Hurston begins the novel with an extended metaphor comparing men's dreams to ships that sometimes arrive and sometimes don't, while women don't pursue their dreams as much because they lack rights and seek security instead. Janie has returned to town looking poor after leaving with her husband Tea Cake, and now the townspeople gossip about her on the porch, comparing themselves to judgmental mouths. Figurative language is used throughout the opening pages to convey deeper meaning and require more effort to understand fully. Porches are important as they allow Janie to overhear the townspeople gossiping about her. Janie's hair is a central symbol of her lack of freedom. The ending metaphor creates a mood that suggests difficulties ahead.
Hurston begins the novel with an extended metaphor comparing men's dreams to ships that sometimes arrive and sometimes don't, while women don't pursue their dreams as much because they lack rights and seek security instead. Janie has returned to town looking poor after leaving with her husband Tea Cake, and now the townspeople gossip about her on the porch, comparing themselves to judgmental mouths. Figurative language is used throughout the opening pages to convey deeper meaning and require more effort to understand fully. Porches are important as they allow Janie to overhear the townspeople gossiping about her. Janie's hair is a central symbol of her lack of freedom. The ending metaphor creates a mood that suggests difficulties ahead.
Hurston begins the novel with an extended metaphor comparing men's dreams to ships that sometimes arrive and sometimes don't, while women don't pursue their dreams as much because they lack rights and seek security instead. Janie has returned to town looking poor after leaving with her husband Tea Cake, and now the townspeople gossip about her on the porch, comparing themselves to judgmental mouths. Figurative language is used throughout the opening pages to convey deeper meaning and require more effort to understand fully. Porches are important as they allow Janie to overhear the townspeople gossiping about her. Janie's hair is a central symbol of her lack of freedom. The ending metaphor creates a mood that suggests difficulties ahead.
1. Hurston begins the book with an extended metaphor. Explain
what it means. What are the dreams of men? How are they different from the dreams of women? Who doesn’t get disappointed? He stated that mens dreams are like ships, sometimes they come and sometimes they don’t. Mens dreams are different to womens because women don’t have the same level of rights and just want to find security and that causes them to not pursue their dreams. Women don’t get disappointed because they don’t have the same level of hope as men do. 2. Janie has come back to town after doing what and to whom? (Pay attention to and remember their description.) Janie left and town some time ago, with Tea Cake, money, and a very nice dress on; however, when she returnerd she looked poor. 3. What are the porch-sitters compared to? How are they characterized? What can you infer from that description? They are compared to mouths and made to look like judgmental people. Because of how they are described I could come to the conclusion that they are jealous and envious people and start rumors. 4. The first two pages are loaded with figurative language, as though Hurston was writing poetry in book form. What is the effect of this? Is it hard to understand? What is the effect of having to work a little harder to understand all the layers of her opening pages? She wants to prove to the readers she is educated and that doesn’t speak with slang language. 5. Pay attention to porches. What is the function of the porch in this chapter? The purpose of this chapter is that Janie can be able to hear all the bad things that people are saying about her. 6. The author makes a big deal about Janie’s black rope of hair. This metaphor is a central image in the book. What might Janie’s hair symbolize? Janie hair always being up showsthat she is not free because when she wants to wear it down her husband doesn’t let her. 7. Hurston is careful to give us many of the particulars of Janie’s life since she left this town. What do we know about her? We know that she left the town looking wealthy and came back in the town looking poor. 8. In the last line of the first chapter, Hurston uses a metaphor. What is it and what is its effect on the mood of the story? "Times make everything old so the kissing,young darkness became a monstrupolous old thing while janie talked." Itshows that bad things are going to be happening for a while 9. Briefly discuss the voice in this book. Hurston switches from dialect to narrative prose. It is difficult to read at first, but it also has some benefits. Discuss both, as well as techniques which can be used to make it easier to read. The voice in the book is written in southern slang spoken during the time frame. One way to understand istriyng to act as if your talking during that time and say it outloud. 10. Analyze the first paragraph about ships at a distance. What do the ships represent? What analogy is the author making? How do you see the meaning of the first paragraph playing itself out in the rest of the text? Support your response with evidence from the text. The ships represent the weird difference between men and women and how it drifts. This draws the idea that life looks better somewhere else and how for someone another persons life looks better, because one wants what they cant have.