Professional Documents
Culture Documents
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UNIVERSITY OF MINDANAO
College of Teacher Education
Program : BSEd – ENGLISH
Weeks 4-6
TABLE OF CONTENTS
Page
Cover Page 1
Table of Contents 2
Course Outline 4
Course Outline Policy 4
Course Information 7
Facebook Page:
UM GSTC Main CTE
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CC’s Voice: Hello aspiring English teacher! Welcome to this course ELT 212:
Mythology and Folklore. By now, I am confident that you really wanted
to become an English teacher and that you have visualized yourself
already being in the classroom setting and in the academe as a whole.
Let us begin!
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Big Picture
Week 4-6: Unit Learning Outcomes (ULO): At the end of the unit, you are
expected to:
Metalanguage
In this section, the essential terms relevant to the study of mythology and
folklore to demonstrate ULOa will be conceptually defined to establish a common
frame of reference. Please refer to these definitions in case you will encounter
difficulty in understanding literary concepts.
Essential Knowledge
To perform the aforesaid big picture (Unit Learning Outcomes) for the fourth
and fifth weeks of the course, you need to fully understand the following essential
knowledge that will be laid down in the succeeding pages. For specific references,
please see the list of Supplemental Readings at the end of the discussion of
concepts. Please note that you are not limited to exclusively refer to these resources.
Thus, you are expected to utilize other books, research articles and other resources
that are available in the university’s library e.g. ebrary, search.proquest.com etc.
Note: Please see the Figures 1 and 2 for photographic reference of the world
as perceived by the Norse.
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Figure 1
Figure 2
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3. Egyptian Mythology. The collection of myths of the Egyptians; Egypt is a
country in North Africa. Arab Republic of Egypt is its official name.
4. Egyptian gods, goddess, and mythical creatures
Gods and goddesses
4.1 Khepri. God of creation, rising sun and rebirth; has a face of a beetle
4.2 Ra. God of creation, blazing sun and radiance; first pharaoh; has a bird-
like face
4.3 Atum. God of creation
4.4 Iusaaset. Wife of Ra; mother of Shu, Hathor, and Maat
4.5 Amun. The hidden one/invisible/mysterious one; god of sun and air; lord
of all
4.6 Amun-Ra. King of the gods
4.7 Tefnut. Goddess of moisture, moist air, dew, and rain; has a head of a lion
4.8 Geb. God of the earth; husband of Nut; son of Tefnut and Shu
4.9 Nut. Goddess of the sky; wife of Geb; daughter of Tefnut and Shu
4.10 Shu. God of air and wind
4.11 Osiris. God of agriculture and underworld; first of Geb and Nut; took
the world from Ra
4.12 Isis. Goddess of magic; wife of Osiris; clever and ambitious woman
4.13 Seth. God of desert, storm, and evil; killer of Osiris
4.14 Horus. Son of Osiris and Isis; ‘the avenger’ for he killed Seth
4.15 Nephthys. Goddess of river; wife of Set; sister of Isis
4.16 Bastet/Bast. Goddess of cats
4.17 Sobek. God of crocodiles; with a head of a crocodile
4.18 Serqet. Goddess of scorpions; guardian of children; wears scorpion as
a crown
4.19 Anubis. God of funerals; guide of souls; son of Nephthys; with a head
of a jackal/K9
4.20 Bes. God of dwarfs; protector of households, mother, and children
4.21 Khonsu. God of the moon; his name means ‘travel’ – nightly travel of
the moon across the sky; with head of a hawk
4.22 Nekhbet. Goddess of vulture; patron of pharaohs; half vulture-half
woman
4.23 Babi. God of wild baboons; aggressive and bloodthirsty; punisher of
sinners; baboon-looking god
4.24 Taweret. Goddess of hippos; couple of Bes; hippo-looking god
4.25 Sekhmet. Goddess of healing; sister of Tefnut and Shu; her breath
formed the desert; with a head of a lion like Tefnut
4.26 Thoth. Lord of time and recorder of years; god of writing; helper of
Osiris in the underworld
Note: For photographic references, please search on
https://www.pinterest.com/jessicaderrick1/egyptian-gods-and-goddesses
You may also search on google, instagram, and Facebook pages.
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Keywords
Mark, J. (2013). Ancient Egyptian mythology. Ancient History Encyclopedia. Retrieved from
https://www.ancient.eu/Egyptian_Mythology/
Munch, P. (1926). Norse mythology: legends of gods and heroes. The American-
Scandinavian Foundation, New York
This is the part where you will check your understanding by yourself. Take
time to remember the essential terms and stories by reciting them aloud. You
may also jot down or record your self-recitation and revisit it. Repeat the
process.
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Let’s Recall!
In this activity, you are going to CLASSIFY the deities according to their counterpart
in another culture’s mythology. See the example given then complete the table.
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Let’s Analyze!
Compare and contrast the features of the Norse, Egyptian, and Greco-Roman gods,
goddesses, and mythical creatures. Present them in bullet form using the basic Venn
diagram. If you can come up with many ideas, you may utilize the extra diagram.
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Metalanguage
Essential Knowledge
Take time to read the corresponding necessary concepts and information. For
specific references, please see the list of Supplemental Readings at the end of the
discussion of concepts. Please note that you are not limited to exclusively refer to
these resources. Thus, you are expected to utilize other books, research articles and
other resources that are available in the university’s library e.g. ebrary,
search.proquest.com etc.
1. Norse Creation Myth. The myth on how the universe was created according
to the Nordic people.
Source: Munch, P. (1926). Norse mythology: legends of gods and heroes. The American-
Scandinavian
Foundation, New York
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2. Egyptian Creation Myth. The myth on how the universe was created
according to Egyptians.
Nu was the name of the dark, swirling before the beginning of time. Out of this
rose Atum, the creator of himself using his thoughts and sheer force of his will. Atum
was neither male nor female who had one all-seeing eye that could roam the
universe. Atum created a hill, for there was nowhere he could stand. He was alone in
the world; so he joined with his shadow to produce a son and a daughter. Atum
conceived his son, Shu, by spitting him out and his daughter, Tefnut, by vomiting her
up.
Shu, meaning ‘he who rises up’, was the god of air and of the dry winds. He is
also considered as the god of the space and light between the sky and held power
over snakes. Shu was the husband and brother of Tefnut. Shu and Tefnut were
tasked to separate chaos into principles of law, order, and stability. The chaos was
divided into light and dark and set into a place. The order was called Ma’at, a feather
so light and pure, which formed the principles of life for all time.
Shu and Tefnut produced Geb, the earth and Nut, the sky. At first, they were
tangled together as one. Shu, being the god of air, pushed Nut up into the heaven.
There, he arches over Geb, her mate. They longed to be together, but in the name of
Ma’at, they had to be apart to fulfill their functions. Nut produced rain for Geb, and
Geb made things grow on earth. Nut conceived the sun every night before dawn,
and die at sunset. Shu and Tefnut produced other gods namely: Isis, Hathor, Osiris,
Seth, Thoth, and Nephthys.
The chaos is still vast and not yet fully separated into the order of Ma’at.
Meanwhile, Shu and Tefnut once got lost in the waters of Nu. Atum was desperate to
find his children. So, he sent his all-seeing eye throughout the heaven and earth to
search. In time, Shu and Tefnut returned with the eye. When Atum saw them again,
he was overjoyed he wept. As these tears hit the earth, they became the first men.
As men populated the earth, they had to uphold the truth and balance of Ma’at. Men
were tasked to tend the earth and worship the gods. The gods, in return, protected
and loved them and their creations.
Source: Pinch, G. (2002). Handbook of Egyptian mythology. ABC-CLIO, Inc., Santa Barbara,
California
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Keywords
Mark, J. (2013). Ancient Egyptian mythology. Ancient History Encyclopedia. Retrieved from
https://www.ancient.eu/Egyptian_Mythology/
Munch, P. (1926). Norse mythology: legends of gods and heroes. The American-
Scandinavian Foundation, New York
This is the part where you will check your understanding by yourself. Take
time to remember the essential terms and stories by reciting them aloud. You
may also jot down or record your self-recitation and revisit it. Repeat the
process.
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Let’s Recall!
In this activity, you are going to SUMMARIZE the Norse and Egyptian creation myth
by using a GRAPHIC ORGANIZER of your choice. This activity is somewhat an
equivalent to snowball or chain storytelling if delivered verbally.
You can search on the internet for a more elaborate and thorough discussion of the
myths. The next two blank pages are allotted for your disposal. Present your graphic
organizer neatly and comprehensively. If you wish you include illustration or
sketches, you may.
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Metalanguage
I would like to highly recommend that you refresh your knowledge about
ULOa (Norse and Egyptian deities and mythical creatures) and ULOb (Norse and
Egyptian myth and tales) to understand further ULOc.
Essential Knowledge
Norse and Egyptian tales are undeniably unique and equally fascinating. Their
tales are unique because it is not patterned to the Greeks’ nor Romans’ though there
are similarities. For specific references, please see the list of Supplemental
Readings at the end of the discussion of concepts. Please note that you are not
limited to exclusively refer to these resources. Thus, you are expected to utilize other
books, research articles and other resources that are available in the university’s
library e.g. ebrary, search.proquest.com etc.
1. Norse Tales
1.1 Ragnarok
At last the time draws near when the existing universe must perish and the gods
must succumb before higher powers. This period is called in the ancient myths the
Dissolution or Destin? (rok) of the gods or rulers (ragna, genitive plural of regin); a
later form is ragnarøkkr, the Darkness of the Gods. The gods themselves have
foreknowledge of its coming, which is foreshadowed by many signs. Evil and
violence increase. The Æsir’s cock with the golden comb (Gullinkambi) crows to
waken the Heroes of Odin’s retinue; the dun cock in Hel’s keeping crows likewise; so
also crows the red cock Fjalar in the world of the Giants; and Garm bays vehemently
outside the rocky fastness of Gnipa. For the space of three years the earth is filled
with strife and wickedness; brother kills brother for gain’s sake, and the son spares
not his own father. Then come three other years, like one long winter; everywhere
the snow drifts into heaps, the sun yields no warmth, and biting winds blow from all
quarters. That winter is known as Fimbul Winter (the Great Winter). The wolf Skoll
swallows the sun, and Hati or Manigarm swallows the moon so that the heavens and
the air are sprayed with blood. The stars are quenched. The earth and all the
mountains tremble; trees are uprooted; all bonds are burst asunder. Both Loki and
the Fenris Wolf shake off their shackles. The Midgard Serpent, seeking to reach dry
land, swims with such turbulent force that the seas wash over their banks. Now the
ship Naglfar once more floats on the flood. The ship is made from dead men’s nails,
and therefore the nails of all that die should be trimmed before their burial, to the end
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that Naglfar may be the sooner finished. Loki steers the ship, and the crews of Hell
follow him.
The Giant Rym comes out from the east, and with him all the Rime-Thursar. The
Fenris Wolf rushes forth with gaping maw; his upper jaw touches the heavens, his
nether jaw the earth; he would gape still more if there were more room. His eyes are
lit with flame. The Midgard Serpent, keeping pace with the Wolf, spews venom over
sky and sea. Amidst all the din and clamor the heavens are cleft open, and the Sons
of Muspell ride forth from the south with Surt in the van, fires burning before him and
behind him. His sword shines brighter than the sun. As they ride out over the bridge
Bifrost, it breaks asunder beneath their feet. One and all, the Sons of Muspell, the
Fenris Wolf, the Midgard Serpent, Loki, Rym, and all the Rime-Thursar direct their
course toward the fields of Vigrid, which measure a hundred miles each way. The
Sons of Muspell muster their hosts for battle, and the radiance of their levies gleams
far and wide.
Meanwhile, on the part of the Æsir, Heimdal rises to his feet and sounds the
Gjallar-Horn with all his might in order to rouse the gods. They meet in assembly and
take counsel together. Odin rides to Mimir’s Well to seek guidance there. The ash
Yggdrasil trembles, and all things in heaven and earth are seized with dread. Æsir
and Heroes don their panoplies and march upon the fields of Vigrid. Foremost rides
Odin, girt with his golden helmet and magnificent byrnie; brandishing his spear
Gungnir, he presses on against the Fenris Wolf. At his side walks Thor; but as he
soon finds himself in mortal conflict with the Midgard Serpent, he can give no aid to
Odin. Frey joins battle with Surt, and Tyr with the dog Garm, who also has broken
from his fetters. Heimdal fights against Loki.
Thor in the end kills the Midgard Serpent but is himself able to walk only nine
steps after the struggle is over; then he sinks to the ground dead, borne down by the
venom spewed over him by the Serpent. The Wolf swallows Odin, and so the god
lives no more; but Vidar at once steps into the breach, thrusts one of his feet into the
nether jaw of the Wolf, grasps the upper jaw with his hand, and thus tears open the
Wolf’s throat; his foot is shod with a heavy shoe made from all the slivers of leather
that men have cut from their boots at the toe or the heel; consequently, men should
always cast such patches aside in order that they may serve the uses of the Æsir.
Frey falls at the hands of Surt, no longer having at his need the good blade he once
gave to Skirnir. Tyr and Garm, and likewise Loki and Heimdal, kill each other.
Thereupon Surt hurls fire broadcast over the whole earth and all things perish.
The wild, warlike order passes and a new life begins.
Out of the sea there rises a new earth, green and fair, whose fields bear their
increase without the sowing of seed. The sun has borne a daughter as beautiful as
herself, and the daughter now guides the course of the sun in her mother’s stead. All
evil is passed and gone. On the plains of Ida assemble those Æsir who did not fall in
the last great battle: Vidar, Vali, and the sons of Thus runs the story in Snorri’s Edda;
according to the Voluspá, Vidar kills the Wolf by means of his sword.
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Thor — Modi and Magni. Thither resort also Balder and Hod, now returned out of
Hell, and thither comes Hoenir out of Vanaheim. Once again the Æsir make their
dwelling on the plains of Ida, where Asgard stood before; in the grass they find
scattered the ancient gold chessmen of the gods, and thus they recall to memory the
old days and speak together of the vanished past. Now that Thor’s battles are done,
Modi and Magni fall heir to Mjollnir. Nor are all among mankind dead. Lif and
Lifthrasir have saved themselves from the fires of Surt at a place called Hoddmimir’s
Holt, where they find subsistence in the dews of the morning; from these two spring
forth a new race of men. At Gimle stands a hall thatched with gold and brighter than
the sun. There a righteous generation shall dwell, in joys that never end. “Then shall
come from above the Mighty One, he who governs all things.”
Source: Munch, P. (1926). Norse mythology: legends of gods and heroes. The American-
Scandinavian Foundation, New York
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(Greek counterpart:
Cronus)
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Odin’s quest for wisdom is never-ending, and he is willing to pay any price. It
seems, for the understanding of life’s mysteries that he craves more than anything
else.
On one occasion, he hanged himself, wounded himself with his spear, and fasted
from food and drink for nine days and nights in order to discover the runes – any of
the characters that were used in ancient times by people of Northern Europe.
On another occasion, he ventured to Mimir’s Well – which is surely none other
than the Well of Urd – amongst the roots of the world-tree, Yggdrasil. There dwelt
Mimir, a shadowy being whose knowledge of all things was practically unparalleled
among the inhabitants of the cosmos. He achieved his status largely by taking his
water from the well, whose waters impart this cosmic knowledge.
When Odin arrived, he asked Mimir for a drink from the water. The well’s
guardian, knowing the value of such a draught, refused unless the seeker offered an
eye in return. Odin – whether straightaway or after anguished deliberation, we can
only wonder – gouged out one of his eyes and dropped it into the well. Having made
the necessary sacrifice, Mimir dipped his horn into the well and offered the now one-
eyed god a drink.
Note: Please see the Figures 3 for photographic reference of the runes
Figure 3
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One day, Loki the trickster found himself in an especially mischievous mood
and cut off the gorgeous golden hair of Sif, the wife of Thor. When Thor learned of
this, his quick temper was enraged, and he seized Loki and threatened to break
every bone in his body.
Loki pleaded with the thunder god to let him go down to Svartalfheim, the
cavernous home of the dwarfs, and see if those master craftspeople could fashion a
new head of hair for Sif, this one even more beautiful than the original.
There, the sons of the dwarf Ivaldi reside – Skidbladnir and Gungnir.
Skidbladnir forges the best of all ships, which have always a favorable wind and can
be folded up and put into one’s pocket. Gungnir, forges the deadliest of all spears.
Brokkr, the metalworker dwarf and Sindri, the spark-sprayer dwarf created
such marvelous things. Gullinbursti which means ‘golden-bristle’, is a living boar with
golden hair. Who gave off light in the dark and could run better than any horse, even
through water or air. Draupnir which means ‘dripper’, is a magnificent ring. From this
ring, every ninth night, fall off eight new golden rings of equal weight. Lastly, mjollnir
which means ‘lightning’, is a hammer of unsurpassed quality, which never missed its
mark and would boomerang back to its owner after being thrown. But it had one flaw
– the handle was short. Sindri lamented that this had almost ruined the piece.
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2. Egyptian Tales
2.1 Book of the Dead.
o A customized magic scroll written by living to promote a smooth
passage to the afterlife when they die.
o A collection of funerary texts and spells from ancient Egypt
designed to assist a person’s journey through the underworld, into
the afterlife.
o Without these spells, it was believed a person could not proceed.
o In the book, a spell is called ‘42 Declarations of Purity’ or ‘Negative
Confessions’. This spell is comprised of confessions the tomb
owner believed he committed throughout his life.
Now, the heart scarab of Ani comes in. The amulet is inscribed with the
words, “Do not stand as a witness against me.” so that Ani’s heart will not betray him
by recalling the times he committed those sins.
MOMENT OF TRUTH
Now, it’s Ani’s moment of truth – the weighing of the heart. Ani stands before
a large golden scale where Anubis, the jackal-headed god, was weighing his heart
against a pure ostrich feather.
If his heart is heavier than the feather, weighed down by Ani’s wrongdoings, it
would be devoured by the monstrous Ammit (part crocodile, part leopard, part
hippopotamus) and Ani would cease to exist forever.
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But Ani was in luck! His heart was judged pure. Then Ra, the sun god, takes
him to Osiris, god of the underworld, and the one who would give Ani the last
approval to enter the afterlife.
In the endless and lush field of reeds, Ani met his deceased parents. There
was no sadness, pain, or anger; but there was work to be done. Like everyone else,
Ani must cultivate a plot of land, which he does with the help of a Shabti, a doll that
had been placed in his tomb.
2.4 Ma’at: The Ancient Egyptian Goddess of Truth, Justice, and Morality
o Other name: Mayet
o Goddess of truth, justice, and universal harmony
o Mother of the eight gods of Hermopolis
o Daughter of Ra
o Wife of Thoth
o She served a kind of spirit of justice to the Egyptians.
o She decided whether a person would successfully reach the
afterlife, by weighing their soul against her feather of truth.
o She was the personification of the cosmic order and a
representation of the stability of the universe.
o She is usually depicted in the form of a woman seated or standing
with outstretched wings attached to both her arms. In other
instances, she is seen holding a scepter in one hand and an ankh
(the symbol of life) in the other. Less frequently, images of the
goddess showed her without a head, instead replaced by the
feather.
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Keywords
Mark, J. (2013). Ancient Egyptian mythology. Ancient History Encyclopedia. Retrieved from
https://www.ancient.eu/Egyptian_Mythology/
Munch, P. (1926). Norse mythology: legends of gods and heroes. The American-
Scandinavian Foundation, New York
This is the part where you will check your understanding by yourself. Take
time to remember the essential terms and stories by reciting them aloud. You
may also jot down or record your self-recitation and revisit it. Repeat the
process.
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Let’s Analyze!
In this activity, you are going to EVALUATE the Nordic and Egyptian tales using
YOUR scientific and philosophical perspectives. However, bear-in-mind that
though you are to give YOUR perspective, still support it with facts.
1. On Ragnarok
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In a Nutshell
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The study of mythology and folklore is indeed pre-requisite to becoming a quality
English teacher. It is a complex and arduous body of knowledge which requires
content and teaching expertise including knowledge outside the classroom and
school.
Based from the definition of the most essential terms in the study of mythology and
folklore and the learning exercises that you have done, please feel free to write your
arguments or lessons learned below. I have indicated my arguments or lessons
learned.
Your Turn
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12. ______________________________________________________________
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