Professional Documents
Culture Documents
ARH 3728-0W61
UCF- Spring 2019
Artist Statement
Look
The propaganda poster was a relatively new kind of propaganda that emerged in the wake of World War
One. In my book, I analyzed the history of propaganda posters, and documented the techniques that were used.
Although poster art had started to change, I was able to analyze how those changing art styles were successfully
implemented into propaganda poster art. I was also able to compare, and contrast, art styles used between various
posters, allowing me to document how various countries tried to influence the world.
The first technique I had analyzed in propaganda posters was their ability to combine imagery and text,
allowing them to catch the attention of viewers. One tool that is essential to the success of propaganda posters is
looking, as "through looking, we negotiate social relationships and meanings..." (Geppert, Theories of Visual
Culture). This means that the viewer can make their own interpretations of the poster by simply examining its
message, and they can make the choice whether to act on the choices presented to them. Another key attribute to the
success of propaganda posters is that the artwork for the posters themselves “may be inspired by a verbal text,
accompany it, or expand it…” (Geppert, Theories of Visual Culture). In propaganda posters produced by the Soviet
Union for example, artists from ROSTA Windows had combined simple slang with avant-garde art to create posters
meant to appeal to illiterate workers. This was a style of art found in posters throughout the 1920s, and the Soviet
Union was one that quickly utilized it in its artwork.
The second technique that was analyzed was how propaganda posters were made to agitate viewers into
doing a certain action. In the twentieth century, propaganda posters were part of "systematic and deliberate attempts
to sway mass public opinion in favor of the objectives of the institutions…" (Geppert, Theories of Visual Culture:
Mass Media, Persuasion, and Propaganda), and as such, used numerous techniques that made the messages
appealing to viewers. Some of the techniques that were common in propaganda posters include crude depictions of
enemy soldiers, the usage of figures and visual codes, and slogans that were used in other forms of mass media (i.e.,
radio, television, film). By utilizing these methods, governments were able to rally their people behind a specific
cause during times of industrialization or war. Many of the posters featured in my book celebrated war, which was
considered by governments to be “beautiful because it initiates the dreamt-of metallization of the human body”
(Benjamin, The Work of Art in the Age of Mechanical Reproduction, p. 19). Posters tapped into people’s repressed
desires, which then led the way for them to support dictatorships or battles.
I chose a layout where posters would be placed alongside text without having leading or sizing issues.
While propaganda posters are visually powerful by themselves, I made the decision to add text alongside the posters
to describe the historical settings and the techniques used. The typeface I chose was consistent throughout the text,
but the headers for the chapters were based on typefaces from actual propaganda posters. This allows the posters to
become immersive to the audience.
My goal is to inspire readers to examine propaganda throughout the twentieth century and allow them to
make connections to techniques used in mass media today. I hope to inspire readers to look through the contents of
the posters as I did, and make comments about what techniques changed or stayed the same. When they finish
reading, I want them to be able to be aware of how propaganda posters can be used today, whether it be for
advertising or for promoting a specific cause.
Bibliography
• Geppert, Melissa, Theories of Visual Culture: Encoding & Decoding Images. January 2019,
https://webcourses.ucf.edu/courses/1323612/pages/theories-of-visual-culture-encoding-and-decoding-
images?module_item_id=12343096
• Geppert, Theories of Visual Culture: Mass Media, Persuasion, and Propaganda, February 2019,
https://webcourses.ucf.edu/courses/1323612/pages/theories-of-visual-culture-mass-media-persuasion-and-
propaganda?module_item_id=12423717
• Benjamin, Walter, (1969 [1936]) The Work of Art in the Age of Mechanical Reproduction. Schocken, New
York: Illuminitions
1
2
1914-1918
WW1 PROPAGANDA
lithograph
AGITORY POSTERS
Many posters from World War One were agitory, and were used to
stir the viewer into anger against the enemy troops. They contained
depictions of violence, and sometimes used civilian casualties to
provoke even someone who had second doubts about serving.
Fernando Amorsolo, Your Liberty Bonds will help stop this, 1917, lithograph
4
1917-1935
Propaganda
in the Soviet
Union
Agitprop
Following the October
Revolution in 1917, the
Soviet Union began to use
agitprop to stir viewers
into action. Many citizens
within the country were
illiterate, so posters with
visual codes were used.
1935-1991
Socialist
Realism
Starting in the 1930s,
posters were created
in an art style called
Socialist Realism. This
style consisted of
photorealistic human
figures as opposed to
abstract shapes, it was
made to celebrate the
common worker.
1932-1945
Propaganda in Nazi Germany
Even before Adolf Hitler’s rise to power in 1933, the Nazi Party began to
create propaganda posters that used the same techniques as Britain’s
World War One posters: simple
text, bold imagery, and visual
codes.
1939-1945
WW2 Propaganda
Allied Propaganda
Propaganda posters were published
in Allied countries following the
outbreak of World War Two. These
posters combined imagery and text,
but focused less on recruitment and
more on conservation of resources
and self reliance.
Axis Propaganda
Propaganda posters from the Axis Powers
utilized dramatic imagery and bold text
to catch the viewer’s attention. Much like
Allied posters, Axis posters encouraged
civilian involvement in the war effort. This
poster was printed for use at factories all
over Germany, but it contains techniques
found in other Nazi propaganda posters
such as a muscular figure and the use of
blackletter font.
lithograph
PRESENT
Propaganda
Today
Following the end of World
War Two, propaganda posters
had slowly become replaced
due to the rise of television
and radio as forms of mass
media. Communist countries
had used them throughout the
Cold War, but that too ceased
with the fall of the Iron Curtain
in the late 1980s.