Professional Documents
Culture Documents
T h e M om ent and th e M an
T h e B rin k of th e B ottoml e s s P it
W h y D a rwin C onv er t ed th e C r owd
H o w W e R u s h ed Do wn a S t eep P lac e
D a rwini s m n o t Finally R efutabl e
v i B ac k to hi h
e thu s el a
T h ree B lind M ic e
T h e G re at es t of T h es e 1 8 S elf C ontr ol
-
A S am p l e of L am ar c k o S h avian I nv e ctiv e .
H o w O n e T ouc h of D a r win M a k es th e Wh ol e
W o rld Kin lxiv
W hy D a rwin P l e a sed t h e S ocia li s t s lxv
D a rwin and K a rl M a rx lxviii
W hy D a rwin Pl e a s e d th e P r o fi teer s al os lxix
T h e P o e t ry and P u r ity of M at er iali s m lxxi ’
T h e V ic eroy s of t h e K in g of K in g s lxxiii
P olitical Op p o r tuni s m in E xc el si s lxxv
T h e B et rayal of W es t e r n C ivilization . lxxvii
C i rc um s tan c i al S el ection in F inanc e lxxix
T h e H om eo p at h ic R e action a g ain s t D a rwin s m lxxx
i
T h e D awn of D ar win i s m
ON E day early in the ei gh t een h und red and s ixti es I , ,
t h e wo rk s of th e c el eb rat ed B ufi o on P ”'
p o ss ibl e t h a t th e s h 0
p a s s i s tant mi h t h av e m i s un d er
g
s tood m e s o f ar a s t o
p roduc e a co p y of M an and
S u p erman . A s it was s h e k n ew quit e w ell wh at h e
,
t h at t h e ea rt h i s a m oon of th e s un N ewton s t h eo ry of
,
’
, ,
T he A dv en t of th e N eo D ar win ian s
-
B efo re t en mo re y e a rs h ad ela p s ed , th e N eo D ar - ~
p ublic di s cu s s ions. It w a s in th e h o e of ma k in
p g m e
P oliti c al I n ad equ ac y of im al
th e H um an An
T en mo re y e a rs e la ps ed N eo D a rwini s m in p olitic s
.
-
r o m an ti msm w h ic h m ad e it p o s s ibl e to im p o s e it on th e
Is T h er e A ny H op e i n E du catio n ?
p l e adin
g to a p om p ou s ly wo r d ed indictm ent f o r s edition
t h rou g h th e s ch oolma s t er .
H o m eop at h ic E ducatio n
In t ruth m an k ind cannot b e s av ed fr om with out by
, ,
e ( y
sa
-
0 0 0 0 5 p er.
c ent of all the reg i s t ered p ra ctition ers and $20 p er c ent,
h ow ev er e x p lain wh y w h il s t mo s t p eo pl e s mind s s uc
’
, ,
p lo s iv es i s r ewa rd ed and di
g i fi ed : in s t r uction in th e
n
p p
-
g , , g p p
still i s th at G od h el s t h o s e wh o h el t h em s elv e s T h i
p p s .
m s no com p ellin g
re s ee
H e i s by no m ean s an
id e al c reatu re A t h i s p res en t b es t many of hi s way s
.
ex e rime nt
p .
, ,
C r eativ e E vol u ti on
B ut th i s di s mal c reed do es not di s cou r a g e th o s e wh o
beli ev e t h at t h e im p ul se t h at p ro duc es evo lution i s
xviii B ack to M ethus elah
c re a tiv e T h ey h av e ob serv ed t h e s im p l e fac t th at t h e
.
V ol un tary L on g evity
A mon g o th er matt ers app a rently ch an g eabl e at will
i s th e du ration of individual life Wei smann a v ery
.
,
I n th e ca s e of ma n th e o p er ation h as ov er h o t i ts ma rk
,
s
s o s h oc k ed my uncl e .
th e la s t e dition of h i s S ys t em o f N atu re h e b eg an to
,
s i cu o us
p in R e ent s
g P
’
a rk co
, n c eal it in a t r o p ical
mi g h t of th e g re at A rc h it e ct th e C au s e of all cau s es , ,
g re at er Infinit e t o cau s e th e c au s es of e ff e ct s t h an to
. er .
my s t e riou s fin g er B ut n ev er mind t h at j u s t at
.
res ent
p .
B ac k to M et hu s elah xxiii
T h e A dv en t of th e N eo L am arckian s
-
Finally you s ucc eed quit e s udde nly and do not rela p se
, ,
n ew
p ow e r uncon s ciou s ly A lt h ou g h you a.re ada p tin g
B a ck to M ethu s elah
your front wh eel to you r balanc e s o elabo rat ely and
activ ely th at t he acciden t al loc k in g of you r h andl e ba rs
f o r a s econd will t h r ow you o ff t h ou g h fi v e minut es
befo re you could not do it at all y et now you do it as ,
H o w A c qu ir em en t s are I nh erit ed
B ut wh en you r s o n t ri es to s k at e o r bicycl e in h i s tu rn ,
xv
and di s ca r d an o rg an wh en we n o l o n g er n eed th em j u s t ,
T h e M i racl e of C on d en s ed R ec ap it ulation
T he la p s es b etw een th e eff o r t s to acqui re a h abit are
re
n eo u sl
y at my call t h at I h av e n ev er h ad to con s ult ev en
O n e mi g h t as w ell e x p e ct N a p ol eon to b e a f e nc er o r t h e ,
i s a mi r aculou s ly s h o rt en ed tim e .
H er edi ty an O ld S tory
It is vid ent th at th e evolutiona ry p roc es s i s a h eredi
e
f o r g r a nt ed S o di d ev erybody
. T h e h uman mind h as
.
p e di g ree h o r s e s amon g t h ei r mo s t ch e ri sh ed
p o s s es s ion s .
ed n atu ral l i c e of
cou s in s h i p with t h e ap e an d th e im p li ed s u sp i c m n o f a
,
s ci enc e as
“th e s ci enc e of t he ev erla s tin g t ran s mutation s
”
of th e H oly Gh o s t in th e wo rld H i s reli g ion h ad .
wh ich th e univ erse was built H ere was th e mod ern c ell
.
m m
, ,
p re evolutiona ry
-
p er iod E volutioni s m
. w a s t h e ra e
g
b efo re Qu een V icto ria cam e to th e t hron e T o fix th i s .
g o t ri d o f Ch a rl es t h e T enth G o et h e w as t h e n s till
.
”
c us s i o n with clo s ed doo r s T h e French man rep li ed t h at
.
s aid G o eth e :
“I am not t h ink in g of t h es e p eo pl e at all ,
to s ci en ce ”
T h e ru p tu re G o eth e m eant was about E vo
.
s l um
p in E volutioni sm T h e fi rs t g en eration
. of i t s
c es s o rs w ere be in g t au g h t from th e B oo k of G en es i s ,
B ack to M et hu s elah
D ef yin g th e L ig h tn in g : a Fru s t r at ed
E xp eri men t
O ne e v enin g in 1 878 o r t hereabout s I bein g then in
, ,
c o rdi n l
g y I s aid t h a t if t h e qu es tion at i s s u e w e r e
i f h e h ad not t ri ed it h e ou g h t to h av e t ri ed it
, T he .
—
fo re and at t h at p oint I too k out my wat ch .
y e t
, as t h e t h ou g h t h a d b e e n fo rmulat e d i n my mind i t ,
p a r ty I t h ou h t was a littl e
, g p
, r e occu i e d until fi v e min
p
ut es h ad elap s ed and th e w e ath er was s till c alm .
I n Qt u es of
Firs t C aus e the
A noth er r emi ni s c enc e In t h o s e day s we t h ou g h t in
.
. od I g r ant you a
.
ov er that .
P al ey s W atch
’
u
p p r o se t h at
p rom t ed h i m to do it ?
p W h y did h e want
to s ee if not to ext end h i s con s ciou s n es s and hi s k nowl
,
ed e and hi s ow er ? T h at u r o s e wa s at wo rk ev ery
g p p p
wh e re and mu s t b e s om et h in g bi g g er t h an th e individual
,
e e ma k in
y
-
T h e I rr es i s tibl e C ry of O rd er , O rd er !
O ur co rnful youn g s ci entific and phi I O S O ph i c lion s of
s
a s s ion s or a s we s ay an E l an V i t al
p , , ,
s ay t h at
“ G od i s sp i rit as p oint edly as h e p l e a s ed ; o ur
”
u p set th e wh ol e o rd er of t h e univers e on th e mo s t t ru m
ery p r ovocation w h e th er by st o in
pp g t h e s u n i n th e
p ,
c o v er
y of a m e t h od w h e r eby watc h es could h a
pp e n wit h
h er h ad ev e r e n oy e d b e fo re
p j .
s el ec ion j u s t as th e r ac e h o rs e o r t h e f an tai l p i
t g eo n
-
hg b een evolv ed M
g
se fi x l agat i o n s ou w i ll o h
.
p y ,
s
gn n v d y e r anseig us n es s u
p rp 1
o s e e ith er
D “ , ,
on t
“
rio r i n tel l i g g
h
a m If yo ur n e c k i s too s h o r t to
reac h you r food you di e T h at may b e th e s im p le ex
, .
, ,
g e nc e of s t ren
, g t h and u
p p r o s e
, of h ono r and a s
p i r ation ,
P ro p h e t R ed eem er E nli g h t en er R es cu er H o p e G iv e r
, , , , ,
o u sl
y j e alou s and c r u el p er s onal c h a r act er s o t h at ev en ,
s aid
“Ouf l ”
P al ey was bu ri ed fa t h om s d eep wit h h i s
watch now fully a c count ed f o r with out any di vin e a rti
,
xlviii B ack to M et hu s elah
fi cer at all W e w ere s o g lad to b e ri d of both t h at we
.
f or i
’
with out s to p p in g to thin k wh ere h e s h all get h i s
dinn e r out s id e T h e mom ent w e found th at we could do
.
Wh y D arwin C on v ert ed th e C ro w d
I am w ell awa re th at in d es c ribin g the eff ect of D ar
win s di s cov ery on natu rali s t s and o n pe rs on s ca p abl e of
’ -
B ac k t o M et hu s elah lix
se r iou s refl e ction on th e natu re and att ribut es of G od I ,
Y e t th e d o ct rin e of C h a rl e s re ach e d h i m t h ou g h th e ,
p yh s iolo
gy o f t h e wj l l 1M
m “ h ic h 65 11
s tock breed ers , o r s tud g room s can und ers tand C i rcum
,
t h e buc k e t k ill s o ff a w e a k ly p u p p y T h e n t h er e i s t h e
.
p h ilo s o h er
p and ,
O
p in ed t h at h e would b e damn ed f o r
ar e familia r wit h t h es e tl m es s es : th e
g p a . “ n
“ s o a “
T h e O rg in of S p e ci es f r om en d to en d it i s not b e cau s e ,
o
g pr a h er, M r
. F e s tin
g Jon es i s enj oyin
, g a vo g u e li k e
ort w
, ,
in
“ sh , i th out h f e W e compl ete l y ov erlook ed r
e r e —
no th in g from exp i nc e and W ei s mann conclud es
,
i s n ot co n s ciou s of wh at it do es .
p u t it down , it in s tantly j um s u
p p a g ain and ,fin a l ly
e s tabli sh es i t s ri h t to a lac on t h clot h by convi ci
g p e e n n g
o u th at if you u t it down a h und red tim es i t will j um
y p p
liv B ack to M et hu s elah
up a h und red and o n e ti me s ; s o t hat if you d es i re i t s
c om any a t dinn er you can h av e it only on i t s own t e rm s
p .
T h r ee B lin d M ic e
T h e s tul ti fi c ati o n and damnation wh ic h en s u ed are
illu s t r at e d by a com p a ri s on of th e e a s e and c er tainty
with w h ich B utl er s mind mov ed to h uman e and i n sp i r
’
“ ”
was to imitat e N atu re by p erp et r atin g viol ent and
s en s el es s c ru elti es
, and watc h th e eff e ct of th em with a
p a r alyzin g f at al i s m w h ic h fo rbad e t h e s m all es t eff o rt t o
us e t h ei r mi n ds in s t e ad of t h ei r k niv es an d ey es an d ,
s inc e h e s et u
p C i r cum s tan t ial S el e ction as th e c re ato r
g ov ernabl e
g lutton s w h o s t r iv e t h e h a r d e s t to g e t food
and d rin k th ei r eff o r t s would d ev elop th ei r s t ren g th and
,
S el e ction wo rk s .
find t h at in t h e y ea r 1 90 6 I indul g e d my t em p er by
h u rlin g inv ec tiv es at th e N eo D a rwinian s in th e f o l l o w
-
i n g t erms .
l eg t h e t h r ee l eg g ed do g will h av e a fou r l eg g e d p u pp y
- -
, ,
p o e t r y c on s ci enc e o r d ec ency
, , F o r N atural S el e c tion;
.
‘
m M W ““ b aa
M y A; A
lxii B ack to M e t hus el ah
m o re
mi h t m app rop riat ely b e call ed ac c1 dental —s el e ction
g t ter s till U n natgygj S el ection s m ee nothin g i s
“
m u nu n 0 4
Ifl fl ” I
? M
M
..
w”
, ,
od f o r t h e m ; but h e al s o exon er at ed
G od fr o m a h id e ou s c h a rg e of c ru elty G rant ed th at .
th e wic k e t g at e n o r th e S lou g h of D es po nd n o r th e
, ,
E volutioni s t s .
be cam e at h ei s t s w h en t h ey s at by th e c radl es of th ei r
c hild re n and s aw t h em s t ran g l e d by th e h and of G od i s
s ucc eed ed by t h e t h e olo y of B lanco P o s n e t wit h h i
g s
,
“It was e a rly day s w h en H e mad e th e c rou I u
p g es s, .
H o w O n e To u ch D ar win M ak es th e
of
Wh ol e World K i n
A not her h umanita rian int eres t in D a rwini s m was th at
D a rwin p op ula riz ed E volution g en erally as w ell as ,
e a rt h ly k in g s h i u re m e cla s s di s tinction in s t e ad of
, p a ps
t h e r oc k on w h ic h E quality i s b uilt h ad l e d u s to in s i s t
,
di s credit ed th e G a rd en of E d en K a rl M a rx had p ro
.
pi ra f udal
pyp
e f t ba
h er on s ,
! sears
re u t ta co rru t e d by an
y p
i fi c ati on of s ucc ess in life wit h
bi g p rofit s T h e m om ent M a rx s h ew ed t h at th e relation
.
in s p i re d p ro ph et in th e mind of ev er y g en er ou s s oul
wh o m h i s book reach ed H e h ad s aid and p rov ed w h at
.
Wh y D ar w in P l eas ed th e P ro fi teers Al s o
B ut h o w at t hi s rat e did D a rwin s ucc d with t h e
, ,
ee
bl e
. . ‘h .
bi sh op Us sh er s
” C o:
’
B ib i g
l c k es t i ma t e o f i h e a g e afl fll e e a rt h
as 4 0m0 4 lu s A D T h e t r eati s es of th e R ica r d i an
i n . p i Q ifl
.
K - h
.
fi
,
”
oth er fellow down with imp unity all int er ferenc e by a ,
p lutoc r acy .
T h e P o e t ry an d P urity of M at erialis m
T hu s th e ta rs in th ei r cou rs es fou g h t f o r D arwin
s .
s en s e of mo r al r es p on s ibility as p a rt of t h at o r d er t h ere,
i n t erm s w h ic h t h e rint e r h ad to l e av e u s to u es s fr om
p g
hi s blank s p ac es W e h ad h ea r d th e p a r s on d r onin g t h at
.
th at th e exp o s u re of th i s Ko ep en ik C ap tain of t h e
he av en s f ar fro m p rovin g th at t h ere w as no real c ap
,
on wh ic h G od h ad b ee n ex e ll ed wit h a
p p itc h fo rk
”
m e n ,
odd es s of R e a s on If .
s ti ti o n mi g h t h av e daunt e d t h e s e m en of th e ei g h t ee nt h
T he V i c eroys o f th e K in g o f K in g s
N ow in p olitic s i t i s mu ch ea s i er to do with out G od
th an to do with out hi s vic ero y s and vica rs and li eu
t enant s ; and we beg in to mi s s th e li eut e nant s lon g be fo e r
t ru s t was o p en to th e man wh o h ad no s en s e o f G od
b e cau s e h e h ad n o s en s e of anyth in g b eyond h i s own
bu s in es s int ere s t s and p er s onal a pp etit e s and ambition s .
to h av e th e po litician s If th e fe a r of G
,
. o d was in th e m
p ull to g e th er on t h at ba s i s .B ut th e
p res ent
p anic ,
, ,
ar e no be tt er th an wolv es if th ey h av e no b e tt er p rinci
th e h o pe t h at if t h ey continu e to do t h ei r wo rs t t h ey will
et N atu r ally S el e ct ed f o r s u rvival wit h out t h e t roubl e
g
of th in k in g about it .
7 g
t
i a
Q
, m
m
Eg gn
g aafl i t M Efi I l i L M c o n c re t en es s n ee d ed t o
ma ke i t as s i md abl e b y the
, m w man 3 11 1? ,
T h u s th e wo rld i s k ep t s an e l es s by th e s aint s t h an by
t h e va s t ma s s of th e indi ff erent wh o n eit h er act n o r
,
T h e D an g er of R eaction
A nd h ere a ri s es th e dan g er th at when we realiz e t h i s
we sh all do j u s t wh at we did h alf a c entu ry ag o and ,
a —
i' fi
of k E ép b
f
o n th e h f n in t
'
y agt t e l n a s s p “
a c s e rl e s
" ” m “ Et
aw
nd
g y on es
a _
be s ai v ery pf efii s el y
'
p a r t s and
, p a s s ion s
”
aft er all ; t h at th e wo rld w as mad e
g uid e to conduct ; t h at we m a
y l i e and ch e at and mu rd er
ofi fii f c
W
s av e d b
é l il l
'
fi so l e fi at on l
a y a ud a t h é
y
e n .
i e l e e e e
.
lxxxvi B ack to M et hus elah
li k e th e Chu rch of E n g land th e Ch u rch of R om e the
, ,
p r oud ‘
re bu k ed . P e o p l e will h av e t h ei r mi racl es th ei r ,
Wh at to D o W it h th e L eg en d s
Wh at we sh ould do then i s to p oo l o u r l eg end s and
, ,
from p ret enc e and fal seh ood we could ent er into th e
h erita g e of all th e faith s C h ina would sh a re h er s a g es
.
o d f rom all a t of
p r s
A ll th e s w ee t
.
A L ess on f ro m S ci en c e to th e C h urch es
L et t h e Ch u r c h es as k t h em s elve s why t h ere i s no revolt
a g ain s t th e do g ma s of math ematic s t h ou gh t h ere i s o n e
a g ain s t th e do g ma s of reli g ion It i s not t h at th e
.
s c h oo l s
, i s b ein g tau g h t as fal s ely as reli g ion i s tau g h t
th er e ; but in math ematic s an d p h y s ic s t h e faith i s still
k ep t p u re and you may ta k e th e law and l eav e th e
,
T he Arti s t P rop h et s -
”
th e s ublim e and be autiful In o ur day it h as fall en
'
“
wh at A ntony s aid to th e co rp se of Cze s ar : A re al l thy
conqu es t s g lo ri es trium ph s s p oil s shrunk to t hi s littl e
, , , ,
ean 1 n
g to g e t ri d of i t s
E vol u tion i n th e
T h eatr e
O n t h e s tag e ( and h ere I c om e at la s t to m y own par
ti c ul ar function in t h e matt er ) C om edy as a d es t ru o
, ,
s o h ic s p ee ch e s s uc h as T h e S ev en A es of M an and
p g
'
all ”
h e s aid “ writ e an E l e ctra a n A nti g on e an
, , , ,
”
A g am emnon and sh ew wh at we can do with it
,
B ut .
p at ed youn
g s ucc es s o rs s co rn u s v e ry , p pr o erly B ut .
em y r ean w h il s t t h e y ar e na sh in t h ei r t ee t h in i m
p g g
p ot ent fu ry in t h e mud o r at be s t findin , g an acid enj oy
M y O wn P a rt i n th e M att er
In my own activities as a p layw ri gh t I found t h i s s tat e
of th in g s intol er abl e T h e fa sh ionabl e t h eat re p re
.
s i o n al l y
, did not con stitut e me an icono g r a p h e r of th e
r eli g ion of m tim e and t h u s fulfil my natu ral function
y ,
p layw ri
g h t i s a p e rs on w h o s e bu s in es s it i s to mak e
ADAM N ot h in g will wa k e it
. .
EVE It h as a qu ee r s m ell P ah ! [ S h e d us ts h er
. .
t hat ?
ADAM N o It was p l ayin g about ; and it t ri p p ed
. .
n eck i s w ro n g [H e s to op s to l i f t t he n ec k an d s h ew
.
h er .
]
EVE . D ont touch it . C o m e away from it .
[ T h ey b o th r e tr e at , a n d c on te m
p l ate i t f o m
r a f ew
s te s d i s t an c e wi th r o wi n ul si o n ]
’
re
p g g p
EVE A dam . .
ADAM Y es ? .
o li k e t h at ?
g
ADAM U g h ! [ H e s h u dd ers an d s i ts d o wn o n the
.
ro c k .
]
EVE [ th ro wi n g h er s el f on th e g ro u n d b es i d e h i m, an d
g r as ing
p h is k n ee ] You mu s t be ca reful . P romi s e m e
you will b e ca reful .
EVE I too . .
want .
i n h e r an k l e s ] I s h ould s oon g et ti re d of t h at B
g g e .
ADAM A nd t h en ?
.
s na k e s .
AD AM T h at mu s t not b e
. .
EVE Y es : t h at mu s t not b e B ut it mi g h t be
. . .
it mu s t not b e .
t h in g s .
p u t all s o rt s of t ho u h t s into my h e ad
g .
but it i s s o n e a r th at it i s li k e a wh i s p er f r om wit h in my
s elf. T h er e i s no mi s ta k in g i t f o r any voic e of th e bi r ds
o r b ea s t s o r f o r you r voic e
, .
f rom wit h in .
mo v i n g ab o u t i n hi s ag i t at i on ] I cannot be a r t h i s k nowl
ed e I will no t h av e it It mu s t not b e I t ell you
g . .
, .
D o you n ev er th in k of th at ?
EVE N o : I do not t h ink about my s elf : wh at i s t h e
.
about you .
ADAM D ead ? W h at wo rd i s th at ?
.
‘
not remind m e of un h a pp y th in gs .
E V E Ho w can I con qu er it ?
.
T HE SERPENT . Y es bi r t h , .
E V E Wh at i s bi r th ?
.
“
t h in g s ; and you s ay W hy ? B ut I d re am t h in g s t hat
”
n ev er w ere ; and I s ay
“W hy not ? ”
I mad e th e wo rd
d ead to d es c r ib e my old s k in t h at I ca s t wh en I am re
n ew ed I call th at ren ewal b ein g bo rn
. .
EVE B o r n i s a b e autiful wo rd
. .
EVE I ! It do es not h a pp en : th at i s wh y
. .
not ?
EVE B ut I sh ould not lik e it It would be nic e to b e
. .
b i rth .
h a p p en and y e t do es h a p p en
, .
s ton es I h ad e at en .
me . It hu rt s .
s na k e s s na k e s ev erywh e re
, .
E ve . I mu s t h av e s om et h in g to wo rs h i p S o m eth in g .
t h in g g reat er t h an th e s nak e .
g iv e lif e .
s l ee fr om E d en S h e s aid it m u s t n ev er b e a g ain : th at
p .
wh o ar e s o cl ev er at wo rd s .
THE SERPENT A p o em . .
me .
THE SERPENT Y es
. .
THE SERPENT [ g s]
l au h !
. .
E V E W hy ? .
do with out E v e .
THE S E E P E N T Y es B y th at h e i s ti ed to you
. . .
EVE A nd I to hi m !
.
A dam s .
A dam s only .
o
th e r es t d i e too ? Wh at do I ca re ?
THE SERPENT L ife mu s t not c ea s e T h at com e s
. .
[ C al l i n
g ] A dam ! A dam ! C oo ee ! -
A D A M s VO I CE C oo ee !
’
-
c h ol
y .
you th e g re at se c ret .
to do t h e mi r acl e .
EVE H o w ? .
1 8 com i n
g .
O ur s na k e h as l e a r nt to s p eak by li s t enin g to u s .
ADAM [ d el i g h ted ] I s it s o ? [ H e g o es p as t h er t o th e
s t o n e, an d f o n d l es t he s er
p en t. ]
THE SERPENT [ res p on di ng aff ec ti o natel y ] It i s s o ,
d ea r A dam .
E V E B ut I h av e mo re wond er ful n ew s t h an t h at
. .
h av e t o live f o r ev er .
e v er we fo r et to loo k wh ere we ar e s t e in
g pp g .
e v er .
b ein g L ivin g
. .
tomo rr ow ; f o r th at s u rely i s a g re at an d bl es s ed
inv ention .
ton g u e .
p o s s ibl e .
ADAM [ s p ri n g i n g u p i n s ud d en terro r ] O h !
EVE W h at i s th e matt er now ?
.
tion .
EVE Wh at dan g er ?
.
can b e .
i n h i s t h ou g h t t h an I am T h e woman k now s t h at th e r e
.
N ot be fo re B ut t h en as s oon as you li k e [ S h e ri s e s
.
, . ,
an d p as si n
g b ehi n d h i m s tro ll s o ff c arel es sl y to th e t ree
,
ADAM . T h er e n ee d b e no h u rry ev en th en .
made a n ew E v e ?
EVE W hy sh ould I ? A re you e a g er to be ri d of
.
you no lon g er ca re .
to di e .
would no t h av e th e s am e m emo ri es T h ey wo ul d b e— I .
want a wo r d f o r t h em .
[ S h e c o me s q ui c k l
y b eh i n d h i m an d tu rn s u
p h i s
f ac e t o
h er ] .Do not fo r g e t th at , A dam N ev er fo rg e t it . .
ADAM W hy sh ould I fo rg e t it ? It i s I wh o h av e
.
t h ou g h t of it .
will b e an en d .
me .
th an m e : I am only a p a r t of it .
TH E A s lon g as
SE E PE N T . you do not know the
futu re you do not k now th at it will not be h a pp i er th an
th e p a s t T h at 1 5 h op e
. .
m e t h an h o p e I mu s t h av e c ertainty
.
[ H e ri s es th rea t .
en i n g l y ]
. G iv e it to me ; o r I will k ill you wh e n n ext I
catch you a s l eep .
h o rr o r ?
ADAM Fea r will dr iv e m e t o anythin g T h e s erp e nt
. .
g av e m e fe a r L et it now .
g iv e m e c er tainty o r
g o in
fea r of m e .
a vow .
AD AM Wh at i s a vow ?
.
it wil l des t r oy h o p e .
a wo rd .
A D AM Wh at ev er I f ea r to do i s wic k ed L i st en to
.
.
s e a s on s
man until h e di es .
ADAM C h anc e ? W h at do es th at m e an ?
.
h er away ] .
th e s ec ret .
g r ound w e re
g ivin g way und er my f eet w h en it s e a k s
p .
wh i s p eri n g to he r ]
.
[ f l i h w i h i i i h
’
E v e s ac e g t s u
p t n ten s e n t er e s,
t wh c
g r eav es ; and
h i s b ri s tl i ng mil i tary mo u s t ac h e g l i s ten s
wi th oi l T o h i s p aren ts h e h as the s el f as s er ti v e n o t
.
-
q u i t e at eas e man n er o
- -
f a r e v o l ted s o n wh o k n o ws t h a t h e
i s n o t f o rg i v en n or app ro v ed o f
]
CA I N [ to A d am ] S till di g g in g ? A lway s di g , di g , d i g .
’
f o r ound
'
p g r m th e
g
a g ain s t you ?
GA I N I am th e fi rs t mu rde rer : you are only t h e fi rs t
.
to b e th e fi rs t cabba g e T o b e th e fi rs t mu rde r er o n e .
mu s t b e a man of s p i rit .
my wo rk s o me tim es .
you b ea r t o lo ok at h i m aft er t h at ?
CA I N Wh o s e fault was it th at I kill ed A bel ? W h o
.
do .
I was a fo ol B ut Ab el was a di s cov e rer, a .
fi re aliv e H e c h an g
. e d th e b e a s t s h e k ill e d into m e at by
th e fi re on t h e alta r H e k e
p t h im. s elf aliv e by e atin g
m eat H i s m eal co s t h i m a day s g lo riou s h ealt gi vin g
’
h —
.
A ct II I n th e B eg in ni n g 23
s
p o r t and an h ou r s amu s in
g p lay
’
with th e fi re You .
th e s am e I envi ed h i s h a p p in es s h i s freedom I
. , .
n ev er liv ed T h at i s wh at h as b r ou g h t m e to my mot h er
.
today .
f o r you li k e th e ox wh o h el p s hi m t o t ea r u p th e g round
,
“
o r t h e as s wh o ca rri es h i s bu r d en s f o r h i m N o wo man .
an d th e t r ea u r es
s of t h o s e you h ave slain and bec au s e
,
p et animal to
p l e a s e m en and
p y
re on t h em ! W h at are
n atu re of woman .
Act II I n th e B eg inn in g 27
c u l arl y ] .
GA IN B oy ! H a ! h a !
.
t h an you ?
EVE You s aid t h ere would b e no k illin g b ecau s e th e
.
er s k ee er
’
p It found t.h at I w as my s elf and t h at it ,
t h ou g h t all th at ?
GA I N W hy it g av e m e ri g h t It s aid th at my d eed
.
, .
was as a ma rk on m e a bu rnt i n ma rk s uc h as A b el p u t ,
-
ot h e rs ? W y I
h — I ! t h at k now many mo re c r aft s t h an
,
do al ready .
GA I N T h e V oic e do es not s p ea k to m e as it do es to
.
p h emy !
and mu rd er .
AD AM D evil ? Wh at n ew wo r d i s th at ?
.
V oic e of G od .
D eath .
GA IN B e it s o Fo r it wh i sp ers to m e t h at d ea th i s
. .
th e s t ren g t h of t en be cau s e my h e a r t i s p ur e .
GA I N .u rn ed from t h e clay T u r n e d u p wa r d to th e
T .
s u n to th e cl e a r cl ean h e av en s
, .
d ra g us down t o th e l ev el of th e b e a s t s If th at i s to be .
I mu s t h av e foo d o r d i e I will at l ea s t h av e it at as f ar
,
s om et h i ng n o bl er th an g r a s s b e fo r e it com es to m e A nd .
ADAM M on s t er ! You h ea r t h i s E v e ?
.
,
su n .
GAI N O f wh at ? .
s om e n ew wond er o r s om e n ew h o p e : so m et h in g to liv e
,
and you r fo oli sh boa s tin g : and you want m e to t ell you
th at it i s all S p l endid and t h at you are h er oic and th at
, ,
li s t enin g to hi m .
you .
T h o s e w h om I s lay would d i e if I s p a re d t h em If I am .
sa w h o inv e nt ed d e at h ?
y ,
and t h en b e as f ar from th e en d as ev er ! I wh o h av e ,
EVE D amn ed ? Wh at i s t h at ?
.
trai n .
f ly ;
d red y ea rs .
s c ri p t an d p oi n ts t o i t ] .
“
H ere it i s : [ read i n g ] th e
t erm of h uman life mu s t b e e xt end ed to at l ea st t h ree
”
c entu ri es .
A p arl o r m ai d O
p en s t h e d o o r, ush eri ng i n a y o un g
c le rg y man .
t h at m ak es i t i mp o ss i bl e to be un k i nd to h i m, an d ex
l o des i n to o b v i o us l y un p reme di tated s p eec h
p .
P art I I Go s p el of th e B rot h ers B arn abas 43
I m in th e way
’
.
down M r— er ?
H ASLAM Ha slam . .
T HE C LE R I CA L GE N T L E M AN M r H a slam . .
d al e c h ai rs ].
H A S LA M ,
s i
[ t ti n g d o wn on the ]
s to ol
T h an k s awfu l ly .
THE C LE R I CA L GENTLEMAN [ re s u mi n g h i s s e a t ] T h i s
my self f or s o m e y ea rs .
H A S LA M [ sy mp at h i z i n g ] Y es : o n e cant h el p it If .
a p at ron o n e g e t s sh ov ed into th e Ch u r ch by on e s
,
’
p a r ent s .
C O N R A D [ s i t tin g d o wn on th e f ur th es t C hi p p en d al e
wi th a s nor t o f amu s emen t ] Mp !
F R ANKLY N O n e g et s sh ov ed out of it s om etim es by
.
, ,
on e s con s ci enc e
’
.
how .
[ H e l au g h s
g o o d h u m o r ed l ]
-
y .
to ta k e it s eriou s ly .
od ,
C hu rch .
m e : i t s quit e e a s y to b e a d ec ent p a rs on I t s th e
’ ’
.
tim es wh en th e bi sh o p wh o i s th e mo s t p ric el es s of
, ,
, ,
t h e bi r d s ta r t s in my g a rden .
FRANKLY N T h e bi r d ? .
s in g in g
“S tick it o r c h uck it : s tic k it o r ch uck i t ” —j u s t
Go s p el of th e B rot h er s B arn abas P a rt I I
FRANKLY N It g o es d eep er S h e h a s nt tim e to fo rm
. .
C ONRAD [ g rufil y g i v i n g hi m up as a b ad j o b ] Go od
‘
,
by e .
HASLAM . S o rry— er
G ood b ye -
n o t h i n g on b u t h er s h o r t s k i r t h er bl ou s e, her s to c k ,
i n g s an d a p ai r o f N o rweg i an s hoes : i n s h or t, s h e i s a
,
S i mp l e L i f er-
.
ti v el y s wi tc h es at h er oz z ol i ri n e wi th h er fin ers b ut
f g g ,
i v es i t u a h o el es s
g p s p .
William .
[S h e s tro l l s t o th e h ear th -
ru g , and s ur v e
ys
t he m c al ml
y f o m t h at c o mm an d i n g
r
p o si ti on ] .
en g a g em ent .
b o y i s hl y h r]
f a t er
e .
j ar on m e T h e y would h av e h o r rifi e d h er
.
g r andmot h e r .
C O NRAD S o sh e ou g h t to be, at h er ag e
. .
ag e !
C ON R AD Y ou want h er to be fully g rown at ei gh t een
. .
C ONRAD I mu s t h av e a tal k to h er
. .
i c e by as k in g h er wh at sh e mad e of it .
C ON R AD [ ri s i ng i nd i g n an tl y ] W h at !
FRANKLY N [ i nexo rab l y ] N ot a wo rd of it .
50 Go s p el Of th e B roth e rs B arn ab as P art I I
THE P ARLOR MA ID [ d rop p i n g on h er k ne es i n c on s ter
n at i on ] I m eant no o ff e nc e si r ,
(
.
CONRAD W h at ! .
e a rn es t si r
, B ut it do e s s et o n e t h in k in g esp e cially
.
,
wh e n o n e i s g o I n g to b e ma rri ed .
t h ou g h t it mi g h t b e f o r s ev eral h und r ed y e a rs ?
C ONRAD T h at s t ru e A nd wh at about you rs elf ?
.
’
.
wh o h e was .
P a t I I Go sp el
r of th e B rot h ers B a rn aba s 51
r eat r e at re at re at r andmot h e r s re at re at
’
g g g g g g g
re at g reat g r e at g reat g r and s on
g
- - - -
be th ou g h t r es p ectabl e s i r ? ,
Fran k l yn re tu rn s an d c r o s ses th e r o o m to h i s c h ai r ,
alarm ?
F R ANKLY N O f cou rs e I did ; but h e wont b eli ev e me
. .
s p e a k in g i s b e tt er t h an th e nau se ou s s h am g o o d f el
l o wsh i p o u r d emoc r atic p ublic m en g et up f o r s h O p us e .
th in g anyon e el s e s ay s .
52 Go s p el of th e B roth ers B arn abas P art II
C ONRA D [ ri s i ng ] W ell I s h all cl ea r out It was h a rd
, .
I sh ould b e .
th e wo rld will ta k e o u r n ew g o s pe l [ C on ra d .s i ts d o wn
ag ai n ]. P a rty p olitician s are s till unfo r tunat ely an
imp o rtant p a rt of t h e wo rld S u pp o s e we t ry it on
.
Joyc e B u rg e .
do es nt li s t en ev en in th e H ou s e of C ommon s .
remai n s tim i dl y j u s t i n s id e t h e d o o r .
HASLAM I d b e tt er g o , h adnt I ?
.
’
SAVV Y [ to Frank l yn ] M ay we ?
FRANKL YN Y es , if you p romi s e to b eh av e you rs elf
. .
an d th e p arl o r m aid g o es o u t an d s h u ts t h e d oo r wh en
th e v i s i to r h as p as sed i n ] .
FRANKL YN [ h u rryi n g p as t S av v y to h i s g ue s t wi th
t h e f al s e c o rd i al i ty h e h as j u s t been d eno u n c i ng ] O h !
54 Go s p el of th e B rot h ers B a rn abas P art I I
W ell , my d e a r B a rnaba s wh at do you t h ink o f th e s itu
,
mov e .
BUR GE H o w t ru e ! B ut wh at i s th e mov e to be ?
.
we li k e it o r not We .
B URGE [ s h i n i n g at h er ] O f cou rs e th ey d o C om e ! .
s e at
. Wh at do you s ay to th e S t rand ?
FRANKLY N M y d ea r B u rg e I am not a chi ld W h y
.
, .
FRANKLY N O h p l e a s e ! .
,
BURGE Ch ees e it
.
o ff it .
l
e se am I f o r ? I want to s av e my count ry fr om th e
T o r i es .T h ey dont rep rese nt th e p eo p l e T h e man .
eo l e ?
p p
FRANKL Y N [ c u t ti ng i n bef o re B u rg e c an p ro c eed— as
h e ev iden tl y i n tend s — to ans wer h i s o wn que s ti o n ] I will
t ell you H e h as a s c ertain abl e b eli e fs and p rinci p l es to
.
t hey are .
B UR G E [ am az ed ] W ith m e !
F R ANKL YN Well wh ere are yo u ? W hat are you ?
.
,
56 Go s p el of th e B rot h ers B arn aba s P art I I
B U R GE B a rnaba s : you mu s t b e mad You ask m e
. .
wh at I am ?
FRANKLY N I do . .
t h e wo rld h
a t e m n w
s a h o — unwo r thi ly p erh a p s but not
, ,
A nd th e ea rth sh ak in g p a r t of it to me i s th at t h ou gh
-
eo p l e
p .
g ov e r nme nt s .
about p rincip l es ?
FRANKLY N I sh ould s ay it was th e tim e of all oth ers
.
th at s ati s fy you ?
F R ANKLY N It do es not ev e n int eres t m e S u pp o s e
. .
p oint.
, of Jin g o I m
p eri a li s t s and L ittl e E n g land er s of, ca s t i-
ron M at er ial
g L ubin
’
H e was P r im e M ini s t er
.
t h en not I
, .
BURGE [ s i t ti n g d o wn ag ai n wi th a s h rug ] O h I h ad ,
mi g h t h av e h ad to g o out O f Offi c e
FRANKLY N P re ci s ely
. .
c r i s i s ? T h e H u n w as at t h e g ate E v eryon e h as to .
to s ay we n ev er g av e p a r ty a s econd th ou gh t W e .
s tuc k t o
CONRAD Offic e ? .
R UR G E [ tu rn i n g on h i m] Y es s i r to o ffic e : th at i s to
, , ,
, , ,
LUB I N You r p a r ty , eh ? T h e n ew s p a p er p a r ty ?
.
h av e t h e h ono r to b e l ead er .
th e p a r ty
will l et you .
E UR G E D o you s u g g es t t h at I h av e not th e s u pp o rt
.
do you ?
R UR G E [ fierc el
y] In la
p g u e
p e s til enc e and famin e ; , ,
ti me ] You re ri g h t : it w as I k n ew it h ad s om eth i n g
.
B ar naba s ?
C O NRAD [ n o t at all afiabl y] I am th e C on r ad in qu es
'
d al e] .
s u ers ed e d by t h e L abo r P a r ty
p .
l ead er I .
[ he s t o p s as L u b i n h as ri s en wi
,
th a h al f
su
pp ress ed y awn, an d is al read y t al k i ng ca l ml y , bu t
wi th ou t a p re ten c e O f i n teres t ] .
N o no no no no [ H e mo v es i n S av v y s d i rec ti o n ]
, , , , .
’
.
p a rty mus t d r o
p T h e C h u r c h i s all r i g h t es s e ntially
Get ri d of th e es tabli shm ent ; g et ri d of th e bi sh op s ; g et
. .
LUB I N H o rac e
. .
SAVV Y H o r ac e wh o ?
.
R oman of t h em all my d e a r , .
reinca r nation .
LU R I N Wh at do es S avvy s ay ?
.
, ,
L ubin we are at a c ri s i s
,
wo rth w h il e .
am di s t ractin g you .
t h in g f o r h i m to b e di s t ract ed by a p retty g i rl Ju s t .
wh at h e n eed s .
com e bac k ; and you wil l find E n g land wh ere it was and ,
hi m to h old my h and .
c h a rmin g wife .
volcanic en erg y .
G e o rg e !
FRANKLY N I t h in k I sh all s p e ak bo th f o r my b ro t her
.
c o mi n g a t ten ti v e c l e ar an d b u s i n es s li k e i n h i s t o n e ] B y
, ,
.
,
notic e .
p olit e.
of K a rl b l arx .
LU R I N [ at l as t a l i ttl e tak en ab ac k ] D ea r m e !
SAVV Y You mu s t excu s e m e M r L ubin ; but i t s li k e
.
,
’
a r d en O f E d en I h av e h ea rd of D a rwin
. .
LUB I N Wh at ! Al re ady !
.
t t [ S he ri s es an d c ro ss es to Has l am ] G ive me a
s ree . .
HASLAM P ric el es s [ H e c o mp li es ]
. . .
O
f g l i h ti n g o n e
f o r h i m s el
f c h a
,
n
g es hi s m i n d .
s s ibl e !
p o
under ta k e to p ut th e ca s e t o th e H ou s e o r to th e count ry
to you r enti re s ati s faction You s ee as lon g as you
.
,
until
F R ANKLY N Until h e i s a S ociali s t A greed
. . .
the s o a and
f g o es t o F ran k l yn , p l ac i ng a reas s u ri ng
B U R GE . M ay I t ak e th at as a ma rk of confid enc e ?
C ONRA D If I were a labo rer in you r c on s titu e ncy I
.
,
nev er as k qu es tion s .
CONRAD N o . .
BURGE I s it about th e C h u r ch ?
.
CONRAD N o . .
BURGE I s it about th e H ou s e of L o rd s ?
.
CO N R AD .
CONRAD .
CONRAD N o . .
CONR A D N o . .
BURGE I s it ab o ut I reland ?
.
CONRAD N o . .
C ONRAD NO . .
C O NRAD N o . .
wh en h e c an get i t ?
P art I I Gosp el of th e B rot h ers B arn aba s 75
O u t Wi th it .
p a rliam ent ?
B URGE Y es y es y es C om e o n
.
, , . .
ma rry my s o n ?
R UR G [ t k b k ] O h com ! T h at not a oliti
’
E a en a a c e s
p ,
cal qu es tion .
C ON R AD . T h en as a biolo g i s t I dont ta k e th e s li g h t
, ,
G ood ev enin g .
! LUB I N
. S erv e you ri g h t B u r g e ! D r B a rnaba s : you
,
I count on you r s u p p o rt ?
B URGE [ h url i n g th e ep i th e t at h i m ] H umbu g !
SAVV Y S to p [ T h ey al l s top s h o r t i n the mo v emen t
. .
t i p t h em a c h a p t er f r om th e g o sp el of th e b roth er s B ar
naba s D addy
, .
L u b i n and B u rg e tu rn en u i ri n
q l
g y to Fran k l yn ,
s u s ec ti n a mo v e t o
p g f o rm a n ew p art
y .
of th e w h ol e of civilization .
it to s? o r G od s s a k e l et u s h av e no mo re s lit s
’
p u t u F p .
can find th em .
o n e anoth er .
LU R I N I h av e not g on e s o f ar as th at I th ink
.
, .
P art I I Go s p el of th e B rot h er s B arn abas 79
t h em ?
LU R I N I did not di s cov er any n ew t rut h rev e al e d in
.
O wn mind ?
SAVV Y H ea r h ea r !
.
,
m ean ?
FRANKLY N Qu een V icto ria to wh om you r P rim e
.
,
p iou s ly b r ou h t u
g p and r e a r d ed h ers elf as an i n s t r u
g ,
you k now .
F R A N xL Y N T h e K ai s er f elt li k e t h at
. D id h e com e .
o u t all r i g h t ?
us be fai r .
el ection on th e p r o g ram of h an in hi m ?
g g
BU R GE S tu ff I am the la s t man aliv e to h an g any
.
I k n ew th e D utch wouldnt g iv e h i m up .
B URGE B ecau s e h e h as no c on s c i en ee : th at s wh y
. .
an s w er t h at qu es tion I want to s ay th i s B u rg e : we h av e
.
no con s ci enc e ?
B URGE L ubin : I am v ery acc es s ibl e to an a pp eal t o
.
h av n t lift e d a fin g e r as f ar as I k now to h el p us
, ,
m en di ed of O l d ag e o r ov ereatin g b efo r e th ey h ad
g r own out of s ch oolboy
g am es and sava e s o rt s and
g p
ci g a r s and c h amp a gn e T h e s i g n s of th e en d are .
SAVV Y H e a r h ea r !
.
,
LU R I N T ut tut !
. M y d ea r B u rg e : wh at are you
dreamin g of P M r B ar naba s : I am a v ery p ati ent man
. .
R UR GE [ u n a b l e t o b el i ev e h i s ears
] M y tim e of any
ri s es ] G ood ev enin g [H e tu rn s to th e d o o r ]
. . .
In
g .
h i m aliv e f o r ev er ; and h e di ed of it .
Go sp el of th e B rot hers B arn abas P a t II
r
T h at s t h ei r notion of s ci enc e .
o n s t r at e t h at du rin t h e la s t fifty y e a r s t h ou h t h
g g e ,
b een w r on g .
h an g ers o n
-
B ut h as anybody b een r i gh t ?
.
E d en .
as k M r B a r naba s ?
,
n i sc i en ce
. G reat er p ow e r and g reat er k nowl ed g e : th es e
are w h at we ar e all p u r s uin g ev e n at th e ri sk of o u r liv es
and the s a c ri fic e of o ur p l ea s u res E volution i s th at .
to b e reach ed ?
FRANKLY N N ev er th ank G od ! A s t h ere i s no limit
.
,
”
p ow er and th e
g lo ry wo rld wit h out e n d
, : h av e t h o s e
wo rd s mean t n o th i n g to you ?
‘
BURGE [ p o c k e ti n g h i s en v el o p e and b ec o mi n g mo re an d
mo re bu s i n es s l i k e] R i g h t : I h av e g o t t h at N ow wh at .
you .
I t s im p o rtant
’
V ery im p o rtant
. .
t h e G a rd en of E d e n on a l ea s e f or ev er h e too k ca re to ,
wo rt h h i s wh il e to d o anyth in g t h o r ou g h ly w ell .
LUB I N [ s ti l l im mo v abl y s c ep ti c al ] A nd wh at do es
S ci enc e s ay to t h i s fai ry tal e D octo r B a rn aba s ? S u rely
,
h e a r t s cont ent
’
I c an call G en es i s P h ylo g en es i s L e t
. .
th e C reato r s ay if you li k e
“ I wil l es tabli sh an anti
, ,
90 Gosp el of th e B roth ers B arn aba s P art I I
CONRA D G od fo rbid !
.
“
do wn s k ull ; and yo u s ay T h at s A dam T h at s E v e s .
’
,
”
h u s band . You ta k e th e s p ectacl ed s ci enc e s tud ent f rom
th e labo r ato ry in O w en s C oll eg e ; and wh en h e a sk s you
f o r a t ruly s ci entific h i s to ry of E volution you p ut into ,
CONRAD P ric el es s !
.
LUB I N [ s erio us l y ] I am n ot s o su re of th at B u rg e I , .
B URGE It will be no u se to us ev en i f th ey do I t s
. .
’
n o t a p a r ty p oint I t s a s g ood f o r th e ot h er s id e as
’
.
f or us .
LUB IN N ot n e c es s a rily If we g et in fi rs t with it
. .
,
g r adual t h at
CONRAD D ont d e ce iv e you rs elf I t s only th e p oli ti
. .
’
into a n ew ag e .
BU B GE V V h at ! "
.
g p .
it ap pe a rs t h at I am a youn g man th e ca s e f o r it b re ak s ,
BURGE T h e s u p erm an : eh ?
.
s till c re at e
. If you cannot do Hi s wo rk He will p roduc e
s om e b ein g wh o can .
L UB I N Q ui t e s o M y ide a i s t h at wh i l s t we sh ould
. .
mu r d er I t s o ut of th e qu es tion W e mu s t k eep th e
.
’
.
i s a t hin g th at s g oi n g to happen .
P art II Go sp el of th e B rot h ers B arn abas 95
I s t h at all ? [ H e l o o k s a t h i s watc h ] .
h a pp en ?
FRANKL YN W e can p u t it into m en s h ead s th at th ere
.
’
t h e s p l e ndid wo rk th ere i s f o r t h em to do
'
.
th in g will h app en .
it wi l l h a pp en I t may h a pp en fi rs t to s om eon e in th i s
.
r oom .
CONRAD It mi g h t h a p p en to anyon e It mi g h t h ap
. .
p en to t h e
p arlo r maid H o w do w e k now ?
.
LU R I N [ o n c e m o re qu i te c o mf o r tabl e ] I th ink M i s s
S avvy h as d el iv ered th e final v erdict .
th ey mu st .
to b e s av ed .
exact fi g u re ?
FRANKLY N B ecau s e we mu s t fix s om e fi g u re L es s
. .
L UB I N [ no t qui te rel i s hi ng th i s as c e ti c p ro sp ec t ] Hm !
[ H e r i s es ] A h w
. e ll : you mu
,
s t com e and t ell my wife
, .
go es o u t, F rank l yn p o l i tel y g o i n g wi th hi m, bu t s h ak
i ng h i s h ead i n mu te p ro tes t ] .
tal k ed h i ms el f ou t o
f th e ro o m and o u t o f ears ho t , C on
rad ac c om an yi n g h i m]
p
S av v y an d H as l am l ef t , al on e, s e i z e e ac h o th er in an
ec s tas
y o
f amusemen t, an d j az z t o the s et t ee, whe re the y
si t down ag ai n s id e by si d e .
r ath er cu riou s .
SAVVY What ? .
of Jim .
y ea rs ? Frankly no , .
C ON R AD [ t o S av v y ] N or yo u I sup p o s e ? ,
then I s aw h ow ab s u rd it was .
s to
p w h il e
p e o p l e are lau h in
g g L a u g h in g m .ay e v e n
lub ricat e i ts j ob .
SAVV Y W h at do es th at m ean ?
.
lot.
SAV VY O r th e fi rs t woman ?
.
C ONRAD [ as s en ti n g ] O r th e fi r s t woman .
h e P re s i d en t o h e B ri ti s h I s l and s A
c i al
p arl o r o
f t f t .
b es id e i t .
s o me l
y o rn amen ted s and al s , an d a
g o l d fi ll e t r o u n d hi s
brows , c o me s i n H e i s l i k e Jo y c e B arg e, y e t al s o l i k e
.
1 03
1 04 T he T h in g H ap p en s Pa t 111
r
up on a s i mi l ar
p b es id e t h e d o o r H
ege i s rath e r l i k e .
p l ace .
BURGE LU R I N -
. Hallo , B a r naba s !
B AR N AR As [ wi t]
h W
o h
u at
t lnumb
o o k
e i
r? n
g ro u n d
L ubin .
B arn abas p u ts a p l ug i n n u mb er fiv e ; t ur ns h i s
o i n te r t o d o ub l e a ; u t s an o th er l u i n 32 ; r es s es a
p p g p
'
p
b u t to n an d l o o k s ro u n d at B arg e L u b i n , wh o i s n o w -
v i s i b l e to h i m as wel l as au d i b l e .
B A R N A R A S [ c u r tl y ] O h ! T h at you , P re s id ent ?
B URGE LUB I N Y es T h ey told m e you want ed m e
-
. .
B URGE LU R I N -
Wh at h av e I don e now ?
.
th e bu s in es s of th e A ccountant G en eral : it i s th e bu s i
n es s of t h e P res id ent It i s an out ra g eou s wa s t e of my
.
ex p en s e I refu s e to g o You mu s t g o
. . .
B UR G R LU R I N -
M y d ear boy noth in g would g iv e me
.
,
re at er l e a s u r e t h an to ta k e t h e j ob o ff you r h and s
g p
R AR N AR As T h en do it
. T h at s all I want [ h e i s .
ab o u t t o s wi tc h o ff ] .
1 06 T he T hin g H app en s P art III
re ad it B ut I h av e read wh at T he T im es L it era ry S up
.
p l em ent s ay s about it .
i t D o es it s ay anyt h in g about me ?
.
B UR G E LU B I N
-
Y es . .
BARNABAS O h ! do es it ? Wh at ?
.
B UR G E LU BI N
-
It p oin ts out th at an ext ra o rdina ry
.
life will b e up s et .
to am end th e A ct .
B U RG E LU B I N
-
B ut we mu s t W e cant ask p eop l e t o
. .
g o on wo rk in
g until t h ey a r e fo r ty t h ree unl e s s o ur -
B U B GE LUB I N
-
O h w ell : I sh ouldnt wo rry if I w ere
. ,
B UR G E -
LU B I N . A re you o ff ? W h ere are you g oin g
to ?
P art I I I T he T h in g H app en s 1 07
out ] .
B U RG E -
LU BI N [ c all i n g af ter h i m] G od bl ess y ou d ea r ,
old c h ap ! [ W i th a c h uc k l e, he s wi tc h es and th e
s c reen b ec om es b l an k H e p res s es a bu tton and h o l d s i t
.
d o wn wh i l e h e c all s ] H allo !
A WOMAN S V O I C E H allo !
’
.
au gus t di spo s al .
A C H I N E S E VO IC E He i s comin g . .
B UR G E LU BI N
-
O h ! T h at you C onfuciu s ?
.
, S O g ood
of you C om e alon g [ he rel eas es the bu t ton ]
. .
A m an i n a y el l o w g o wn,
p resen ti n
g t h e g en er al a
p
p earan c e o
f a C hi n ese s ag e, en ter s .
,
-
B U RG E LU B IN
-
T h at s ri gh t
. S i t down and ma k e .
el ection ?
E UE G E LU E I N
-
A ny g ood ?
.
B UR G E LU BI N
-
I wi sh th e p eo pl e would tak e a s eriou s
.
n eeded ?
B U B GE LUB I N
-
.W h at I cant mak e out i s th at Ch ina
i s o n e O f t h e wo rs t g ov ern ed count ri es on e a rth .
ar e im p a r tial .
g g .
b e sh ot .
B URGE L U E I N
-
You ! You !
. You fat y ellow lump
o f conc eit !
cei t ed
. M any E ng li sh men are s lim red no s ed and ,
-
BU E GE L U E I N O h if you g o b ack to t h e da rk a g es
-
.
, ,
v ery w ell .
ba rba rian .
BU E GE LUB I N H o w ?
-
.
C ONFU CI US P eo pl e li k e you
. Th ey li k e c h eerful .
me ?
C ONFU C I U S . S u rely . N ob ody li k es me : I am h eld in
awe . C ap abl e p ers on s are n ever li k ed I am not li k e
.
s tu idi ty
p .
B U R GE L UB I N
-
Y o u may not be b r av e ; o n e do es nt
.
, B ut th ey ,
.
1 12 T he T h in g H ap p en s P a rt III
are blind : t h ey are vain I s eem to s ee a g reat d o g wag.
‘
i s lo s t .
wit h my s elf ?
C ONFU C I US G iv e you rself up to cont em plation ; and
.
c h ai r ] .
C ONFU C I US numb er i s . H er
B URGE LUB I N I k now it
-
. .
T he s c reen v an i s hes ; an d a d ai n ty ro o m wi th a b ed , a
ward ro be and a d res s i n g tabl e wi th a mi rro r an d a
,
-
i s th ro wn bac k f ro m h er s h o u ld ers to h er c ha i r S he i s .
B UR G E LU B I N [ h o~
rr i fi e d ] I b e
g you r
p a rdon a t h ou
s and tim es [ T h e s t a r tl ed n e
g r e s s s n at c he s t h e
p g
e o u t
er s wi tc h bo ard an d v an i s h es ]
o
f h .
114 T he T h in g H app en s P art III
h a rd nou gh to k eep my blood wa rm h ere B es ides my
e .
,
B URGE LUB I N -
D amn self cont rol ! I want t o h old
.
-
—
you in my a rm s to [ th e neg res s s n atch es o u t th e p eg
m th e s wi tc hb o ard S i s s ti ll h eard
and v an i s h es .
fro h e
f u ri o u s l ; h e r l au h i s n o l on g er h eard ]
y g O h , t h es e s ex.
e i s od es !
p W h y c an I not r es i s t t h em ? D i s rac e ful !
g
Co nf uc i us re tu rn s
C ONFU CI US I fo rg ot There i s so m eth in g f o r you
. .
B URGE LUB I N -
C onfuciu s : onc e f o r all , I Obj e ct t o
.
. .
s om et h in g to do ?
en er al ru s h es i n l o o ki ng g h as tl y , .
He s tag g ers to th e m i d d l e o
f t he t ab l e .
BURGE LUB IN -
. Wh at s th e matt er ? A re you ill ?
B AE N AE AS [ch ok i n g ] N o . I [ he c o l lap s es i n t o t he
mid dl e c h ai r ] . I mu s t
p s e ak to you in p r ivate .
Co n f u c i u s c al ml
y wi thd rawns .
oxy g en
B AR NABAS I h ave h ad s om e G
.
. O to th e R eco rd .
h av e s een with t h ei r o wn ey es as I h av e .
BU R GE LUB I N S een wh at ?
-
.
B AE N AE AS S een th e A rc hbi s h op of Y o rk
. .
BU R GE LUB I N G o od G od ! W h ere ? Wh en ? H o w ?
-
.
Po o r fellow !
E AE N AB AS P oo r fellow ! P oo rt hi ef ! P oo r s wi n d
.
116 T he T h in g H ap p en s P art III
l er ! P oo robb er O f h i s count ry s E xch equ er ! P oo r
r
’
. . .
BU R GE LUB I N I dont k no w Lo o k hi m up in th e
-
. .
B ARNABAS Y ah ! W as A r ch bi sh o p S tick it wh o
.
,
B U E GE LUB I N
-
Y e s m ercifully . H e d es erv ed it
, . .
m e I am mad .
r avin g mad .
E UE G E LU E I N-
You can do as y o u pl ea s e A ll I can
. .
Y es ?
TH E WOMAN S V O IC E T h e A r ch bi sh o p of Yo rk to
’
.
,
s ee th e P res id ent .
to th ecoundrel
s .
t h in g h e i s
,
c entu ri es
.
p a r t men t i s
p a r t O f a s ynth es i s wh ich e mb rac es all th e
d ep a rtm ent s .
di fficulty T h i s i s a j ob f o r C onfuciu s I h ea rd h i m
. .
t h e d evil h e m e ant .
[ S wi tc hi n g on ] H allo ! P ut m e
th rou g h to th e C h i e f S e c reta ry .
C O NFUC I US S V O I CE
’
You are s p eak in g t o h i m
. .
E UE GE LU E I N
-
A n int ell ectual d i fficulty O l d man
.
, .
ari s en ?
P art III T he T h in g H ap p en s 119
h u rr y .
Con f uc i us en ters .
S e c reta ry .
A rc h b i s h op ] H ono r u s by ta k in g a s eat 0 s a g e , .
c o mp an y an d tak es t h e c h ai r a t t h e f o o t o f t h e tab l e] .
T he P res i d en t an d th e A rc h bi s h o p r es ume th ei r
s eats .
BU R GE LUB I N W e wi sh to p ut a ca se to you C on
-
.
,
h i m a lia r .
Wh at do you s up p o se my ag e i s ?
C ONFU C I US Fifty . .
. .
-
youn g f o r you r ag e .
ei h ty t h ree
g
-
.
. .
,
—
bi sh o p ; but th i s i s g ettin g a bit w ell
T H E A R CHB I SHO P [ t o C on f uci us ] M r Ch i ef S e c reta ry
will you to obli g e m e a s s um e th at I h av e liv ed n ea rly
, ,
- — —
B URGE LUB I N M et E mp S y G ood L o rd ! W h at .
t h e o rdina r y s en s e t h at I was b o rn in th e y e a r 1 8 8 7 an d ,
rofes s ion s ?
p
TH E AR C HB I SHO P NO I h ave b een noth in g wo rse
. .
t h e y ea r 2 1 7 0 W h at i s th e official lifetim e ?
.
a s windl er .
wo rk f o r th e community ?
BU B GE LUB I N T h ree T hey do c ertain th in g s ev ery
-
. .
, ,
th i rt een .
C ONFUC I US A nd at wh at ag e do th ey reti re ?
.
1 22 T he T h in g H app en s P art III
a rg uin g ? T he C hink s ay s y o u are w ron g ; and t h eres
an en d O f it .
s ea s id e .
d eni ed it N obody h as ev er a sk ed me
. .
-
.
—
BU R GE LUB I N B ut dam n it man I beg you r p ar ,
g oin g to sa ?
y
BU R GE LU BI N W ell you w ere drown ed fou r times
-
.
,
B U R GE LUB I N -
G ood C onfuciu s ! [ T o the A rc h
.
,
o v er t h at .
B U RG E LU B I N
-
T h i s i s a s ta g g erer
. It b rin g s ho m e
.
u s k eep s an e .
C O N F U C I U S [ to th e A rc h bi s h O p ] You wi sh u s t o und er
s tand t ha t th e illu s t riou s anc es to rs o f th e A ccountant
wh en sh e di ed ; and t h e la s t th in g sh e s aid to m e as I ,
h und red y ea rs M r S ec re ta ry
, .
A nd v e ry w ell told .
you ?
THE ARCHB I SHOP Quit e M r P res id ent O nly you
.
, .
. en eral ]
H e b eli ev es .
li k e a mad do g .
g u es s th e ex planation of th at .
id entify me I th en tu rn e d up in a s t r an g e p lac e p re
.
,
T HE AR C HB I SHO P Y es . .
B URGE LUB I N -
B ut th ey found D ick en s on s body : i ts
.
’
a sh es are bu ri ed in S t P a ul s .
’
.
B A R NABA S N o t h e He ll g o on dr awin g hi s p en
. .
’
en o u g h f o r m e .
I s it S oya be an s ? I s i t
THE ARCHB I SHO P I do not do it It h a ppe n s It
. . .
v i c ti o n th at I am o n e o f th e— th e— s h all I s ay o n e of
t h e v i c ti m S P— o f t h i s s t r an g e d es tiny .
BU B GE LUB I N [ d ep res s ed ] A h ! B ut h e di ed
-
.
s till aliv e ?
[ T h e a pp ar atu s ri n
g ]
s
c o n r n c m s [ an sweri n g ] Y es ? [ H e l i s ten s ]
A WO MAN S VO I CE
’
T h e D om e s tic M ini s t er h as call ed
. .
do es sh e s ay h ad call ed ?
CONFUC I U S T he D om es tic M ini s t er
. .
.
'
.
b e frivolou s .
B U R GE LUB I N
-
T ut tut ! I am not frivo llin g
. I did .
B U R GE LUB I N
-
O h , th at !
. T h en I s up p o s e i t s my’
g oin g dotty .
c o n r uc m s [ i n to t h e t el e h on e] T h e
p P res i den t will
re ec iv e th e D om estic M ini s t er at onc e .
T h ey watc h t h e d o o r i n s i l en c e
f or th e en tr an c e o f
t h e D o mes ti c M i n i s ter .
1 30 T he T h in g H ap p en s P a t III
r
s on
y o u h av e j u st rem ind ed me of . B ut h e h as b een
d ead m any y ea rs .
qu i ck l .
y
M ay I ask
c o n r u c ru s . ho w many y ears ?
M R S LUTEST RI NG [ s truc k b y h i s to ne, l o o k s at hi m f or
a mo men t wi th so me d i spl eas ure ; then rep l i es ] It do es
not matt er A lon g tim e
. .
B U R GE LUB I N
-
You mu s tnt ru sh t o conclu s ion s about
.
th e A r ch bi s h o p M rs L ut est rin g , H e i s an o ld er bi rd .
I h ad rat h er not p u rs u e i t .
a sk ed .
ha p p en ed to you h as no t h a p p en e d to oth er p eo pl e as
w ell ?
B URGE LUB I N
-
Y es by G eo rg e ! I n ev er th ou g h t o f
.
,
th at .
P art I I I T he T hin g H ap p en s 1 31
T HE A R C HB I S H O P . I h av e n ev er me t any ca s e but
my o wn .
C O NFU C I US T h at p r ov es noth in g
. D id you ev er t ell .
re as on f o r k eep in g th e s ec re t ?
TH E A R CH B IS H O P T h at i s t ru e B ut I sh ould k now
. . .
n ever don e s o .
1 32 T he T h in g H app en s P a t III
r
TH E A R C HB I SHO P —
I [H e . s ta
p s an d turn s up on h er
wi th a s earc hi n g l oo k , s t ar tl ed by th e s ug g es ti on an d th e
s us
p i c i on i t ] r o u s es .
B URGE LUB I N -
. T wo h undred
and i g h ty th ree h e e -
s ay s . T h at i s h i s littl e j ok e D o you kn o w M r s L ut e .
,
I mi s s th e not e of conviction .
th i s th in g if i t s t ru e ?
,
’
BURGE LUB I N O h if if if i t s t ru e ! B ut i t i s n t t ru e
-
.
, , ,
’ ’
.
B U R c E LUB I N
-
A nyth in g to do ! H av e you fo rg otten
.
,
maid
B U RG E LUB IN Wh at s a p a rlo rmaid ?
-
.
f a c i as ]
. You a sk ed m e my a e
g M r C h i ef S e c reta ry , .
r eally do nt loo k it .
fad es f ro m h i s
f ac e an d h e s u d d en l
y c o v er s h i s e es wi th
, y
hi s h an d s ] Y es : you do loo k it I am convinc ed I t s ’
. .
M R S LUTEST RI NG [ to th e A rc h bi s h op ] W h y h av e y ou
cau s e sh e i s a n eg res s a
M R S LUTESTR I NG It do es not m att er m uch now
. .
d ro wnin g I l ea rn t th at s h e h ad lo s t h er s i g h t I w ent to .
, .
th ou gh t ? t i
s h o rt
of a blow from a sl ed g e h a mm er c ould p ro duc e th e -
'
e xc e t t h at o n e i rl wh o wo k e up t h e mot h er p a s s ion in
p g
me I h av e b een v ery lon ely s om etim es
. .
B UR G R L U R I N [ ag ai n g al l an t ] B ut s u rely M rs L ut e
-
M R S LUTESTR I NG W h y ? .
B U RG E LU B I N-
W h y ! W ell
. Well er ,
er er W ell ! [ He g i v es i t up ] .
tion .
R UR G E LU R I N-
B ut wh y h ad you to marr y an eld erl y
.
—
afraid of you f o r yo u are a v ery su peri o r woman as ,
P art I I I T he T h in g H app en s 139
ta k e m e f o r ? Wh at ri gh t h av e you to as k m e such a
q u es tion ?
and s ev enty fi f th y e a r
-
You s u g g es t th at I sh oul d t ak e
.
marry it .
t h at you reg a rd m e as a ch i ld ?
MR S LU T E S T R I N G D o you exp ect m e to reg a rd you
.
C O N F U C I U S D o yo u g r udg e us t h e f ew y ea r s we h av e ?
.
. .
th e o rd er s ; but th e n eg r es s es and th e C h in es e ma k e up
you r mind s f o r you and t ell you w h at o rd ers to g iv e ,
R UR G R LUB I N
-
. T h i s i s out ra g eou s T h i s i s t re a s on
.
th ei r o ffic es .
and a h alf of fully adult exp eri enc e W e are l e tti ng all .
t h em t h ou gh t h ei r lifetim e i s as s h o rt as ou rs o r
, ,
l iv e lon g er .
ar e M r P res id e nt
,
N ei th er I am s u re i s th e A rch
.
, ,
me v ery ru d e if I s ay th at if I mu st ch oo s e be tw een a
wh it e woman old e nou gh to b e my gr eat g randm o th er -
h ap s ?
1 44 T he T h in g H app en s P art I I I
R UR GE LU R I N
-
Y S inc you
. k —
m e, mo re w ell ,
es . e as
not mo re att rac tive : I do not d eny t h at you h av e an
e xc ell ent a p pea ranc e— but I will s ay , ric h er M o re .
n i s h ed s u n .
C O N F U C I U S [ exp an d i ng in to a s mil e al l ac ro s s b o th
f ace an d bo d y] A h!
’
-
a a a - -
m e and di s cu s s th e matt er ?
THE ARCHB I SHOP [ ri s i n g ] W ith pl ea s u re .
BURGE LUB I N N o Wh at i s it ?
-
. .
R UR G E LU R I N
-
W h y sh ouldnt th ey if th ey want to ?
.
,
It mu s tnt be allow ed .
th e A rc hbi sh o p bac k ed h er up ?
BU R GE LUB I N B ut Wh at can we do to t h em ?
-
.
B A R NABAS K ill t h em
. .
B U R GE LUB I N N on s en s e !
-
.
BA R NABA S Lo ck t h em up S t eril i z e t h em s om eh ow ,
. .
anyh ow .
you r mi n d f
BA R NABA S H av n t you s aid t h at onc e t o o often al
.
ready t h i s mo rnin g ?
B URGE -
LUB I N I dont b eli ev e you will ca rry a s in g l e
.
you are o n e of th em .
C O N FU CI U S M r A ccountant G en eral : y ou ma y be o n e
.
of them .
of my bl oo d i f n eed b e .
s li g h t es t s i g n of w e a k n es s about it .
you do .
a d ead s e cr et [ H e s i ts d o wn ]
. .
bi sh o p to p rov e my s tat em en t .
h e wi ll s u p p o rt wh en I ex p lain to h i m th at you r o bj ec t
in rev ealin g hi s ag e i s to g et hi m k ill ed ?
BA R NABAS [ d es p erate] B u rg e : are you g oin g to back
up thi s y el l o w abo mination a g ain s t me ? A re we p ub li c
m en an d m embers of th e G ov ern m ent ? o r are we dam n ed
black g uard s ?
c o m mc m s [ un mov ed ] H av e you e v er known a ubli
p c
B u rg e : I sp o k e to you .
h ea r ?
BURGE LUB I N [ c heerf ul l y ] You wil l You will
-
. .
D o you h e a r ? [ H e tu rn s t o th e d o or ] .
. . .
-
, .
G od bl es s you .
i n g s t o ck of th e Wh ol e wo rld !
-
[ H e d a s h es o u t in a
f at a l
B UB GE -
[ g g
l au h i
LU B I N n i n d u l g en tl y] H e will k ee
p th e
th in g i s confound ed non s en s e , i s nt it ?
C ONFU C I US [ rai s i n g h i s head to l o o k at h i m] Y ou
hav e d ecid ed n o t to b eli ev e it now t h at you realiz e i ts i n
conv eni enc es T h at i s th e E n gli sh m et h od I t may n o t
. .
wo rk in t h i s ca se .
BU R GE LUB I N E n g li sh be h an g ed ! I t s c o mmon
-
.
’
th em e] . O h you re quit e r i g h t
’
, W e are only in o ur i n .
so m e day w e ll r ow u and t h en by J in o w ll
’ ’
g p ; g e , ,
s h ew em .
Archbi sh o p .
BURGE LUB I N-
B etw een ou rs elv es C onfuciu s
.
, ,
h av e I .
p a r tu r e in t h e h i s to ry of t h e r ac e i s no f r aud It do es .
n o t e v e n s u rp ri s e m e .
th e ch a rg e and li gh t ed t h e fu s e B ut I am not s ur .
p r i s ed b ecau s e as a
, p h ilo
, s o h er and a s tud ent of ev ol u
p
ti o n ary biolo g y I h av e com e to reg a r d s om e s uc h d ev el
,
it i s I do beli ev e
, .
.
, ,
B AR GE LUB I N T h ei r ma rria g e ?
-
wo rld .
BURGE LUB -
You t hink th ere are oth ers ?
C ONFU C I US T h ere mu s t b e many ot h er s E ach o f
. .
t h em b eli ev es t h at h e o r sh e i s th e only o n e to wh o m th e
miracl e h as h a p p en ed B ut th e A rc hbi s h o p k nows b ett e r
.
e a rt h .T h ey will b ecom e a g re at P ow e r .
BU B GE LUB I N Y e s : th at s wh at g et s us ev ery t i m e
-
. .
Wh at th e d euc e ou gh t we to do ? S om eth in g mu s t b e :
on t h e vi s ta s b e fo re u s .
L et us.
152 T he T h in g H ap p en s P a t IIIr
B URGE L U B I N [ j o yf ul l y ] Y es [ T aki ng u p a
-
.
p eg .
]
Are you at h om e ?
THE NEGRESS N o O m eg a z er o x squa red
. .
, , .
T h e P res id en t r ap i d l y p u ts th e p eg i n t h e s wi tc h
bo ar d ; wo rk s th e d i al ; an d p r es s es th e b u t to n T he .
y a c h t i n g l o r i o u s s ea weat h er T h e i n s t all a
.ti on wi t h
wh i c h s he i s c o mmu n i c ati n g i s b es i d e th e bi n n ac l e .
C ONFUC I US [ l o o k i ng ro u n d an d rec o i l i n g wi th a s h r i ek
,
o f d i s us t ] A ch ! A vau nt ! A vaunt ! [ H e ru s he s r o m th e
g f
ro o m
] .
s e v enty mil es !
fi rs t rat e tim e
-
. .
. .
-
it ?
T HE NEGRESS R i s k y ! I th ou g h t yo u w ere afraid o f
.
noth in g .
r i s k it .
hi s fil l e t ] I h av e ch an g ed my mind ; I am g oin g h om e
. .
[ H e c o c k s th e
fi l l e t r a k i s hl
y ] G ood. ev e nin g .
C ONFU CI US S o ea rl y ? If th e M in i s t e r of H ealt h
.
t] .
den t s i mp o l i ten es s ] N o N o no no no no O h t h es e
’
.
, , , , .
,
wi th s n i fls an d d ab s wi th h i s h and k erc hi ef
'
, at hi s eyes
an d n o s e ] . f ev er
H ay .
g a r d m e as a fo r ei n er
g I am a B r iton . .
T HE WOMAN F r om B a g h dad ?
.
n ew m e an s of t ran s p o rt ?
a — a s entim ental j o u rn ev .
T H E WOMAN [ g o i ng nearer t o h i m an d s c ru ti ni z i n g
T HE WOMAN [ l o o k i n g at h er h an d s and th en l oo k i n g ,
i nqui ri n g l y at h i m] W h er e ?
T HE EL D ERLY GENTLEMAN [ break i n g d o wn ] O h t h i s ,
at y —
p h [ h i s s o b s c h o k e h i m ] .
I d b e a butt erfly b o rn in a bo w er
’
, ,
T H E WOMAN [ s mi l i ng g rav el y ] It mu s t b e at l ea s t a
h undr ed and fifty y ea r s s inc e I la s t lau g h ed B ut if you .
lan g ua g e Wh at do es it m ean ?
.
indec ency .
T r av ell er s C l ub
’
.
mind fl exibl e ?
THE EL D ERLY GENTLEMAN W h at an e xt rao rdina ry .
eff e ct .
w as not awa re of it .
wo rd .
es t E n li sh A e you th e landlo rd ?
g r.
b o l l ard s trug g l i n g wi th h i s r i s i n g s o b s ]
, E xcu s e m e. .
Hay fev er .
T H E WOMAN [ tak i n g a tu n i n k ro m he r i dl
g f o r f g r e
-
A n in s ult
n en c e. .
I m ay m ention t h at G en eral A u f s t ei g wh o i s o n e of o ur
!
,
count ry .
you h av e no bu sin e s s ?
THE EL D ERLY GENTLEMAN G reat H eav en s madam . , ,
p o s ition i s uni u e
q B ut h e would much r at h er be li k e
.
ev eryon e el s e .
h ea rtily ti red of t h em .
s n ee r at u s
d ress ed l i k e t he wo man ; b u t a s li g h t mo us t ac he p ro
c l ai m s h i s s ex .
to ev erybody .
[ S h e
p u t s u
p t h e f o rk an d ad d r es ses th e m an ]
, I sent .
1 66 T rag edy o f an E ld erl y G en tl em an Pa t IV
r
T r av ell ers C l ub
’
I h av e b een ev erywh ere : I h old th e
.
T HE EL D ERLY GENTLEMAN —
It s w ell it i s a
i .
,
onc e ?
THE M AN I did n o t know you r nam e was D addy
. .
h am B ol g e B l ueb i n B a rlow O M , . .
T HE M A N T h at i s fi v e m en s nam es
. D addy i s ’
.
O M ull i g an s
’
W e will s tick to D addy
. .
you r fath er .
THE MAN W hy ? .
T HE EL D ERLY GENTLEMAN W hy ! W hy ! !
.
H av e you no mo ral s en s e ?
T HE MAN I s hall h av e to g iv e you up I cannot
. .
ag e . Wh at di ff erenc e do es it ma k e wh et h er th e p ers on
i s a man o r a woman ?
THE EL D ERLY GENTLEMAN I could not h av e b eli ev ed
.
th e wo ma n did ] Z o z i m on Du rr in P i er to Zoo E n n i s ty
mon I h av e found th e di s cou ra g ed s h o rtl i v er h e h as be en
tal k in g to a s e conda ry and i s much wo rs e I am t oo old h e
i s a sk in g f o r s om eon e of h i s own ag e o r youn g er com e if
you can [ H e p u ts u p h i s f o rk and turns to th e E l derl y
G
.
a t t h at S O pe rh a p s s h e may ma k e you h ap p y
. .
G
.
THE MAN Wh at i s a n ap ? .
ta k es s up erannuat ed p e rs on s wh en th ey e ndeavo r t o
e nt er tain unw elcom e vi s ito rs o r to li s t en to s ci entific l e c
n ev er s l eep .
n ab as , wh o m s he s o me wh at res em bl e s l o o k ed a t h o u sa n d,
y e a r
f
s b e o re Y o u n g er
. , i f an y th i n
g .
C all h i m D addy .
A ss !
zo o [ l aug hs v ery heartil y at hi m
THE EL D ERLY GENTLEMAN [ tu rn i n g s h arp l y o n her]
1 70 Trag edy o f an E ld e rly G en tl em an P art I V
about t h at . It s ound s quit e p re tty . D amm i tm ad d am ,
d ammi tm add am , d ammi tm ad d an , d am mi tmadd am S ay .
it as o ft en as you p l ea s e : I li k e it .
in ch a rg e to Z oz i m You s ee h e i s j u s t on th e v erg e of
.
s el f c o m o rtab l e o n
f th e s ac k s ] .
t h at m ean ?
z oo It i s an a rch aic wo rd wh ich we s till u se t o
.
nam e ?
z oo Zoo
. .
T H E EL D ERLY GENTLEMAN M i s s Z oo . .
zo o N ot M i s s Zoo Zoo
. . .
wh at ?
z oo N o N ot Zoo Wh at Zoo N oth in g but Z oo
. . . . .
Act I Trag edy o f an E ld erly G en tl em an 171
T HE EL D ERLY GENTLEMAN [ p u z z le d ] M rs Z oo ,
perh a p s .
did not really th in k you w ere m a rri ed : you are obviou sly
too youn g ; but h e it i s so h a d to f l u
e r r e e s re — er
z o o [ h o ele s s l u z z l ed ] W h at ?
p yp
T HE EL D ERLY GENTLEMAN M a rria g e ma k es a dif
.
t a s t e conv ey not hi n g to m e S to p t h ou gh
.
, I s ma r r i ed .
z oo. Wh at do es emba rr a s s in g m e an ?
THE EL D ERLY GENTLEMAN W ell really ! I sh ould .
,
z oo . W h at i s a blu sh ?
THE EL D ERLY GENTLEMAN [ amaz ed ] D ont you
blu s h ?
z oo . N ev er h ea rd of it W e h av e a wo rd flu sh
.
,
t h at t hey mad e me g o on I .
zo o Fi f ty s i x
.
-
bin B a rlow O M , . .
moth er t h ou g h tl es s ly call ed m e I d dy T o o dl es I w as .
z o o L on g evity ! [S h e l aug h s ]
. .
k now t h at I am d es c e nd ed f r om both t h o s e h er o es .
th e g re at es t mi racl e in h i s to ry occu rr ed .
zo o M i r acl e ?
.
z oo . O h t h at !
,
p a st
, mad e h oly by t h e foot s t e s of t h e wi s e m en of
p
t h e W es t C on s id er t h i s i sland on w h ic h w e s tand th e
.
,
t h at th es e d evot ed I ri sh m en not o n e of wh om h ad ev er
,
A nd th e di s p er s ed J ew s did th e s am e l es t th ey s h ould
b e s ent back to P al es tin e S inc e t h en th e wo rld b ereft
.
,
c i l i ty
. Humanly I p ity you Int ell ectually I d es p i s e
.
you .
t hou s and y ea rs .
th e s ubj ect .
r oc ee d on a s s um p tion s of s om e s o r t o r we cannot fo r m
p
a h uman s oci e ty .
A ct I T rage dy o f an E ld erly Gen tl em an 1 79
h as t o di s cov er mo re in th e fi rs t y ea rs of i t s lif e t h an
R o g er B acon ever d i s cov ered in hi s labo r ato ry W hen I .
o ur
p o em s o u r p r ay ers
, on t h at s im l e b eli e f
, p W ell .
,
T h ey built t em p l es f o r h i s t el es co pe s T h en t h ey loo k e d
.
c re a s ed o ur k nowl edg e .
ed e o f it : if it w er e, th e fi s h would k now mo re of th e
g
s e a t h an th e g eo g r a p h er s and t h e natu r ali s t s .
s i bl
y k now l es s of t h e maj es ty of th e o c ean t h an many
zo o Ju s t s o A nd t h e g reat es t fool on e a r th , by
. .
p ol e
. I s h e any th e l e s s a fool wit h th e con s ciou sn e s s
an t l y r —
and did not f ri g h t en g own up p ers on s at all
, .
t h ey s aw : p oo r h a rml es s littl e t h in g s th at di e at th e
touch of a ray of s un sh in e and are th em selv es th e victim s
,
it wo rk ed on th in g s o f wh ich it h ad so me re al k nowl ,
ed e
g .B ut ima g ination wit h mic r o s co e s wo rk in
p g on a ,
,
.
,
t hei r a pp ar atu s d es t r oy ed ?
z oo Y es : t h e s h o rtliv ed are as s ava g e in t h ei r ad
.
c h ildi s h s tu ff .
down to us in s ev eral fo rm s s uc h as S h a k es pe a r S h el
, ,
are youn g er t h an I am .
z oo
. Y es D addy ; but it i s not th e numb er of y e a r s
,
m i s tak .e n S rh o tliv e d as we ar e w e— th e be s t of u s I
, ,
1 84 T rag edy o f an E ld erly G tl m a
en e n P art IV
m e an — a r d civiliz ation an d l ea r nin a t and s ci enc e
g re
g r , ,
as an e v er bu r nin to r c h w h ic h a s s es fr om t h e h and of
g p
-
g ro w in g e dific e a a
p g e to a s ac r ed volum e a ch a t er to
, p ,
[
z ooi n ter ru p t s h i m b y l au g h i n g h e ar til y at h i m]
T HE ELD ERLY GENTLEMAN [ wi th o ff en ded d i g n i ty ]
M ay I ask wh at I h av e s aid t h at c all s f o r th i s m erri
m ent ?
O h , D addy , D addy ,
z oo . D addy you are a funny
,
Meta ph o r s m erely .
, , ,
e r e —
v y w ll t at t h ey co ul d only k eep o r der s uch as i t
h
—
was b th e v ery co er cion and militari s m t h ey w ere d e
y
n o unc i n g and d ep lo rin g T h ey h ad a ctually to k ill o n e
.
them s elv es .
th e res t of it ?
T HE EL D ERLY G EN T LEMAN I do n o th in g of th e s o rt
. .
aft er t h ey h av e u t t ered th em ‘
.
l ea ve it at th at [ He si ts d o wn ag ai n ] E v en a P o p e
. .
fla sh es of in s p i ration s h ew th at ou r h e a rt s are in th e
ri g h t p lac e .
1 88 T rag edy of an E ld erly Gen tl em an P art IV
20 0 O f cou rs e Y ou cannot k eep you r h ea rt in any
. .
p lac e but t h e ri h t
g p lac e .
T HE EL D ERLY GENTLEMAN T ch a ! .
p lac e . In you r n ei g h bo r s
p o c k et s f o r e xam p l ’
e S o , .
,
wit h you .
s tay wit h m e .
ma rk ed d i g n i ty ] .
20 0 [ u s i n g h er tun i n g f ] on B u r-
ri n P i
o rk
er t o Z oo
Oracl e P olic e at E nni s tymon h av e you g o t m e ?
Wh at ? I am p ic k in g you u p now but you are
flat to my p itch Ju s t a s h ad e s h a rp er
G ot you ri g h ti
. .
I s olat e B u rr i n P i er quic k .
me I feel h o t al l ov er
. . I hav e a h o rribl e imp ul s e to
inj u re you W h at h ave you do n e to me ?
.
B lu sh in g with sh am e !
z oo . Wh at ev er you a re doin g it i s s o m eth in g s o u t
,
man
z o o [ fi erc el y ] O ld ! You ar e a ch ild : an e vil ch ild .
o wn will s by in s tinct . T ak e ca re .
[ s w a l l o wi n
g t h e a p o l o
gy w i th an e ff ]
o r t I b e
g you r
Act I Trag edy o f an E ld erly G en tl em an 1 91
p a rd on .
[ He tak es o
ff h i s h at , and b o ws ] .
z oo . What do es t h at m ean ?
THE EL D ERLY GENTLEMAN I wit h d r aw wh at I s aid
. .
t h at I am s o rry .
d erer.
ra
cu ss i t with you .
si ts d o wn ag ai n ] .
p er h a p s b e of s om e u s e
[ H e
p u t s on h i s h at
. c o c k i n
g ,
it s li
g h tl y] .
o ur
p ow er and o u r
p eac e d e end on o u r r emot en es s
p o ur ,
exclu s iv en es s o u r s ep a r ation
, and th e res t riction of o ur
,
s ac k s ] .
a
h ps inj udiciou s ly — to g ive you a sli g h t s coldin g
?
1 94 Trag edy o f an E ld erly Gen tl em an P art I V
‘
a b oli sh ed.
z oo
. Well you are h ea rin g of i t n o w
, .
con s id er ably .
z oo . H ow ?
TH E EL D ERLY GENTLEM A N B y s a v in g tim e B y en
. .
are bo r n s h o r tliv ed ?
T H E EL D ERLY GENTLE M AN [ eag erl y ] N ev er I h op e .
th o s e no rmal individu al s .
—
h o pe you dont m ean t h at you t h at you th at you as —
fu ses to liv e .
call it .
th en ?
z oo . Y ou s h o r tliv ed p eop l e alway s t h ink v ery h i gh ly
of h i m Y ou acc ep t h i m as wh at you call a g reat man
. .
z oo . I admit t h at .
des i rabl es
A CT II
T h e t emp l e d o o r i s i n t h e m i dd l e o f th e p o r ti c o
. A v ei l
ed an d ro b ed wo man o f m aj es ti c c arri ag e p as s es al o n g
b eh i n d th e c o l u mn s to ward s th e en tr anc e . F ro m th e
o s i te d i rec ti on a man o c o m ac t fig u r e, c l ean s h av en ,
o
pp f p
-
amaz emen t at hi s au d ac i ty H e is on h er ri g h t : s he on
.
hi s l ef t
.
N A P O LE O N [ i mp res s i v el y ] I am th e M an of D es tiny .
D estiny .
B a gh dad envoy .
1 99
200 T rag edy of an E ld erly Gen tl em an P art I V
hi m . I b elon g to my s elf D i rect me to th e o racl e if y o u .
m es s a g e of t h e G od and s o on T h at s o rt of th in g
, .
s en s ibl e
p er so n B ut t h e.r e i s no O l d man I am t h e .
o
f th e c o u r tyard ] W h at do
. you want to know ?
NAPOLEON [ f o l l o wi n g h er] M adam : I h av e not com e
all t h i s way to di s cu s s matt ers of S tat e with a woman .
t emp l e as e a s il y as s h a k e me .
eyes ] N O S top
. H id e you r fac e a g ain
.
[ S h u t ti n
g h i s .
ers on ?
p
NAPOLEON N o , no T h e v eil , the v eil , I beg you
. . .
T H E ORA C LE [ rep l ac i n g th e v ei l ] S o .
be s t
. T wic e be fo re in my life I h av e lo s t my n erv e and
.
b eh av ed li k e a p oltroon B ut I wa rn you no t to j ud g e
.
s h all about my bu s in es s
g o .
s ec t u ll k n ee ] I
p f y o n o n e
T H P O RA C LE O h , r i s e , ri s e
. A re you s o fooli s h as
.
p l i m en t
y ou you r im p res s iv en es s madam
on , .
mu s t ex e r ci s e it I am g reat wh en I ex erci s e it A t
. .
T HE ORACLE W ell ex er ci s e it
.
, D o you n ee d an .
o f h uman blo od .
T HE ORA C LE T h ey o bj ect I s up p o s e
.
, .
T HE ORACLE .Indeed !
NA P OLEON I have n ev er sh ed blood wit h my own
.
i mation ?
-
NAPOLEON [ f o rc i bl y ] I m e an t hat I h av e th e only
im a g ination wo rt h h avin g : th e p ow e r of ima g inin g
t h in g s as t h ey are ev en wh en I can not s ee th em You
, .
p p er? h t
fronti er and a ch ain of mounta i n s and k now to a mil e
e xactly w h ere they will b e at th e en d o f s ev en w eek s ?
, , ,
tu n ate madam
, S u p rem ely fo rtunat e r at h er
. .
you r v ecto rs ?
NAPOLEON Unluck ily madam men are not only
.
, ,
'
20 6 Tr ag edy o f an E ld erly G tl m aen e n P art I V
and enj oy in p eac e th e g lory it h as e a rn ed t hem B e .
s id es , th e ri s k o f d e at h f o r e ac h s oldi er be com es a c er
tainty if th e fi g h tin g g o es o n f o r ev er h e h o pes to .
c om es a c ertainty in th e s am e way N ow wh at do es th i s .
m ean f o r me ?
T HE ORACLE D o es t h at matt er in t h e mid s t o f s uch
.
calamity ?
NAPOLEO N P s h a ! m adam : it i s t h e only t hi n g t h a t
.
m e o r p u t a s top to my activity ( it i s t h e s am e t h in g )
, ,
es ca e th e h o r n s of t h i s t r a g ic dil emm a ?
p V icto ry I c an
q u es tion to you .
T HE ORACLE W h at i s t h at th in g ?
.
T HE ORACLE S h ew i t to m e [ s h e pu t s ou t h er h an d
.
t o tak e i t f ro m h i m] .
I n ev er t ru s t my life in th e h an ds of a p ers on ov er wh om
I h av e no cont rol .
i t to ward s h er ] I s u rrend er .
m e to s t0 0 p f o r it ?
'
p i,c k s u
p t he
p i s t o l
an d h an d s i t to he r] : t h er e w as no v ecto r s t r at eg y
n eed ed to wi n it [M ak i n g a p o s t o f hi s h um i l i ati on ]
.
T HE O R A C LE T o d i e b efo re th e tid e o f g lo ry tu rn s
. .
All ow me [ s h e s h o o ts h im ] .
fi v e ya rd s ! T h at s a woman all ov er .
H e i s g o i ng away wh en c e h e ca me wh en Z oo arri v es
an d c o n r n ts f o hi m a t th e head o
f a p ar ty c on s i s ti n
g o f
th e B ri ti s h E n v oy, th e E ld erl y ,
G tl en em an , th e E nv o
y
’
s
E n v oy a typ i c al p o l i ti c i an l oo k s l i k e an i mp erf ec tl y
, ,
G
.
o
f th e l ad i es i s c o ev al wi th t h at o
f‘ t h e E l d e rl
y en t l e
m an , an d s u i tabl e f o r p u b l i c o fl i c i al c eremo n i es i n
wes tern c ap i t al s at t h e X V I I I XI X fin d e s i ec l e -
T h ey fil e i n u n d er th e p o r ti c o Z o o i mmedi a tel y .
c o me s o u t i m eri o u s l y t o N ap o l eon s ri g h t w i l
’
h s t th e
p ,
E n v o y s wi f e h u rr i es e fim i v el y to h i s l ef t T he E n v o y
’
.
l l o wed b y h i s d au h te r T h e E l d erl l m
f o g y en .t e a n s t o
p s
you r h and ?
N ap o l eon g l ares at h e r i n s p eec h l es s f u ry ;
p oc k e ts
th e p i s t o l ; an d p r o d uc es a wh i s tl e .
T HE E N v or s
’
W I FE . A rnt you comin g with us to th e
o racl e s i re ?
,
too [ he tu rn s to g o ]
O h , s i re !
T HE E N v o r s W I FE ’
[ g
t o e t h er ] W h er e a re you g o
J i ng ?
NAPOLEON . T o fetch th e p olic e [ H e g o es o u t p as t
.
21 0 T r ag edy of an E ld erly Gen tl em an P art IV
s tat es m en th ou g h t t h ey h ad s ent ten million com
wh o
mo n m en to th e i r d e ath s w ere th em s elv es blown into
f ra g m ent s wit h t h ei r h ou s es and famili es wh il e the t en ,
p a p ers s om e tim es t h ou h I s u
g , pp os e l e adin g a r ticl e s are
wa rn ed you .
THE ENVO Y B ut .
z o o [ i m at i e n tl ] I wond er w h at Z o z i m i s doin H
p y g e .
s illy eo l e I h av e to u t on a u l mantl I h av
p p .
p p pr e e e .
temp l e] .
, ,
s ens e not we
, .
be im p res s ed aft er t h i s ?
,
P a t IVr
temp le ]
THE W I FE T h es e p eop l e t reat u s as if we w ere di rt
.
onc e : wouldnt it E th ? ,
wouldnt mind .
t o h av e u s all k ill ed .
t h at .
s elv es .
21 4 T rag edy O f an E ld erly Gen tl em an P a t IV
r
p l ea s e
. A nd now if I,may b e allow ed to s eiz e th e O
pp or
s h all we s a
y to s u ers ede u s ?
p N ow w h y s u p ers e d e u s ?
W hy not liv e and l et liv e ? Th eres not a s c rap of ill
f eelin g on o u r s id e W e sh ould w elcom e a colony of
.
s o lon g to wo rk t h e m up to it w h il e h e h as only to s ay ,
ZO ZI M . T he old un s
p f M a h
re er om e tan s .
THE ENVO Y [ s h o c k ed ] Wh at !
z oe [ d i s ti nc tl y ] T h ey p r e fe r M a h o m e tan s W h at s .
w ron g with t h at ?
THE ENVO Y W ell of all th e di s g rac eful
.
,
didnt we ?
THE ELDERLY GENTLEMAN Unfo rtunat ely A m . ,
z o z nu . What i s a C hu rch ?
THE ENVO Y N ot k now wh at a Ch u rch i s ! Well !
.
h Op e
z oe [ wi t h o b v i ou s l y f ge i n ed g en i al i ty ] O h , not h in g,
noth in g , not h in g W e are th in k in g of tryin g N o rt h
.
.
,
ma k e t h at out ?
z oz m . Wh at i s t h ree h und red y e a rs ? S h o r t e nou gh ,
you t h at t h e communiti es wh ic h t o o k th i s mo n s t r ou s
r et en s ion s er iou s ly w ere t h e mo s t w re tc h ed of w h ic h
p
we h av e any re co rd M y S oci ety has p rint ed an editio
.
p r inc e s of th e wo rk s of th e fat h er of h i s to ry
p T h n ey ,
as t h ey c all ed it .
s ari l
y p ainful my , b oy h ood unn ec ess a rily labo ri ou s by ,
A ct II T r age dy o f an E ld erly G en tl em an 21 9
c h oo s e .
g o o d will
-
we h av e bot h p ro c eeded .
z oz m [ p
i m r e ssed ] You s p o k e t h at p i e c e v e ry w ell ,
th res h o l d o f th e t emp l e .
h e h o el es s l z z l ed Z o z i m ]
“ B eh old ,
[ T u rn i n g on t p y p u
220 Trag edy o f . an E ld erly Gen tl em an Part I V
T H E DAUGHTE R
P o pp a P O
ppa : dont , loo k
[ ru n n i n g li k e t h at .
t o hi m ] O h g rand p a wh at s th e
, ,
T H E W I FE
matt er ?
Z O Z I M [ wi th a s h ru ] D i s cou r a g e m ent !
g
THE ELDERL Y GENTLEMAN [ th ro wi n g o fl the wo men '
wi th a s up e rb g es tu re ] L ia r ! [ R ec o l l ec ti n g h i ms el f h e ,
ad d s wi th no bl e c o u r t esy r ai s i ng h i s h at an d b o wi n g ] I
, ,
A b u rs t o
f o rc h es tr al m u s i c , t h ro ug h wh i c h a p o wer
ul i r o m t h e tem l e Z oo , i n a
f g on g s o und s , s h eard
f p .
u rp l e ro b e a p ears in t h e d oo rway
p ,
p .
z oo . C om e T h e o r acl e i s ready
. .
o
ff th e i r h at s an d
g o i n to t h e t em p l e on t i p t o e, Z oo
s o c i al c o n s equ en c e Z oz i m r emai n s i n th e p or ti c o , al o ne
. .
THE W I FE H o w awful !
.
zo o I m g lad you t h in k s o
.
’
.
zo o N o T h i s s o rt of th in g i s g o t up to imp res s
. .
T h e E n v o y s wi f e f al l s on h er k nees an d tak es
’
,
ref u g e i n ray e r
p .
k n eel ; o r h o w ?
THE ELDERLY GENTLEMAN P e rh ap s it would b e in .
b ett er ta st e .
T he two m en k n eel .
T h e v ap o r o f t h e aby s s t h i c k en s ; an d ad i s tan t r o l l
o f th u n d er s eems to c o me f ro m i ts d ep th s . T he p y tho n
Act III T rag edy o f an E ld erly G en tl em an 2 23
z oo . et u ,
p g et u
p D o p ull .you r s elv e s to et h er ,
g
you p e op l e .
T h e E n v o y an d h i s f ami l y, by s hu dd eri ng ne
g a ti v el ,
y
i n ti mate th at i t i s i mp o s s i bl e T h e E l d erl y . G tlen em an
m an ag es to g e t o n h i s h an d s an d k n ees .
e
g
t h rou gh h e r and b reak you r n eck S h e i snt s olid li k e .
,
you .
u r at i v el y
zo o You h av e be en told n ot t o d o it A sk h er wh at
. .
s u pp o r t m e I d j u s t do a bun k s t r ai g h t f o r th e s h i
’
p .
you r di g nity
THE ENVO Y D i g nity be damn ed ! I m t errifi ed
.
’
.
T a k e me away f o r G od s s a k e
’
, .
h e h as emp ti ed i t h e h and s i t b ac k to h i s
, f ath er i n l aw- -
up s i d e d o wn ] .
.
[ M uc h
er tu r b ed , he s c rews t he ca on a ai n , and o c k e ts t he
p p g p
fl as k ] .
ro m hi o c k e t ; an d s eak i n w i h b o i s terous c on
f s
p p g t fi
d en c e] Get u , M olly
p U p wit h you.
, E t h .
t o th e p ap er ] A h em ! C ivilization h as reach ed a c ri s i s
. .
p .
a u s es f o r b reath ]
p .
h ea r !
2 26 T rag edy o f an E ld erly Gen tl em an P a t IVr
z oo . I dont k no w D o es anybody ? .
z o o D i s s olve ? In wh at ? [ T h un der] O h ! I b eg
. .
th e s p rin g In th e fi rs t
G
.
T erri
fi c l i g h ti n g an d T h e E t h und er
ld er l y en t
. l e
T h e l ad i es c o wer i n terro r T he E n v o y s ha t i s bl o wn
’
.
o f ; bu t h e s ei z es i t j u s t as i t qu i t s h i s temp l es an d h o l d s ,
ar ti c ul ate as he s el do m s p eak s i n p u bl i c wi th o u t t ak i n g
,
s ti mu l an t s b ef o r e ha nd .
h ow to ta k e a h int I ll p ut th e c a se in th ree wo rd s I
’
. .
ow I am P r im M ini s t er T h O o s ition — t h
p er . e e
pp . e
s i x mont h s T h ey .
[ H e i s s i l en t ]
. .
on it B ut s om e of u s s ay do it now O t h er s s ay wait
. .
p ublic ?
THE ENVO Y T h at do es nt matt er I dont k now yet
. . .
do es t h at m ean W h at h a v e I don e n o w ?
?
v e al it .
T h e o rac l e rai s es h er h an d to c o mm an d s i l en c e .
ALL S h sh sh !
.
- -
man ner o f .
h el p les s l y .
out ] .
an s w er old E a s twind g o t ?
THE ELDERLY GENTLEMAN B ut it was not th e s am e .
o ur
p a r ty f o r y ea r s It won u s t h e el e ction
. .
”
R o t terj ac k s loo k to it .
H e g o es o u t,
f o ll o wed by h i s wi f e an d d au g h t er .
ral . H e r f ac e i s hi d d en by h er ho o d H e fli nc hes as i f .
r o m an el ec tri c s h o c k ; tu rn s t o h er ; an d c o wers , c ov er
f
i ng hi s eyes i n t err o r .
af raid I cant b ea r it .
H o w can I h el p you ?
THE ELDERL Y GENTLEMAN T h ey h av e g on e back to .
to be allowed to s tay .
di e of d i s cou ra g em ent .
H e c atc h es h er ro b e an d h o l d s h er .
m e w h at it m ean s to y o u .
d ai n ty l i t tl e c l as si c temp l e . B e tween i t an d th e h il l a ,
ri s i n g p at h to th e wo o d ed h ei g h ts b eg i ns wi th r o ug h
s ton es i n t h e m o s s O n th e O o s i te s id e
s te s o
p f .
pp a ,
g r o v e. I n t h e m id dl e o
f th e g l a d e , a n al tar i n t he f o
r and o l e T h ey ne i th er r o m n o r hu i n o u r m an n er
f a .
p g .
A t th e fi rs t f u l l c l o s e th ey c l ap t h ei r h an d s to s to p t h e
mu s i c i an s , wh o rec o mmen c e wi th a s ar aban d d u ri n g .
wh i c h a s t r an g e fig ure ap p ears o n th e p at h b ey o nd t h e
temp l e . H e i s d eep i n t h oug h t wi th hi s ey es c l o s ed an d
,
23 6 As Far As T h ough t C an R eac h P a rt V
l i n e n k il t c o n s i s ti n g m ai n l y o f a g i rdl e c arryi n g a s p o r
ran an d a ew mi n o r o c k e ts h e i s n ak ed I n p h y s i c al
f p , .
h ard i h o o d an d up ri g h tn es s h e s eem s to be i n th e p ri me
o
f f l i e ; an d h i s ey e s a n d m ou t h s h o w n o s i g n o f ga e;
re ti c u l ati o n s as i f T i me h ad wo rk ed o v er ev ery i nc h o f
,
i t i n c es s an tl y th ro ug h wh o l e g eo l o g i c p eri o d s H i s h ead .
l as h es h e i s qui te h ai rl es s H e i s un c ons c i ou s o f h i s s u r
.
ab o u t h i m . T h e c o up l e s top i n d i g n an tl y T h e rest .
s to T h e m us i c s t o s T h e y ou th wh o m h e h as j os tl ed
p.
p .
acc o s ts h i m wi th o u t mal i c e b ut wi th ou t an y th i n g t h at
,
b ack .
muc h old er do I ?,
T hey al l l aug h .
T HE MA I DEN Y ou h av n t told me h o w I sh ew my ag e
. .
. .
ret end t at t es
h h e c h ildi sh am — t h i dancin and
p g e s s
g
s in in and matin — do not b e com e ti res om e and un s at
g g g
i s f y i n g aft er a wh il e A nd you no lon g er ca re to p re
.
s i n s of adol es c enc e
g A nd t
. h e n s ee t h es e fanta s tic r a s
, g
with wh ich you h av e d r ape d y o u rs elf [H e tak es up a .
T H E Y OUTH Wh at ! A nd b e as mi s erabl e as y o u !
.
g r av el
y h
ou t
t ro u h t h e
g g ro v e ] .
T h e mus i c i an s s h ak e th ei r h ead s ; g e t u p f ro m t h ei r
s eats on th e s tep s ; an d tro o p away i nt o th e t emp l e .
d o wn o n th e al tar .
t h at wh at you m ean ?
THE MA I DEN Y es S om eth in g i s h appe nin g to me
. . .
I dont k now wh at .
f o r a mont h p a s t .
th ere wo r th livin g f o r ?
THE MA I DEN O h , stu ff D ont be frivolou s
. .
al t ar b es i d e h er an d b u ri e s h i s f ac e i n h i s h an d s ] I am .
bitt erly un h ap p y .
s u s e ct ed you
p A ll t h e g i rl s s ay t h at you h av e d e c eiv ed
.
are you ?
THE MAI D E N Ju s t twic e you r ag e my p oo r boy
. ,
T HE Y OUT H [ c o l l ap s i n g on th e al tar wi th a g ro an ]
Oh !
TH E MAI DEN M y po o r S t reph on : I p ret end ed I was
.
f o r th e fi r t y ea r w eru t we ?
s ,
24 2 As Far As T h oug h t C an Reach P a rt V
L i s t en to m e .
[ H e
p u t s h i s ar m a r o u n d h er ] .
T HE MA I DEN W hy sh ould th ey ?
.
touch m e ? You u s ed to .
T HE MAI DEN Y es : th at i s t ru e : I u s ed t o W e u s ed
. .
g on e .
d i sli k e me .
P art V As Far As T h oug h t C an R ea ch 2 43
you .
It i s th e realization of it wh en it h as actually h a p p en ed .
TH E M A I DEN [ wi th a g ri m s mi l e ] N ev er to l et o ur
h ea rt s g row cold ! N ev er to b e com e a s t h e anci ent s !
N ever to l et t h e s ac red lam p be extin g ui sh ed ! N ev er to
ch an g e o r fo rg et ! T o b e r em emb ered f o r ev er as th e
fi rs t comp any of t ru e lov ers faith ful to t h i s vow s o oft en
mad e and b rok en by p as t g en eration s ! H a ! h a ! Oh ,
d ea r !
ST R EPHO N W ell you n eed not lau gh It i s a beau
.
, .
24 4 As Far As T h ough t C an Re a ch Pa t r V
A re you g oin g to b r ea k it ?
THE MAI DEN D ea r ch ild : it h as b rok en it self T he
. .
weep s ] .
go es t o ward s t h e g rav e, an d i s d i s a
pp eari n
g amo n g t h e
temp l e an d c al l s to h er f ro m t he thres ho ld ]
, .
matu rely .
THE MA I D EN [ l oo k s ac ro s s t o the h i l l p at h ; t h en
p o i nt s
u i t an d s ay s ] S h e i s comin g A ci s
p , , .
“ ”
h at e to s ay I told you s o ; but sh e was g ett in g a littl e
h a rd s et and fi at ch est ed and t h in on th e t o p wa snt sh e ?
-
T h e p ro c es s i on , h ead ed b y A c i s , emerg es f ro m th e
temp l e . S i x y ou th s c arry o n th ei r s h o u l d ers a b urd en
c o v ered wi th a g org eou s b u t l i g h t p al l B ef o re th em .
s i l v e r d i s h es i erc ed wi th h o l es , c l o t h s , an d i mm en s e
p
s p o n g es .T h e res t c arry wan d s wi th ri bbon s , an d s t rew
fl o wers T he burd en i s d ep o s i ted on the al tar, an d the
.
a l l remo v ed I t i s a h u g e eg g
p . .
h av e
more boy s ?
SEVERAL Y o u T H s [ pr ot es ti ng ] N ot at all M o re g i rl s . .
W e want n ew g i rl s .
ro c k s ] .
A CI s [ w a n d f
s n atc h i n g
ro m on e a o f th e o th er s an d
I want to b e bo rn [ V i o l en t k i c k i ng wi th i n the eg g
.
,
T h e S h e A n c i en t tak es h er t wo s aws an d wi th a
-
c ou p l e o f s tro k es ri p s t h e eg g o p en T h e N ewl y B o rn .
,
a re t ty g i rl wh o wo u l d h av e b een g u es s ed as s ev en teen
p
Pa rt V As Far As T h ough t C an Reach 24 7
th ro ug h th e p i erc ed di s h es o th ers t o ru b h er d ry ,
h er ; an d th en th ey l i f t h er to h er f eet an d d anc e f or
wards , s h e d an c i n g wi th th em as b es t s h e c an A c i s an d .
th e S he A n c i en t c o me f o r ward wi th t h em h e s ti l l on th e
-
b aby s ri g h t s h e o n h er l ef t ]
’
, .
h er ?
A CI s.A ma rylli s .
A ma rylli s .
A YO UTH L ov e . .
A MA I DEN M oth er . .
T HE NEWLY BO R N [ to A c i s ] W h at i s you r n am e ?
A CI s A ci s
. .
A CI s S t e ady youn g on e
. I am t hree y ears old
, . .
e v er .
[ T h e
y a l l l au g ]h W h at ar e
. you lau g h in g at ?
THE SHE ANC IENT L i s t en ch ild
-
.
,
q uit e r ea s on abl e
y et . W h at can you ex ect fr om a ch ild
p
l es s th an fi v e minut es O l d ?
THE NEWL Y BORN I th ink I feel a littl e mo re re a s on
.
—
A CI S [ o the S he A n c i en t ] I s s h e all ri g ht do you
t ,
th ink ?
T he S he A n ci en t l o o k s at the N ewl y B o rn c ri ti c al l y
-
ai r o f h av in g fin i s he d h er j o b .
mu rd ered m e !
2 50 As Far A s T houg h t C an R ea c h P art V
THE SHE ANC I ENT T here was a tim e When ch ild ren
-
.
t u rn s to g o ] .
education .
, .
t he hi ll p ath ] .
P art V As F ar A s T ho ug h t C an R each 25 1
T he fli c i al s t ak e th ei r
O
p arap h er n al i a an d t h e f g
ra
of life ?
A CI s. T h ey do T h at i s , of t he s am e life
. T h ey .
of th em h a v e fo rg ott en h o w to s p ea k : t h e on es t h at
att end to u s h av e to b ru sh up t h ei r k nowl ed g e of th e
lan g ua g e onc e a y ea r o r so N ot h in g mak es any dif.
c u rv ed b en c h S trep h o n wi th h er matures t ai r]
n ear .
p o i n tmen t di sg u s t ] O h !
, O h ! S candalou s S h am e ful . .
25 2 As Far As T houg h t C an Reac h P art V
D i sg r ac eful Wh at filth ! I s t hi s a j ok e ? W h y th ey re
.
,
c on ten ts ap p ear on t he s te
p s,
g r u mb l i n g ] .
AC I S . H ul lo : wh at s t he matt er ? [ H e g o es t o th e
s te
p s o
f th e temp l e] .
T h e t wo s c ul
f p to rs i s s ue O ne h as a ro m the temp l e .
p lay th e flut e ?
A R J I L L A x [ th e b earded s c u l tor o n h er ri h t ] N o ,
p g
B era s ia : I cann o t What h as t h at to do with i t ? [ He
.
t ak e h er se ri o us l y i n s p i te o f h er b eau ty an d i mp o si n g
to n e] .
i s g ood o r bad ? P r ay h av e I n o t th e s am e ri g h t to
c riticiz e you r bu s t s t h ou g h I cannot mak e ima g es any
,
T h e s cul p to r mu s t h av e s om e th in g of th e g o d in h i m .
E C R A S I A [ s c or n f u ll y ] N o t wo rth y of it ! Ho ! M ay I
not l e ave it b ecau s e it i s n o t wo rthy of me ?
25 4 As Far As T h o ugh t C an R eac h P art V
[ S h e s w e e
p s t o th e c u rv ed s eat , an d s i ts d o wn whe re A c i s
i s l ean i n g o v er i t ] .
T h e N ewl y B ul l o f c u ri o s i t o t he temp l e,
o rn,
f ty, ru n s
an d p eep s i n .
endu re i t s va id em tin es s H
p p [ e mo u n t s th e al tar i.m
p e tu o us l ]
y L i sten to m e all of you ; and d o you
, ,
A R J I LL AX
'
a mi g h ty d es i g n L i s t en
GO ah ead old sp o rt W e are li s t enin g
. .
A CI s .
, . .
M artel l u s h i ms el f o n th e s war d b es i d e th e
s t re tc he s
TH E NEWLY B O R N I s t h i s a s to ry ? I want to h e a r a
.
s to ry.
[ S h e r un s d o wn th e s te
p s an d s i ts o n th e al tar a t
A rj i ll ax f ]
’
s ee t .
A R J I L L A X. Arch an g el M i ch a el was a mi gh ty
T he
s cul p to r and p aint er H e fo und in t h e c ent re of th e
.
l et h er alon e .
u s i s ab s u r d
, B ut w h at m en cannot r e aliz e t h ey can
.
at l ea s t a s p i re to T h ey pl ea s e th em s elv es by p retend
.
p o i n ts to t h e
p o rc h ] and t h e m an i s h ere [ he s l a s h i m
p
s el f o n th e c h es t ] I A rj il l ax am th e man I will p lac e
.
, , .
M AR T E LLU S [ b ef o as
re ] H a !
A R J I L L A X [ s tun g ] W h y do you lau gh , you wh o h av e
'
M A R T E LL U S [ ri s es ; c arri es
h er t o t h e c u rv ed b en c h on
h i s l ef t ; d ep o s i ts h er b es i d e S trep h o n as i f s h e were h i s
o v erc oa t ; an d c on ti n u es wi th o u t th e l eas t c h an g e o f
ton e] S h a p e it as you will , ma rbl e r emain s ma rbl e , and
t h e gr av en ima g e an idol A s I h av e b ro k en my idol s ,
.
A R J I L L A X. N ev er .
M A R T E LL U S . Wait ,
my f ri end I do not com e emp ty .
n ev er be s u rp a ssed .
A R J I L LA X W h o i s th i s p a ra g on wh om you d ecla re
.
g re at e r t h an I ?
M A R T E LL U S I decla re hi m g reat er th a n my s elf
. ,
A rj i ll ax .
A R J I LL A X [f ] I und
ro wn i n g ers tand S oon er t h an not
.
AC IS . O h s to p s quabblin g
,
T h at i s th e wo rs t of you
.
oth er s t ee th ?
’
A B J I LLA X A
. s k M a r t el l u s : do n o t a s k m e I k now .
P art V As Far As T h ough t C an Re ac h
nothin g of hi m .
[ H e l eav es M ar tel l u s ,
an d s i ts d o wn
b es i d e E c ras i a, o n
h er l ef t ] .
E C R A SI A [ i n d i g n an tl y] P y g malion ! T h at s oull e s s
fi g u re .
M A R T E L LU S . T h at do es no t matt e r : I h av e don e th e
modellin g f or hi m .
P yg mal i on , a n g ered y ou th wi th h i s
fi s u are
q
-
f ac e
ea
g e r g ,
P yg m al i o n , wi th th e s mi l e o
f a s i m l e to n ,
p and th e
eag er c on fidenc e o f a f an ati c al s c i en ti s t, c l i mb s awk
ward l y on to th e al tar . T h ey p rep are f or the wo rs t .
2 60 A s Far A s T h ou g h t C an R eac h P art V
A CI S. T h an k G od !
t i —
P Y GMAL I ON [ c on n u i n g ] b ec au se M artel l us h as
m ad e m e p r omi s e to do s o T o com e to th e p oi nt , I h av e
.
,
o n es , I mean .
I N C REDULOU S V O IC ES O h , com e ! T el l us an o th er
G
. .
A R J I LL A X . I s th at all we know ab o ut h i m ? It
d o e sn t amount to v er y much , do es it ?
P Y GMAL I ON . om e f ra g m ent s of p ictu res
T h ere are s
and docum ent s r ep res ent h i m as wal k in
wh i dh g in a
a rd en and advi s in g p eo p l e to cult ivat e th ei r g a rd en s
g .
of th em i s Jov e A n ot h er i s V oltai re
. .
E C R A SI A [ y] I do not
s en ten ti ou s l admit t h at T h e .
mu s t ex plain fi rs t .
ALL [ g ro an i ng ]
P Y GMAL I ON Y es : I .
A C IS
. W e want res ult s no t exp lanation s , .
d es c en ds f ro m th e al tar an d m ak es f or t h e temp l e] .
m al i o n .
[ T hey ru s h h i m b ac k t o t h e a l t ar an d h o i s t ,
h i m u p o n to i t ] U p you go . .
and alive are v ery loo se t erm s You are not h alf as .
P art V As Far As T h ough t C an R ea ch 26 3
s u rviv e t h e d ay of i t s bi rt h W hy th e N ewly B o rn
.
,
A R J I L LA X H i g h wh at ?
.
P YG —
MAL I ON H i g h p o ten ti al T h e L ife Fo rc e i s n o t
.
-
s o s im l e as you t h in k
p A h i h
g p ot e
. ntial cu rre-
nt of it
will t u rn a bit of d ead ti ss u e into a p h ilo s o ph er s b r ain ’
.
s ue to a ma s s of co rru tion
p W ill you b.eli ev e m e w h en I
t h in g s .
tu rn ed into h e a ps of ma g g ot s .
E C R A SI A D i sg u s tin g ! Pl ea s e s top
. .
a h e ad P y g
, .
M A R T E LLU S . Hm .
A R J I L L A X. H ah !
P Y GMAL I ON . H e was
all ri gh t to l o ok at at fi rs t o r , ,
s o rt s of t h in s and s wallow ed t h em
g H e d ran k ev ery .
E CR A SI A . B ut wh at a p ity h e di ed ! Wh at a g limp s e
of t h e p a s t we h av e lo s t ! He could hav e told u s sto ri es
of t h e G old en A g e .
E C R A SI A. P ray W hy ?
P YG MAL I ON W ell it i s d i fli c ul t t o explain i f you
.
,
h av e b een p ainful .
ST R E P HO N [ p as s i o na tel y ] L et me alon e .
T HE N E W LY B ORN M y wh at !
.
T a k e wa rn in g by th em .
an s wer my d ea r I co nfess I t h ou g h t at fi rs t I h ad
, .
c reat ed livin g c reatu res ; but M art el l u s d ecla res t hey are
only automata B ut t h e n M art el l us i s a my stic : I am a
.
s o v e r y lifeli k e .
M AE T E LLU S . .
ha v e no real vitality .
y ou k n o w .
[ H e s i ts d o wn n ex t M ar t el l u s an d wh i s e rs
p ,
T h e F i g u r es wi th a g r aci o u s ai r d an c e p o mp o u s l y
, , ,
o the r.
d er f ul ! S p l e ndi d P erfect
. .
THE N E W LY B O R N Ca n t h ey m a k e lov e ?
.
He cannot h elp it .
m ean .
com es fr om you .
A CI S C an h e an s we r a que s tion ?
.
k now A s k h i m o n e
. .
and doing s ?
THE M A LE F IG URE I h ave not s een the n ewsp a pe r to
.
P art V As F ar As T h o ug h t C an R ea c h 27 1
M al e Fi g ure l o o k s fi en d ed , an d th e F em al e j eal ou s ]
‘
o .
feelin g s ?
P Y GMALI ON O f cou rs e t h ey h ave I t ell you t h ey
. .
h av e all th e r efl ex es .
by you r s p e a k in g e nt er th ei r e a r s and re co rd a di s p a r
a g in g rema rk on t h ei r k eyb oa r d s t h ei r b r ain s be com e ,
T here i s a g en eral s ti r o
f c uri o s i ty at thi s .
A CI s Wh at th e dick en s do es h e m ean ?
.
T h ere i s .
g ain e d in ma k in
g h i m w er e add ed to h er w h er e fo r e s h e ,
thr o w i t at h er c on s o r t .
27 4 As Far As T h ough t C an R ea ch P art V
r i g h t f o r ma k in g t h at p ai r of h o rro rs !
THE M A LE F IG URE [ g l ari ng ] H a !
THE F E MA LE F IG U R E K eep a civil ton g u e in you r
.
h ead you, .
t h em .
T h ey p oi s on th e ai r .
O zymandia s s t ri k es li k e th e li g h tnin g .
g on e .
From i ts fi rm ba s e as s oon as I .
anci ent .
h ad rat h e r h av e th e ca s e j udg ed .
T he H e A nc i en t emerg es f r o m th e g r o v e
-
T h e Fi g .
THE HE -
A N CIE N T [ m i ld l y ] Am I want ed ? I f eel as if
I was .
[ S ee i n
g th e b o d y P
f yg
o m a l i o n , an d i m me di
It was h e [ po i n ti ng to th e M al e Fi g u re] .
A LL [ amaz ed a t th e l ie ] O h !
THE M A LE F IG URE L ia r You bit hi m E v eryon e . . .
h ere s aw you do it
THE H E A N C I E N T S il enc e [ G
.
oi n b t ween t h e Fi
g e g
-
. .
P oo h !
T H E MALE F IG URE [ fal l i ng o n hi s k n ees ] O h dont s i r , .
s h am e an d l o at hi n g
—
T he S he A n c i en t c o mes f ro m th e
.
of qu een s [ C o v eri ng h er f ac e wi th h er h an d s ] O h
.
,
THE H E A N CI E N T T he c reature h as k i l l ed th at p oo r
-
youth .
r i h t to k ill h i m as h e h ad to ma k e m e
g A nd h o w w as .
E C R A SI A Wh at n on sen se !
.
th in g s ?
M AR T E LL U s H e mad e t h em in h i s labo rato ry
. I .
m e ch anical foo'l s .
natu re ?
T H P F E M A LE F IG URE W e are fl es h and bl o od and
.
not an g el s .
g l ad . I am af r aid to liv e .
th e p oo r t h in g s a littl e mu s ic .
A B J I L L A X. W hy ?
THE N E W LY B O RN . I dont k now . B ut it would .
T h e M u s i c i ans p l ay .
Qu een of qu een s ! [ S he d i es ] .
th ron es [ H e di es ]
. .
T h e mu s i c T h er e i s d ead s i l en c e f o r a mo m en t
s to s.
p .
T HE N E W LY B O R N T h at was funny . .
T HE N E W LY B O R N Ju s t a littl e . .
r es t of th e labo rato ry re fu s e [ S o m e o f t he m
. m o v e t o
o b ey ] .T a k e ca re : do no t touch t h ei r fl s h : it i s noxiou s e
th e t wo Fi g ures th ro ug h th e g ro v e by th ei r c l o th es .
A n c i en ts remai n s tan di n g a t th e al t ar .
E C R A S I A [ as s h e s i ts d o wn ] O h f o r a b reez e f r o m t h e
h ill s !
S T RE P H O N O r t h e wind fr om t h e s ea at th e tu rn of
.
t h e tid e !
THE N E W LY B O R N I want so m e cl ean ai r
. .
. .
cont ent wit h lifel es s toy s , and not att emp t to mak e livin g
on es Wh at would you t h ink of u s anci ent s if we mad e
.
. .
d efo rm t h em .
o u liv e f o r ?
y
T H E H E A N CI E N T
-
S T RE P H O N . If you ma k e me beli ev e th at I
, sh all k ill
my s elf now .
old old L o s t to me f o r ev er
, . .
THE H E A N O I E N T H o w old ?
-
THE N E W LY B O R N H o w I s h ould h av e h at ed h er .
th e g r o v e .
B orn ] T h at j ob s fini sh ed
’
.
M A R T E LLU S W h at ! H av e t h o se two h o rr o rs wh o se
"
.
,
a sh es I h av e j u s t d ep o s it ed wi th p ecul ia r p l e a s u re in
p oo r P y g malion s du s tbin not ’
cu re d you of t h i s s illy ,
ima g e ma k in g ?
-
und ers tand h i g h art and ado red you r own amat eu r ,
c ruditi es .
E C R A SI A . E i g h t mo nt h s .
I h av e
E C R A SI A [ i n te r r up ti n
g r ud el y ] I s h all Wo r s h i p r ag
doll s p erh ap s T h an k h eaven I am s till in my p rim e
, .
, .
.
,
A CI S A g u s h in g littl e animal
.
'
mal .
funny ?
THE H E A N CI E N T Wh en a th in g i s funny s ea rch i t
-
.
,
f or a h idd en t r uth .
could ev er h av e b een .
STREPHON P sh a ! J ealou s !
.
you lov e h e r .
M A R T E LLU S C om e ! Wh at i s th e t ruth th at wa s
.
h idd en in t h e r ag doll ?
THE H E AN C I ENT Well co n s id er wh y you are no t
-
.
,
.
,
E C B A SI A
. T u sh !
A B JI L LA X T o sh !
.
f o r t h em w h en t h ey are b ro k en o r lo s t o r wh e n y o u p re ,
.
, ,
2 84 As Far As T h o ug h t C an Rea c h P art V
.
l .
THE H E A N C I E N T T h ey mu s t t h ink th at t h ey th in k
-
. .
wa rm blood .
.
,
p ul s e s ar e s h e wn to b e not h in
g but r efl ex e s you ar e ,
.
,
t r av ell ed the Wh ol e p a th .
M AR T E LLU S It i s t ru e W i th fi erc e Jo y I tu rn ed a
. .
ino ff en s iv e dus t .
.
,
T HE H E A N CI E N T
-
A nd you E c rasi a : you clin g t o
.
,
b eli ev e .
.
,
u s e n ei th er g la s s mi rr o r s n o r wo rk s of art W e h av e a .
d oll s .
i s t h e fi rs t tim e I ev er h e a r d o n e of t h em confes s it .
i ng h i s b o d y ] t h i s s t ruc tu re t h i s o rg ani s m th i s ma k e , ,
.
,
.
, ,
body do es .
.
, ,
R
t h e mountain s ; f o r I s aw t h at th e mountain s w ere d ead _
. - ?
T HE H E ANC I ENT -
. .
2 88 A s F ar A s T ho ug h t C an Reach P art V
and a g ain s t M an .
.
, ,
e m ty mi s ch anc e t h at i s et a c er tainty ? I di
p y s
, .
mi r acl es Fo r fifty y ea rs I s at
. latin g th i s
p ow er in my self and conc ent r atin
g
THE SHE ANC I ENT S o did -
mo re y ea rs
.
h o w to l au g h s mil ed g rimly wh en t h ey p a s s ed
, .
. , ,
ach i ev ed .
. .
.
'
b e no p eo p l e only t h ou g h t
THE H E ANC I ENT A nd t hat will b e life etern alj
, .
fo re th at day dawn s ”
A R J I LLA X Fo r O n
. t e B e r a s ia I a g ree wit h you
, A , .
p p
th ei r ca res s in g h and s are wand erin g ov er c el es tial h ill s
and ench ant ed vall ey s n o ,
AC I S [ i n terrup ti ng h er d i sg us tedl y ] Wh at an i n
h uman mind you h av e B e ra sia ! ,
E 0 R A 81 A Inh uman !
.
A 0 18
. Y es : inh um an W hy do nt you fall in l o v e
.
wit h s om eon e ?
E 0 R A 8 1A I! . I h av e b een i n lov e all my life I .
bu rn ed with it ev en in th e eg g .
AC I S N ot a h i t of it You and A rj l ll ax ar e j u s t as
. .
h a r d as two s ton es .
A 0 18
. O h I k now , I O ff ered you my love onc e and
.
,
a sk ed f o r your s .
Of
p o e t ry O f ar t o f
, ,
A R JI LLA x T h at i s fal s e
. T h e s tatu e com es to life
.
“
fo re th e m o th er and s ay T h i s i s th e mod el you mu s t
,
cop y ”
. W e p roduc e Wh at we s ee L et no man da r e to .
M A R T E LL U S Y es : .I h av e b ee n t h rou gh all th at .
E 0 R A 8 1 A [ tri u m h an t
p ] A h ! O u r g re a t es t a rti s t v i n
di c ates me T h an k s M ar t el l us
.
, .
th ou gh t , b ecau s e th e th ou g h t i s t he lif e W h ic h i s j u s t .
. .
be n ot hi n g Wh at do you want to b e ?
.
T HE H E ANC I ENT -
A vo rt ex . .
TH E NEWLY BO RN A wh at ? .
ti ci s t s .
h e ad ?
T HE AN CIENT N ot now p erh ap s B ut p reh i s to ric
HE -
. .
h ead ?
T HE NEWL Y B ORN Wh at i s a tail ? .
m ana g ed to cu re th em selv es .
A 0 18 B ut even a vo rt ex i s a vo rt ex in s om eth in g
. .
o r el e ct r on s o r s om e t h in g not noth in g , .
T H E H E A N CI ENT -
N o : th e vo r t ex i s not th e water
.
t h in g s .
s h o r tn es s of o u r liv es ! I cannot b e a r i t .
I mu s t l e av e you .
T h e t wo A n c i en ts g o away s ev er al l y s h e i n to the ,
r o v e, h e u t o th e h i l l s b eh i n d th e t emp l e
p
r
f .
D readful
E 0 R A 8 1A . p e op l e !
STREPHON B o res ! .
s aid :
“ L e av e wom en ; and s tudy math ematic s ”
It i s .
g ro v e .
]
A R J I L L A X.
g o es a
g r e at i
T h ere
s p rit W h at a .
s c ul to r h e was !
p A nd now no t h in g ! It i s a s if h e ,
h ad cut O ff hi s h and s .
l eft you ?
E 0 R A 8 1A N ev er W e h av e s wo rn it
. . .
STREPHON Wh at i s th e u s e of s w ea rin g ? S he s wo r e
. .
H e s wo re You h av e s wo rn T h ey h av e s wo rn
. . .
E 0 R A 81 A You s pe ak li k e a g r amma r
. .
STREPHON T h at i s h o w o n e ou gh t to S p eak i s nt it ?
.
,
W e s h all all be f o rs wo rn .
i s g rowin g da rk .
to mo rrow
-
.
th e templ e ]
A l l beg i n tr o o p i ng i n to th e t empl e .
29 6 As Far AS T h o ug h t C an Reac h Pa t r V
A R J I LL A X S il enc e
. L ittl e ch ild ren sh ould b e s een
.
and not h ea r d .
I cannot k eep my ey es op en .
a g am .
[ H e t a k es h er b y t h e e ar a n d l ead s h er fi r m l y t o w
,ar d s
t h e t emp l e] .
E 0 R A 81A A t wh at di s tanc e ?
.
A R JI LL A X A rm s l en g th o r mo re
.
’
.
E 0 R A 8 1A T h an k you : not f o r m e
.
[ S h e t u rn s aw ay .
f ro m hi m ] .
A R J I L L A X. Ha ! h a ! [ He s tri d es o ff i n to th e tem l e ]
p .
STREPHON . No . M y h ea r t is b rok en .
[ H e g o es i n
t o th e temp l e ] .
E 0 R A 81 A . M u s t I p a ss th e ni gh t alon e ? [ S h e l o ok s
—
fi rs t b orn ?
CA I N I inv ent ed k illin g and conqu es t and ma st ery
.
an d th e winnowin
g out of t h e w e a k by th e s t ron
g A nd .
T HE SERPENT I am j u s tifi ed
. F o r I ch o se wi s dom
.
p un i s he s ] .
i s h es ] .
.
’
w ell [ S h e f ad es away ]
.
g on e : t he v ery s h a es of t h em ar e only o rn am e nt s f o r
p
t h ei r c h ild ren to admi r e and ca res s with out und ers tand
i ng . I s th i s enou gh ; o r s h all I labo r a g ain ? S h all I
b rin g fo r th s om eth in g t h at will s weep t h em away and
ma k e an en d of th em as t h ey h av e s w ept away th e b ea s t s
P art V As Far A s T h oug h t C an R each 29 9
en em I mad e L ife s ma s t er ; f o r t h at i s t h e en d of al l
’
y
s lav er y ; and n ow I s h all s ee th e s lav e s et free and th e