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Abstract The author explores how current disciplinary conditions force trans studies against queer
theory: Because queer theory is the institutional context through which trans studies is invited into
the university, it is also the containing ideological architecture against which trans studies must
articulate itself. Trans studies is therefore pressed “against” queer theory as a discursive surface in a
manner that limits it from being able to exit this disciplinary scenario.
Keywords queer theory, transgender studies, discipline, disciplinarity
a·gainst
/əˈɡenst/
Preposition
3. in or into physical contact with (something), so as to be supported by or collide
with it: she stood with her back against the door.
—New Oxford American Dictionary
B ear with me: trans studies is against queer theory. Or, to express this another
way, queer theory is the disciplinary surface against which trans studies must
constantly narrate itself, the field against which trans studies finds itself pressed in
a stipulated intimacy. Queer theory is both the door through which trans studies
enters and the room in which it is institutionalized. If we abandon linear peri-
odization as the model by which to order our relations, then we are not yet “after
trans studies” (Chu and Harsin Drager 2019) but are now (and still) against the
conditions of perceptibility that queer theory enforces. We cannot yet say that
queer theory recognizes trans studies as a discrete field, except perhaps as a
stimulating friction generated around queer theory’s most universally accepted
claims, or a trailing set of concerns worked through in a slightly different register.
Although trans studies has long understood that “queer” needs “trans” to tell its
foundational stories about gender (Prosser 1998: 21), queer theory continues to
pretend that trans studies has only just arrived. Any pretense that trans somehow
follows queer, that we have moved from “queer to transgender” (Weigman 2012:
22), thus requires us to join queer theory in willfully ignoring a long-present and
coconstituting counterforce.
This is a situation trans people know well: the problem of the impossible
phenomenon, the haunting sensation, the phantom object, the missing limb. To
be here and yet-not, made absent by the way your name lives in others’ mouths.
1. When queer studies scholars peer-review trans studies work, is it with the
knowledge of trans studies’ specific methods, aims, or vocabularies?
2. Are the multiple established monograph series and journals that are invested
in queer theory capable of soliciting and publishing trans studies scholarship
on its own terms?
3. Are the multiple academic press editors who are well versed in queer theory
also familiar with trans studies?
352 TSQ * Transgender Studies Quarterly
If we cannot say yes to most of these questions, then trans studies must remain in
the position of against. For trans studies, these conditions are how one can be
invited and disinvited at the same time: trans people are highly familiar with the
loaded game of recognition, how passing as a discrete gender is both expected by
others and yet shamed as a failed exercise, required by others to been seen as
human and yet simultaneously treated as a naïve performance. How is the phe-
nomenological position of trans studies in the academy uncannily similar to these
forced paradoxes of appearance and disappearance? One thing we might want
from trans studies now is further conversation about how to be up against the
impossible project of recognition on these terms: how to live and make work
inside these abrasive conditions, how to remain willing to engage in the service of
“a new hope” (Snorton 2009: 88)—even when it feels like our back is against the
door.
KEEGAN * Against Queer Theory 353
Cáel M. Keegan is associate professor of women, gender, and sexuality studies at Grand Valley
State University and cochair of the Queer and Trans Caucus of the Society for Cinema and Media
Studies. He is the author of Lana and Lilly Wachowski: Sensing Transgender (2018) and coeditor
with Laura Horak and Eliza Steinbock of “Cinematic Bodies,” a special issue of Somatechnics
(2018).