Professional Documents
Culture Documents
GRADE 11
ACADEMIC TRACK – HUMMS STRAND
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Module Code: PASAY-ENG-21ST Century Lit-Q2-W3-01
MODULE IN 21st Century Literature from the Philippines and the World
SECOND QUARTER / Week 3 / Day 1
READ
Read the poem once and then aloud, all the way through, at LEAST twice. Feel free to play
a recording of the poem or show a video of the poem. For example, are the lines short and
meant to be read slow? Or, does the poem move fast, and if so, why?
TITLE
Think about the title and how it relates to the poem. Titles often provide important clues
about what is at the heart of a piece. Likewise, a title may work ironically or in opposition
to a poem. Questions to talk about and consider are:
• Does the title immediately change how you think about it?
• Does the poem’s title paint a picture that gives a specific time frame, setting or
action?
• Does it imply multiple possibilities?
SPEAKER
Understanding the speaker is at the center of a poem may help the piece appear more tangible
to students because they’re able to imagine a person behind the language. Questions to
consider are:
• Who “tells” the poem?
• Does the poem give any clues about the speaker’s personality, the point of view,
age, or gender?
• Who is the speaker addressing?
• Does the speaker seem attached or detached from what is said?
_________________________________________________________________________
Example: Some words that can describe the mood of a poem might be: romantic,
realistic, optimistic, pessimistic, gloomy, mournful, sorrowful, etc.
Some words that can describe the tone of a poem might be: serious,
humorous, amused, angry, playful, cheerful, sad, gloomy, etc
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Module Code: PASAY-ENG-21ST Century Lit-Q2-W3-01
THEME
Last but not least, it's time to get to the core of what the poem is about by identifying
its theme. The theme of a poem relates to a universal truth, issue, or conflict. To
determine the theme, look over all of your analysis and connect the dots:
continue next ….
continue next ….
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Module Code: PASAY-ENG-21ST Century Lit-Q2-W3-01
TITLE
• Does the title immediately change how you think about it?
✓ It seems like a brother to men warning of what will happen in the event because
of the word “beware” and soul brother as people the subject would go with, it’s like
in a war.
SPEAKER
THEME
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Module Code: PASAY-ENG-21ST Century Lit-Q2-W3-01
3. Does the poem give any clues about the speaker’s personality, the point
of view, age, or gender? What line(s) proves your answer?
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Module Code: PASAY-ENG-21ST Century Lit-Q2-W3-01
EVALUATION
EVALUATION: THEME
From the given poem above “Last Night I had a Dream” by
Muhammad Ali, apply the step 5 in connecting details of the
poem.
1. What do you think the message that the author is trying to convey in the
line “Wait till you see Muhammad Ali.”?
REFERENCES CITED:
https://www.britannica.com/biography/Chinua-Achebe
https://www.teachforamerica.org/stories/how-to-analyze-a-poem-in-6-steps
http://14.139.116.20:8080/jspui/bitstream/10603/64659/7/07_chapter%202.pdf
https://www.osymigrant.org/ROMPoetryFormSyllablesMoodandTone.pdf
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Module Code: PASAY-ENG-21ST Century Lit-Q2-W3-02
MODULE IN 21st Century Literature from the Philippines and the World
SECOND QUARTER / Week 3 / Day 2
Drawing an Inference
• Means making a prediction about information, figuring out something that
the author does not tell you specifically and/or “reading between the
lines.”
• An inference is “reading between the lines” to understand things not
directly stated by the author. Inferences are based on information stated
in text as well as what is known from personal experience which relates
to the passage being read.
We use inference all the time in daily life. The following situations are examples of inference:
• The sandwich you left on the table is gone. Crumbs lead to your dog’s bed, and a piece of meat
hangs out of her mouth.
➢ You infer she has eaten the sandwich.
• It is your five year anniversary of dating your boyfriend. He has brought you to a fancy restaurant
and, after dessert, gets down on one knee.
➢ You infer that he is about to propose.
• One of your coworkers has recently retired, leaving an opening. Your boss calls you into her
office the next day, and
➢ you infer that you might be getting a promotion
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Module Code: PASAY-ENG-21ST Century Lit-Q2-W3-02
STANZA 2
Well, now,
if little by little you stop
STANZA 1
loving me STANZA 4
I shall stop loving you little But
I want you to know
by little. if each day,
one thing.
each hour,
If suddenly you feel that you are
You know how this is:
you forget me destined for me
if I look
do not look for me, with implacable sweetness,
at the crystal moon, at the red
for I shall already have if each day a flower
branch
forgotten you. climbs up to your lips to
of the slow autumn at my
seek me,
window,
STANZA 3 ah my love, ah my own,
if I touch
in me all that fire is
near the fire
If you think it long and mad, repeated,
the impalpable ash
the wind of banners in me nothing is
or the wrinkled body of the log,
that passes through my life, extinguished or forgotten,
everything carries me to you,
and you decide my love feeds on your love,
as if everything that exists,
to leave me at the shore beloved,
aromas, light, metals,
of the heart where I have and as long as you live it will
were little boats
roots, be in your arms
that sail
remember without leaving mine.
toward those isles of yours that
that on that day,
wait for me.
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.
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Module Code: PASAY-ENG-21ST Century Lit-Q2-W3-02
➢ towards the middle of the poem, his tone changes, warning her that if she stops loving him, he
will also cease to love her. The tone in the last stanza of the poem reverts back to the positive,
romantic tone in the first section of the poem, and the speaker tells his lover that if she does
not forget him, if she keeps on loving him, he will forever love her in return.
4. What can you infer about the mood the speaker displayed?
➢ the mood in this poem is hopelessly hopeful. Parts of the poem, the speaker felt hopeless but
in some parts of the poem, the speaker felt hopeful towards his/her partner. Overall idea is to
never stop loving one person.
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Module Code: PASAY-ENG-21ST Century Lit-Q2-W3-02
STANZA 5
Here I Love You STANZA 3 The piers sadden when the afternoon
By Pablo Nerudo Sometimes I get up early and even my moors there.
soul is wet. My life grows tired, hungry to no
STANZA 1 Far away the sea sounds and purpose.
Here I love you. resounds. I love what I do not have. You are so
In the dark pines the wind This is a port. far.
disentangles itself. STANZA 4 My loathing wrestles with the slow
The moon glows like phosphorous on twilights.
the vagrant waters. Here I love you. But night comes and starts to sing to
Days, all one kind, go chasing each Here I love you and the horizon hides me.
other. you in vain.
STANZA 2 I love you still among these cold things. STANZA 6
The snow unfurls in dancing figures. Sometimes my kisses go on those
A silver gull slips down from the west. heavy vessels The moon turns its clockwork dream.
Sometimes a sail. High, high stars. that cross the sea towards no arrival. The biggest stars look at me with your
Oh the black cross of a ship. I see myself forgotten like those old eyes.
Alone. anchors. And as I love you, the pines in the
wind
want to sing your name with their
leaves of wire.
PRACTICE EXERCISES 1: 1 WHOLE SHEET OF PAPER
From the given poem above “Here I love You” by Pablo Neruda, infer meaning about
the speaker and audience using the guide questions.
1. What can you infer about the speaker after reading the poem?
2. What can you infer about the personality of the speaker in stanza 1?
3. What can you infer about the audience of the speaker in stanza 1 and 4?
1. What can you infer about the feeling of the speaker in lines
My life grows tired, hungry to no purpose.
I love what I do not have. You are so far.
2. What can you infer about the mood the speaker displayed
in stanza 3?
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Module Code: PASAY-ENG-21ST Century Lit-Q2-W3-02
REFERENCES CITED:
https://www.nobelprize.org/prizes/literature/1971/neruda/biographical/
https://www.familyfriendpoems.com/poem/if-you-forget-me-by-pablo-neruda
https://www.shadowofiris.com/pablo-neruda-if-you-forget-me-
analysis/#:~:text=%E2%80%9CIf%20You%20Forget%20Me%E2%80%9D%20by%20Pablo%20Neruda%3A%20Summa
ry&text=The%20poem%20is%20written%20entirely,and%20beautiful%20language%20about%20love.
https://www.youtube.com/watch?v=_aOWhTQGLF0
https://www.brighthubeducation.com/english-homework-help/103206-guide-to-drawing-inferences-in-poetry-and-
understanding-inferred-meaning/
http://www.sheepdiplane.doncaster.sch.uk/serve_file/162140
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Module Code: PASAY-ENG-21ST Century Lit-Q2-W3-03
MODULE IN 21st Century Literature from the Philippines and the World
SECOND QUARTER / Week 3 / Day 3
OBJECTIVE: Classify representative texts and authors from Asia and North America
(EN12Lit-Ild-25)
Classify representative texts and authors from Asia and North America
How do we classify a
literary text?
LITERATURE
FICTON COMEDY
LYRIC
NARRATIVE MELODRAMA
LITERATURE
Literature, a body of written works. The name has traditionally been applied to those
imaginative works of poetry and prose distinguished by the intentions of their authors and
the perceived aesthetic excellence of their execution. Literature may be classified
according to a variety of systems, including language, national origin, historical period,
genre, and subject matter.
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Module Code: PASAY-ENG-21ST Century Lit-Q2-W3-03
POETRY
Poetry, literature that evokes a concentrated imaginative awareness of experience or a specific emotional
response through language chosen and arranged for its meaning, sound, and rhythm.
LYRIC POETRY
Lyric poetry is relatively short, especially compared to epic poetry, and it makes use of one
speaker who presents his or her emotions or state of mind. The sonnet is one of the
quintessential types of lyric poetry because sonnets typically address the subject of love. Lyric
poetry is distinguished from narrative poetry because it does not tell a story like a narrative
poem would. It does not present a sequence of events with a beginning, middle, and end.
EXAMPLE OF LYRIC POETRY
English sonnet by none other than William Shakespeare. Here's his famous "Sonnet Number 18:"
Shall I compare thee to a summer's day?
Thou art more lovely and more temperate.
Rough winds do shake the darling buds of May,
3 MAJOR TYPES OF POETRY
DRAMATIC POETRY
Dramatic poetry is written in blank verse and is meant to be spoken. Its main purpose is to
tell a story or describe an event in an interesting and descriptive way.
Here's an example from Rudyard Kipling's"The Law of the Jungle" which is addressed to a wolf:
Wash daily from nose-tip to tail-tip; drink deeply, but never too deep;
And remember the night is for hunting, and forget not the day is for sleep.
The Jackal may follow the Tiger, but, Cub, when thy whiskers are grown,
Remember the Wolf is a Hunter - go forth and get food of thine own.
Keep peace with the Lords of the Jungle - the Tiger, the Panther, and Bear.
And trouble not Hathi the Silent, and mock not the Boar in his lair.
When Pack meets with Pack in the Jungle, and neither will go from the trail,
Lie down till the leaders have spoken - it may be fair words shall prevail.
NARRATIVE POETRY
Narrative poems include ballads and epics, long stories detailing historic societies, heroic deeds or
interesting events. They can also be very dramatic when re-telling a particular situation and were
originally meant to be performed while dancing.
Here's an excerpt from The Raven by Edgar Allan Poe which dramatically details a mysterious
event:
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Module Code: PASAY-ENG-21ST Century Lit-Q2-W3-03
PROSE
Prose is a form of language that has no formal metrical structure. It applies a natural flow of speech, and
ordinary grammatical structure, rather than rhythmic structure, such as in the case of traditional poetry.
NONFICTON
• Nonfiction is all prose writing that is NOT "made up" or imaginary is nonfiction (not fiction).
• Another characteristic of non-fiction is the presence of a narrator, who is a real person and often
2 MAJOR TYPES OF PROSE
Since my return to liberty, I have not failed to perceive the increasing interest throughout the Northern
States, in regard to the subject of Slavery. Works of fiction, professing to portray its features in their
more pleasing as well as more repugnant aspects, have been circulated to an extent unprecedented,
and, as I understand, have created a fruitful topic of comment and discussion.
FICTON
Fiction may be based on stories of actual historical events. Although fictitious characters are
presented in a fictitious setting in stories and novels, they may have some resemblance to real life
events and characters. Writers alter their characters very skillfully when they take them from actual
life.
Example : Noli Me Tangere (By Jose Rizal)
The plot revolves around Crisostomo Ibarra, mixed-race heir of a wealthy clan, returning home
after seven years in Europe and filled with ideas on how to better the lot of his countrymen.
Striving for reforms, he is confronted by an abusive ecclesiastical hierarchy and a Spanish civil
administration by turns indifferent and cruel. The novel suggests, through plot developments, that
meaningful change in this context is exceedingly difficult, if not impossible.
DRAMA
Drama is a unique and distinctive genre of literature. Drama definition is a narrative presented by actors/actor on
a stage through dialogue/monologue and live action. Usually, dramas are stories that are acted. Through the
combination of performance, music, dance, props, etc; the audience is able to feel like a part of the action.
COMEDY
Comedy is a literary genre and a type of dramatic work that is amusing and satirical in its tone,
mostly having a cheerful ending. The motif of this dramatic work is triumph over unpleasant
circumstance by creating comic effects, resulting in a happy or successful conclusion.
TRADEGY
Tragedy is a type of drama that presents a serious subject matter about human suffering and
corresponding terrible events in a dignified manner.
Shakespeare is one of the leading authors of tragic plays in all of English. His play Romeo and
Juliet is perhaps the most famous tragedy of all time, exploring the doomed loved between, as
he called them, “star-crossed lovers.” Romeo and Juliet go against their families’ mutual hatred
to marry each other in secret, which ultimately leads to their downfalls.
MELODRAMA
Melodramas deal with sensational and romantic topics that appeal to the emotions of the
common audience. Originally, it made use of melody and music, while modern melodramas may
not contain any music at all.
Wuthering Heights (By Emily Bronte)
The novel is a sweeping romantic melodrama in which love and class division are
destined to become a tragedy. The film stars Heathcliff as an orphan, who is taken into
a wealthy family where he falls in love with Cathy, his foster sister.
PRACTICE EXERCISES 1: Read and analyze the poem and answer the
questions below.
PRACTICE EXERCISES 2:
1. What type of PROSE is the "Anne Frank: The Diary of
a Young Girl," which accounts the life of Anne Frank
during her time spent as a Jew in Europe during World
War II?
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Module Code: PASAY-ENG-21ST Century Lit-Q2-W3-03
PRACTICE EXERCISES 3:
1. What type of DRAMA is Macbeth, which tells the story of a noble Scottish warrior
whose wife convinces him to betray and murder the King. Over the course of
the play, Macbeth gradually isolates himself from all of his friends and
supporters, growing more and more dependent on his own (and his wife’s)
ambition. In the end, he is destroyed by the very people he once fought side-
by-side with?
EVALUATION
What classification of literature which has a characteristics of meter,
rhyme, form, sound, and rhythm (timing) and the example is sonnet 29 by
Shakespeare:
When, in disgrace with Fortune and men's eyes,
I all alone beweep my outcast state,
And trouble deaf heaven with my bootless cries,
And look upon myself, and curse my fate...
REFERENCES CITED:
https://www.britannica.com/art/literature
https://www.britannica.com/art/poetryl
https://literarydevices.net/fiction/
https://www.bachelorandmaster.com/britishandamericanpoetry/if-i-should-die-summary-
analysis.html#.Xyk7l4gzbIU
https://www.legit.ng/1219307-4-types-drama-literature.html
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Module Code: PASAY-ENG-21ST Century Lit-Q2-W3-04
MODULE IN 21st Century Literature from the Philippines and the World
SECOND QUARTER / Week 3 / Day 4
OBJECTIVE: Determine the point of view of representative texts and authors from
Europe, Latin America and Africa (EN12Lit-Ild-25)
YOUR LESSON FOR TODAY:
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Module Code: PASAY-ENG-21ST Century Lit-Q2-W3-04
• Most young adult fiction (12 and up)-YA is a particularly amazing market for those who like push the
boundaries and have a quick moving style of writing. Teens are receptive to something new and
different.
• Short stories
• Literary fiction
• Mainstream (usually romance and chick-lit)
• The recently labeled Gothic genre
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Module Code: PASAY-ENG-21ST Century Lit-Q2-W3-04
Notice here how Tolstoy’s narrator first introduces This was once a very popular method of storytelling. It is
the reader to Prince Andrew, a main character, from less so now, especially in the North American market.
the outside looking in. The reader learns that he’s Still there are some cases where this can add extra
dimension to your writing when done well. Joseph
handsome, with sharp features before moving on to
Conrad was a master of omniscient viewpoint.
the Prince’s opinions about the other guests at the
soiree. Notice also that the narrator never directly The trouble is that each character must have a
enters the character’s head. Instead, what distinctive voice so that the reader is never at a loss as
information the narrator reveals about Andrew’s to whose head he is in at the moment. This is an
opinions comes in the form of inference. That’s a interesting device for an epic novel which explores a
deliberate choice on Tolstoy’s part, one that both theme with several tangled subplots. It is difficult to
manage because if you give away the wrong information
gives the reader some insight into Andrew’s (in other words if you tell us what we want to know) then
character without the intimacy of accessing his you lose tension using this technique. But if you can
actual thoughts. control it, and give the reader the right amount of
information, you can increase tension considerably.
A classic example of third person limited fiction is Ernest Hemingway's "For Whom the Bell Tolls",
which sticks firmly with one character's consciousness, that of Robert Jordan, who shares:
"This Anselmo had been a good guide and he could travel wonderfully in the
mountains. Robert Jordan could walk well enough himself and he knew from following
him since before daylight that the old man could walk him to death. Robert Jordan
trusted the man, Anselmo, so far, in everything except judgment. He had not yet had
an opportunity to test his judgment, and, anyway, the judgment was his own
responsibility."
The reader will only know Anselmo's thoughts and responses insofar as he reveals them through his
actions. But Robert Jordan's thoughts will be shared throughout the story. It's his reactions and his
interpretations of events that the reader will understand and follow.
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Module Code: PASAY-ENG-21ST Century Lit-Q2-W3-04
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Module Code: PASAY-ENG-21ST Century Lit-Q2-W3-04
EVALUATION
Determine the point of view of the given example
below and justify your answer.
She struck another match against the wall. It burned brightly,
and when the light fell upon the wall it became transparent like
a thin veil, and she could see through it into a room. On the table
a snow-white cloth was spread, and on it stood a shining dinner
service. The roast goose steamed gloriously, stuffed with apples
and prunes. And what was still better, the goose jumped down
from the dish and waddled along the floor with a knife and fork
in its breast, right over to the little girl.
EXCERPT FROM THE LITTTE MATCH GIRL
BY HANS CHRISTIAN ANDERSEN
REFERENCES CITED:
https://literaryterms.net/point-of-
view/#:~:text=The%20Importance%20of%20Point%20of,of%20other%20characters%20and%20events.
https://www.poetryfoundation.org/poems/45090/sonnet-29-when-in-disgrace-with-fortune-and-mens-
eyes
https://www.softschools.com/examples/grammar/point_of_view_examples/233/
https://www.poetryfoundation.org/poetrymagazine/poems/40470/a-dog-has-died
http://poemhubx.weebly.com/style-analysis/a-dog-has-died-style-analysis
https://wetoowerechildren.blogspot.com/2010/05/chinua-achebe-flute.html
http://www.literarydevices.com/point-of-view/
https://andersen.sdu.dk/vaerk/hersholt/TheLittleMatchGirl_e.html
http://www.the-writers-craft.com/omniscient-point-of-view.html
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