Next we will come to the influence of Chinese

costume and typical of today's Chinese dress

Since the Han Dynasty , Chinese costumes have

developed a variety of styles and sophisticated
weaving techniques, especially on silk, as well as
absorbing positive elements from outside cultures.
Hanfu has a certain influence on the traditional
costumes of neighboring countries, such as the
kimono and yukata of Japan , the Hanbok (Chosŏn-ot)
of Korea , and the border of Vietnam .

Emperor's thought

According to the law of cultural creativity, always with the

spirit of self-control, actively building the country according
to the Chinese model, the Vietnamese court for more than
a thousand years of feudalism and monarchy, Although
many times simulating the mode of hats and caps, music
ceremonies and examinations of Chinese dynasties, they
still create unique variations, exalting the majesty and
elegance of Vietnamese kings and mandarins. Male.
Typical Chinese costume today

Currently, the traditional Chinese costume and also the

typical symbol for Chinese women is the cheongsam.
Cheongsam appeared in China in the 1920s and entered
its heyday between 1930 and 1940.

Cheongsam has a quite unique design, exuding a liberal

breath but equally elegant and seductive for the wearer.
Cheongsam is quite diverse in design and texture.
However, what they all have in common is that they are all
very flattering and "show off" the graceful and soft curves
of the wearer in an extremely subtle way.
The popularity of cheongsam is not random but due to
many objective factors such as history, culture above and
subjective in the costume itself. Ao Dai is a unity in
contradiction. It is cut close to the body, worshiping the
inherent natural curves of the body to discreetly reveal the
flexible body and slim waist of the Oriental beauty. But this
expression is extremely suitable for the delicate and polite
expression of Oriental women about physical beauty.
The one-piece dress is typical for Chinese beauties with
long sleeves below round shoulders. The fabric of the shirt
is made of silk accented by a long floating thread, like the
smile or facial expression of an angel. The motifs such as
the continuous swirl of the buttonhole bearing the bold
Cheongsam version have a rather unique design, exuding
a breath of freedom but equally elegant and seductive for
the wearer. Cheongsam is quite diverse in design and
texture. However, what they all have in common is that
they are all very flattering and "show off" the graceful and
soft curves of the wearer in an extremely subtle way.
China or the hemline, hem, hemline also highlights the
style for the wearer.
Aesthetic code is the way that Ao Dai shows between
"hidden" and "show", "color" and "gender", "contradiction"
and "harmony" which are called "feelings in a way" by
modern people. China". It constitutes from the new
aesthetic point of view typical of the era, and at the same
time is the premise to represent the Chinese culture of the
20th century.