You are on page 1of 3

Name: Brianna Pols Date: 1/30/2023 Period: 6th

Ensemble or Class: Symphonic Band Lesson Topic: Warmup


Standards: (CCSS/NGSSS) MU.912.S.3.5 & MU.68.S.3.2

Long Term Goal: Students will prepare for their MPA performance and develop listening skills that will allow them to
enhance the sonority, balance, and intonation of the ensemble.
Instructional objectives(s): Students will play all warmup exercises with good breath support and intonation with 100%
accuracy. Students will adjust their intonation based off of their role in each chord with 95% accuracy.
Key Vocabulary Instructional Materials/Resources/Technology:
Baton
Balance Singletary Warmups
Blend Metronome and speaker
Sonority
Intonation
Critical Thinking: Lesson Structure:
How can we fix tuning problems without adjusting the Singletary Warmup #1 and #12
tuning slides on our instruments? Intonation exercise- Bb in a round
Why does the tuning change on our instruments when we Tuning
use more air and play louder?

ESE Modifications CPLAMS Access Points http://www.cpalms.org/Standards/AccesspointSearch.aspx


(identify access point, if needed)
Independent:

Supported:

Participatory:

Lesson/Rehearsal Procedures:
Pacing: Assessment:
Highlight Differentiated Instruction in Yellow
5 minutes Students will play Singletary Warmup #1 with the goal of creating I will assess the answers to the question
a balanced sound, focused on sonority and intonation. After they to gage some individual understanding
play the exercise once, I will ask the following question: How can of the topic of intonation. I will assess
we fix tuning problems without adjusting the tuning slides on our improvements after the discussion.
instruments? Intonation will be a main focus in warmups this
week, so I want to get them thinking about it right away. We will
then play the exercise again.

Students will play Singletary Warmup #12 with the goal of using
5 minutes proper breath support to create a full sound and to correct I will assess understanding by listening
intonation. After the students play it once, I will ask: Why does to see if the transfer from Singletary #1
the tuning change on our instruments when we use more air and was made.
play louder? The goal of this exercise will be to play full enough to
bring hidden intonation problems to light.
5 minutes Students will then play Bb in a round. The goal of this exercise is I will assess this by comparing this
still to focus on intonation. I will hold out certain chords that are sound to their sound at the beginning of
out of tune and build them from the bottom. Each section will warmup to see if there is a difference in
play their notes and pass it around the class so they can hear how intonation. I will also listen to individual
their note fits in the structure. Students will also be focusing on players as they pass the chord around
playing with a big sound. the room to assess tone quality.

I will then play a concert Bb on the tuner and each student will I will assess current student
5 minutes listen to the pitch and adjust their tuning accordingly. The goal is understanding of pitch to adjust my
to get students to hear which way they are out of tune rather future lesson plans.
than just looking at the tuning screen.

Post Rehearsal or Lesson Reflections

Content Adjustment: Based on diagnostic and formative assessments during today’s lesson/rehearsal, list any repertoire
or activities that were omitted from the plan. Why? Will the omitted items need to be included in tomorrow’s
lesson/rehearsal?

Rehearsal or Lesson Adjustment: If you were going to re-teach today’s lesson/rehearsal, how would you have done it
differently.
Reflection on Teaching: Analyze and evaluate your lesson/rehearsal and classroom management.

You might also like