s Sat an ! Milt on per ’
In h ape
s an d ge s t u re pro u d ly e m in e n t
St o od lik e a to w er
.
”
o f old w
, ,
om en h as b eco m e a gian t an d a h e ro
, .
el ,
co m es h is d e f e at an d h is t o rm en t s as a l y a lib t y and a j
g o r e r , o y , .
w
.
w w
,
TH E N AT R AL ST ATE
U or M AN . TH E H O LY G H O T I LL U MI N E THE H EA R
S S T .
The D ev i l i n t ize H u m an H ea r t .
w
,
TH E H O L Y TRI IT Y R E I D
N S ES I N THE NE wTEM T ATIP N
O S .
H E A RT .
e sho w
.
The fi s pi r s h h man
t ct u r heart in it s n at
t e u
w
,
s even ot he r spi r i t s mo r e w
,
S AT A N '
S RE T R N W ITH S N OTH R
U EV E E TH E I M PI O US M AN 15 D OO M D W H N H
E E E
S PIRIT S M O R W I K D TH A N H
E C E I M SE L E . D I ES .
o r se t han t h e fi r s t .
w
nal bliss of Heaven ; hile t h e ei gh t h pi ct u r e e x hibi t s
t h e doom of t h e lat t e r w
h o is los t fo reve r in Hell .
w w
,
A H A RT F O
E RT I F I B D I N C HRI T
S . THE PI O US M AN IS S AV D AT D ATH
E E .
en cie s hi h d w
w c ell in i The psy cholo gy w
t . hi ch lies at
t h e bo t t om of t h e au t ho r s belief is n ot clearly pro
’
,
c o u n t r ies
w w
.
*
be rg and Jean Bodi n a F ren ch m an l The S u ff ra g an
, , .
‘ ‘
i t h all t h e s u pe rs t i t ion
of t he Middle A g es ; Mart in D elrio J l a J es u i t deems a
w
,
{ D e M ag or u m d ce m on om a u ia s ea d et es t a n do la m i a r u m et Al ag o r u m cu m
S a t a na co m m er cio , 1 5 79 .
I Tr a ct a t u s d e co n
f es s i o n ibu s m a le co r u m fi ct s ag a r u m 1 5 89
w
.
,
ID em ou olog ie , 1 597 . S ee d
also t h e a v ice t o su ppress i h f
t c cra t , given t o h is
S on in t h e secon db k oo of h is B a s i li con D ar on , 1 5 99 .
1T
D is qm s it io n es m ag icae, 1 5 99
’
'
.
T H E A G E OF T H E R EF OR M A T I ON . 361
rm w
m
m
/ en
a ca
m
w
3a
sm m
m am a
m a
x s 3.an
m
J .
m m
lm nm h m m om zm m m
Carpz ov J r ( 1 595
, . o f Lei ps i c f o llo in g in t h e ,
w
foo t s t eps of his fat he r condemned mo r e t han a h u ndred
,
S en si ble Pr elat es .
F AC S
-
IMI L E THE C ON TR A T W HI H U RB A N G
OF C C I R PO RT D
R A N DI E R S E E To HAV E
M AD W ITH
E D V I L A N D W HI H W
TH E E . PR O D U E D A N D
C AS C
A PT D
C CE E VID N
E As I N C OU RT
E CE .
TH E A G E OF TH E REFOR M A T I ON . 3 65
w w
,
w w
,
w
M u ch has been said and ri t t en abou t t h e cru elt y of
the w
R oman Cat holi c me t hods of i t ch p r ose cu t ion b u t -
,
366 I
T H E H ST O RY OF T H E D EVI L .
the w
Prot est an t s er e n ot a hit be t t e r ex cept perhaps w ,
A u gu s t 5 :
“
Th e case b m it t ed f o r an o t h e r rev is ion d u rin g w
was s u h ich ,
er : Ye s !
)
Seco n d ly I lse w
,
h e t h e r h er m o t h er h ad giv en h e r an in cu b u s
w w
,
( a n s e r : Y es ! ) an d t h ird ly C a t h ar in e h e t h e r s h e h ad g iv en a n
in cu b u s t o I ls e ; (an s w
,
er : Y e s !
) T h e re u po n t h e N o t ary M r A n t o n
, ,
en t t o t h e
as an y add it io n al grie v an ce as b ro k en
.
,
t ab le an d C h airs o f t h e co u rt u ps et an d t h e p ro ce s sio n m o v e d o u t ,
ay E ach o n e o f t h e t h ree
w it ch es w
.
w it h a ro pe by a h an gm an A t t h e s am e t im e s ix arm e d cit iz en s
.
it h ex h or ta t io n s an d s in gin g
o f hy m n s
“
as m ad e an d S u s an n a
w as le d r o u n d u n t il t h e pu b lic h ad fi n is h e d s in gin g t h e hy m n G od
o u r f at h er d w e ll w it h u s
’
.
,
See H orst ,
Za u ber bibli ot h ek, 2. pp .
4 1 1 -
4 3.
1 qu ot ed f rom h d
R eic ar t V . ol
. I .
,
1 00 1 26
pp
-
. .
3 68 TH E H I STORY OF TH E D EV IL .
”
of farces had t hey n ot led t o event s so t r agi cal The .
C h arged again s t h im by t h e P u t n am s b e in t h at h i i t d t
g e n s s e s re n u
co u ld do an d t h is t o ge t h er w it h h is s t raigh t f or w
,
au ces at t h e e x e c u t io n s h oo k t h e f ai t h o f m an y in t h e reali t y o f
,
President W hit e c on t in u es
“
E re lo n g it k n ow n t h at o n e o f t h e girls h ad ackn o w
w as l
ed ged t h at sh e h ad b e lie d s o m e perso n s w h o h ad b ee n ex e cu t ed ,
P ers o n s w ho w
.
,
n es s b u t t h is f o r a t i m e av aile d n o t h in g o u ld n o t
co n f e s s w e re t ie d u p an d p u t t o a s o rt o f t o r t u re w h ich w
.
as eff ec
m in at ed . S ee in g t h at h is d o o m w as cert ain , an d w
i h
s i ng t o pre
T H E A G E OF T H E R E F O R M A T I ON . 3 69
w
, ,
as pre ssed o u t o f h is m o u t h
t h e s h eriff w it h h is w
,
The p resen t g ene rat ion may ell smile at his mis
t aken r eli g io u s no t ions ; bu t gr an t in g him t hat t h e old
w
pent s , h o s t ops t h e su n in his cou rse r eve rses t h e
w
,
M oli t or an d Er asm u s .
w
H E horr or s of Devil o rship of t h e I nqu isi t ion and
w w
, ,
w w w
,
ve ry slo ly o n ly h en t h e li gh t of s cien ce hi ch is t h e
w
, ,
w
,
r aised at t h e t ime w
hen t h e t o inq u isit or s Sp ren g e r and
I n st it u t oris fo rt ified
, w
i t h t h e u nequ ivo cal au t hor i t y of
his Holiness t h e Pope car ried on t hei r criminal prof es
w
,
w
,
w
The t ime as n ot y et ripe ; t h e people st ill clu n g t o
t h e belief in V isions and mi ra cles d r eams appari t ion s , ,
Gr ii n b eck s ’
Ne n t er p r et a t ion f
o S t r ang e M ir acles ,
w
hi h appear ed in t h e year 1 507) at t ract ed t h e at t ent ion
c
w
of t h e orld and passed f or divine revelat ions The more
w w
.
*
cei v ed .
21 1 4 98
, The ex e cu t ion had t o be delayed u n t il anot her
.
han gman co u ld be procu red l Ano t her case is ment ioned ' ‘
w
.
*
C rosses w ere seen ev er yw
h ere ; in the dress of t h e people an d in t h e sky
also cro w n s of h
t or n s , n ails , scou rges . e t c .
, whi h c cau se d h
t h e B is op of L iege to
d
o r er s pecial fa t s s an d call t h e em peror s at ten t ion t o t h e
’
da n gers h
t at t h reat en e d
the w ld or .
{ Sc lagehn W i en er S ki z z en a us d em M i t t ela lt er , II .
, n . F p 3 5
.
; m en t ion e d
by R oskofl I I , p 294 K b n ig an d o t ers
'
. . . h .
1 H ex enpr oces s e,
p . 255 .
Q uote di n N eu e Zu s at z e
‘
da m an u m
T H E A B OL T ON OF I I W I T CH PR OSECUT I ON
-
. 3 73
w
,
( La t in W ie
“
ru s
”
or P iscin ari u s
”
)
“
He a s bo r n in
G rave 1 5 1 5 had s t u died medi cine in Paris and t r avelled
w
, , ,
w w
, ,
t ion
w
.
r w w
eact ion follo ed H o litt le , aft e r all , W eie r su cceeded
w w
.
i n g a compact i t h t h e Devil “
t o b e b r ou gh t fr om lif e t o
”
deat h on t h e fag ot .
w
.
*
B u rr of Co rnell U nive r si t y .
Adam Tan n er l ( —
) and Pa l L
1 5 72 1 6 3 2 m a
'
a
‘
u y n n
( 1 5 75 t o Jes wu i t s of So u t h Ge r many s t r on g ly
w
,
“
gr an t him a Ch r is t ian b u r ial , be ca u se a hai r y li t t l e
‘
See Th e N e wY or k E v en i ng Pos t , N ov em b
er 1 3 , 1 8 86 .
zb .
, II .
, p .
5 72 , an d R oskofi . IL .
p.
3 08 .
TH E H I ST ORY OF T H E D EVI L .
an ce o r d ef en ce h o w ev er h o n es t ly it m ay b e co n d u ct e d
, F o r it is .
A n d ev en if an at t orn ey w
,
F RIE D RI HC V ON SP EE .
f
A t er a p h o t ogr ap h of t h e oil pict u re in t h e M au ellen - G ym n asiu m at C ologn e .
allo wd
e t o t h e p ris o n e r , t h e fo rm er w
o u ld f ro m t h e o u t se t b e s u s
s peak n o r w I sw
,
, h o co u ld be
T H E A B OL I T I ON OF W I T CH PR OS E CUT I ON
-
. 3 77
d
s ai to h av e b een d u ly con v ict ed an d t w o ot h e r pas t o rs m ad e m e
ay as t h o s e u n fo rt u n at e
w
, , ,
on es m ak e u s u n d e r o t h e s am e t o rt u res an d i ll i t
g y o u co n v c u s
all as w
, ,
iz ard s .
”
A bat em en t o f W it ch -
Pr osecu t ion
H or st
( in his Z a u be r bi blio t h eh V i 3 1 0 ) p u blishes , .
,
w w
.
, w
in Geneva S it zerland it ceased in 1 63 2 , .
38 0 TH E H I ST O R Y OF T H E D EV I L .
An d so m e k n av ish t rick s
f o r p u t t in g
U po n gree n ge ese o r t u rk ey C h ick s
Or pigs t h at s u dd e n ly d ece ase d
Of gr ie f s u n n at u r al as h e gu e ss d ,
’
i t ch
A n d m ad e a r o d f or h is o w n b re e ch
”
.
Wi t ch p rose cu t io n
-
w
finally abolished in E n g land
as
of Gab riel N au dé an d fo u nd
many follo e rs b u t D r w , .
up ag ains t Glanville s ’
s u pe r s t i t io u s p roposi t ions .
t h e E n g lish g ove rn me n t
o rde red M r H u n t a j u st i ce .
,
of t h e peace of Somer se t ,
t o s t op him .
A t t h e end of t h e seven
B AL TH A A R B S E E xE R .
*
w w
,
*
R p d
e ro d f
u ce th p t i t
ro m t h t i
e t lo r ra
p g f D i b onb t lV lte( t h e a e o e ez a u er e e e
fi tG
rs t
erm an lat i
ran s f D b t d W
on o eld ) e o v er e ee r e .
T H E A B OL T O I I N OF W I T C H PROS E CUT I ON
-
.
sin ,s w
h openly and sq a ely deno n ed w
o u r i h af as a
u c t c cr t
B E R I G H T .
A ?
c
Hero N ant at ot mu nd an eban ut ilateftaat / sp utu m m
ban B A R E N D B E E x , M
m u m /
m da t b y b efi g a s m erdaw
u rm ur: in but
t Bo ekt e dm kke n :
t cut / his: m et film fi m banh Dat bp Barcud Beck utet or hear t cube
f
l cube beat in
o ht t hlaa t t h m
M
w
h m
a btm t lth o i bt t iflt ooit l ts t s a utum n g en b m b m am: m
w
e n t n t t t t n e e c ;
m m m a te bchtn bm hm fu r
w
u .
B E ER ER
’
S A U T O R A PH
G
h a d wit i
.
R epro d u ce df ro m h is o rigin al n r ng in t h e fi rs t D u tc h d it i
e on of
C HRI TI A
S N T H OM AS I U S .
d
Re u ce df ro m a copper en grav in g by M . B ern igrot h .
pily t hey and t hei r libe rat o rs a det ached t roop of lan ce rs
w
, ,
w
s t at u e and as on ce mo re requ es t ed t o confess The n
w
, .
”
in h er arms t h e mos t obd u r at e sinne r ill confess
w
,
w ww w
.
, ,
Th e J esu it
F at her Cau s sin t h e fat he r confesso r of
°
w
, ,
days as follo s
,
h at h e ll
is A s k T ert u llian . H e w
ill t e ll
g e t h e r A s k H u go o f S t V i c t o r
He w ill an s w
. . .
er H e ll is an ‘
aby s s w it h o u t a b o t t o m w h ich ,
w
,
‘
I t is an e t e rn al
p o o l o f fi re ,
’
SC H OTT E L
’
S W HEE L or HE LL .
sa s y St j oh n
d iv in e ( R e the v
it h o u t life !
, it h o u t n d , e
“
Th i s as wll
e as t h e qu o t at i on s f ollo w
i g
n are t a enk f ro m
J . Sc h ibl
e e, V ol . I .
,
a
p ges 1 96 6 .
386 TH E H I STORY OF TH E D EV IL .
in hi ch he e x plained t h e t o rt u r es of t h e i r o n heel of
e t e r nal hell t o rt u re :
D e ar re ad er h e s ays lo o k at t h is w
”
h eel all ro u n d an d
“
re ad care f u lly w h at is w H ow
, ,
ri t t e n o n it m u ch t im e an d s u ff e r
in g h ow
.
, m u ch an x ie t y an d t o rt u re o f d e sp air m u s t b e go n e t h ro u gh ,
p p fl am es w it h w e e p in g an d w
, , ,
i-
e ailin g an d g n ash in g o f t ee t h
in fi n i t e ; w
,
m u s t t u rn r o u n d m an y h u n d re d a m illio a d m illio n s o f m il
y e n n
lio n s o f t im e s an d can n ev er w ax o ld n ev er p e r is h n ev er b e w
, ,
, orn, ,
c lu de an d fi n d o u t by refle x io n t h is all d is co m f o r t in al l t ib l
g e r r e - -
On e m igh t grow
, ,
in s an e w
-
.
w
.
C an t h e re b e w o rs e m is e r y ? I n d eed t h ere is n o t ; f o r f ro m
o f t h e d am n ed w
,
‘
W oe oe
’
t h us t he ‘
e go n e W 6
o u ld b e lie v e u s ; t h e y w
, ,
m iserab le cre at u r e s ? Oh t h at m e n w o u ld
Q
n eve r f all in t o s in ’
D eat h w
.
‘
h e re ar t t hou ?
h u n d er b olt s slay u s ! O O t
G od w
-
e w an t t o die f o r w
, .
, ,
, e c an n o t e n d u re t h es e pain s
A las ! I n v ain y o u w
,
“
ish f o r d e at h y e s o u ls los t in e t e rn i ty ,
.
H ow
, .
E v e n a t oo t h ach e y o u c ou ld n o t e n d u re fo re v er
“
m u ch .
e ? -
To n igh t y o u go t o b ed i n y o u r s in an d t o m o rrow
“ -
y o u m ay -
w
,
ake u p b u r n in i t h fi f H ll
”
g n e r e s o e .
These des cript ions of hell are in all t hei r essent ial ,
”
feat u res st ill cu rr ent in darkes t Eu rope and also in
,
”
darkes t Ame ri ca The pi ct u re of hell he r e repr o
.
,
w w
.
ww w
, ,
S ch w
en t er an d K i r cher .
w
o rder B u t hat eve r may be said ag ainst t h e Jes u i t s
w
,
w
, ,
w
, ,
w w
.
co u ld n ot b u t e x e rcise a holesome i n flu en ce .
on t h e t heo ry t h at t h e ma
j y
o ri t of diseases a r ose f r om
demoniacal possession and
he cu r ed himself and his
parishioner s by e x o rcism .
de clared he as a Charla
t an , w
hile o t he r s believed
in him .
Mesme r at t h e req u es t
,
of t h e Ele ct o r of Bavari a ,
“
me n t ion a hu mble pet it ion f or info r mat ion t o t h e great
w
men h o do no lon g e r believe in a Devil ”
r i t t en , w
anonymou sly fr om t h e ort h od s t andpoint by Professo r
K Ost er of Giessen edit o r of a r eli gi o u s pe riodi cal It
w
,
w
,
.
w
,
”
sen g er and Spy of t h e sy n ago gu e and decl arin g t h e ,
“
I had r at her t hat t h e people fear God t han t h e De vil
w
.
”
ado r nmen t .
w
, ,
ni n et een t h ce n t u ry co u ld begi n t o s t u dy t h e q u es t io n im
par t ially in it s his t o ri cal and philosophi cal fou ndat i ons .
“ ”
as an hist o ri cal person He is in t h e begi n n in g only
.
in gly g ives e x is t en ce t o t h e De v il
, L ii cke opposes M ar
.
“
t en sen : The Devil as a symbol is absolu t ely bad bu t ,
w
.
,
w
m u ch Ch ris t ian and Je ish as pag an ; it is a s u rvival of
w
,
w w
,
”
espe cially his snee r Similarly , ano t he r Ge rman t heo
w
.
w
.
, ,
“ ”
t hat he h o denies Sat an cannot t ru ly confess Ch ri s t
w w
, .
S ciou s n e ss . Fr ( in
. Z ei f g
t r R ei ff
a en des ch r zst li ch en
as f or t h e t r adi t ional idea t hat ev il and sin are act u ali t ies .
w
t heo ry t h e same vie s as in t h e Middle A g es ; b u t t h e
w
se cu la r au t ho ri t ies ill neve r a g ain allo t hemselves t o w
be influ en ced in t hei r le g al p ro ceedin g s by t h e opinion s
of inqu isit o r s .
*
GOr re S one of t h e ables t an d most moder n defend
.
w w w
,
”
medi cal vie of his t orians h o reg ard i t ch p rose ou -
”
r e g a rds it chcraft as t h e produ ct of her esy , and calls
“
” ”
t h e fo r me r a co u sin and a dau gh t er of t h e lat t er
“ “
.
.
, . .
rom .
p . 23 9. rom . .
, 66 .
th e ir j ou rn al ( 1 8 77) yearn f o r it s t e est ab lish m e n t ; Ort i y L ara in -
g i u m t a k e t h e s am e t o n e ; i t is a re m a rk ab l e p h en o m e n o n d u e ,
p a r t ly t o d e s p a ir a t t h e p g
r o re ss o f s o c ie t y p a rt l y t o t h e f an a t,
icis m
o f t h e lat e
p p
o e P i u s, I X I t is h a.r d ly c re d ib le t h a t a n
y o n e can
*
amon g t hem membe r s of t h e hi gher clergy .
Mr E P E vans
. . . h o qu ot es t h e cu r io u s o ccu r
, w
*
r en ce fu rnishes ano t he r in t erest i n g fact He says
, .
o rd in ary in t e lli en ce an d m o re t h o ro u h ly im b u ed w
.
g g it h t h e m o d e rn
s piri t t h an an o f h i d t h o m o d a n d is s u ed
y s p re ece s s o rs y e e c p s e
, ,
et A n
‘
r
g elo : A p os t a t as H is. H o
’
lin e ss n e v e r f a il s t o r e p e a t t h i s ex o r c is m
w
,
C le rgy as a o t t m a f a d i ff t h at t a k o f S a t a n an d
p e n e n s o r n g o e c s
cas t in g o u t d ev ils .
e s
rn g
C o m e j o in o u r arm y t h e f oe m u s t b e d riv en
T o j e s u s o u r capt ain t h e w
,
o r ld s h all b e giv en
I f h ell s h o u ld s u rro u n d u s w
, , .
e ll p res s t h ro u gh t h e t h ro n g
’
.
w
The follo in g vi g oro u s ve rse reminds one of Par
seeis m :
Ch rist ian h ee w
ro u s e t ar is ragin g
G od an d fi en d s are b at t le w
, , .
agin g
E v e ry r an s o m ed po w
,
e r en gagin g ,
o rld ly s ch e m in g ,
I h at e h im an d h e h at e s m e .
H e h ad m e o n ce , b u t h e le t m e g ,
o
He w an t s m e again , bu t I w
ill n ot go .
w
.
,
w
The inqu isi t o r s and it ch p rose cu t or s ere by no
-
w
m eans s co u n d r els p u r e an d simple Mos t ass u redly t here
w
.
w
people h o promo t ed t h e poli cy a mat t e r of cons cien ce ;
,
w w
,
”
r efu se t o confess
w w
.
w
,
w w
.
g r osses t e rr o w
r s ,ill if t hey have t hei w
r ay find , e x p r es
sion in t h e g rossest abominat ions of mis gu ided condu ct .
g ion
w w
.
w
,
.
w
.
w
,
w
Those h o do u b t t h e reli g io u s impo rt of s cience
w
need only consider hat s cience has done f or mankind by
t h e r adi cal aboli t ion of w w
i t ch p r osecu t ion and t hey i ll
-
w
b u t t hat it is t h e mos t po er fu l fact o r in t h e pu rifi cat ion
of t h e reli gions of man kind
w
.
life of int e rnat ional in t e rco u r se and all ser iou s move
w
, ,
w
o n ly on t h e gr ou nd t hat it is one it h s cie n t ifi c t r u t h .
he w
is cr edi t ed it h in novat ions of all kinds , t h e aspirat ion
w
f or imp rovemen t as ell as t h e desi r e f or t h e ove rt hr o w
w w
of la and o rder I n a o rd he is char act er ised as t h e
.
,
D evi l S t or ies
w
, ,
w
.
w
, ,
w
.
I N V ER S E AN D FA B L E . 4 09
w
.
t ion is s t ill e x t an t
, St Je rome r i t es . .
s u n b u rn t lo n e lin ess c , hi h
s e rv e s as an h ab it at io n t o t h e m o n k s ,
re t ch e d r ags m
y
s k in s u n b u rn t lik e an E t h io p ian s N o d ay pa s se d w
, , ,
it h ou t t e ars an d
’
an d w
.
d rin k e v e n if s ick on ly w
.
,
at e r an d re gard C o o k in g as a lu x u ry
A n d if I w
, , , .
h o h ad con d e m n ed m y se lf f ro m fe ar o f h e ll t o s u ch a
life w it h ou t an y o t h e r s o cie t y t h an sco rpion s an d w
,
ild b e as t s
o f t en im agin ed m y se lf s u r ro u n de d by d an cin g girls m y f ace w
, ,
as
w w
,
p a le f ro m f as t in g b u t in t h e c o ld b o dy t h e s o u l a s b u rn in g it h
d esires an d in a m an w h o s e fl es h w as d ead t h e fl am es o f lu s t w
,
er e
e t t ed
it h m y h air an d s u bd u e d t h e
re b ellio u s fl e s h by f as t s o f a w h ole w
, ,
ee k I am n o t ash am ed t o .
co n f es s m y m is e ry ; I am r at h er so rry f o r n o lo n ge r b e in g s u ch as
Iw as I re m e m b er st ill h ow o f t en w h en fas t in g an d w e ep in g t h e
n igh t f o llow ed t h e d ay an d h o w
.
, ,
u n t il at t h e co m m an d o f G o d pe ace h ad re t u r n e d
”
.
TH E H I ST ORY OF T H E D EV I L .
w
He de cides t o have a son h o shall u ndo Ch ris t s ork ’
w
,
w
,
w
.
seve rest penance , and hen h er t ime came she had a son
w hose hai ry appear an ce be t rayed his diaboli cal pa ren t
ag e w w
The child ho eve r as bap t ised and received t h e
w
,
.
,
w w
,
On t h e r i gh t side of t h e hi gh al t a r of t h e ch u r ch of
St Denys n ea r Paris a bas relief ill u s t r at es t h e leg en d
'
, ,
w
.
ww
.
DE M ON ON THE T OM O D
S E E AG OS E R T .
w
h w
e e abo o r as t him i n t o a vol cano A t las t his
ut to c .
w
son s h o d r ove o ff t h e devils and i t h son g s of t ri u mph
, , w
”
conveyed t h e r es cu ed so u l t o Ab r aham s bosom
’
w
.
t o i r es d e F r a n ce , t ii p 5 93
. . . . D idro n Ch r i s t i a n I co n og r aphy ii p 1 3 2
, , . . .
I N VER SE AND FA B LE . 4 13
w
kno n and need no fu rt he r commen t The u nde rlyin g
w w
.
w
,
h e ad is t h po y o f go ld o r o f
‘
e n
fi gu r o f t h e h y e L o rd o f t h e
e
Th e f als e G o d t h at
’
co u n t r e e .
b li d et h h im t h at t r et h h is
n u n
ey s t o w
e ard h im a d m ak e t h s n
fo ols t o b n d t h e ir ey s d ow e e n
w ard T h is G o d by w
s . h o m Sh e
h at h b e n d isfi gu re d a d d
e n e
f am e d is A v arice T h e h an d s
b eh in d lik e griffi n s C law
.
C O V ET OU N E
’
s are t o S SS .
s y m b o lis R ap in e Co u t t b u rs e (F m t h m a
e ipt , py i t h L i e ,
ro e n u scr -
co n e
“
In t he h a d s sh e h o ld s a b o w
n ex t p ail f o r alm s o r f o r
r o f n
t h e m o n ey S h e e x t ort s t h ro u gh b e ggary an d a h oo k w it h w
,
h ich , ,
sh e e n t e r s t h e h o u se o f Ch r is t an d se iz s h is s e rv an t s T ak in g e
t h e ir c ro z ie r s an d S h e ph erd s c r o o k s s h e f u r n is h e s t h e m w
.
it h t h is
’
,
an d t h is h an d is n am e d S im o n y I n t h e n e t h an d s s h e h o ld s a . x
f alse le n gt h s w it h t h e b alan ce s s h e w
, , .
,
e igh s f als e m eas u re an d in t o ,
*
A m an u scr ipt co p -
y of an o ld E n glis h t ran s lat io n ex is t s in t h e U n ivers it y
Libayr r of C am b id g
r e, E n glan d .
4 14 TH E H I ST OR Y OF TH E D EV I L .
t he p u r s e sh e p u t s t h e ill -
w
on g ai n s o f h e r t re ach ery , gam
b lin g ,
an d d is h o n e s t y R ou n d h er n eck h an gs a b ag an d n ot h in g t h at is
.
,
ro t .
D ev i l Con t r acts
The Devil fi gh t i n g w
i t h God f or t h e possession o f
w
,
FA U T S I N I
S G NG THE C ON TR A T W ITH
C TH E D EV 1L I N B LOOD .
B
( y F S
r an z i
'
m rn
i t h t h e Devil ; and it is o rt hy
of no t e t hat in t hese compact s t h e Devil is ve ry carefu l
TH E H I ST ORY OF T H E D EV I L .
T H E L EG E N THEO PHI L U
D or S .
F ro m d
M on k C on ra
’
s illu m in e d M S (Th i t t h C r een en t u ry ; M o n as t er yS h
c eiern
wi
.
No n t h R y al L ib
e o y f M
r ar o u n ic h)
.
IN V E RS E AND FA B L E . 417
w
.
c
’
w
h u rch s name in hich he had r ead Mass t h e ot her day
w as
“
The Holy C r oss of Jeru salem ”
The Pope kne . w
at on ce t hat he had t o die He g at he red all t h e cardinals
.
w
di ff e ren t ay The re is no penan ce on t h e part of t h e
.
o cal pr ophecy
w
.
“
o rt hy pr ede cesso rs as mons t e r s of more
t han h u man iniqu i t y and as Ant i ch ris t si t t in g in t h e
“
, ,
w
papal poli cy fo r eshado in g in his aims bo t h t h e p ret en
,
t h e sa g a of D r Joh an n es F au s t u s
. W he t her t h e hero
.
the w
Devil orks his mi r acles by t h e black art and pays
w
, ,
, ,
F AU ST R I D I N G O A B A RR L O
N E U T or A U E R EA CH
’
S C E LLA R . F resco .
T H E SE N E I LL U I ON
S -
S S or T H E R O I T OU S S T U D E N TS A N D F A U ST s
’
E SC PE A .
(A ft er P C or n eliu s )
. .
classi c beau t y .
v rv s l u n
. . on o m oA R x m aso n r A v s 'r I H Y I V S E T v s
1 .0 m m . I A DB R A I cL AYD O H n Ic ALTE R “ A W LA J H RA D V 15 25
' ‘
FA U ST E JO N YIN G H I M SE L E I N A U E R EAC H
’
S CE LL A R F . resco .
M E PHI TOPHE LE
S S H AV I N FA U T B U RI D
G S E EY D EV I L S .
( A f
t e r R e t z s ch .
)
w
o kr and all inqu i ry int o t h e mys t eries of nat u re as
, w
r e g arded as ma i c
g Think only
. of R o g e r Ba con t ha t ,
w
-
w
,
Th e F a u st L eg en d .
w
,
w
kno ledg e A cco rdin g t o Marlo e s Fau s t u s Lu cifer
. w ’
,
”
pride . Mephis t opheles seems t o r e g re t b u t F au st u s ,
F o r b e in g d epriv e d o f t h j oy s o f h e av en ?
e
L e ar t h o u o f F au s t s m an ly f o r t it u d e
n u ,
A n d s co rn t h o s e j o y s t h o n ev e r s h alt p o s s e s s
u .
the w
o ds r f: (man
H fly
om o ! ) This s t a
ug er t les F au
, s t ,
b u t he r emains resol u t e
w
.
w
.
w
.
,
t h e ho u se w
.
w
,
w
.
.
w
,
w
,
SO N ! PL E A S A N T R I B S 0 ? B L AC K M A G I C . “ I R A Q I- I S A N D C O N J U R A T I O N S
W I DM A N '
S F A U ST .
(R d
e df
u ce rom Sch eib le
’
s R epro d u ct io n s .
)
WAG N E R CON J U R I N G T H ! D E V I L A U I R II A N .
'
'
A U I R R A N S S E R V I C ES .
W AG N E R
’
S jo xl s . L A S T H O U R S A N D D EA T H .
C HRI TOPH WA N ER
S G .
(F rom an old p p
o ular d it i
e on , illustrat ed by J . H isle )
.
IN V ER S E AN D FA B L E . 4 29
w
.
w
a boy t o ri t e t h e g reat d rama w hi ch be came t h e most
w
,
.
The F au s t le g e n d fo u nd a con t i n u at io n in t h e s t o ry
-
w w
, .
, ,
w
-
Goet h e ’
s F aust .
w
.
F au s t :
“
A d s u ch a t h ro n g I fain w
n o u ld see ,
cl u t ch es
. I n Goet he s F au s t t h e my t holo gy of t h e s t o ry
’
H u m or zst s .
Old N i ck ou ld n ot da re
t o admi t a L an ds h n ech t of
w
.
h o (so f ar as I am a are )
w
as w ise eno u gh t o t ake ,
as a mat t e r of p ri n ciple a ,
w
h u mo r ou s V ie of t h e Devi l
and hell as w
Dio n ysi u s
Klei n In .h i s Tr og i t o
Com ce dia pu blished in t h e
,
t rip bo t h t o heaven an d t o
t h e infe rn al r e g ion hi ch , w
la t t e r place is r epo rt ed t o
w w w w
be ell eq u ipped i t h at e r po e r an d g ood machine ry
-
w
,
w
.
w
,
”
of t h e D evi l in vain I n Germany and Fr an ce h o
.
,
w
feelin g s of a ell b red E n glishman
-
.
H E LL A C C OR DIN G To D I ON Y I U
S S K L I N T R A I O C OM
E
'
S G C -
IE D I A .
rom s n ng .
On e day t h e L or d w pl yi
as a ng
F or h u m an sou ls ( t h ey re s ayin g) ’
W it h Sat an s M aj est y ’
A n d each on e s h o w
.
e d h is art
T h e o n e p lay e d B o n ap art e ,
T h e o t h er M as t a
‘ ’
r .
TH E H I STORY OF T H E D E I L V .
“
An abbot s ly an d k een
w
,
A prin cele t re t c h ed m e an ,
And a r as cal, u po n o at h .
G od F at h e r playe d so po o rl y ,
H e lo s t t h e gam e , an d s u rely
Th e D ev il w
o n t h em b o t h .
‘
We ll ,
k
h em cried G od F at her
ta e t ,
Y o u ll fi n d t h em u seless rat h e r !
’ ’
‘
Th e D ev il lau gh ed an d s w o re
Th e on e I ll m ak e a pope
’
,
Th e o t h er e m pe ror
[
“
Un j o u r D ieu sur la t ab le
J o u ait av e c le d iab le
D u gen re h u m ain h ai ;
’
L u n j o u ait B o n apart e
’
E t l au t re M as t aI
''
’
.
Un é ch an t pet it prin ce
m ,
Polisson h asard eu x !
u e ! en j e u p it o y ab le l
Q
D i u fi t t an t que ls d iab le
e
L es gagn a t ou s les d e u x .
Le d iable di t ‘
e rreu r
E t, rican an t s o u s cape,
11 fi t de l u n
’
nu a
p p ,
e
’”
D e l au t re J
’
u n em pereu r .
Th e D evi l in t h e lit er at u r e of t od
ay is of t h e sam e
kind : a harm l e ss fello at ww hose e x pense t he r eader en
“T a lat io p ially m ad by E F
r ns n S ec e . . L G auss .
4 36 TH E H I STORY OF T H E D E VI L .
”
pape r r eport e r h o int e rvie s Sat e and is sho n
w
,
S at an st re t ch i n g f o rt h h i s h an d f ro m D e vi l '
s On e ca p i p
t a n e sc a e d ,
"
s ay s t h e m as t e r o f
"—
F rom E l H ijodel Ah i u sot e (M e x ico) . h an d f u l o f gen erals F rom L m t ig r B lat
.
‘
t er ( G e rm an y ) .
TH E DE V I L I N M O D E N S A TIRI AL J O R N AL
R C U S .
”
t h e only navi g able r ive r in hell J u d g e Minos si t s
“
.
a
g gg ed a n d t hei r obj e ct ions ar e ove rru led by Sa t an ; t h e
w
,
w
i er w
fen ce ; t r amps are ashed ; poli cemen are clu bbed
u nt il t hey see s t a r s ; q u a ck do ct o r s ar e cu r ed a cco rdin g
w
t o t hei r o n me t hods ; poke r fien ds boa rd Of t rade g am
,
dese rt s ; mon opoli s t s are baked like pop com and cle rgy
-
w w
,
le
a
w
3?
w
.
E Y PTI A N D V I L
P t l i
G
g ood
os c ass c a e
dei
E t ies e
.
have
“
y et t h e vi ct o ry , w
g
of M ah eim fiy a t h e gr eat g oddess over
.
'
, ,
Mahisha t h e kin g of t h e
, B u ddhis t s call t h e
pe rsonifi cat ion of evi l M ara t h e t emp t e r t h e fat her of , ,
M A H AM AY A . TH E S LA Y ER o r M A HI H A S .
(F rom M oor
'
s H i n d u Pa n t h eo n , Plat e x ix . Cf . W ilso n ,
H i n d u M y t h olog y , p .
y
E g pt ian D ev il r eprodu ce , df ro m M on t fa u con , h as h m a h ad f m w
a u hi h n e ro c
pro j d
ec t t h e b ea s of S i x an i m als , on e of an o x, on e o f a bi d a d fr th
. ap n ou r o ers ,
pat en t l y th o se of se r pe n t s
d t ifi d w
.
{ A s to t he m yth of t h e or igin of M ah fi m éy a w
h o is i en it h D gfi e ur see
b h ld i g t h wt h d
, ,
t h e C b an di in t h e Al d r ka n d ey a Pa r an a V is h nu , e o n e re c e n ess
w w
.
of t h e go d s to hi h c t h e po er s of t he v ict or io u s
gian t ki g M h i h a h d
-
n da s a re u ced
TH E P H I L OSOPH I CA L PR OB L EM . 44 1
t hm e , gr e w
d t h t t am f gl y i d f m h i
so en r age a s re t a s t ki g
o or s ue
s ro s cou n en n ce a n
s h api t h fige n f M ah am ay
e S im ila
u re o fi lg am f th f m th th
a r e u e n ces c e or ro e o er
w w w
.
g d o a d st d in t t h y
en eret m f t h n o
g dd h
e s t h
s e t f t hoa d l e t h o ess o en en or n s e e
b ff al h ap d m t M ah i h a A t h a
u o s
-
e on s er t f th s am . m yth i no t i d er ccou n o e s e s co n a n e
i th V d
n eP a F
rn a n a d t ail
ar H i d m y t h l gi
na . or d M h i ha a d
e s see n u o o es u n er a s n
M ah i h m a di i ( t h
s a lay r f M ah i h a)
n e s er o s .
” D id Ch I II
ro n ,
p 9
r .
( S pp 4
co n 6 8 a d
.
4 6
,9 f
. t h p1 1 t w k )ee . n o e rese n or .
44 2 TH E H I ST ORY OF TH E D EV I L .
P ER I A N D E V I L
S .
“
TU R K I H D EV I L )
S .
“
A Pers ian D e v il appears in an en grav in g in t h e D idron co llect io n in t h e f
orm
o f a m an , clo t h dae nd wi
kl t b a l t a d a kl t b t w
ear n g n ec i t h law e s, r ce e s , n n e s. u C s on
h is h ee ls a d t
n a d h
oes , nh i h ad H i am d A h im a
orn s on S pi it f D a k
s e . e s n e r n, r o r
n ess , t he I a ia
r n m y f O m
n en e d db o f th E t al O
r lik O m
uz , d seco n -
o rn o e e rn n e, e r uz
pr i e , d he h ad b m j al
eco f th
e fi t be f G d —
o us oD id I g aphy e rs -
o rn o o .
”
ro n , co n o r .
II .
, p . 1 22 .
{ FT k i h M S b t ai d by N apol I at Cai a d p
ro m a ur s . o t d t th ne eon . ro n re se n e o e
N at i al L ib a y at Pa i (S C
on r r I t a th i S aiaid i M ah am m d b
r s m s u or s e e u e er
ib d a f ll w
.
Ha a di (go ) a d t h pi t
ss n esseo u i d o m
n Th fl h f t h i
e c u re s es cr e s o o s e es o s
w
,
m t i
o n s erli hi y a g s o it h
v e, d p pil a d h i t g
s e es i al
re d H
ree n re u s, n s on ue s so re e
wa a g li d w
.
e rs f a d h i l i pal p pl t
r een scar ro u n it h b l a d
s o n s, e ur e ro users ne u e. n
n eck l t a d a m l t f g ld — D id
e s n r I e s o
g phy I I o . ron , co n o ra , .
, 1 22 .
4 44 TH E H I STORY OF TH E D EV I L .
s ays
t u re in t h e R ev elat io n of S t J o h n ( x ii
, an d in t h e A ct s of t h e. .
F rom a MS . Du e d
of j
t he
'
A n ou in t h e F ro m an A n glo Saxon M S i n t h e
-
. B r iih t s
i
N at on al I i b rary of Paris T h irt een t . h M u seu m , b e lo n gin g t o t h e ear l i er h alf
c en t u ry (D i d ron , A n n " I ,
. . o f t h e e le v h en t ce n t u ry i h
(W r g t s H i:
'
f Ca r i ca t u r e a n d Gr ot es qu e i n L i t
t ory o
er a t u r e a n d Art , p .
S AT A N I N H IS U LI N E
G SS .
t h e m se lv es [ i . e .
, f or e ng t he on ,
d e rf u l m agn it u de .
*
t ails emain t h e same Gu nkel has pr oved t hat t h e
r .
splendid des cript ion of Le viat han (in Job x li) as a mon
s t e r of t h e deep p ro t ect ed by s cales is a rep rodu ct ion of
Chald ae an myt holo gy and God s fi ght i t h t h e mons t e r s ,
’
w
of t h e deep is a repet i t ion of Bel Me rodach s conqu es t of ’
A N D L E V I AT H A N . C E N T U RY ) .
I t alia m i iat
n f th thi t
n th
ure o e r een F rom M uller an d M at h e s
’
A rc h e olog y .
t y (A ft D id )
cen u r . er r on .
{ The k a b l f
re m ara t f t h i
e p iet u rei t t ly i
o ad m i t t i gst h c u re co n s s s no on n n e
V i gi M a y t t h t h
r n r o f t h T i i t y (w
e ro n e oh i h i q i t f q t i im ila p
e r n c s u e re u en n s r re ro
se ntat i ) b t i
on st h du b l np ne f C
ou h i tea a f ll g w m
r esea a d a ce a i o r s , s u -
ro n n n s n n
fa t
n .
44 6 TH E H I STORY OF T H E D EVI L .
w
evil ; and he re e are fi rst of all conf ron t ed i t h t h e w
p roblem of t h e Obj ect ive e x ist ence of evil .
Th e E r a f
o S u bject iv ism .
w
.
ism I n et hics it is t h e refu sal t o r eco gn ise any obj ect ive
w
.
w
of vie of mode rn su bj e ct ivism T h e e x t ernal me t hods
.
w
,
w
.
t ion w
as no t hin g else t han S cien ce Therefo re P rot es
w
, .
,
element and t hat t his obj ect ive elemen t is t h e essent ial
,
, w
able of r evision or in a o rd S cien ce is t h e hi ghes t
, , , ,
w w
.
w
,
t h e obje ct ivi t y of t ru t h w
hi ch speaks t h rou gh s cien ce .
m u s t be t aken f or g rant ed bu t in t h e t ru t h t h e t ru t h
—
w
, ,
cosmi c ha rmony in w
hi ch no rong can be done i t ho u t
produ cin g evil e ffe ct s all a ro u nd .
w
.
w
possibilit y of kno ledg e Con cret e t hin g s s u ch as s t one s
.
,
g e n i o u s book Th e I n v en t ory f
o a S ou l a hole chap t e r t o
She says
I do n ot believ e in t h e ph an t o m s Of b ad n e ss m isery , an d
h ad ow
,
p h e n om en a W e g r an t t h at O r m u zd a n d A h ri m a n G o d a n d
D e il are at le ast t h in k ab le b u t t h ere are o t h er oppos it es in w
.
,
v , , h ich
it is appare n t t h at o n e is t h e n on ex is t en ce o f t h e o t h e r F o r in -
T h in k o f a s ile n ce so po w
.
s t an ce n o ise an d s ile n ce
: erf u l as t o
D ar k n e ss h as n o d egree w
.
s u pp re ss a n o is e . h ile ligh t h as , .
it h
N ot h in g is w
.
id e a is o n ly an ab ort io n of h u m an w tw
.
,
. ee n m y e go
t an d e go ab sen t
p re s en -
.
w w
, .
on t h e ot he r hand e o u gh t t o kno t h aw w
t e x is t en ce in
w
Su pposing t hat g ood er e indeed simply t ha t hi ch w
g i ves pleas u r e o r enha n ces m y life and bad t ha,t hi c h w
g ives pain o r t h r eat ens t o dest roy it t h e s t andard of
w
,
”
t hat o u ld be good Good o u ld be t hat hi ch pleases
w
.
c n w
o s cien ce : hat he is pleased t o consider as et hi cal he ,
analyse or t o t r a ce t o it s o r i gi n . He di ff er s fr om Ben t
h am s hedonism of et hi cal e g o t ism only in t his t hat t h e
’
w
,
o f t h e senses .
g r ea t es t happiness of t h e g r ea t es t n u mbe r t h e ma x im of
e t hi cs ; and by doin g so it in t r od u ces no obje ct ive p r in
j e ct i v e et h i c a l m a x i m s ar e n ot as y et t r u ly e t hi cal ; t hey
r emain on t h e level of t h e w o rld concept ion of Ty lor s
-
’
s avag e .
w w w
.
w w
.
w
,
w
,
w
pleasu re in doin g t hat hi ch t h e cosmi c la (or r eli w ,
w
, .
w
,
as a w
ompari son of t h e olf s cond u ct i t h man s con
c
’
w ’
w
du ct ; and e find t hat t h e mor e sheep a man ea t s t h e
w w
,
w
, ,
w w
.
w
all it s co ardi ce it is s t u pid I t is t ime t o dis ca rd t h e
w
.
w
.
Th e God I dea -
.
w w
f ar as e kno it . w
N o e x pe rien ce t eaches u s t hat t he r e
is an au t ho rit y f or cond u ct and t h e t heo ry of evolu t ion
,
w
hi h is e e nal in
c t r t h e t r ansien t ,
and eve ry la of nat u re w
is in it s sphe re a r i g or ou s au t hor i t y f or cond u ct hi ch in w
t his sense is part and par cel of God s bein g
’
w
.
helpfu l r esponsion .
E x is t en ce is on e harmo n io u s en t i r e t y ; t he re is n ot a
t hin g in t h e w
o rld b u t is emb raced in t h e hole as a pa rt w
L U C I PE R B E PO R E TH E FALL F
. ro m t h e H o r t u s D eli ci a r u m .
of the w
hole . The On e and All is t h e condi t io n of eve ry
crea t u re s bei n g ; it is t h e b r ea t h of ou r b r ea t h t h e sen
’
,
t ien cy of o u r feelin g s t h e s t r en gt h of ou r s t r en gt h
, .
g r avi t y in a m u t u al a t t r a c t ion so ,t he r e i s at t h e bo t t om
of all sen t imen t a mys t e riou s lon gi ng a yearnin g f or t h e
w w w
,
w
.
,
cha r a ct e r is t i c of pe r sonali t y
w
.
w
lo bein g s ) embody t ru t hs of spe cial impo rt an ce
-
They
w
.
w
fu lly u nder s t and t hei r h y and he refo r e I n t h e lack of .
C f [ f am ili es
.
f
o S cien ce , T he T
e s t of Progres s ,
p 3
. 6 , an d T h e E t h ics of
”
E v o lu t ion , p . 1
4 .
TH E PH I LOSOPH I CA L PR OB L EM . 4 65
”
n ess in hat is called t h e la s of nat u re
“
.
w w
.
*
accept s at t h e same t ime all t hat is t ru e in pan t heism
w w w
.
w w
,
w w
,
“
Pa n t h ei sm i d en t i fi es G od an d t h e A ll N om ot h ei s m t eac h es t h at t h e la wf s o
wgi w
.
f
are m an i es t at ion s of G od an d as su c h par t s of the De it y . Th y a e re par t icu lar
t h at t h i s o ne G od is a person al bi
e ng . S ee t h e au t h or s
'
R elig i o n of S ci en ce pp ,
1 9 et seq , T he A u t h or i t yf or C on d u ct .
4 68 TH E H I ST ORY OF T H E D EV I L .
w
,
w
,
, ,
s t r oye r
w
.
y e t ie ld s h is t r id e n t h ich h e
g u a rd s C e r b e r u s a n d P lu t o in o n e h e is y e t a C e r b
, e r u s o f Ch ris
,
it h en e rgy t h an
P agan art h as off ered T h is im age fi gu res t h e v ario u s aspect s
.
of in fern al s in , by
y faces h av in g a f ace o n t h e b re ast as
it s m an
w
,
H ow
,
h ip . m an y m o re b e h in d ? W it h lo n g e ars lik e t h os e of a
it h s cales an d s ee m t o is s u e f ro m t h e m ou t h s o f t h e f aces at h is
j oin t s H e h as a lio n s h e ad w it h t u s k s an d h an d s lik e t h e C law
,
’
s
H is b o dy o pe n at t h e w
.
,
e fi n d all t h e elem e n t s
lio n f o x V ip er b e ar b u ll an d w
.
in a h u m an f o rm ”
D idro n I co og r aphy I I p 1 1 8
wseeks libe
.
,
n .
, . .
w
,
w w
,
eak cons t i t u t ion physi cally as ell as spi rit u ally st ill
w w w w
, ,
'
bo s do n in s u bmissive a e befo r e a God hom he con
ceiv ed mos t p r obably aft e r t h e model of t h e P ru ssian
“
g ove r nmen t and defines ,r eli gi on as t h e feelin g of ab so
”
lu t e dependence .
her esy !
w w
I t is ort h hile t o cri t i cise S chleie r ma cher s defi n i ’
TH E F EE L I N G OP E DEN E
D EP N C .
( Af t er Sas h a Sc h idne er .
)
TH E H I STOR Y OF TH E D EV I L .
'
an d a r evol u t io n a r y movemen t t hat has t h e po er and in
F T R AND U U E
F ro m C t d Di
z e
’
a f li M S
e eu , o o . in t h e
F h m i iat
ren c n F t th
ur e . o u r ee n ce n t u r y .
*
B ib lio t h équ e de S ain te Ge n ev iév e .
*
w
.
D idr on ,
I co n . Ch r .
, pages 2 5 an d 64
TH E PH I L OSOPH I CA L PR OB L E M . 4 73
, w
ver se or by inve rt in g t h e la s of life and evol u t ion bu t ,
Of t h fift
e een th t y
cen u r . F ren c h mi n iat u r e of h
t h e t ir
(D idron t ee n t h cen t u r y .
( D idron )
t hat makes u s fr ee
w
.
w w
,
w
su ch it ill n ot end in a feelin g of dependen ce bu t r eap
w
,
T RI N ITY
TH E . TH E T RI N IT Y OR E VI L
t d w
i d wf
.
a
p ge I co n og ra phy , II .
, p .
Th i s pict u re is the em b d im
o e n t of th e C h r is t ian wld
or -
con cept ion of t h e ou rf
t een t h cen t u r y A so n n e t acco m pan ies t h e f resco an d e x plain s t h at n in e C h o irs o f
d t h w ld w
.
hw
,
( See pa g es 1 1 9 1 2 1 , ,
s t an ce amo n g t h e G r eeks ,
t h e t h r ee headed He cu ba ;
-
monst e r s as f or inst an ce ,
t h e t h r ee headed Ce rbe ru s ;
-
and in t h e his t o ry of Ch r is
H ER U L E W ITH C RBER U C S E S
*
F m a f d i A lt m a
w
ro v ase ou n n a ur .
*
Th i s i
p ct u re is a par t o f t h e re resen t at io n of
p Ha d es , giv e n on a
p ge 1 94 .
4 78 TH E H I STORY OF T H E D EV I L .
Ba a )
hn c T h e id e a o f t h e D e m o n as a s er pe n t w
i t h t h e h e ad o f
a w
.
w
, ,
h o m it is q u o t ed by V in ce n t de B eau v ais .
Upon h is h ead t h r ee f f ro n t
aces : on e in
Of h u e v e rm ilio n t h e o t h er t w o w
\
it h t h is
M id w
,
ay e ach s h o u ld e r j o in e d an d at t h e cre s t
T o loo k o n su ch as co m e f ro m w h en ce o ld N ile
S t oo ps t o t h e lo w
,
in gs en o rm o u s as b e cam e
,
ere in t e x t u re lik e a b at an d t h e s e ,
it h C o cy t u s t o it d e pt h s
Ad ow n t h r e e C h in s d is t ille d w
.
it h b loo dy fo am .
A t e v e ry m o n t h h is t e et h a s in n er C h am pe d
B ru ised as w
,
it h po n d e ro u s e n gin e s o t h at t h re e
W ere in t h is gu ise t orm en t ed ( H e ll C an to . x x i v ) . x .
w
of u g liness and i ckedness Pr ofesso r K rau s cont inu es .
S im u lt an e o u s l y w
i h t d rago n
t h e co n ce p t io n o f t h e D e v il as a
are fo u n d in t h e A ct s o f t h e M ar t y rs n o t io n s o f h im as an aw fu l
n e gro ( a M o o r o r E t h io p ian Th e s am e V iew s are f o u n d in A n
) .
g u s t in e G r e go ry t h e G r e a t an d t h e A p o c ry p h al A c t s o f S t B ar
t h o lo m ew I n t h e lat t er t h e id e a is so f ar d e v e lo pe d as t o re pt e
.
, ,
.
,
4 80 TH E H I STORY OF T H E D EV L I .
t h e E v il On e , w
hi h
c p er h ap s is b ase d on J o b xli .
9 e t se q .
, co n
h orn s of t h e D ev il are m e n t io n ed .
”
THE G OO D L O D A N D H D E VI L
R T E .
(I G t h
n oe Fa t by F a Sim m
‘
e s us , r nz .
)
w
.
g r and as Mil t on s’
Sa t an b u t he is in
, his ay n ot les s
w
.
A n d j u s t ly so : F o r all t h in gs f ro m t h e v o id
e re b e t t e r t h en e re n o u gh t c re at e d
’
T h u s all w
.
, ,
it h ev il b len t
, ,
T h at is m y p roper elem e n t ”
.
And w
a sympat hy e x ist s bet een M eph ist oph
ha t w
eles t h e spi rit of cri t i cism and t h e di gnified au t ho r of t h e
,
I n s el f -
in d u lge n ce m an fi n ds so o n h is lev e l
H e s ee ks re p o s e an d e as e ; an d s t o p s t o gr o w
w
.
G lad ly h im t h e co m rad e I ll b e st o
’
on
W ho w
ill p ro v o ke an d m u s t creat e as D ev il .
, w
As God n o and t hen , needs t h e Devil so t h e Devil ,
“
A t t im es the A n cie n t G e n t I lik e t o see
w
,
T is t ru ly fi n e of s u c h a gran d gran d ee
So h u m an ly t o gossip w
i h t the D ev il .
”
4 82 TH E H I ST ORY OF T H E D EVI L .
w
, ,
”
t h e Devil ? is comi cal eno u gh be cau se e feel in st i n c
w
,
D er m u ss as sein
Yo u h av e the D ev il u n d errat ed .
I can n ot y et pe rs u ad ed be
A fello w w h o is all b eh at ed -
M u s t s om e t h in g
Nowl t
, e look at t h e my t hi cal fi gu r e of Sat an as
us
*
C om pare p
. 1 64 .
4 86 TH E H I STORY OF TH E D EVI L .
w w
.
o rd is hono r ed as t h e holiest
oat h or as t h e bes t si g nat u re
w w
' ,
SE O s
“ F" “ A
v errfi ed rt h seals and le g al rt
P b ably
ro d in y t i pl y f
u se m s c a s o
w
.
w
.
D id Ch ” [
rou ' g fl y fl
co m
hi ch it is kno n t hat pe rsons
'
w
sho an y p r oof t hat he o u ld hones t ly abide by his o rd ;
w
his hones t y as neve r dou b t ed by anybody And mind
w
.
ad S ! L if d f ’
i d b i
’
m at i
'
* Th i
e ipt i
n scr o n re s ( ee m t )
uc a er re . e .
, a s re sm e en er .
488 TH E H I STORY OF T H E D E VI L .
w w
dis appear hen e consider t h e fact t hat he is ne cessary
in t h e e conomy of nat u r e as a w
holesome st imul ant t o
w
act ion and as t h e po e r of resist an ce t hat evokes t h e n o
bles t e ff o rt s of livin g bein g s .
w
, .
p en s a t i on I ndeed
. e m u s t g w
r an t t hat t h e Dev i l i s t h e
w
,
i t h t h e presen ce of God .
IN D EX .
A b d f B li
o e o ss . 24 , 26 . A n ti C -
h ris t . 1 66 ; t he Pope t h e 34 2 . .
A b ah am 7 A n t zpa lu s m a lefi a or u m
’ ’
r , x. 1 59 . , 3 25 .
A b ah am a S a
r n ct a C lar a, 386 -
. b
A n u is t h e j a kal h ad d
. c -
e e . 22 .
Ab a a 6
r x s , 22 . A pocr y ph a f t h Old T tam o e es en t , 1 4 0 et
A adcc —
9 49 . 2 . seq .
, 1 56 .
A d am 54 , 1 . A pollo t h e . Hi d n u. 9 1 .
d
A am K adm on , 1 39 . A pollon ius of Ty a n a. 23 1 .
E sch y lu s , 2 1 0 et seq .
, 21 7 . Apu leius , 28 2 .
E scalapiu s . 225 A r al z t h e B a
'
E f bl
sop s
’
a e. t he o n. 4 59 e t seq . A ren d see , execu t ion at , 366 .
A hri m an ( g
A n r b M ain y u s h ) , 5 3 5 6 73
, , , A su ras , 1 03 .
35 1 ~ At h e is m , 2, 3 .
6o 6 2 7 3
, . . A u gu st in e S t . .
, 268 . 28 2 .
j
A an t a, cav es of , 1 20 . A u relian . Fat h er , 4 00 .
Al b t M ag
er u s n us, 1
4 9 . A u reliu s M arcus . . 230 .
A lb ht D k
rec , u e of W fi r t em berg . 33 3 et A zaz el 6 5 et seq 70 3 5 1 , .
, , .
seq .
A lciat u s 37 1
. . B aal M elkar t h , 209 .
A lexan d er I II .
, Po pe 308 . . b
B a el 3 1 3 2 , . .
Am em it . 23 . B aco n , R oger 4 2 2 , .
A m en t i b eas t of , 20 . 3 ,
2 4 8 1 99 B alsam o G iu se ppe 394
w
, , .
, . .
Am er ica . i h p tc -
ros ecu t io n in , 36 7 . B apt is m , 2 21 .
Am es h fi S pe n t é 64 , . B au r Fat h G ilb t 38 7
, er er . .
Am se t , 20 . B ee l b b 7 66
ze u . 1. 1 .
A n cien t E gy pt 5 . 1 — 28 . Be kk B lt h a a 38 38
er , a s r, 0, 1, 8
3 3 .
An d m da a d P
ro e n e rse u s , 1 2 . 205 . B e la 4 1 0 . .
An th y S t 39
on . .
, 2 , 4 79 ; fi gh t i ng t he B e l M e ro
-
da h c (see also M ero da h ) c . 37
D e v il , 23 6 . e t seq .
, 0
4 , 4 1 , 445 .
4 90 TH E H I ST ORY OF T H E D E VIL .
B eo wlf u . 2 50 . C on s t an t in e . 279 .
h d
B ern ar of C lair v au x 327 , . C ov e t o u sn ess 4 1 3 . .
B erosu s 3 1 . . C ross 2 1 0 , .
B h u t as 1 0 3 ,
. C r uci fy . 21 8 .
B in s f lde . Pe t er 360 3 74 . , . C ru s ad es , 4 8
1 .
B od /i i , 1 47 .
Cu t hb t er . St .
, 256 . 2 57 .
d
B o in ,
J ean , 3 60 .
C y r us . K in g 5 8 . .
B on apar t e 4 3 3 . . D ago b e rt , 41 2 .
B ra mh 76 , . D an ai d es . 1 97 e t seq .
Br ah m a 76 77 78 . , . . D an iel , b k oo of , 1 4 2. 1 66 .
ah m a d Hi d i m D an t e 4 78 ; h is D zvzn a Com ed za
’
i
‘ ‘
Br an s m —1 0 89
74 n n u s , 3 .
. . 1
Bu ddh a 9 . 12 . D arm es t e t er . J am es . 50 5 6 57 . . .
Bu ddh i 3 6
sm 1 0 — 1 D au b 395
w
4
wf
.
. .
,
Bu ddh i t W h l f L if 3 86
s ee o e. . Da n o a ne era. t h e, 1 37—1 56 .
Bu dg E A W lli 34 4
e, . . a s, . 2 . D ay j dgm
of u en t , 1 6 7 .
B un ya 4 n, 12 . De ad H m . o er on t h e lan d of t h e . 1 95 e t
B u rn o u f 92 . . seq .
B ur y in g alive . 67 , 2 5 1 et seq . De lu ge 3 2 78 , , .
De m on olog of N or t y h er n E urope , t h e .
C allim ac h us , 2 1 6 D en y s. St 4 12
w
. .
, .
w h ip
. . .
w
, .
, .
C at ar ih , 3 06 . ou t i d t te , 2 5 3 e t seq .
; D ev il s
'
b ridge .
C au ss in , F th a er , 3 85 . 2 59. 260 ; h is pr i m e 26 2 — 0
3 5 ; in t h e .
y
C e lo n 8 5 . . Pass ion p la s 2 8 8 ; y
M i lt o n s 3 5 1 ; in .
'
h
C arles I V 3 .
, 15 . f lk l
o o re . v erse an d a le 0
4 7 3 ;
4 8 . fb ,
-
C ha l VI
r es 3 .
, 16 . D e v il s t or ies -
, 4 08 et seq .
; D ev i l con -
Ch b im 33
e ru t ract s , 4 14 et s eq ; D e v il s
'
I slan d
w
. .
. .
.
C h i ag 4 36
c o. .
4 3 6 ; G o d co m par ed i h t . 4 77 e t seq .
;
C h im a 202 , 208 , 209 Go e t h 484 ; h y of
'
ra, e s 4 80 on es t t he.
w
.
.
Ch odo i ki ec , D an iel . 3 92 .
4 8 6 ; t h e h elpm at e of G od . the. 48 8 .
1 73 et seq .
; t em pt at io n s of , 21 3 ; a D illm an n D r A , . .
, 1 45 .
b tt e er S av iou r , 21 7 . D iodoru s 72 , .
Ch i ti r s an i t y , earl y , 1 57 -
1 92 ; T eu t on D io n siu s 28 0y . .
i d se 24 5 e t seq D io n y su s 203 , 2 25
w h ipp
. . .
wd
. .
,
Con ra d of M ar b u rg. 3 1 0, 3 1 3 , 0
4 3 . D om in ican s 3 09 e t , seq .
; in q u is it ors . 360 .
4 92 TH E H I STORY OF T H E D EV L I .
Hait i , 10 I ao A -
b r axas . 222, 226 , 22
7 .
Ha m a nu n. 8 2 85 86 , , .
I ce h ell, D an t e s
’
, 24 7. 24 8 .
H api . 20 . I m m talit y b li f i 4 8
or . e e n. .
H ar iH ara, 1 00. 1 0 1 . I a at i 77 t q
n c rn on s , e se .
H ase 3 95 . . I d i 74
n a. .
H ealers 1 3 8 , . I d ia f m
n n re o r 68 e rs . 2 .
H ear t t he De v il in t h e h u m an . 3 54 et In n ocen t V II I P p 3 3 o e. 21 . 22
wigh i
, .
, .
se q e ng t he. 21 . I q i it i t h 3 6 3 3 7
n u s on , e. 0 -
.
H e in e , H e in ric h , 4 35 . I ren a us , 2 33 .
H el , 2 4 2 , 24 3 , 24 5 . I aa 3
s c, 1 .
H ell de scen t in t o
, , 1 73 e t seq .
; acco r d I l 6 5 75
srae ,
— .
, 1 8 3 et I d ba 3
z u r. 2 .
Plat o ; M ilt on I z ed is 6 3 64
’
seq .
; on , 2 1 3 e t seq . s, , , .
w
h eel o f , 8
3 5 Ja k c son , Pro f . A V . . W illiam s . 5 1 , 62 .
H elpm at e of G od t h e D e v il t h e 4 8 8 , , .
J aga n n at h 92
b g 397 , .
H en gs t en er ,
J aquer iu s , J N icolau s 3 1 8
.
y V II I f E gla d
.
.
.
H en r . o n n , 3 59 .
J ph t h ah
e 12
l K at h a i
. .
H en se , 37 r ne . 2 .
J m St 3 8 4 9
ero e, .
, 0 , 0 .
H eph a s t u s 22 5 . .
J Ch i t
es u s 0 4 r s 21 2 0
H
.
. .
206
wd J
.
ocan n a, 1 0
.
H
.
J h o n t he D ivin e , St .
, 1 67 , 1 69, 1 70
H er m es . 22 5 , 2 3 0
re v e lat ion of
.
2 01
d
.
,
H es io , 200 .
J h XX II P p 4
o n .
, o e. 00 .
H ilarion 4 08 St
. .
, .
J eph I I E m p
os 393 e ro r .
Hi d h
.
.
,
u is m an d B ra m an is m —1 0
n , 74 3
J d gm t day 57 6 7
u en -
. . 1 .
H it t it es 18
. .
J d gm t L t 6 4
u en as 1
H lb i H a 34 7 , , .
o e n, n s, .
J lia t h A p t at 3
u n e os e, 2 1.
H ly OE o 3 9 ce . 0 .
J t i M t y 66
us nus ar r. 2
H ly
.
o 38 on es , 1 .
Hm 98 ;
o th er , 1 on e lan d of t he d ad e ,
; m K h a aG ro m a, t he
'
1 9 5 e t seq . K ali , 97 , 98 , 1 28
H o n es t y of t h e D ev il 4 8 6 , .
Ti b e t an . 99. 1 28 .
H op in s k h
M at t ias 3 79 K an t 394
h w
. , .
, .
H or , t he k h ad a -
e ed , 22 , 26 ; t he K eb h sn au f , 20 .
c h ild g -
od . 2 8 . K epler . 296 .
H orst , 3 77 . K in g M r , . W . C .
, 226 .
H ar m s D elza a r u m
‘ '
H u d ib ras , 3 79 . K it c hi n, t h e R ev . G . W .
, 399 .
H u go de B en iols 3 1 4 . . K le in , D ion y s iu s , 4 32 .
H u it z ilopo c t li 1 0 h . . K on go t h e . s h e ri fi . 1 29, 1 30 .
H u m an s acr i fi ces , 1 0. 1 2. 13 . K on ig 3 27 , 3 28 , 3 3 2, .
H u n t . of So m er se t . 8
3 0 . K o ran , 1 4 9 .
K r ause D r E rn s t . .
(C arus S t ern e) . 24 6 , M an ic h e is m , 2 34 .
24 7. 249 M ans f ld Th al
e -
ers . 293 , 294 .
b h
L a art La dy of ,
his arm y , 1 09 e t seq h is t h d b un er olt ,
e, 314
La ba m ru 235
.
1 1 3, 1 1 4 ; h is d a gh t u ers . 1 14 .
, .
M ar d k (M
u ero da h ) 4 c 1
L act an t iu s Pe ter 36 5
w4
.
,
.
. ,
M arlo
kh
L a s m i 78 8 0 . , .
e, 22 .
L a Ta
o -
,
z e.
.
1 29 .
y
M ar t r of on es t h con d uct , 48 6 .
M as t ai 4 3 3
'
L a Salle G en eral 3 84
, .
L au bo rdem on t 3 6 5
. , .
h
M at er C ot t on 369 , , ; I n crease . 369 .
M au t 2 29
,
. .
L av at e r 392
w
. .
M ax im ilian E m peror 3 22
L a code of t h e L o m
-
ba d r s , 280 .
y
M a en ce A rc is o p of 3 1 0
,
hb h
. .
y d
L a ar , 62 .
M a da (
.
Ah
, .
60 6 2 ,
L az aru s
.
1 60 . 161
L az arus E m
.
m a.
.
Me d a d St 58 59
r , .
, 2 , 2 .
4 35
L ean d er s M d r clzen
‘
.
1 05
Me d a 6 7
us , 20 , 20 .
if t h D a k T ib
.
Me
.
u, e r r un al. 1 28 , 1 29 .
L en orm an t 4 3 e t seq 5 5 56 69
R a b ild d py
, .
, . .
M en
.
K-
au -
u er of t h e th ir ra
L eo X Pope 4 03
,
.
, , .
m id
L eo X III . . Po pe 4 01 . .
M erlin 4 1 0
, 27 .
L eo t h e G reat
.
,
3 08
L ept in ae S , y d no
,
of . 280
.
.
d h
M ero ac B el 38 39 4 4 5 . , , .
M es m er 3 92 e t seq , .
L esage , 4 3 5
L ev iat an 1 4 2 h
.
M ess ia h , 1 38 . 1 4 3 , 1 47 .
w
, .
e t seq wh l f i h N w Mi h l A h l 8
1 25 ; t he ee o n t e e
M e z u t h e orse
. h -
h ad e , 1 29 .
w
.
, ,
c ae an e
T est am e n t . 7 I d i h l f M id d g 3
12 ; an n an ee o
, rc , 2 .
w
.
45 ar en t . 2 2
1 19 ; a Tib h l f J p
g p 39 3
e t an ee o 1 21 a a
ser . 24 .
.
w
h l f 3 B ddh i w M ill P f L H
,
5 ro 2
an ese h l M il
ee
h i D il (
o , 12 ; u st ee
,
t on . 3 5 1
.
et seq
. .
,
s
.
3 8 6
L ilit h 69
.
.
351 h is h ell, 3 5 2 ; h is Satan (see S a
,
tan ) . 3 5 3 . 4 5 1 . 86
L ion -
k illi n g sav io ur , th e . 209 .
wd
.
,
M iron B is op of A n gers 36 2
L om ba d r s, la -
co e of t h e. 28 0 .
M ir ror
,
of t h e S wb i
, .
a an s , 3 8
2 .
L o u is X I V
.
2 22 .
L u cian 216
L fi cke 3 96
. .
m K ha
'
aG ro m a, t he Tib etan K ali, 99 ,
, .
1 28
h
L u t er . 3 4 2 e t seq .
M oa b
.
10
L yd ia
.
,
, a se lle r of p p
u r le . 1 6 8 .
M a d r e dolo r os a 3 8 4 , .
M oloc 1 0 71 h
7 2, 403 , , , .
religion of , 30 2 .
M on odiabolism , 1 .
dd
M a go ess o f t ru t
, h , 22 . M on ot h eism . 1, 4 9, 4 66 .
h y
M a am a a t h e sla ,
y er o f M a is h ha . 44 0 . M om 3 1 . 26 3 , .
M ai t y a re , 1 35 .
M usaeu s 2 1 5 . .
4 94 TH E H I STORY OF T H E D EV L I .
Pilg r i m s Pr og r es s
'
N am u ch e . 1 05 . 1 08 .
, 3 55 4 , 12 .
Pzs t zs S oph i a 78
' '
N apoleo n I I I .
, 4 33 . . .
N az aret h . 1 40 . Plat o 2 1 5 2 1 7 ; on
, ell , h , 21 3 et
N e ro . 1 71 . 21 9 . h is d ualis m , 215 .
N icolait an es 1 68 Plerom a 1 3 8
Twl
.
, . .
N ie t z sc h im m e s
’
oralism . 448 . yh
Pol t eism 74 ,
.
N irgalli 4 5 , . y
Pol xen a 1 2 . .
h
N oa , Xisu t h ru s t h e B a . byl on ian , Pon z in ib ius 3 7 1 , .
N o m ot h eis m , 6
4 6 . Pre t as 1 03 , .
y
Pre er Pro essor 39 1 , f , .
O k
Priu co o f t h e W o rl 1 1 5 1 66 d . , .
7 9 9
Okn os
ee . .
1 97 cl seq
. .
Old T
,
es t am en t .
.
8 6 6
Prom et h eu s . 2 1 0, 2 1 2 . 2 1 7, 2 1 8 ; cruci
1
3 , 4 71
fi ed
. . .
. 2 1 1 et se q
O
.
n i-
n o N em
-
b ut z u 131 . 1 32
Prot es tan t
. .
ca r icat u re . a. 34 1
Op it esh , 23 2 .
Pu rit an s t h e N ov at ian 06
.
3
Origin
, . .
, 23 3 .
Orp h eu s , 2 1 5 .
Osiris
. .
. 1 7 , 20, 22. 2 3 , 26 . 28
R ais (R aiz or R et z ) G iles De
.
292
Ot to I V
, . .
28 2
w
.
, .
Ra k ha a
s s s, 1 03
Ou t dD w
.
i t te ev il, t h e . 2 53 e t seq
R a lin so n
.
, Sir H .
, 30 .
Paln at oke , 12 . Re f
or m at ion , t h e age of t h e , 8 — 6
33 3 9 .
Pan t h e is m , 1 00 . 4 66 .
4 19 .
Pan t is m 74 , . R e ifi F r. .
, 3 98 .
Papiy an 1 05 1 1 4 , . . R e in ha d r , 395 .
Pau l S t 1 62
, 1 63 1 68 266 26 7 268
. . , . . . , . R eligiou s i d eas , goo da n d e v il as , 1 — 5 .
d
Pe igree of t h e E v il On e 44 5 R e velat ion 1 6 8 e t seq ; of S t J h o n , 20 1
w
. .
. . . .
Pegas us 209 . . R e v iv al of i h p tc -
ro secu t ion , 3 59 e t seq .
Pelagia St 708 , .
, R ich alm us , bb t 8 7 A o , 2 ,
28 8 .
Peregr in u s 2 1 6 , . R ic h elieu , C a d i l 36 5 r na , .
205 . k
R ac er t , r ie F d i h 53 r c , 2 .
Persian D u alism 50 6 4 ,
-
. R ufi s , J b 3 4 7 34 8
aco , . .
Pe t er S t 1 6 5 200 E p is tle
, . . , of , 202 . R u fi n us f A q il j a 4 8
o u e . 0 .
h h
P arao pr ies t s of 26 3 , , .
Ph a i r sees , 1 40 . Sa bbat h 30 , .
Ph il 3 8 o, 1 . 219 . S ab ia 39 n s, 1 et seq .
T (T a
aou r t) ou r . 1 5. V am pires , 1 03 .
Ta t a r ru s , 200 . V ars av ar t i , 1 05 . 1 14 .
T ll W illiam
e , , 12 ; t he Hi d n u. 88 V ar u n an i 8 0 , .
T m pla 3 6
e rs , 0 V el d en z , G eo rge J h o n of . 3 72
ww
. .
T en sk at a a , 26 8 , 269 . V icariou s at o n em en t . 26 1 .
Th eat r u m D zabolo r u m
’
. 34 5 . 34 6 . V is h nu, 77 78 8 1 . . . 8 2 97 , .
Th eo p h il us , 4 5,
1 4 1 6 .
Th eo ph a t r s us , 1 5 2, 4 1 9 .
W addell L E 1 1 9 , . .
T h erapeu t m . 1 38 .
W ait z 7 , .
Th om as , A q u in as , St .
. 28 6 .
W an d erin gs of t h e su n god 86 . .
T h om as ius , C h r is t ian . 38 2 .
W arren H C 1 1 1 , . .
, .
Th 39 or . 2 .
W ater or deal 3 27 3 28 . . .
Th t h t h ibi h ad d
o , e s -
e e , 22 . 24 . 26 .
W ebs t er D r 3 8 0 , .
. .
Tiam at 37 t q 4 4 3 . e se .
, 1 . . 63 . 209 .
W eier J oh an n es 3 73 3 77
, . . .
Tza m t u ( Tia m
'
a t) , 3 4 , 35 .
W eigh in g t h e h eart 21 ; t h e sou l 1 88
, , , .
Tigris, 30 .
W h eel of H ell 3 8 5 , .
T ilberien s is G erv as iu s. 28 2
W h eel of life 1 1 8 et seq 1 25 ; an I n , . ,
Tib J apa
.
,
Tit a n s , 200 .
dia n. 1 19 ; a et an . 1 21 ; a
I Oia t he B ad S pirit 7 Ne es t am en t , 1 27
w
‘
’ .
, . .
T b
om of R ekh m ara 24 6 . . 2 .
W h it e A n d re D ickso n 367 368
, , , .
T ph t all y f 7 7
o e , v e o , 1. 2 .
W illiam s Sir M o n ier M on ier 74
.
-
, .
T q m ad a 3 6 4 3
or ue , 1 . 0 .
W isd om 1 4 7 . .
T t t h i b i h ad d
o . 9 e s -
e e . 22 .
M ac b t h 349 e
'
s, .
T a re su reD igg 99 3 0
-
er, 2 . 0 .
W it c h h am m t h
-
er . e, 32 1 e t seq .
T f lif
ree o 3 5 36 e. .
W it c h f E d 68
o n or , .
hp
.
T riglaf , 24 9 .
W itc -
ti rosecu on s, 67 et seq ; . rev iv al
T im t i 7 5
r ur ,
of . 3 59 et seq ; . in A m erica, 3 67 et
b
.
T i i t y 4 77 ;
r n . t he G n ost ic i d ea. 1 45 ; of
seq .
; a o lit ion of , 370 4 06
-
.
S alern o , 1 50 ; of D is , 24 9 .
W it ch fi u der gen eral 3 79 -
, .
T rit h e m iu s J h o n, 3 25 , 3 26 , 4 19
W olf in E so p s fab le t h e 4 59 et seq '
, , .
T thru . 20. , ,
T u am u t ef of . 375
20
.
w
.
,
T es t e n , 3 97 .
X im 3 16
en es,
Ty l
.
6
7 or ,
3 1. . .
Xisu t h r us . t h e B a by l on ian N oa h 3 2
Typh , .
99 oeu s , 1 .
Typh 5 7 8 6 5
on . 1 , 1 . 2 , , 73 . Ya h h ve , 70 e t seq .
, 73 . 23 2 ; an d Se t , 1 9 .
U ph am 367 .
Yez id i s, 63 .
U b I V P p 4 00
r an o e,
,
Z ha iah 7
. .
U b V Pp 3
r an o e, 12
ec r . 1 .
Z
.
.
,
U t ilit a ia i m 4 57 r n s
eus , 200 , 2 1 1 .
Z d ia 3
.
,
o c, 2 .
V a ra j . 1 13 et seq .
55 5 3 . 7 2 : p op
r h y ec of . 59 .