This concert seemed to take me back to those times, with the intertwining of melodies and

the rare sound of the harpsichord, and I was very happy to have so many opportunities to see the
concert, which are rare in our country.
Daniel Speer (1636—1707)
Senates a 3 trombones en la miner et fa majeur
The whole piece is gently paced and the harmonies sound very comfortable ， I am very
surprised to see how nowadays trombones match so well with Barock Music ，According to my
search, I think the original version is three trombones, but here it is replaced by a cello, and I
personally feel that the harmony effect of the piece is weakened, but it does not affect his
perfection。
George Friedrich Handel (1685—1759)
extrait de 9 German Arias, Sise Stile
For the first time, I felt the aural impact of the soprano up close, and I felt like I was being
baptized, like a chant, the violin and cello were also well matched, and I liked the sound of the
harpsichord, I felt that he was the soul of Baroque music
George Friedrich Handel (1685—1759)
Senate en re majeur
The piece, played by violin and cello and harpsichord, is slightly faster-paced, and the
consecutive 16th notes of the violin create a panicked atmosphere, and the harpsichord repeats the
melody of the violin, but with slight modifications, and finally the violin returns to a beautiful
harmony with the cello，All vibrato and strength are done perfectly
Johann Sebastian Bach (1685 — 1750)
Extrait de Weihnachtsoratorium,
Aria : flit, Mein Heiland, BWV248
This work is the second vocal work in this concert, it is a bel canto soprano and I feel that her
voice seems to be penetrating, the solo will lack momentum and harmony than the chorus, but the
solo has this clean and ethereal feeling The chorus does not, I see the singer holding a book in his
hand, and I also want to emphasize that the harpsichord seems to me to be the soul of the Baroque
period, but it only represents my thoughts
Johann Sebastian Bach (1685 —1750)
Senate a en la majeur, deux movements, BWV 1033
The sound of the flute is very ethereal to me, as if I see the morning sun or the silence of the
afternoon, the rhythm of the work is fast, because I studied wind music, and here I need
continuous double spitting skills to perfectly play such a fast work, the continuous rapid
performance of the flute, as if it is a girl's dance or the passage of time
George Friedrich Handel (1685—1759)
Senate en trio en sol
Baroque music gives me a feeling that it never ends, melodies are intertwined, all the credit
of polyphonic composition, and this piece gives me the same feeling
Alesandro Scarlatti (1660—1759)
Extrait de Guiditta, Aria : Si la gioia non muccide
The soprano timbre is still very shocking to me, under the foreshadowing of other instruments,
the melody that the soprano enters after the soprano interacts, the violin and the soprano echo,
After repeating several of the same melody, the music came to an end
Arcangelo Coreli (1653—1713)
Senate a violine violone, op 5n5

Johann Sebastian Bach (1685—1750)

Extrait de Schwingt freudig such empory,
Aria: Such mit gedimpften, schwachen Stimmen, BW36
The violin and harpsichord first appeared in my ears, then the soprano appeared, This
youthful voice, coupled with this violin, the timbre is equally rounded ，coupled with this violin,
the timbre is equally rounded，The music also ends perfectly to the melody of the violin

As long as there was a soprano in this concert, I enjoyed it very much and was surprised to
listen to it, because he was really amazing, and I thank the school and the professor for giving us
the opportunity
（zhou wei）