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event, historian of religions must discern the history of a particular manifestation reveals.
Before historians of religions can isolate and comprehend the structure of a religious form,
they must examine all the historical examples possible. This suggests that the history of
religions is by nature an encyclopaedic approach to its subject. Thus, Mircea Eliade
understands the science of religion in a very broad sense of the term because it embraces
phenomenology and philosophy of religion without neglecting the historically concrete.6
6
Olson, Theory and Method in the Study of Religion, 158-159.
7
S. Robertson, Approaching Religion in a Pluralistic context (Bangalore: BTESSC, 2011), 41.
8
Douglas Allen, “Mircea Eliade,” in https://www.britannica.com/biography/Mircea-Eliade, 19 Feb
2020.
3
historical) phenomena. Mircea Eliade’s approach is also grounded in his claim that there are
essential, universal, coherent, symbolic systems that provide the framework for interpreting
religious meaning. Religious language is symbolic, always pointing beyond itself to
transcendent sacred meanings. Mircea Eliade understood human beings as religious beings
(homo religious) and as symbolic beings (homo symbolicus). Human beings necessarily use
language to express themselves, and it is the capacity to express things with symbolic
language that allows humans to experience deeper meanings and to unify experiences in
terms of coherent, symbolic, structural worlds of meaning. As symbolic, religious beings,
humans were also viewed by Mircea Eliade as “mythic beings.” Myths are symbolic, sacred
narratives of what took place in primordial, mythic time. They provide exemplary sacred
stories that allow religious people to make sense of and deal with their existential crises, such
as experiences of our historical and temporal limitations, of senseless suffering and arbitrary
and tragic death, and of alienation and the lack of deep meaning in our lives.9
Finally, it should be noted that Mircea Eliade was not a detached scholar. He was
deeply concerned about what he perceived as the arrogance and provincialism of modern
Western culture. Declaring that there was an urgent need for a “cultural renewal” and a “new
humanism,” he held that individuals should reconceived themselves as global or planetary
beings. He called for a “creative hermeneutics” that would decipher the sacred hidden in the
modern profane and establishes a dialogue with the symbols, myths, and religious phenomena
of non-Western cultures.10
9
Douglas Allen, “Mircea Eliade,” in https://www.britannica.com/biography/Mircea-Eliade,
10
Douglas Allen, “Mircea Eliade,” in https://www.britannica.com/biography/Mircea-Eliade,