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Ave Maria By Franz Schubert

Drop D tuning:
(low to high) D-A-D-G-B-E
Slowly
D Bm D A7 Bm
        
  

A - ve Ma - ri - a!
1/2CII
    
CII
    
   2 3     3 4  1   2     2 3 4      
  1 
 
2 2 0


3 3 2 3 3 3 2 2 3 3 3
2 2 4 2 2 0 0 4 4 4 4
4 4 4 4 4 4 4 4
2 0 2 2
0 0

            
 
Em A7 D Bm

       
  
Gra - ti - a ple - i na, Ma - ri - a gra - ti - a

         2  1   3
2       2   1  4  
      3    

 1
1   
0 0 2 0 2 2 2 0 2 4
0 3 2 0 2 3 3 3 3 3 3 2 0 0
0 0 0 2 2 2 2 2
4 4 0
0 2
2 0 0 0

          
C7#sus4 C#7 A#º7 Bm
        
   
ple - na, Ma - ri - a gra - ti - a ple - na, A -

 1 
           4    3  4   2  3  4         
CII
1 
 
4        
1

2 2 1 1 0 0 2 3 0 2 0
0 0 0 0 2 2 3 2 2 3 3 3 3
0 0 4 4 4
4 4
4 4 4 1 1 1 2 2

1
 
A

B7
  
A
 
E7
      
A

       

ve, a - ve! Do - mi - nus, do - mi - nus te com. Be - ne -

       1  4       
      2  4              
   
3

1

0 0 2 5 2 0 0
2 2 0 4 4 2 2 0 2 3 2 0 2 2
2 2 2 2 2 2 2 2 2 2
2 2 2
0 0 0 0
2

A7 D A A7
                      
      
dic - ta tu in mu - li - e - re - bus, et be - ne - dic -

      3   1   2            3   2  1  
         
    
1

  
0 0 0 0 2 0 2 2 0 0 0 0 3 2 0
2 2 4 3 3 3 3 3 2 4
2 0 0 2 2 2 2 2 2
0 0 0 0 0
0 0 0

           
Bm A F# Em
   
     

tus, et be - ne - dic - tus, frue - tus ven - tris, ven - tris

      3  2     4    
               2    
    1
   
1

0 0 2 2 2 0 2 3 3
3 3 3 2 2 0 0 0 0
4 4 4 4 2 2 0 0 0 0
4 4 4 4 2
2 2 0 0 1 1
2 2

2
         
Em Bº A A7 D Bm
   
    
tu - i, Je - sus. A - ve Ma -

     4    1      
      2          
CII

  
    
  1

0 0 1 0 0 0 0
0 0 3 2 3 3 2 2 2 2 3 3 2 3
0 2 2 0 0 2 2 4
0 4 4 4 4
2 0 0 2
2 2 0

D A7 D

    
 
ri - a!

1/2CII
               
        

3


 
2 2 0 2 2
3 3 2 2 3 3 3 3 3
2 2 0 0 2 2 2 2
0
0
0 0


D7 G Gm/D D

    

        
      2        2  3  4    

1


 3
 
2 2 3 3 2
3 3 1 1 0 0 3 3 3
2 2 2 2 0 0 3 3 2
0 0
0 5 0

3
4
Bourée in E Minor
(Lute Suite #1)
By Johann Sebastian Bach
Moderately
Em B7 Em D7 G B7

  3    4  1
  3   4        4  

4

 
2

2 2    1  2
 1   2  3
 1 

0 2
 3 2 0 0 2 0


4 0 2 4 3 1 0
 0 2 0
2
0
0
4
2
0
0
2

3 2 0 3 2 0 2 3

Em B7 Em D7
      4        
    4 

1

 2 
  1 2   2
2

3
1   1   

0 2 3 2 0 0 2 0
0 4 0 2 4 3 1
2 0
4 2
2 0 2 0
3 0 2 3 2 0 3 2 0 2

1. 2.


G D7 G G
    
  1  1
        
  
2     
2 2


0 0  0
2
3
0
4
5
5 0
0 0
0
2
0
 0
0
2
0

3 3 3 3 3

D7 G C E7 Am E Am D7
     1 1 
  4   1  
4
 3       2   2
    
4

  1  3 1
3

 
0

2 
3 3 3

2
 1 1
2 

 3 1 0
3
3
0
3 1 0 0 1 0 3
 2
0
2 3
4
0
0
2 1
2
2
0
2
2 2
0 2 0
0
2

2 3 4 0 3 2

5

G C E7 Am A D F# Bm F#7
  4  
3
 1 3
   3 
  3  2   
4


4


3

 1  1  
3 3

 2  2   
2 3
1 1 1
1

3 0 5 2 0

0 3 3 5 2 3 2 0 0
4 5 3 4
0 2 4
2 3 4 1 2
3 4 5 2

B E7 A7 D7 G7
  
     2       
 
4 4
4 4


3 1

     
1

 2 
4

   
3

2
1
2  1
3 

7 4 2 0 5 0 3 2 0 3 1
0 7 3 3
1 2 0 0
2 1 2 4 4 0 3 2
7 3

C F#m B E7 Am D G+ C

 4   2 
    4     2
 1   1  
     
1 
2 1

1  1 
2
4
 2 3
3 

0 5 0 2 0 0
2 4 0 0 1 3 0 1
2 0
2 4 1 2
3 2 0 2 3 2 0 0
2 4 3

1. 2.


F#m B Em B Em/B B Em Em

 2           
 1   
   4   1 
1     
3 1 3
4 1

0 0 
2
4
1 4
0
4
0
2 1
2
2
0
4 5
2
4 2 2
0
 2
2 0 0 3 0

6
Can Can
from ORPHEUS IN THE UNDERWORLD
By Jacques Offenbach

Moderately fast
1.
E A D A E A E
       2 2
4        2    
   1     1 
3


1
  
  
1

 2 5 2 2 0 0 2 2 0


0 0 0 0 2 3 2 2 0 2 0
 2
0
2 2
0
0
1 1
0
2 2

0 0 0

2.

         
E A
μ
 
E A

μ

   1     1     
 
4

 1
1

   
   
3

2 0 2 0  2 0 2 0 0  9 5 2 0 0
0 2 3 2 0
9 5

2  0
2 2
 6
7 4 2
0
2 6
7
0 0

1. 2.
E A A E A E A E A E A

4  2  2  
  1 2  4  1   1             
       
2


         
1

2 0
4 5 7
4 7 5 5
 5 0 4 0 5 0 4 0 5 0 4 0 5 0 4 0 5

4 2
0
 0 0 0 0 0
2 2 2

0 0 0 0 0

D A

   1  1   3 
VII position
  2  1  3  
              2 
4
3

         
7
3 8 7 10 10 10 7 8
2 2 2 2 2 2 2 2 2 2 2 2 9 9 9 9
0 0 0 0
0 0 0 0 0 0 0

7
D A D A
         
VII pos.

     1 4          
     
     

10 9 7 7
8 7 5 10 8 7 8 7 10 10 10 7 8
9 7 9 7 9 9 9 9
0 0 0 0 0
0 0 0 0 0 0

D A D E A D A E
VII pos.

                   
         
      
 

2 5 2 2 0 0 2 2
8 7 10 7 0 0 0 0 2 3
9 9 7 9 7 2 2 1 1
0 0 2 0
0 0 0 0
0 0

A E A D A E

                 
              1
3

   
   

0 2 5 2 2 0 0 2 0 0
2 2 0 2 0 2 0 2 0 0 0 0 0 2 3 0
2 2 2 2 1
2 0
0 0 0
0 0 0 0

Am/E F#7/E Bm/E E Am/E F#7/E Bm/E

 3                     


  21        
2 1
1 2
3

       
3

2 0 0 2 0 0 2 0 0 2 0 0 2 0 0 2 0 0 2 0 0 2 0 2 0
1 2 3 0 1 2 3 3
2 3 4 1 2 3 4 4

0 0 0 0 0 0 0 0

8
A E A E A

             
    2 1         
4

       

2 0 2 0 5 0 0 0 2 5 4 2
3 0 3 2 0 2 3 0 0 0 3 2 0
4 2
0 0 0 0
0 0 0 0

E A E A E A E A7
                     
    2
       

0 0 0 0 2
3 2 0 0 3 2 0 2 3 0 0 0 3 2 0 0 2
2 2 2 1 0
0 0 0 0 0
0 0 0

D E A E A7 D E
   1            
  3 2     
4

  
 

0 4 2 0 0 4 2 0
3 3 2 0 0 2 3 3 2 0
2 2 1 0
4 0 4 0
0
0 0

A E A E A E A E A
   2 
  1               
4

     
1 2

   
1

0 0 0 0 5
0 2 0 2 0 2 0 2
2 2 2 2 2 2 2
2
0 0 0 0 0 0
0 0 0 0

9
10
Canon in D
By Johann Pachelbel

*Capo II
Moderately
C G Am Em F C

           
CI

        
   


1 0 1 0 1 1
0 0 2 0 2 0
2 0 2 2 3 2
3 0 3
3 0 1
*This arrangement in C major for playability.
To play in D major, capo 2nd fret.

F G C G/B Am Em F C

     4
CI

     
             4
3 
   
  
2

 2
 1

0
1 0 1 3 1 0
2 0 0 0 0 2 0 2 0
3 0 0 0 2 2 2 2 3 2
3 2 0 3 3 3 3
1 3 0 1

F G C G/B Am Em F C

                                
     
0
0 1 3 1 0
2 0 0 0 0 2 0 2 0
3 0 0 0 0 2 2 2 2 3 2
3 3 3 2 0 3 3 3 3
1 3 0 1

F G C G/B Am Em F G
4 
     2      4 
                 
1

   
4

  2  
3

0 0 3 5 1 0 1 0
0 3 1 0 3 3 1 0
2 0 0 2 2 0 0
3 0 0 0 0 3
3 3 3 2 3 2 0
1 3 0

11
F Gsus4 G C G Am Em
     
           
4

  
3

3 0 1 3 0 1 3 0 1 0 0
1 1 0 0 1 3 1 3
2 0 2 0 0 0 2 0 2 0 0 0
3 2 3 3 2 3
3 0
3 0

F C F G C G

4  4
   
  
                
 3

0 3 0 1 3 0 1 3 0 1
0 1 0 0 1 3 0 1 3
2 0 0 2 2 0 2 2 0 2 0 2
3 3 2 0 2 0 0 2 3 3
3 3
3

Am Em F C F G

  
                  4       3         4     
  

0 0
1 3 1 0 0 1 1 0 1 0 0 1 3 1 0 1 0
0 2 0 0 0 2 2 0 0 0 2 2 2 2
2 3 3 2 3 3 3 3 2 3 3
0 3
0 3

C G Am Em F C F G

  4  2       
   
4

   
                 
  

3 3 3 5 3 1 0 0 0 1 0
1 1 3 1 1 1 1 0 0 0
0 0 2 2 0 2 0
3 2 2 3 0 0
3 0 3
0 3

12
C G Am Em F C F G

            
        
 
           
  

3 3 3 5 3 1 0 0 0 1 0
1 1 3 1 1 1 1 0 0 0
0 0 2 2 0 2 0
3 2 2 3 0 0
3 0 3
0 3

C G Am Em F C

          
     
   
      
  

0 0 0 1 0
1 3 1 1 1 3 1 0 1
0 0 2 2 0
2 3 2 2
3 0 3 3 3
0 1

F G C G/B Am Em

              4 
      
   
2

0
1 0 1 3 1 0
2 0 0 0 0 0 2 2 0 0
3 3 0 0
3 2 0
3 0

F C F G C

    

            

 


 


0 0
1 1 0 1
2 0 0 2 0 0
3 3 3 3 0 0 2
3 3
1 3

13
14
Eine Kleine Nachtmusik By W. A. Mozart

Moderately

  
C G7
  
          
  

4

   
4

0 3 1 1


1 1 1 1 3 3
0 0 0 0 0
3 3 3 3

C G G7

              
      
 
4 4

3
  3 
1 0 1
3 0 3 1 1 3 1 1 0 0 3 0
0 0 0 0 0
2
3 3
3 3 3

C G G7 C

               4   
 4         
  
 

0 1 0
3 1 1 3 1 1 0 0 3 0 1 1 1 0 0 1 1 3 1 3
0 0 2 0
0 2
3 3 3
3 3

F G7 C

                
   
4 1 4

2
1 2

 
3

0 0 3 1 0 1 3 3 5 3 1 1 1 1 0 0 0
5 6 0
0 0 0
2
3 3

15
Dm G C G/B C F

       
       
   
4 4

 2

0 0 3 5
3 3 3 1 0 0 1 3 1 5 6
2 2 0 0 0
3 0 2 0
3 2 3
3

G7 C Dm G
            
      
 

3 1 1 1 1 0 0 0 0
0 3 3 3 1 0 0
0 0 2 2
3 0
3
3


C G C

         
       
4

      
3 

0 3
1 1 1 0 1
0 0 0 0 0 0 0 0
2 2 2 0 2 2 2
3 3 3 3
3


1/2CV

G C
 
       
4

   

0 3 8
1 1 0 1 5 1
0 0 0 5 0
0 2 2
3 3
3

16
Emperor Waltz
By Johann Strauss, Jr.

Moderate Waltz

    
C G7 C G7 C
        
         
  
4

0 1 1 1 1 1 0 0


1 0 0 0 0 0 1 1
0 0 0 0 0 2 0
2 3 2 2 0 3
3 3 3

G7 C G7 A7 Dm
      
 4             
   
3

0 0 0 1 1 1 1
1 1 1 0 0 3 3
0 0 0 0 0 2 2
3 3 2 2 3 2 2 0
0
3 3

F G7 Dm7 G7 C
       
    
          

4

0 0 0 0
1 0 1 1 1 0
2 0 2 0 0 0 0 0
3 3 0 3 0
3 3 3
3

Dm G7 C

  4    

  

 
      
 
4

3  

0 3 3 3 0 3 3 1 1 1
2 2 2 2 0
0 0 0 0 2
3 3
3 3

17
Dm E7 Am

   
      4         
   
4

 

0 0 1 0
1 0 0 3 3 3 0 3 1
0 0 2 2 1 2
0 0
3 3 0
0

  
G7 C G Am
    1
            
3

   
   
2
1
2

0
1
0
1  3
0
3
0
3
0
2
0 0
2
0
0
3
0 0
 0 0 0
0
2
2
2
2
0
3 3

   
D7 G

         
        4

  3

2 2 2 0 0 0 0
1 1 1 0 0 3
2 2 2 2 2 0 0 0 0
0 0 0 0 0
3 3 3

   
D7 G G/F#

             
3

 
1
2

3  
4

2 2 2
1 1 1 0
0 0 2 0 2 2 0 0 0 0
4 4 0 0 0 0 0 0
3 2

18
Em Am D7
        
           
2

     
 

3 3 3 2 2 2 2 0
0 0 0 0 0 1 1 1
0 0 0 2 2 2 2 2 2
2 2 0 0
0 0
0 0

G C

            
       
4

   3  
4

  3 

0 0 0 3 0 0 3 0 0
0 0 3 1 1
2 0 0 0 0 0 0
0 0 0
3 3
3 3 3

A7 D7 G

 4  2       2         


   
3
 
    

1

3 3 0 2 0 0 0 0 0 0 0
2 2 2 2 2 2 1 0
2 2 2 2 0 0 0 2 0
0
0 0 0 0
3

D7 G A7

                  
        
   

0 0 0 0 0 0 0 0 2 0 0 0 3 0 2 0
1 2 2
0 2 2 0 0 0 0
0 0
0 0
3 3

19
D7 G Fº7 Am D7 G

    2         
  
      
1 
4 2


3

 
1

    
1

2
3

0 0 0
1
0 0
0
0 0 1 5 3 2 3 2 0 2 3

0
2 0
0
1 2
0
0
0 2

3 3

C
    4  
          
3      

0 0
1 1 0 3 1 1 1 0 3 0
0 0 0 0 0 2 0 0 2
2 2
3 3 3 3 3 3

G G7
   
                
   

1 1 1 1
1 0 0 0 0 0 0 0
0 0 0 0 0 0 2 0 0
0 0 0 0 0 3 3
3 3 3 3

C
    
                
   

1 0 0 0 0
0 0 1 1 1 1 1 0 3 1
0 0 0 2 0 0 0 0 0
0 0 2 2
3 3
3 3

20
G
          
     
     

0
1 1 0 3 0 1 0 0
0 0 2 0 0 2 0 0 0
2 2 0 0 0
3 3 3 3
3 3

D7
         
        2  
2  
4
1

0 0 0
1 1 1 1 1 1 1 0 0
2 2 2 2 2 2
0 4 4 0 0
2 2

G C
       
          
     
3 

0 0
1 0 0 1 1 1 1
0 0 0 0 0 0 0 0 2 0 0
2 2 2 2 2 2
0 2 3 3 3 3
3

Dm F
1  
       2        

4
3

1 1
0 0 1 3 3 3 1 0 1
0 0 0 2 2 2 2
2 2 3 3
3 3

21
 
G C

       
        
4

   
3  

3 3 0 0
0 0 0 1 1 1
0 0 2 0 2 0 0 0 0
0 0 3 2 2 2
3
3 3

    
    
  
   
   

0 0
0 0 1 1 1 1 0 0 1
0 0 0 2 0 0 0 0 2
2 2 2 2 2 2
3 3 3 3 3

E A7 Dm D7 G

   
    2 4       

2

3 
2

 2 
3
1

0
0 0 2 3 1 0
1 1 0 2 2 2 0
3 2
0
0 2 3

C G/B C

  4    4     
    
   
3

1

0 3 3 3 3 3 3
1 3 1
0 0
2 2
3 3 2 3 3

22
Für Elise
By Ludwig van Beethoven

Moderately

      
E Am E

 4 
  
 2
   1  
  4  4 
3 3
2
mf



0 0 0


4 4 0 3 1 0 0
2 2 1
2 2
0 3
0 0 4

Am E Am

      
     
  
  

0 0 0
1 4 4 0 3 1
2 2 2
2 2
0 0 3
0

1. 2.

 
E Am Am

    
      4

     



0
0 1 0 4 0 1 3
2 2
2
0 0
0 4 0 0

 
C G7 Am

        
  
1


4

 3
  3

 
2 2 1



0 1 0 0
3 3 1 3 1
0
3 2
3 2 0
3 3 0

23
 
E

         
2

    
3 0

0 0 0 12 0 0 0 0
0 4 4 4 4
2 2 2 13
0

Am E

         
    
   

0 0
4 0 3 1 0 0
2 2 1
2 2
0 3
0 0 4

Am E Am

      
     
  
  

0 0 0
1 4 4 0 3 1
2 2 2
2 2
0 0 3
0

1. 2.
E Am Am


  
 
       
 
  



0 1 0 0 1 3
2 2
2 2
0 0
0 4 0

24
Habanera from CARMEN
By Georges Bizet

Drop D tuning:
(low to high) D-A-D-G-B-E


Slowly
Dm 

4

 
2

  
3


1
       
   

10 9


10
3 3 3 0
0 0 0 0 0 0 0 0
0 0 0 0

Gm6/D

3 3

    4      2 1  4       
3 

1 2


1

 
1 1 3

   
3 3 3

  
2 2

   

8 8 8 7 6 5 5 5 4 3 1 3 1 0 1 3 1 0 10 9
3 3 11
10 7 7 2 3 0
0 0 0 0
0 0 0 0
0 0 0 0

A7 Dm


3 3

   3   
3

   4  
 3  1        
4 2

 
1 1

  
1
2

   
2

  

8 8 8 7 6 5 5 5 3 1 0 1 0 0 1 0 10 9
3 2 3 2 3
0 3 0 0 10
0 0 0
0 0 0 0
0 0 0

25
3
Gm6/D


3

                  
    
        
   

8 8 8 7 6 5 5 5 4 3 1 3 1 0 1 3 1 0 10 9
3 3 11
10 7 7 2 3 0
0 0 0 0
0 0 0 0
0 0 0 0

A7 D

3 3

     
3

    
         2   4


3

  
1 
1

      
  
3

8 8 8 7 6 5 5 5 3 1 0 1 0 0 1 0 10 9
3 2 3 2 3 7
0 3 0 0 2
0 0 4 0
0 0 0 0
0 0 0

3 G6/D


3

2  
      3   
 4       
4 3

 
3 2

  
1 4 2 2

   
3
3

  
1

   

8 8 8 7 6 5 5 4 3 2 3 2 0 2 3 2 0 10 9
7 7 3 0
2 0 0
0 0 0 0 0
0 0 0
0 0 0 0

A7 D
3 3

2         3
   2         
1 2

     
1

  
2

  
1 1

  
3 1

8 8 8 7 6 5 5 3 2 0 2 0 0 2 0
0 2 3 2 2 3
0 0 0 0 0 2 2
0 0 4 0 2
0 0 0
0 0 0

26
G/D

  3                
 
 
1

     
3 1

0 0
2 0 2 2 2 2 0 2 0 0
4 4 2 0 2 4 2 4 4 4 4 4 2 2 4
0 0
0 0 0 0 0 0

A7/D A7 D A7

  
                  2

 
1 1

     
3

0
0 0 0 0 0 2 0 3 2
0 0 0 2 0 0 0 0 2 0 2 2 0
2 4 2 4 2 4 4
0 0
0 0 0 0 0 0

D G6/D Bm

   
          
      
2


2

1
1

 
3 1

  
3

 

2 0 2
3 3 2 0 0
2 2 0 2 2 2 2 4 2 0 0
4 2 0 2 4 2 4 4 4 4 2
0 0 2
0 0 0 0 0


Em G6/D A7/D A7 D


3

 4  
      2  2 3  1  
4

     
3

 
3 2

  
1

1  

3 2 0 2 0 10
0 0 2 0 2 3 10
0 0 0 2 0 1 2 0
4 2 4 2 4 0
0
2 0 0 0

27
28
Humoresque
By Antonin Dvorak

Moderately
G C G
3 
 2  2  4  2 
 
    1      3
   1
 1      4    
4

   

3

2    
2
2

 0 3 2 5 3 2 5 3 0 0 3 0


0 3 3 1 3 3 3 3 0
 0 2 0
0
2 0
3
0 0 0
0
3 3 3 3

D7 G C

        

  
 2          
  
2  
1
3

0 3 2 5 3 2 5 3 0
0 3 3 1
2 0 2 0 2 0 0 0
0 2 0 0
3 3
3 3

G D G G B7 Em
  
 
         


4

 
1


1

  
3

 1 2    2

3 3
3
3  0
7 5 5
0
3
0
0 2
0
0
0  0
0
6
3 2 3 3 3 0

C E7 Am D/F# G

 3    1 4      4 
         
    
 2  3 
2

3 2 0 0 0
3 3 1 3 1 0
0 1 1 2 2 0 0 2
0 0 0
3 0
0 2 3 3

29
B7 Em C E7 Am D7

        
          
          
   

7 5 5 3 3 2 0 0 0
0 0 0 3 3 1 3 0 0 1
0 0 1 1 2
0 0
6 3 0
3 0 0

B7 Gm A7 D7 G C

           
  2           
1
 3
  3 

1

   

0 3 2 5 3 2 5 3 0
0 0 3 3 1
3 2 0 2 0 2 0 0 0
1 0 0
4 3 3
3 3

G D7 G
 
                 
    
   

0 3 0 0
3 3 3 3 0 0 3 3
0 2 0 2 0 2 0
0 0 2 0 0
3
3 3 3 3

C G Gm A7 D7 G

           3  
     1   
 
4

  
4


1 1

 

3 2 5 3 2 5 3 0 6 6 5 0 3
1 3 3 3 2 0
0 0 0 0
0
3 0
3

30
In the Hall of the Mountain King from PEER GYNT
By Edvard Grieg

Drop D tuning:
(low to high) D-A-D-G-B-E
Moderately
Dm E/D Eb/D Dm F

    2  3   2  3   1 2   1        4  1  2    
       
4

      3


3 1 1
0 2 2 1 1 0 0 0 2 2 2 2
0 2 3 3 2 1 0 2 3 3 3 3
0 0 0 0 0 0
0 0 0 0 0 0 3 3

Dm E/D Eb/D Dm F
     
                     
       
     
3 1 1
0 2 2 1 1 0 0 0 2 2 2 2
0 2 3 3 2 1 0 2 3 3 3 3
0 0 0 0 0 0
0 0 0 0 0 0 3 3

A F+ A F+ A

     3           
  2   2 4
3

1
        
   4
    
0 0 1 1 0 0 0 0 1 1 0
0 2 3 2 2 2 0 2 3 2 2
2 2
2 2 3 2 2 2 3 2
0 0 0 0 0 0 0 0

A F#m A F#m A

     1        
     
1
4          


  3 
    
0 0 2 2 0 0 0 0 2 2 0
0 2 3 2 2 2 0 2 3 2 2
2 2
2 2 4 2 2 2 4 2
0 0 0 0 0 0
4 4

31
Dm E/D Eb/D Dm F

                      
        

       

3 1 1
0 2 2 1 1 0 0 0 2 2 2 2
0 2 3 3 2 1 0 2 3 3 3 3
0 0 0 0 0 0
0 0 0 0 0 0 3 3

Dm E/D Eb/D Dm

                        
       
       

3 3
0 2 2 1 1 0 0 0 2 2 2 2
0 2 3 3 2 1 0 2 3 3 3
0 0 0 0 0 0 0 0
0 0 0 0 0 0 0

Dº7 Bb Dm A Dm

  1
3
 

 

 
       4      
 
4
    
 2
 
0
3 3 3 3 3 2 2 3
1 1 1 1 0 2 2 2
3 3 3 3 0 2 3 3
2 2 1 0 0 0
0 0 0

Dº7 Bb Dm A Dm

                 
     
       
  
0
3 3 3 3 3 2 2 3
1 1 1 1 0 2 2 2
3 3 3 3 0 2 3 3 0
2 2 1 0 0
0 0 0

32
Minuet in G Major
By Johann Sebastian Bach

Moderately
G C G

       
   4         
4


4

3 
 2
 3 1

 0 0 2 3


3 0 1 3 1 3
 0 2
0 2
0 0
3 2
0 0

Am G D
 
               
  
   
2
3
4 3 1

1 3 1 0 0 1 0 0
2 2 0 0 2 0 2
4 0 0
0 5 3 2 0
3

G C G

    
 4 
   
 2    
4

1 
 1  
1 4

 3 
2  

0 0 2 3
3 0 1 3 1 3
0 2 0 0 0 0
2 0 3 2 3 2 0
3 3

Am G Am D7 G
 
 1         



    

   

1 3 1 0 0 1 0 0 
0
2 2 0 2
3
0
2 0
4
0

3 3 3

33
     4 
G D Em A
4   4  4
3 3
     2   
  
1 1

 
2
1 3 3

2

 7
8
5 7 3 5
3
0 2
3
3 0 2 3
3 2 0 2
 0
4 2
0
2

G D A D A D

        
     
4 2

   
2

 
2 3

 1  
1
4 2

0 2 3 2 0 2
0 2 3 2 3
2 2
0 0 0 0
0 2 4 0 3

G C G Am G D
 
 3              
2 
4

1 2   
2
4 4

0
3 3 1 0
0 0 0 0 2 0 0 2
4 4 0 4
2 3 2 0
3

1. 2.


Am G D G D G G

           4     

 
2

       
1  3

0 1 0 0 3 
0 2 4
0 2
0
2 0
0 4
0
0  0
0
3 2 3 3 3 3 3

34
Minuet in G Major
By Ludwig van Beethoven

Moderately
G D7
  3        
    1

   

4 
2  
2

mf


0


0 1 3 2 3 2 3 2 3 0 1 3

0 2 2
0 0
3 3

G B7 Em A
 
                  
  1

 
3   2 
4

 
3 1
1

0 0 0 0 0
0 0 2 3 3 3 0 2 0 0 2 0
1 4 4 2
2 0 0
3 3 0 2 3

1. 2.
D D G D7 G D

  
1/3CIII
      1 0  
         2   
4


1 2

 
1 1
2

 
2 2 3 3 2 3 5 3 2 0
3 0 1 3 3 3 1 0 3 3
 
2 2 4 2 0
0 0 0 0 4 0

G C G D G G7 C
 
    
             
 
  
2

3 
2 4
3 1
3

0
1 0 1 1 0 0 0 0 0 1
0 2 0 2 0 2 3 3 3 0 1
0 4 0 3 2
3 2
3

35
1. 2.


Cm6 D G G G
   1    
1/3CIII

 3    
1
     
 
1 3

2  2   
1

 
3
0 3 3 2 3 0 3 3 0
 
2 0 0 0
1 0 4 0
3 3 3 3 3

D7 G D D7 G B7
     4  
 2  1  4      4     1  2

   2   3 

2 3 
1

0
1 0 2 3 2 3 3 1 0 0 1 0
2 2 0 0 2 3 2
0 4 0 4 4 0 1
3 3

1. 2.


Em A7 D D
 1      
   1  3         
3
  

0 3 2 3  3 2 3

0 2 0 2 0
4 2 4 2 0 0
0 4 0
0

D7
                  1  
        
 


0 0
1 0 0 1 3 2 3 1 0 0 1 3 2 3

2 2 2 2 2 2
0 4 0 4
0 0

1. 2.
G C D G G
4
      
       2   1  2 3   3  1     
3 
2  2  
1
4


3 0 3 0
0 3 0 1 1 3 2 3

0 2 2 2 0 2 0
0 4 0 2 3 4
3
3 3 3

36
New World Symphony (Theme)
By Antonin Dvorak

Slowly

  3 
A E
       3    
           
      
0 0 0


2 2 0 0 2 2
2 2 2 2 2 1 1
2 2 2 2 2 2 2
0 0 0 0 0
0 0

A A+
   
         
  
 2
    
 2  4
    3
  

0 0
0 0 0 2 2 0
1 1 2 2 2 2 2
2 2 2 3 3 3
0 0 0 0 0
0 2 4

 1   3 4  
D E A D
   
  2  3      3     4

    
4
3

1   

0 5 5
0 2 0 2 7 7
2 2 1 2 2 2 7 7 7
0 2 2 2 0 0
0 0 0
2 0

C#m7 D C#m7 D

  3       4 
   
         
3
1

2     2     

4 0 2 2 5 4 0 2
0 0 3 3 0 0 3 3
2 2 2 2 2
0 0 0 0 0
4 4 4 4

37
D C#m7 D C#m7

 4   1   3 4   
          
  

1

       
3

5 5 4 0 2 2 5 4 0
7 7 0 0 3 3 0 0
7 7 7 2 2
0 0 0 0
4 4 4 4

D E7 A

    
       4  
    

 
       

2 0 0 0
3 3 2 2 0
2 2 1 2 2 2 2 2
0 2 2 2 2 2
0 0 0 0 0
0

 3 
E A E F#m A

 2  4  2
     1 
                  
3
1

      3  1

0 0 0 5 7 9
0 2 2 0 0 0 2 0 0 10 10
1 1 1 1 2 6 9
2 2 2 2 2 4
0 0
0 0 0 2 4 4

D6 A D6 A

    4  2
 
 
3
  
 

 
  
 0
 1

2 2 4

   
1 2

   

7 5 7 2 5 5 7 5 7 2 5 0
0 0 0 5 5 5 0 0 0 2
6 6 2
0 0 0 0
0 0 0 0

38
Pomp and Circumstance Words by Arthur Benson
Music by Edward Elgar

Slowly
G D Em G C

 3    
       
4

     
2    

 3 2 3 5 0


0 3 0 3 1
 0 2
0 0
0
2 2
0
0
2 2
0
2
3 3
3 3

G Am/C D G A7
      
  4
 
 
 


1 2

 
2


1
3

2 0
0 1 3 3 0 2 3
0 2 2 0 0
0 0 2 0 0 0
3 3 0 0
3 3

D Bm Em A7 D

 41     
 3  
2

2
1 
  
3

 
4 1

   
3
1 2

5 3 3 2 0
7 3 0 2 3
7 4 0 0
0 0 4 0
2 2 0 0 3
0 0

G D Em G

     
    
1          

3 2 3 5 0
0 3 0 3
0 2 0 0
0
2 0 0 0 2 2 2 2
3 3

39
C G Am/C D G
  
  



 
 


    

2
1 0 1 3 3 0
0 0 2 2 0
2 0 0 2 0 0 0
3 3 3 3
3 3

A7 D Bm C/E D7

  
1/2CV
  
   
 
4 2 1 4


1

      
 

0 5 8 8 7
2 3 7 3 5 7 10
0 7 4 5
0 0 4 0 0
0 0 2 2
0 0

G G7 C D G Em

 1         
       
3 4 4
1

     

7 3 1 0 2 3 5 3
0 0 0 1 3 3 0
0 0 0 0 0 2 0 0
0 0 0 0
3 3 2 2
0 0

1. 2.


Am7 D7 G G
    
     
          

1 0  3
0
0
2
0 0
0 0
2 0
 0
0
0

3 3 3 3 3 3

40
Symphony No. 5 in C Minor,
First Movement Excerpt By Ludwig van Beethoven
*Capo III
Allegro

 
µ   E Am

              3
4     4    4  
1

1  2


1 1 1
2
2 2 2 2 2 2 3 3 3 2 2 2
3 5 5 5 2 3 3
*This arrangement in A minor for playability.
To play in C minor, capo 3rd fret.

E Am E Am

      4     
            3
     
4

     
0 0 0 0
3 3 3 0 3 1 0 3 1
1 1 2 2 2 2
2 2 2 3 3 3 2 2 2 2
0 2 0 0
0 0 0

E Am F E µ E
      
          
  
   
0 0 0 1 1 1
0 3 1 0
2 2 1
2 3 3 3 0
0
0 1 0 0

Am E Am

          
           3 

           
1 1 1
3 0 0 0 3 0 0 0
1 1 2 2
3 3 3 2 3 3 3 2 2
0 0
0 0 0 0 0 0 0 0 0 0

Bm E Am Dm A Dm A

      2      3      

             
  

0 0 1 1 0 0 3
0 0 1 1 0 0 3 3 2 2 3 3
2 1 1 1 2 2
0 0 2 2 0 0
2 3 0 0 0
0

41
Dm E Am E

   2     4  4         1   3
0  
4

 
1
3
     
4

    4
 
3 1 1 5 5 4 4 7 8 8 8 5 0 0 0 10 7 7 0
1 9 3 3
2
0 2 2
0 0 0 3 0 0 0
0 0 0

   4  1   4
Aº7

 1    
           
4

         

8 8 8 5 2 2 2
0 4 1 1 1
1 2
2 0 4 4 4 1
2 0 0 0 0 0 0 0
0 4

E µ
  
E

             
 
0 0 0
0 0
2 2 1 2
2 2 2 4
0 0

A E A Gm

          3   
    

1

 2

0
2 1 2 0 2 3 2 0 2
4 2 2 4 4 2
0 0
0 3

D F#º7 E Fº7

         
       
2
1 4 4
3

 
4

0 1 0 0
0 1 0 0 3 0 3
0 2 2 2 1 1
0 4 0
2 0

42
B
            2   
   
1 
4

1 0 0 1 0 0 1 0 0 2 0 0
0 3 0 3 0 4 0 4
1 1 1
0 0 0
2

E7 A E
           2     
     
1

 
1

2   
2 0 0 0 0 0 2 0
0 4 4 4 3 3 3 2 0
2 2 1 1
4
2 2 0
4 0 0

A E A E A E

                    
  2  1   4    3 1   3 
 1    
    
0 0 0 0 2 0
0 4 4 4 4 3 3 2 0
2 1 2 2 1 1
2 4 0 4 2 4
0 4 2 0 4 0 0
0 0 0 0 0

      
A E A E A

         
          
1
2


0

     

0 0 0 9 9 9 0 0 0 9 9 9 0 0 0
0 10 2 0 0 0 10
2 2 2 2
2
0 4 0 0 0
0 0

E A E A E A

             
         
3 4

        
0 0 0 0 0 0 0 0 4 4 4 5
2 2 2
2 2 2 2 2 2 2
2 2
0 0 0 0 0 0
0 0 0

43

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