Professional Documents
Culture Documents
Move
by Sam Collins
Contents
About this Publication
Bibliography
Foreword
Introduction
Structural Introduction
1. 9 Bg5 cxd4
2. 9 Bg5 c4
3. 9 Bg5 Be6
4. 8 dxc5/9 dxc5
5. Other 8th/9th move options
6. Symmetrical Tarrasch
7. Tarrasch sidelines
8. Réti set-ups
9. In place of an epilogue...
Back to Contents Page
The Tarrasch Defence: Move by Move
This series provides an ideal platform to study chess openings. By continually challenging the reader to answer
probing questions throughout the book, the Move by Move format greatly encourages the learning and practising of
vital skills just as much as the traditional assimilation of opening knowledge. Carefully selected questions and
answers are designed to keep you actively involved and allow you to monitor your progress as you learn. This is an
excellent way to study any chess opening and at the same time improve your general chess skills and knowledge.
The Tarrasch is an ambitious defence to the Queen's Gambit. Black's concept is an aggressive one – he willingly
accepts an isolated queen's pawn but in return seizes space in the centre and gains freedom of development for all
his pieces. In this book, International Master and Tarrasch expert Sam Collins takes an in-depth look at this popular
opening and its many variations. Using illustrative games, Collins highlights the typical plans and tactics for both
sides, presents repertoire options for Black and provides answers to all the key questions.
· Essential guidance and training in the Tarrasch Defence
· Utilizes an ideal approach to chess study
· Includes repertoire options for Black
Sam Collins is an International Master with two Grandmaster norms, and a former Irish and Japanese Champion.
He has represented Ireland at seven Olympiads, winning an individual gold medal at Bled 2002. He has a wealth of
teaching and writing experience, and has produced many books, DVDs and magazine articles on chess.
Publisher Information
First published in 2013 by Gloucester Publishers plc (formerly Everyman Publishers plc)
Northburgh House, 10 Northburgh Street, London EC1V 0AT.
Copyright © 2013 Sam Collins
The right of Sam Collins to be identified as the author of this work has been asserted in accordance with the
Copyrights, Designs and Patents Act 1988.
All rights reserved. No part of this work may be reproduced, or transmitted in any form or by any means, without
prior permission of the publisher.
Websites
www.chesspublishing.com
www.chessbase.com
Software/Databases
ChessBase 12
Megabase 2013
Magazines
The London Review of Books
John Emms
Everyman Chess
First Thoughts
The Advantage of Playing White
Fashion
Begging the question: What Happens When You Don't Define Your Terms
First Thoughts
An excellent potted history of the Tarrasch is set out by one of its exponents in the 1970s, GM John Nunn:
"...the Tarrasch, a defence which has always been considered an uphill struggle for Black, but which becomes
fashionable for short periods when some great player attempts to revive and improve it. Spassky used it for a while
in the 1960s, and more recently Kasparov adopted it twice in his first match with Karpov. Unfortunately, he lost on
both occasions and then largely abandoned it. I played it occasionally in the seventies, but after some poor results I
gave it up. My experience indicated that Black's winning chances were slim since White could usually draw even if
he played badly, while strong opponents would generally win! Today [Nunn was writing in 1997 - SC] only a few
players are willing to adopt it, Murray Chandler being one of this vanishing breed."
Dr. Nunn's comments represent the consensus view and are certainly an accurate representation of the historical
development of the Tarrasch before 2000. They throw up a lot of interesting material for discussion.
On one analysis, White drawing if he plays badly and generally winning if he is a stronger player, is something
which happens in every opening. So what Nunn is describing isn't so surprising. A look at the statistics from
Megabase 2013 (admittedly a rough and ready analysis since I haven't corrected for rating) bears this out. In the
position after 1 d4 d5 2 c4 e6 3 Nc3, against 3...c5 White scores 54.8% from 8788 games (a lower percentage than
he achieves after 3...Nf6 or 3...Be7). In the position after 1 d4 d5 2 c4 e6 3 Nf3 (while this signals the Catalan, it is
also specifically an anti-Tarrasch move order since White has more options when he hasn't committed his knight to
c3), White scores 60.6% from 6484 games against 3...c5 (which is 0.1% less than he makes against 3...Nf6).
Looking at my own games provided interesting food for thought. I have played the Tarrasch against all kinds of
opponents, including some under 2000 and many strong GMs: Korchnoi, Khenkin, Baburin (twice), Pert, Bischoff,
San Segundo, Hebden, Burmakin, Socko. From what I can piece together, in 22 games with the line I scored 10
points. From a pure comparison of player's ratings, my expected score was 11 points. Given that White tends to
score approximately 55% in most openings, this result is pretty acceptable. The statistics are skewed in White's
favour by some other factors: first, if one looks at the opening positions I got from those games, the results ought to
have been even better (losses to Baburin, Pert, Khenkin and Socko occurred in equal or very playable
middlegames); second, in certain games (in particular against Bischoff) I horribly mishandled the opening and
genuinely played an awful game.
Accordingly, my own limited experience provides no reason to doubt the efficacy of the Tarrasch.
Fashion
Nunn is quite right to point to Kasparov's two losses with the Tarrasch in his first World Championship match
against Karpov damaging the opening's popularity in quite a permanent way.
Looking objectively at these two games, in the first (Game 7) Kasparov easily equalized and only lost due to a late
blunder. In the second (Game 9), against the best chess technician in history, Kasparov blundered on move 46 and
lost in 70 moves. To put it mildly, this was not a result of the opening. If openings were shelved because arising
endgames were lost against Karpov in the mid-80s, there wouldn't be a lot of openings played anymore.
It's quite hard to find someone who justifiably dropped the Tarrasch. For instance, Alexander Grischuk was the hero
of this opening in the early 2000s (and laid the foundation for many of the modern main lines, in particular through
his excellent use of 9 Bg5 c4!). However, his loss to Gelfand (Russian Team Championship 2004) seems to have
been Grischuk's last game with the Tarrasch at a classical time control (admittedly he gave the line a spin at the
Amber tournament in 2006, scoring ½/2 against Van Wely and Ivanchuk). So did Gelfand show a good antidote
against the Tarrasch? Actually, no. The game followed the same first 13 moves asSargissian-Halkias (covered
later in this volume) where, as you will see, 13...Nxd4! is a clean equalizer.
Moreover, let's see the endgame which resulted in Gelfand-Grischuk:
How did Gelfand know how to exploit his advantage here? Well, let's ask him!
"...I was very optimistic about the double-rook ending. In my first encounter with Anatoly Karpov in Linares 1991 I
had a similar ending, in which with Black I was defending a better pawn structure (my pawn was on g6, not on f6)
and where I was confident that we would soon agree a draw. But the 12th world champion taught me a memorable
lesson, allowing me no chances in such a harmless-looking position. My hope of exchanging my a- and c-pawns for
the a-pawn proved to be a mere illusion."
Let's have a look at the position Gelfand is referring to:
And the opening in that game was a Grünfeld, which nobody (including Gelfand) ditched as a result of the game.
Moreover, just how bad is this endgame? I've found the following examples of this or similar endgames arising from
the Tarrasch (many following the same line as in Gelfand-Grischuk):
So what looks like a forced win in the hands of Karpov or Gelfand starts looking pretty unclear at lower levels (even
"normal" GM level). Moreover, this endgame is close to the maximum White can hope for in the 9 Bg5 c4 line
(admittedly, as Gelfand observes, if White can keep the queens on Black may have some additional problems to
solve, as in S.Mamedyarov-V.Akobian, Gibraltar 2012) and ways to avoid it have been found, including 13...Nxd4 in
the Gelfand-Grischuk move order and other alternatives, such as Aagaard and Ntirlis' recommendation of an early
...h7-h6, not to mention the ninth move alternatives. So let's not throw our toys out of the pram just yet.
Looking at current representatives, it's true to say that the Tarrasch doesn't have too many regular GM advocates
(the patronage by Grischuk, T.L.Petrosian and Akobian appears to have cooled off recently). That said, there are
some players who have played it with success over the last few years. Occasional GM practitioners with excellent
results include Jacob Aagaard, Milos Perunovic, Ray Robson and Julio Sadorra, while Vlad Jianu, Lucian Miron,
Ivan Sokolov, Aaron Summerscale, Robin Swinkels and Branko Tadic have all played it several times with good
results. Alexander Berelowitsch, Goran Todorovic and the rapidly-improving Spanish GM David Larino Nieto are
probably the most consistent GM practitioners at the moment, with good to excellent results. Ekaterina
Kovalevskaya and Natalia Zhukova seem to play it all the time, again with good results. Admittedly, the Tarrasch
doesn't have a regular super-GM advocate at the moment and, accordingly, it is unlikely to become as popular as
when Spassky and Kasparov were beating everyone with it. But this is rather to our advantage, since playing an
opening at the height of fashion tends to lead to one's opponents being better prepared and more experienced in
opening at the height of fashion tends to lead to one's opponents being better prepared and more experienced in
the resulting structures.
Begging the question: What Happens When You Don't Define Your Terms
- suggested title for popular science book (London Review of Books, March 2011)
The move which defines the Tarrasch. Black plays the move he wants to play (striking at the white centre, gaining
space, preparing a guilt-free development of the knight to c6 etc). The only drawback from a principled viewpoint is
that his d-pawn is going to become isolated...
4 cxd5
...hence this is the most principled continuation. White doesn't have to go for this immediately, or at all, and the
alternatives will be discussed in plenty of detail later in the book.
4...exd5
Taking the pawn back and keeping a pawn in the middle of the board. Moreover, the c8-bishop is looking at a clear
diagonal (which it actually gets to use, as may be compared with, for instance, many lines of the QGD Exchange
Variation).
While a lot of chess writers point out that the Stonewall Dutch is one of the very few openings where Black gains a
space advantage, this is actually not correct. First, Black doesn't technically have a space advantage in the
Stonewall (a white pawn is on the fourth rank, just like the d5- and f5-pawns, and White can play Ne5, just like
Black can play ...Ne4). Second, the best regular example of Black gaining a space advantage is the Tarrasch. If the
white d-pawn gets eliminated (through d4xc5 or ...c5xd4), Black will have the only pawn on the fourth rank and,
moreover, the only pawn in the centre. In some lines this pawn even makes it to d4 which, while by no means
always in Black's favour, certainly marks out even more central space. The lines where the white d-pawn survives
are less common, and the most notable is the 9 Bg5 c4 variation where central space is equal but Black gets a
queenside space advantage.
None of the above has any real bearing on the assessment of this position, or of the whole opening. However, what
I'm trying to point out is that Black's concept is an aggressive one. In effect, he's trying to play as White, albeit with
a few tempi less. If White plays passively, Black will be able to mobilize sufficiently to justify his central space and
the commitment inherent in an IQP. Whether Black can justify his concept in the face of accurate white play remains
to be seen. But for the moment let's put the pawn in the middle. As Rear Admiral Grace Hopper put it, it's easier to
ask forgiveness than it is to get permission.
4...cxd4!? is the gambit I mentioned a few moves ago.
An invention of the great Akiba Rubinstein. The fact that his many victories from this position were achieved against
players displaying as much resistance as wet tissue paper doesn't change the assessment of this idea as ahead of
its time. Today it remains the critical test of the Tarrasch, for the simple reason that the d5-pawn is now in
considerable danger of just being taken and Black needs to find a way to avoid this happening without lapsing into
passivity.
6...Nf6
Knights before bishops. The Tarrasch is a classical opening and rewards players who put their pieces quickly on
good squares. At least this is my theory behind Jacob Aagaard's excellent successes with the line, when many
other titled players get caught up in more convoluted development schemes.
7 Bg2 Be7
The bishops go to their best squares. Obviously d6 isn't a great square since it interferes with the defence of the
d5-pawn and doesn't take any sting out of Bg5.
8 0-0 0-0
It's pretty rare for the kings to go elsewhere in the Tarrasch - maybe in some of the d4xc5 endgame lines, but
otherwise there's just too much happening on the c-file for either king to feel safe after long castling.
9 Bg5
From a principled standpoint, a perfect move. White develops his final minor piece to a good square and creates an
immediate threat of some combination of Bxf6 and d4xc5. Black has to respond somehow, by either 9...cxd4 (the
classical main line), 9...c4 (the trendy modern main line) or 9...Be6 (the discarded line). Notwithstanding what
modern theoreticians may suggest, having analysed these lines I think all three are perfectly playable - which,
incidentally, leads to a pretty high analytical overhead for White if he wants to play 9 Bg5, and may explain in part
his preference for other systems such as d4xc5 (at move 9 or earlier).
We'll get into specifics in a minute. In the meantime, I wish you best of luck with the Tarrasch!
Finally, I'd like to thank John Emms, Jonathan Tait and Byron Jacobs for their considerable assistance with this
book.
Sam Collins
Dublin,
October 2013
Structure No. 1
Structure No. 2
Structure No. 3
Structure No. 4
Structure No. 5
Structure No. 6
Isolated Queen's Pawn
The main characteristic of an opening is the structures to which it leads, and for no opening is this more true than
the Tarrasch. The perceived (and actual) inferiority of Black's structure compared to White's is the only reason for
not playing an opening with such great development and, ordinarily, a central space advantage.
In this section I introduce some of the main structures to which the Tarrasch leads. This is not a comprehensive
overview. Nor do I deal with the intricacies of each structure - entire books have been devoted to the isolated
queen's pawn alone.
For those learning the Tarrasch, there are two great additional resources. First, look up games in other openings
which feature the IQP. The ideas are applicable in all IQP positions regardless of the initial sequence. Indeed, in
some of the positions in the Symmetrical Tarrasch, after poor play by White we end up in known variations where
White has an IQP, with colours reversed.
Second, study specialist resources on the IQP and related structures. A real classic in this field isWinning Pawn
Structures by Alex Baburin, which focuses on the IQP and the related cases of hanging pawns and the isolated
pawn couple. In addition, Winning Chess Middlegames by Ivan Sokolov is an absolute must for advanced players -
while it deals with other pawn structures too, Sokolov's knowledge and handling of IQP positions is exemplary.
Indeed, some of his games are featured in this text, with both colours.
Structure No. 1
This is the basic Tarrasch structure, most commonly arising from the traditional main line 9 Bg5 cxd4, as well as
some of the 9 dxc5 lines. White has fianchettoed his king's bishop, which puts immediate pressure on the d5-pawn
(ordinarily this pawn is securely blockaded and cannot advance).
One of the things I realized when researching this book is how even experienced Tarrasch practitioners don't
always realize just how vulnerable the d5-pawn is, especially at an early stage. White's c3-knight and g2-bishop
already target the IQP, and the pressure can be increased with Qb3 (or Qa4) and Rd1. This, when combined with
the fact that the black queen is normally on the d-file (d8 or d7), frequently leads to central shots where White takes
on d5.
By far the most common way in which Black can (and does) endanger his IQP is with ...Bg4 and, after h2-h3,
retreating the bishop to h5. The bishop then seems active, targeting the e2-pawn, and is immune from exchange.
My conclusion (after a lot of work) is that, ordinarily, the bishop is just misplaced on h5 in this structure. The
pressure on the e2-pawn is of minor significance (White's knight on c3 protects e2 and, if necessary, e2-e3 can be
played), but of more significance is that the bishop cannot trade its counterpart on g2 and, importantly, cannot drop
back to e6 to protect the pawn. Often a sequence involving g3-g4 and Nxd5 can clip a pawn, even following a
temporary piece sacrifice. Of course, if White plays g3-g4 there may be some compensation in the form of
weakened squares around White's king. However, just be sure, when putting the bishop on h5, that you can hold
d5, or at least extract sufficient concessions to form valuable compensation. If not - and in the majority of cases,
Black doesn't get enough if d5 falls - retreat the bishop to f5 (if available) or e6.
The position is rich and normally the structure is changed into one of those discussed in the next few pages.
The position is rich and normally the structure is changed into one of those discussed in the next few pages.
If White keeps the structure as it is (and the choice to change the structure is entirely White's, since Black can't
force piece trades on c6 or e6), then develop your pieces in the middle and see what happens. The knights will be
well placed on c6 and f6 - the f6-knight normally needs to stay put to hold d5, while the c6-knight can sometimes
seek activity by ...Na5-c4 or ...Nb4 followed by ...a7-a5. The light-squared bishop is well placed anywhere on the
c3-h8 diagonal and, if a trade of light-squared bishops can be arranged, this is normally in Black's favour. Black's
dark-squared bishop has a less clearly defined role in the early stages, and often is simply tucked out of the way
after ...Re8 and ...Bf8. Black's rooks are well placed on any of the c-, d- and e-files - rooks on c8 and e8 seem the
most common. The black queen is a difficult piece to handle, and finding a good square for her often signals the
solution to Black's opening problems; ...Qd7 followed by ...Bh3 is one common way, and sometimes ...Qb6 is seen
instead to put pressure on the queenside.
Structure No. 2
This is the most significant transformation of the basic Tarrasch structure, which occurs when White trades knights
on c6. Of course the change brings certain benefits to Black - the d5-pawn is protected and the half-open b-file is
available for a major piece.
When White goes into this structure he always has a lot of control over d4 and c5. Accordingly, while Black could,
in theory, go into a hanging pawns position with ...c6-c5, in the Tarrasch this happens very rarely.
White's plan is based on blockading the c- and d-pawns and, ultimately, winning one of Black's queenside
weaknesses. Note, however, that c6 is more difficult to attack than d5 (for instance, the bishop on g2 doesn't hit the
pawn, so White is normally limited to a frontal attack on the half open c-file; in addition, a white knight or bishop
frequently occupies the c5-outpost and, while such a piece is well placed, it shields the pawn from attack).
Therefore Black has time to try to build up his counterplay and the risk of an early disaster is reduced, although
Black needs to take care to avoid falling into passivity. Normal methods include seeking counterplay on the
half-open b- and e-files, while exchanging White's light-squared bishop with ...Bh3 is always a good plan, with
potential for a kingside attack.
Structure No. 3
This is a structure which commonly arises when Black plays ...Be6, White plays Nxe6 and Black recaptures with his
f-pawn.
At first glance it seems that White must have a significant advantage here, with two bishops and a superior pawn
structure. In fact Black gets major trumps of his own. First, his pawn structure is improved - the d5-pawn is now
solidly defended and his rook will be active on the half-open f-file. Black's central control is now extremely strong,
with more space and a 2-1 central majority. In addition, the pawns on d5 and e6 have a limiting effect on the white
bishop on g2, which is no longer attacking an isolated pawn on d5. This is a similar concept to that in the Stonewall
Dutch, where a bishop on g2 is restricted by the opponent's light-squared central pawn chain. Incidentally, this also
informs why an ...e6-e5 advance is extremely risky, since the g2-bishop would come powerfully into play.
Note that, by contrast to the previous structure, it is very difficult for White to attack the e6-pawn, which is not on a
half-open file.
It is very important for the assessment of these structures that White cannot favourably make an e2-e4 break. In
order for Black to be okay, White either should not be able to play e2-e4, or Black should be able to meet with
e2-e4 with ...d5-d4, keeping the position closed. By contrast, ...d5xe4 would be a strategic disaster, opening lines
for the white bishop on g2 and exposing the weak pawn on e6.
I can't be sure, but I suspect that a reluctance to go into this structure is the main reason that many players retreat
their bishop to h5 after White plays h2-h3 in the main lines after 9 Bg5 cxd4. As noted in my discussion above, I
really don't like putting the bishop on h5 in most positions, but you can only avoid it if you are happy to let White
capture on e6.
This structure was defended with great success by Kasparov in his Candidates matches. He had no problems in
game two of his 1983 match with Korchnoi, or game two of his 1984 match with Smyslov, and won a great game in
this structure in game twelve against Smyslov.
The following comment of Sokolov, which will arise in the annotated games, is worth noting here: "It is good to note
that per definition Black is never worried about 13 Nxe6 fxe6, since the loss of the bishop pair is fully compensated
for by the improvement of his pawn structure". I agree with this assessment and believe that a key part of handling
the Tarrasch well is being ready to go for this structure as Black.
Structure No. 4
Structure No. 5
This structure is characteristic of the Symmetrical Tarrasch. The major difference compared to lines we have
looked at so far is that White has not gone for the more aggressive option of fianchettoing his king's bishop, but
looked at so far is that White has not gone for the more aggressive option of fianchettoing his king's bishop, but
instead puts his bishop either on e2 or on b5 (intending to take a knight on c6).
Black is normally more comfortable in these lines than with a bishop on g2. The d5-pawn is under less immediate
pressure and, if White makes a couple of inferior moves, it is quite common to transpose (with reversed colours)
into other openings in which White gets a favourable IQP position. The pawn still being on g2 means that Black can
consider more direct kingside attacking methods, such as forming a queen and bishop battery on the h2-b8
diagonal. Indeed, the ideal IQP formation - pawn on a6, knights on c6 and f6, bishops on c7 and h3 (after White has
been forced to play g2-g3), queen on d6, rooks on d8 and e8 - is established by Black in a number of the examples
we'll examine in the chapter on the Symmetrical Tarrasch. If Black gets these moves in, White will be the one who
needs to equalize.
One effect of the pawn on e3 is that White's dark-squared bishop can't easily develop to g5, and instead tends to
go to b2 (after b2-b3 or a2-a3 and b2-b4). While the bishop is well placed here, it is at risk of being irrelevant if
Black succeeds in creating a strong kingside attack. In general White has fewer kingside defenders than in the
fianchetto lines, and Black must seek to exploit this.
Structure No. 6
This structure is characteristic of the 9 Bg5 c4 line as well as the Swedish Variation (featuring an early ...c5-c4,
...Bb4 and ...Nge7). Black gains additional queenside space and prepares, if allowed, a massive advance with
...b7-b5-b4. In addition, the d5-pawn isn't as weak as it would be if it sat on the end of a half-open d-file.
As against this, playing ...c5-c4 takes all pressure off the white centre. Thus e2-e4 becomes an idea, as does Ne5
and, if White wishes, Nxc6. We will also see examples where White seizes more kingside space with f2-f4.
The positions in this structure tend to become quite sharp. White's most reliable method is to seek to destroy the
black pawn chain by Ne5xc6 and b2-b3. Black, for his part after ...b7xc6, tries to arrange counterplay with ...c6-c5.
The game is unusual and unbalanced and I think that becoming closely acquainted with this structure significantly
enhances a Tarrasch player's level, especially since a number of quieter lines (for instance, after an early e2-e3 by
White) can also be met by ...c5-c4.
One of the benefits of studying IQP positions is that they arise in such diverse contexts. As Ivan Sokolov observes:
"Isolated pawn structures are arguably the structures that arise from the most different openings (Tarrasch Defence
and Semi-Tarrasch, Queen's Gambit Accepted, Queen's Gambit Declined, Nimzo-Indian Defence, Meran Variation,
Ragozin Variation, Petroff Defence, etc) and are therefore very important positions to understand, regardless of the
opening preferences a player may have."
There are many examples of players who have managed to exploit transpositions and structural similarities to play
a wide range of openings confidently. For instance, a number of GMs are happy to defend an IQP with Black after 1
e4 e6 2 d4 d5 3 Nd2 c5 4 exd5 exd5, a line developed by Korchnoi and Mikhail Gurevich amongst others. Bartosz
Socko also feels comfortable in this line with Black and, in a game against Gawain Jones in the German Bundesliga
2012, he answered 1 e4 c5 2 c3 with 2...e6 3 d4 d5 4 exd5 exd5, obtaining a very similar position and making a
comfortable draw.
In the Politiken Cup 2013, I was interested to see Tarrasch enthusiast IM Jonathan Carlstedt obtaining positions
similar to his favourite opening in two consecutive rounds. Here he is in round six:
I hope that these examples have demonstrated how universal Tarrasch-type positions are, and how much is to be
I hope that these examples have demonstrated how universal Tarrasch-type positions are, and how much is to be
gained by learning to handle them well.
A20
Glud,J
Carlstedt,J
Helsingor 2013
[Sam Collins]
1.c4 e5
[ As we will see, the Tarrasch is sufficiently
universal that it can be used against the
English: 1...e6 followed by 2...d5 and ...c7-
c5. Carlstedt has played this way as Black
a number of times, but decides to surprise
his opponent (an extremely strong IM from
Denmark who made a GM norm in this
tournament). ]
2.g3 f6 3.g2 c6 4.d4 exd4 5.xd4 d5
6.f3 e7 7.0-0 0-0 8.cxd5 cxd5 9.c3
c6 10.a4 It's easy to see the similarities of
this position to the d4xc5 lines in the Tarrasch;
[ indeed, 10.d1?! c5?! would be a direct
transposition. Carlstedt has a lot of
experience in this structure and effortlessly
obtains a good game. ]
10...b6 11.b5 c5 12.xb6 axb6
13.f4 h6 14.a3 g5 15.d2 d4 16.b5
e4 17.b4 e7 18.ad1 d8 . Black is very
comfortable here. He went on to sacrifice a
pawn and actually obtained decent winning
Back to Contents Page
Chapter One
9 Bg5 cxd4
(View in Game Format)
1 d4 d5 2 c4 e6 3 Nc3 c5 4 cxd5 exd5 5 Nf3 Nc6 6 g3 Nf6 7 Bg2 Be7 8 0-0 0-0 9 Bg5 cxd4 10 Nxd4 h6
In this chapter we discuss the classical main line of the Tarrasch. I have to admit that Black's position looks a little
loose, and he needs to play accurately in order to keep the d5-pawn alive without making too many concessions.
During a conversation with an elite player, he informed me that Black's position looked "stupid" to him. Certainly
when we compare the position to other IQP positions (especially those obtained by White), here Black seems
several tempi down on his standard set-up. Moreover, White has completed development and managed to
fianchetto his king's bishop, which is the most aggressive anti-IQP approach (trying, as Larsen suggested, not to
blockade the pawn but to capture it). I think Black is okay here, but he needs to be accurate over the next 5-10
moves to avoid falling into a passive and prospectless position.
11 Be3
By far the main continuation, which takes up the bulk of the chapter. White reinforces his control over d4. The
bishop did its job on g5 by forcing Black to release the central tension.
11 Bf4 is an annoying sideline in which Black doesn't win many games but does lose a few. I've covered two
approaches for Black: the sound (Li Shilong-Braun) and the enterprising (Socko-Petrosian). These games also
cover 11 Bxf6 which Black should be happy to see appear on the board.
11...Re8
This was Kasparov's choice and accordingly is the only move most players are aware of in this position.
11...Bg4 is a great alternative which has scored 75% in world championship matches. Recent analysis (as
demonstrated in practice) by Sokolov has shown that this doesn't deserve to be a sideline. SeeMovsesian-Sokolov
for the details.
12 Rc1
The modern main line. White gets another piece into the game and prepares to strangle Black on the dark-squares
after Nxc6 and Na4 in some order.
12 Qb3 gets a game of its own for two reasons. First, this was Karpov's weapon against Kasparov in their first
world championship match, and the 2/2 he achieved basically buried the Tarrasch for a generation. Accordingly
Black should make a point of being well prepared here.
Second, this is the recommendation in Lars Schandorff's recent White repertoire series, so Tarrasch players can
anticipate to be tested here. 12 Qb3 is actually a line in which Black has a great new(ish) idea, as demonstrated in
Babula-Orsag.
12 Qa4 and White's 12th move alternatives are serious moves which have been played by serious players. Bu
Xiangzhi is one of them (see Bu Xiangzhi-Li Shilong).
12...Bf8
Completing the regrouping commenced with 11...Re8. This can't be a bad move but it's fair to say that White's
responses have been well mapped out. Sokolov-Petrosian is a nice demonstration of White's chances.
12...Bg4, just like on move 11, is a good alternative. See Kasimdzhanov-Berelowitsch.
Key Notes
1. 9 Bg5 cxd4 leads to some of the strategically richest middlegames in the Tarrasch. Black needs a lot of
knowledge to handle these positions well and avoid falling into passivity. In the main line after 12...Re8, White has
a very wide choice, with several continuations which have been endorsed by leading GMs. Black's treatment differs
for each of them.
2. In the lines with 12 Rc1 or 12 Nxc6, White tends to define the structure at an early stage. He will aim to get a
knight to c5 and solidly blockade Black's c- and d-pawns. Black should seek counterplay on the half-open b- and
e-files.
3. Early queen moves by White allow Black to create active counterplay, for instance 12 Qb3 Na5 or 12 Qa4 Bd7
13 Rad1 Nb4! 14 Qb3 a5!. I have not seen a convincing route to an advantage for White in these lines.
4. An underrated idea is ...Bg4, either on move 11 or after 11...Re8 12 Rc1. Black has been doing well here of late.
5. After 11 Bf4, Black needs to adjust his plans. He has a choice between playing a pretty balanced endgame, as in
Li Shilong-Braun, or fishing in troubled waters, as in Socko-Petrosian.
1 d4 d5 2 c4 e6 3 Nc3 c5 4 cxd5 exd5 5 Nf3 Nc6 6 g3 Nf6 7 Bg2 Be7 8 0-0 0-0 9 Bg5 cxd4 10 Nxd4 h6 11 Be3
11 Bf4 Bg4 12 h3
12...Be6 – Li Shilong-Braun
12...Bh5 – Socko-Petrosian
11...Re8
11...Bg4 – Movsesian-Sokolov
12 Rc1
12 Qb3 – Babula-Orsag
12 Qa4 – Bu Xiangzhi-Li Shilong
12...Bf8 – Sokolov-Petrosian
12...Bg4 – Kasimdzhanov-Berelowitsch
9 Bg5 c4
(View in Game Format)
1 d4 d5 2 c4 e6 3 Nc3 c5 4 cxd5 exd5 5 Nf3 Nc6 6 g3 Nf6 7 Bg2 Be7 8 0-0 0-0 9 Bg5 c4
This caused something of a stir when Alexander Grischuk started beating up various 2600+ GMs with it in the early
2000s. Certainly the arising positions are unusual and unbalanced, and if White is not well prepared he can quickly
find himself worse. The same mystery elite GM I mentioned in the 9...cxd4 introduction confessed he had found
"nothing" against 9...c4 after several hours' work. More recently, Aagaard and Ntirlis devoted over 100 pages of
computer analysis to proving equality in these lines (generally featuring an early ...h7-h6 by Black). I don't wish to
parrot this work so my focus is on other lines which also seem very playable.
10 Ne5
This is almost universally played.
10...Be6 11 b3
This move, and the closely related 11 Nxc6, are, in my view, the best responses to 9...c4. White sets about trying to
dismantle the black pawn chain. Often complex endgames result where White has a superior structure but Black
has activity and counterplay (as well as the less noble drawing methods of relying on simplified positions with the
pawns on one side, and the peaceful properties of rook endgames). SeeSargissian-Halkias for the details.
White's alternatives at moves 10 and 11 are covered inOnischuk-Akobian. Of these the most challenging is 11 f4.
The mystery elite player just made a face when I suggested that this was dangerous for Black, so I suppose we
have a convincing antidote...
Key Notes
1. 9 Bg5 c4 leads to fundamentally different positions to the Classical Tarrasch line 9...cxd4. Black has found a lot
of resources here and White needs detailed preparation to have a chance at obtaining an advantage.
2. In Sargissian-Halkias White uses the safest and most classical plan, aiming to break the black queenside and
central pawn chain. Often an endgame results where White has a superior structure but Black has a lot of activity
and, on occasion, relies on the drawish properties of rook and pawn endgames.
3. Onischuk-Akobian shows a more ambitious approach by White, playing for a kingside space advantage and a
2-0 central majority. While this plan is very dangerous, we can see from the game and notes that Black always has
counterplay against the white centre and, sometimes, the white king.
1 d4 d5 2 c4 e6 3 Nc3 c5 4 cxd5 exd5 5 Nf3 Nc6 6 g3 Nf6 7 Bg2 Be7 8 0-0 0-0 9 Bg5 c4 10 Ne5 Be6 11 b3 –
Sargissian-Halkias
Sargissian-Halkias
11 f4 – Onischuk-Akobian
9 Bg5 Be6
(View in Game Format)
1 d4 d5 2 c4 e6 3 Nc3 c5 4 cxd5 exd5 5 Nf3 Nc6 6 g3 Nf6 7 Bg2 Be7 8 0-0 0-0 9 Bg5 Be6
Black develops a piece while protecting a central pawn, a concept known to be good from the moves 1 e4 e5 2 Nf3
Nc6 (and some other openings). So why does nobody play this anymore? Well, because everyone "knows" that the
line is refuted by a long forcing sequence, resulting in an endgame which Spraggett lost against Yusupov in their
Candidates match in 1989. (The same endgame was played by Spassky to make a very easy draw against
Petrosian in their 1969 World Championship match, but maybe people have forgotten about that.)
The various nuances which might affect the above assessment - Yusupov is a great player, especially strong in the
endgame, and played almost perfectly, which included deploying a strong novelty; Spraggett's defence could have
been considerably improved; and most of us aren't facing World Championship Candidates when deciding what line
to play in the next club match - don't appear to have been sufficiently influential to rescue this line. So I hope that
Kunte-Aravindh is some good PR for this line, as well as a demonstration that the technical "conversion" of this
heavily simplified position is no walk in the park for a normal GM. Incidentally, White is not forced to go into this
endgame (I'm not sure if I'd do so myself, given the chance) and his alternatives are also covered.
Key Notes
1 d4 d5 2 c4 e6 3 Nc3 c5 4 cxd5 exd5 5 Nf3 Nc6 6 g3 Nf6 7 Bg2 Be7 8 0-0 0-0 9 Bg5 Be6 – Kunte-Aravindh
8 dxc5/9 dxc5
(View in Game Format)
Systems with d4xc5 at move 8 or 9 have a number of attractions from White's perspective. White defines the
structure and saddles Black with an IQP, and accordingly does not need to worry about alternative structures such
as those which arose in the 9 Bg5 c4 line. Similarly, Black's choice is somewhat limited and so the theoretical
workload required to play 9 dxc5 is much less than that involved in 9 Bg5. White can take on c5 at any stage after
move three.
8 Nc3
The alternative 8 dxc5 Bxc5 can result in a transposition after 9 Nc3 0-0, but also has independent significance
after White's alternatives such as 9 a3, which is covered in Manolache-Jianu.
8...0-0 9 dxc5 Bxc5
9...d4!? is an enterprising gambit continuation which I have tried before and might try again. See
Chatalbashev-Sokolov for the details.
10 Bg5
This was historically the main continuation but now, following recommendations of authors like Avrukh, you are just
as likely to face an alternative here such as 10 Na4 or 10 a3. See Akopian-Jianu for the details.
10...d4 11 Bxf6
11 Ne4 (and the similar 11 Bxf6 Qxf6 12 Ne4) are examined inBaburin-Collins.
11...Qxf6 12 Nd5
This is the old main line and is covered in Mulyar-Perunovic, the first game below.
Key Notes
After the previous chapters I think we're pretty well prepared for this position. White has a couple of logical
alternatives which we'll discuss.
8 b3
This queenside fianchetto, and the closely related 8 Nc3 0-0 9 b3, are the subject of Giri-Swinkels.
8 Be3 has been the traditional choice of the legendary Victor Korchnoi. See how I got on inKorchnoi-Collins.
Key Notes
1. The double fianchetto with b2-b3 is a playable way to get a complex position but is not a serious try for an
advantage. Black was doing just fine for a long time in Giri-Swinkels.
2. Korchnoi's Be3 leads to positions which have more in common with 9 Bg5 c4 than with the 9 Bg5 cxd4 lines. If
Black can get a knight to c4 he tends to be doing fine.
Symmetrical Tarrasch
(View in Game Format)
The Symmetrical Tarrasch is fundamentally different to the fianchetto lines we have just discussed at length. White
abandons hope of creating early pressure on d5, since his light-square bishop no longer attacks the pawn, while its
dark-squared counterpart can't come to g5 anymore. Indeed, it's no longer clear if there will be any IQP to attack,
and in fact White is often the side which ends up with the IQP in this line (albeit not in the variations I recommend
for Black).
The black side of this position (in contrast to the regular Tarrasch) is regularly endorsed by 2700+ GMs via a
Symmetrical English move order (for instance, 1 c4 c5 2 Nf3 Nc6 3 Nc3 Nf6 4 e3, when Black often plays 4...e6 5
d4 d5). Accordingly we are on slightly firmer ground from a theoretical standpoint here. My main concern with
Black's position in the previous lines was hanging on to the d5-pawn without making major concessions, and so I
(and most Tarrasch players, I expect) automatically feel more comfortable when the white pawn lands on e3.
Nevertheless, this is a serious line and demands serious work.
Black has a wide choice from a structural perspective, and many lines involve early ...c5xd4 or ...d5xc4 trades. My
choice is more consistent with the Tarrasch, keeping the central tension for as long as possible and inviting White
to give us an IQP. This choice is only partially motivated by principle; if it were otherwise, then all sorts of c4xd5
and e2-e3 move orders could throw us out of book.
White has many reasonable moves here, of which the mysterious-looking...
6 a3
...is by far the most popular. Control of the b4-square is useful either if White gets an IQP (after ...c5xd4, e3xd4
...d5xc4) or if White expands on the queenside with d4xc5 and b2-b4. SeeAronian-Melkumyan for some of the
latest developments.
White's many alternatives, including the popular and principled 6 cxd5, are covered inCarlsen-Radjabov. As
always, don't let the result of the game fool you into thinking that Magnus got anything out of the opening.
Key Notes
1. The Symmetrical Tarrasch is a completely different concept to Rubinstein's kingside fianchetto. The resulting
positions have more in common with other IQPs (such as those from the Nimzo-Indian), since White's bishop is
developed more passively, normally to e2, and doesn't put immediate pressure on the d5-pawn.
2. 6 a3 is a move which has been popular for a long time. The equalizing approach inAronian-Melkumyan looks
very reliable - if White has anything here, it's not much. All the lines where Black gets an IQP look more than fine for
the second player.
3. 6 cxd5 exd5 leaves Black with an IQP and good chances. If, as inCarlsen-Radjabov, White captures on c6, a
different structure arises, but one where Black is solid and has good chances of counterplay.
Tarrasch Sidelines
(View in Game Format)
1 d4 d5 2 c4 e6 3 Nf3 c5
As I hope has become clear by now, the Tarrasch is a principled opening and White should not be able to hope for
too much by avoiding the main lines. That said, main lines change over time and this chapter contains one very
serious attempt.
This is probably a good time to mention that, when confronted by a sideline (in the Tarrasch or elsewhere), please
do NOT rush your response. Sidelines by their nature have slightly offbeat ideas which, if well neutralized, can
leave Black with a pleasant game. However, often on seeing an early Bg5 or e2-e3 in the Tarrasch (I speak from
bitter experience here, in particular from my game against Bischoff) the natural tendency is to relax and play a quick
move. Black still needs to be precise in the sidelines as in every other Tarrasch variation - his structure is
fundamentally more vulnerable than White's and we don't have the luxury of second-rate responses. Apologies if
this seems blatantly obvious, but I have personally scored worse against sidelines than against main lines in the
Tarrasch, and want to save you from a similar experience.
Coincidentally, all the games in this section are played by Jacob Aagaard. Jacob has a great feel for the Tarrasch
and, in particular, is comfortable developing his pieces to good squares rather than searching for ways to "justify"
his compromised structure. The sidelines tried here have not troubled him.
4 cxd5
4 g3 Nf6 5 Bg2 Nc6 6 0-0 Be7 7 dxc5 Bxc5 leaves Black with a big pawn in the middle of the board, and no
weaknesses. Black should not be worse here and Schandorff-Aagaard shows why.
4...exd5 5 Nc3 Nc6
6 dxc5!?
This move has become one of White's most serious and popular attempts, following Aagaard and Ntirlis' analysis
which showed that Black needs to be precise to equalize. See L'Ami-Aagaard for a good example.
The less threatening 6 Bg5, together with 6 Bf4 and 6 e3, is covered in Rewitz-Aagaard.
Key Notes
1. Against all Tarrasch sidelines, take your time and handle the first few moves carefully. Some of these variations
have dangerous ideas and Black needs to respond accurately.
2. 6 dxc5 is probably the most dangerous sideline, going straight for positions with an open centre where White
relies on his bishop pair. Nevertheless, Black has excellent development and can expect to equalize with accurate
relies on his bishop pair. Nevertheless, Black has excellent development and can expect to equalize with accurate
play.
3. 6 Bg5 Be7 7 Bxe7 Ngxe7 is a quiet sideline which shouldn't trouble Black. After 6 e3, 6...c4! gives Black a great
version of the 9 Bg5 c4 variations.
4. Delaying the capture on d5, as in Schandorff-Aagaard, would inconvenience Black if he had to take on c4 or
fianchetto his queen's bishop, but he can solve his problems in a more direct way by simple development. If White
insists on not taking on d5, Black can seize central space with ...e6-e5; then if White takes on d5, the resulting IQP
position is fine for Black.
1 d4 d5 2 c4 e6 3 Nf3 c5 4 cxd5
4 g3 Nf6 5 Bg2 Nc6 6 0-0 Be7 7 dxc5 Bxc5 – Schandorff-Aagaard
4...exd5 5 Nc3 Nc6 6 dxc5!? – L'Ami-Aagaard
6 Bg5 – Rewitz-Aagaard
Réti Set-ups
(View in Game Format)
1 Nf3 d5 2 c4 e6 3 g3 c5
One of the attractions of the Tarrasch is that it can be played against everything except 1 e4. Come to think of it,
Tarrasch's "refutation" (3...c5) of his own variation (1 e4 e6 2 d4 d5 3 Nd2) does bear a strong stylistic resemblance
to some lines of our opening, but I'll leave coverage of this line to more experienced French players.
White can play a broad range of flank openings and we can't possibly cover them all here. Fortunately we don't
need to, since many of these openings have a remarkable tendency to reach the same position:
4 Bg2 Nf6 5 0-0 Nc6 6 b3 Be7 7 e3 0-0 8 Bb2 b6 9 Nc3 Bb7
This position is covered in Reinderman-Irwanto and knowledge of this game should be sufficient against most
English/Réti set-ups. If White goes more offbeat, your first few moves involved gaining central control and
developing pieces, so I suggest you keep doing that.
Key Notes
1. One of the great advantages of the Tarrasch is that it can be played against everything except 1 e4. I suggest
setting up the d5/c5/e6 formation as soon as possible, when the best White has is a transposition into regular
Tarrasch lines.
2. In the main Réti line (as in Reinderman-Irwanto), Black has a number of options which might appeal to Tarrasch
players. I have recommended two lines: 10 cxd5 Nxd5 11 Nxd5 exd5 12 d4 a5!? and 12...Ba6 13 Re1 c4!?. In both,
I rather like Black's active and purposeful queenside play.
1 Nf3 d5 2 c4 e6 3 g3 c5 4 Bg2 Nf6 5 0-0 Nc6 6 b3 Be7 7 e3 0-0 8 Bb2 b6 9 Nc3 Bb7 – Reinderman-Irwanto
In Place of an Epilogue
(View in Game Format)
1 d4 d5 2 c4 e6 3 Nc3 c5
As a bonus for getting this far, I've decided to offer coverage of two lines which, while arising from a Tarrasch move
order, are actually different openings. Both give rise to dynamic play which I think would suit Tarrasch players well
and, while I've only tried one of these lines on one occasion, it resulted in a nice win. So here we are:
4 cxd5 exd5
4...cxd4 is an aggressive gambit continuation. Enough for the pawn? Maybe. SeeWang Yue-Wang Chen.
5 Nf3 Nc6 6 g3
Of course we're familiar with this position. The new concept (actually an old and forgotten concept) I'd like to cover
is the Swedish Variation...
6...c4
Key Notes
1. The gambit variation 4...cxd4!? leads to interesting complications. Wang Chen has demonstrated how enduring
Black's development-based compensation can be, even against very strong GMs, and despite White's lack of
weaknesses.
2. The Swedish Variation, 6...c4, leads to positions analogous to the 9 Bg5 c4 lines. As there, White needs to play
actively in order to avoid falling into a worse position. I think this is a perfect surprise weapon, especially for players
who like 9 Bg5 c4.