A To Z India

A TO Z INDIA
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Volume 06 • Issue 10
May 2023
The Head of a Sow

The Shakti of Varaha
Varahi Amman (or) Varahi Lakshmi
Indian Culture ● Indian Art ● Indian Lifestyle ● Indian Religion
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A TO Z INDIA ● MAY 2023 ● PAGE 2

FROM THE EDITOR
A TO Z INDIA magazine
covers the Indian through
his art, culture, lifestyle,
religion, etc. This

magazine gives an
insight into the life of
Indians from an angle
uncovered by others.
Turn to find out what it
is about and to immerse
yourself into an entirely
04
different culture.
FROM THE EDITOR'S DESK: NARASIMHA JAYANTI - THE FOURTH Publication Team:
INCARNATION OF LORD VISHNU EDITOR: Indira Srivatsa
Narsimha Jayanti is another important festival among the Hindus and is ASSOCIATE EDITOR:
celebrated on Vaisakh Chaturdashi (14th day) of the Shukla Paksh. Narsimha is Dwarak, Srivatsa
the fourth incarnation of it Lord Vishnu where he appeared as a man-lion that EDITORIAL
is the face was like a lion and the trunk was like a man. All Lord Vishnu CONSULTANTS: Santha,
devotees also observe fast on this day. Bhavani, Srinivasan

REPORTING: Raghavan
PHOTOGRAPHY:
08 Adithyan
inside
GRAPHICS ENGINEER:
SPECIAL ON MAHAVIRA Chandra

JAYANTI 4TH APRIL, 2023: LORD
MAHAVIRA - THE FOUNDER OF Editorial Office:
UNIVERSAL RELIGION E002, Premier
The entire life of Mahavira is a Grihalakshmi
living inspiration for the rise of Apartments,

self and others. Elango Nagar South,
Virugambakkam,
A TO Z INDIA: Editorial Address Chennai - 600092,
Tamil Nadu, India.
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Disclaimer:
A TO Z INDIA Magazine
has made a constant care
to make sure that
content is accurate on
the date of publication.

The views expressed in
the articles reflect the
author(s) opinions.

NARASIMHA JAYANTI: THE FOURTH
INCARNATION OF LORD VISHNU
From the Editor's Desk: Narasimha Jayanti - The fourth incarnation of Lord Vishnu
Narsimha Jayanti is another important festival among the Hindus and is celebrated on Vaisakh Chaturdashi
(14th day) of the Shukla Paksh. Narsimha is the fourth incarnation of it Lord Vishnu where he appeared as a
man-lion that is the face was like a lion and the trunk was like a man. He had killed demon Hiranyakashipu
on this day. All Lord Vishnu devotees also observe fast on this day. It is known that Narsimha appeared
during the sunset on Chaturdashi and that is why the puja is performed during those hours. The purpose of
Narasimha Jayanti is to remove Adharm and to follow the path of Dharam. Dharam is to perform correct
deeds and not harm anyone.
Fasting on Narsimha Jayanti is said to relieve all problems of devotees. They should try to meditate and
recite mantras in isolation for better results. There are numerous temples in southern India that are
dedicated Lord Narsimha where regular prayers and pujas are offered to the Lord. Strong dedication is
required to be priests in the temples of Narsimha and devotees should also meditate while in temple.

Shiva and Nandi - Travel to the future:
What time is it?
Adithyan
What time is it? In His case the answer to that could be anything possible from any history book ever
written; Who knew of His travels and travails through the portals of that enigmatic thing we called Time?
Caves, fire, herds, kings, wars, success, empires, tyranny, spirituality, generosity; He had seen it all. Now,
He just had to ask who was the King, or who was the Godman, and by these two parameters He could place
Himself in an “Era”. Also, He had developed a rather fine sense of being able to tell what part of day it was
by ‘listening’ intently to Sun rays, He could tell what season it was by ’smelling’ the sky! And so, in no time
at all, He would become quite well anchored in what time it really was.
What time was it? Though it was Parvati who was His inseparable Self, another being also loved being by
His side, at all times. Nandi the Bull. Nandi was Shiva’s faithful guard, and also His ride rolled into one. All
the gods had carefully chosen their mode of transport, Vahan as it was called. In Shiva’s case, a bull was His
alter ego, and He was often called the bull bannered Lord. When they rode together it was indeed a sight.
Not only did they traverse lands and meet peoples of different geographies, but also they travelled through
the annals of time itself, witnessing history as a dynamic of the now. And so it was with gratitude that
Shiva looked at His watch which Nandi gifted to Him on one of their travels to the future. They did that
often, Shiva and Nandi: Travel to the future.

Shiva and Nandi - Travel to the future:
What time is it?
Adithyan
Now this was a great device, and actually it worked more like a compass inasmuch as it could help Him in
not getting lost in that ocean of infinity. It was a Longines make, and Shiva liked the insignia on top - a
winged hourglass that reminded him of His Damaru. “The Damaru, He had once told Nandi,” is also an
hourglass if you look at it properly. It contains all the time that has been, and all that will be, and can flip
the position of both, if you know how, Nandi.” To which the bull had only grunted his loyal approval.

By Lalit Garg
Writer, Journalist, Columnist
Special on Mahavira Jayanti 4th April, 2023:
E-253, Saraswati Kunj Apartment
Lord Mahavira - The Founder of Universal Religion 25 IP Extensions, Patparganj, Delhi-92
email: lalitgarg11@gmail.com
Lalit Garg Phone: 22727486, 9811051133

By Lalit Garg
Lalit Garg Phone: 22727486, 9811051133
The entire life of Mahavira is a living inspiration for the rise of self and others. He has illuminated millions
and millions of people with his aura of positivity. Therefore becoming a Mahavira is a symbol of the
meaning of life. To become a Mahavira means to lead a healthy life, to develop immunity, to illuminate the
soul and become a person who is self-reliant. Every year we celebrate the birth anniversary of Lord
Mahavira, but this year the birth anniversary has to be purposeful, not mere planning. For this, every
person should do spiritual practice to look within himself; Mahavira is not only worshiped, but should be
imbibed in life. It is necessary that we inculcate the teachings given by Mahavira in our life and practice.
Every person prepares to become a Mahavira, then only one can get rid of problems. Mahavira can only
become a person who is completely devoted to the goal, whose lifestyle is restrained and disciplined, who
has the capacity to bear the sufferings. One who can maintain equanimity, restraint and balance even in
adverse circumstances, who is ready to practice silence and heat the body. In whose mind there is a feeling
of coexistence towards the whole being. One who not only knows how to change his destiny through effort,
but also wishes for a bright future for the entire humanity.
Mahavira was born centuries ago, but his life and teachings are more effective and relevant in today's time
of crisis and many diseases. Mahavira is a wave of health-evolution, a smokeless crest of healthy life-light.
There is an unnamed river of courage and restraint. There was a hint of eternity in his dialogues. His
lifestyle was so dominant that he would have been bound by a once-living. There was such brilliance in his
eyes that the one who saw him once could not forget. There was such an invitation in his call for a healthy
life that it could not be ignored. His guidance was so perfect that the one who found him could never go
astray. His presence was so inspiring that one would get transformed. He said 'appana sacchameseja' - find
the truth yourself. He did not make anyone run with the help of crutches. If you have the ability to walk on
your feet, then you can walk whenever you want and reach wherever you want. He not only illuminated the
way, but also created the inner light. These are all the reasons that remind us of Mahavira.
Mahavira believed in a healthy life. They lived on their own. He also taught others to live in himself. They
were healthy. No disease could touch him. He gave many sources of health. One of them was the formula –
Kayotsarga. Kayotsarga means purification of the body, maintenance of the body, purity and restraint
towards the body. Kayotsarga is also the starting point of sadhana and it is also the final point. This is the
first understanding of health and the final conclusion. It is the shield for emergency situations involving the
body. It is the use of stress-immersion and is free from all sorrows.
Mahavira's sadhana period lasted twelve and a half years. In it he repeatedly used kayotsarga. The wearer
of protective armor or bulletproof jacket does not have the fear of being shot, similarly after going into deep
Kayotsarga, the effect of adverse conditions of major diseases and deadly and life-threatening attacks is
attenuated. Like Mahavira, one who practices Kayotsarga becomes healthy-hearted, becomes light and can
lead a happy life by being absorbed in expansive meditation.
The person who wants to get rid of various kinds of diseases, wants to become healthy and has to take
medicine in the form of Kayotsarga. Mahavira had the science of medicine whose constituent elements are
By Lalit Garg
Lalit Garg Phone: 22727486, 9811051133
not mentioned in medical science, he gave such an unfading system of health, which is as easy as it is
difficult. Kayotsarga is a type of penance. In which physical restlessness and anger etc. have to be
immersed. The focus has to be on the breath. Is the mind fickle or the restlessness of the mind is the mind.
On the basis of this concept, it seems difficult to stop the restlessness of the mind.
In the practice of Kayotsarga, words like relaxation, shavasana or relaxation for the body are used.
Kayotsarga is such a door, from where one can get a glimpse of the soul, a feeling of existence apart from
the gross body. In Kayotsarga, the body and mind get complete relaxation. There are many misconceptions
about Jainism in the public. Jainism is a religion that hurts the body. Mahavira talks of giving rest to the
body. How can the principle of suffering be valid in such a situation? Any austerity or penance does not
mean to cause pain to the body, but to cultivate the body. The mind cannot be controlled without the body.
Therefore, through yogic processes, a way has been made to cultivate the body.
Kayotsarga has a special significance in the field of spirituality. Its usefulness in medical science is also
undeniable. Kayotsarga also plays a big role in various investigations done by the modern equipment of
medical science. In every medical examination, it is advised to leave the body a little loose and slow down
the breathing, it is said to leave the mouth loose even during the extraction of teeth. In case of high blood
pressure, it can be balanced by kayotsarga. Unbalanced lifestyle and stress are the major problems of this
time. Small and big, rich and poor, everyone is surrounded by this tension. This is a problem for which
doctors do not even have a cure. Kayotsarga can be a permanent solution to the problem of stress and fear.
If Kayotsarga is done regularly, then there will be no leave for tension and fear to arise. Through
Kayotsarga, both body and mind can be kept healthy. Kayotsarga is a mantra for self-meditation, in the
same way, health is also a mantra for spiritual practice.
In modern life, the practice of silence, mantra cultivation and restraint is very useful. Silence gives rest,
happiness comes. But the glory of silence that is accompanied by Kayotsarga is different. Be it silence,
meditation, fasting or any other restraint ritual, all have a useful place in getting rid of diseases. Those who
want physical, mental and spiritual health, want to avoid epidemics and diseases, they should use this great
mantra Kayotsarga of Mahavira. Kayotsarga is medicine and highway to health. Anyone following this can
lead a healthy life.
Lord Mahavira is truly a shining beam of light and the founder of universal religion. He is the savior of the
human mind of this creation. Mahavira had given maximum emphasis on fasting, restraint and character.
Mahavira's entire life is the culmination of austerity and meditation, so he is self-motivated. The teachings
of the Lord are life-giving in which the solution of life's problems is contained. Lord Mahavira is Chinmaya
Deepak ( a lamp that has the never lasting illumination light) The lamp removes the darkness, but the
usefulness of the Chinmaya lamp to defeat the darkness of ignorance is undeniable. In fact, Mahavira's
discourses and teachings are millions of beams of light. In order to be flooded with the rays of knowledge, it
is necessary to immerse in them, only then will we be able to move towards a healthy life.

By Lalit Garg
Lalit Garg Phone: 22727486, 9811051133

Khatuapada, Uttara, Odisha:
Bhairangeswar Temple
Midhun
Bhairangesvara Temple is a Hindu Temple dedicated to Lord Shiva located in Khatupada village, on the
South-Eastern outskirts of Bhubaneswar in Khurda District in Odisha, India. The temple stands on the
foothills of Dhauli, near the left bank of the river Daya.
Bhringeswara Temple built on late 12th century by Somvansi dynasty and later on sculptures added by
Eastern Ganga Dynasty dedicated to lord Shiva is replica of early evolving stages of Kalingan architecture
where Jagamohana is present in a distorted structure. There is another side-by temple dedicated to lord
Ganesha in which a large idol of lord Ganesha is present is believed to be largest after lord Ganesha idol at
Lingaraja Temple complex.
Dhauli has been always an important landmark for Buddhist, Jainism and ancient Kalingan dynasties for
worship which tells the glorious past.
About location: 1.5kms away from Dhauli Shanti stupa at the foothills of Dhauli hill and 15kms away from
Railway station.

Khatuapada, Uttara, Odisha:
Bhairangeswar Temple
Midhun
Bhairangesvara Temple is a Hindu Temple dedicated to Lord Shiva located in Khatupada village, on the
South-Eastern outskirts of Bhubaneswar in Khurda District in Odisha, India. The temple stands on the
foothills of Dhauli, near the left bank of the river Daya.
History: The temple was believed to be built in 12th century CE by Somavamsis. This temple is currently
under the control of Archaeological Survey of India, Bhubaneswar Circle.
The Temple: This temple is facing towards west. The temple was originally built in form of a Panchayatana
complex, which features a main shrine surrounded by four subsidiary shrines at the four corners of the
temple. But the subsidiary shrines are completely lost. However, the traces of ruins of two shrines can be
seen on the southeastern and the northeastern corners. The temple has been built on a raised platform. The
temple consists of Rekha Vimana, Antrala and Pidha Jagamohana. The temple is Pancharatha on plan and
Panchangabada in elevation. There is a Chandrasila between the doorjamb on the floor, which is decorated
with beautiful conches on both the sides. There are two Dvarapala niches on either side at the base of the
doorjamb. The architrave above the doorjamb is carved with the Navagrahas seated in Padmasana within a
niche. Presiding Deity is called as Bhairangesvara. He is housed in the sanctum in the form of Lingam within
circular Yonipitha. The exterior walls are devoid of any decoration, except the udyotasimha in the raha
pagas on three sides & gajakranta on the western wall. Idols of Ganesha and Mahisasuramardini can be seen
in the niches around the Vimana. The niche in the south is empty. An image of Hanuman, a female deity, a
deulacharini, fragment of an amalaka, six pillar fragments and a couple seated beneath a tree can be seen in
the temple premises.
Festivals: Shivarathri, Kartika Purnima, Raja Sankranti and Jalasaya ceremony are the festivals celebrated
here.
Connectivity: The temple is located at about 1.5 Kms from Dhauli, 14 Kms from Bhubaneshwar Airport, 14
Kms from Bhubaneshwar Railway Station, 17 Kms from Baramunda Bus Stand, 18 Kms from Bhubaneswar
and 28 Kms from Bhubaneshwar New Railway Station. The temple is situated on Bhubaneshwar to Puri
Route close to Central Institute Of Freshwater Aquaculture.

Dedicated to Netaji Subhas Chandra Bose:
By Ayan Adak
Poem - Meeting Netaji e-mail: ayan1adak1@gmail.com
Ayan
If I could meet you today, From behind the curtain sheer,

What would you say? The Gumnaami voice may speak,
Would you be proud? Would you be pleased? We need to fulfill our own part
Or would you say nothing – in sheer dismay Before we answers seek

Would you still say, this fight Matters not what had happened then,
Was worth every soul that cried, That time has long since gone,
Eight decades since, our growth has earned What matters is where we are now –
Your sacrifice some pride? Hind – azad, reborn

Would you still march, if you could For, in every era, nations will rise
From the edge of faraway lands? Kingdoms will also fall
Would you still charge to Delhi’s gates A new Netaji needs to rise
To deliver us from ignoble hands? When the nation gives a call
Subhas Chandra Bose in Germany

Dedicated to Netaji Subhas Chandra Bose:
By Ayan Adak
Poem - Meeting Netaji e-mail: ayan1adak1@gmail.com
Ayan
If we can all wake, understand And even if not the galaxy,

This time has need for cure, But just a world we heal
He’ll come back again in each of us, Our long march will make a start
In hearts all brave and pure As the bells will softly peal
If he inspires us even today

To help conquer our fears.
We make his sacrifice be worth
His blood and sweat and tears…
Subhas Chandra Bose meeting Adolf Hitler

Incredible India:
Images of
India
through
Paintwork Chandra

Incredible India:
Images of
India
through
Paintwork Chandra

Kanchipuram, India:
Kailashnathar Temple
Midhun
Kailashnathar temple in Kanchipuram stands as among the finest in the Pallava temple architecture. Built
under patronage of the Pallava King Rajasimha (Narasimhavarman II) between 685-705 CE, the temple
architecture followed the Smartta traditions.
The temple is oblong in shape, with a wall built around the temple, a first of its kind in those times. There
are 2 Shiva temples within the walled complex. The 1st one is known as Rajasimhesvara, which is built by
Narasimhavarman II, & is larger, & located on the western side.
The other temple on the eastern side is known as Mahendravarmesvara, and was built later by
Mahendravarman III. The sanctums of both temples hold faceted Shivalingas with a Somaskanda panel
(Shiva with Parvati and Skanda) on the rear wall.

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Jewel in the Crown of Angkor Art:
Banteay Srei
Midhun
Banteay Srei goes by many nicknames such as “The Lady temple”, “The Tiny temple”, “The Pink temple”,
arguably one of finest stone carving temple anywhere on earth. This temple is unique as it was constructed
by using reddish coloured sandstone, dedicated to Hindu God Shiva, then called as ‘Tribhuvanamahesvara’.
Khmer King Rajendravarman-II came to power at his young age in 944CE. One of his Guru, Yajnavaraha was
granted permission to build a temple complex in a rural settlement located on the outskirts of the capital
Yashodharapura. This settlement was later named as ‘Ishwarapura’, which literally means ‘The City of
Ishwara’.
It is said that the smaller size was deliberate, to focus more on aesthetic excellence. Due to the hardness of
the stone used, this temple has retained sharpness and finishing, even after 1000+ years of exposure to
natural erosion. The Walls, Archways, and Thoranas are enriched with intricate and miniature sculptures
depicting scenes from the Great Hindu epics Mahabharatha and Ramayana. Excellent craftsmanship marks
this well preserved temple as the acme of Hindu temple artwork.
Place: Banteay Srei, 32km from Siem Reap city, Cambodia.

Period: Consecration in the year 967 CE as per the inscriptions at the temple, patronised by Yajnavaraha, a
courtier and guru of Kings Rajendravarman-II and Jayavarman-V.

Nainativu , Jaffna , Sri Lanka:
Nagapooshani Amman Temple
Midhun
This temple is one of the two Shakti Peethas in Sri Lanka. This temple is located a good 45 drive and 20-
minute boat ride from the city. A ferry boat leaves every half an hour from either side to the island of
Nainativu.
This temple is one of the two Shakti Peethas in Sri Lanka.This temple is located a good 45 drive and 20-
minute boat ride from the city. A ferry boat leaves every half an hour from either side to the island of
Nainativu.
The 108 feet tall gopuram of the Nagapooshani Amman temple is visible from a long distance. On the boat
ride, you can see it getting bigger as you get closer. After landing the road straight leads to this very
gopuram. Naga or the serpent motif can be seen everywhere in the temple. A big Nandi sits in front of the
temple and you meet it as soon as you enter the temple. The temple is big and attracts a huge number of
devotees. The main sanctum has the Vigrah of Nagapooshani Amman. On one side is the Utsav Murti in
bronze and on the other side there is a huge Sri Chakra-like creation where people offer flowers. I was there
on a Friday, so I got to see the procession of the Devi in its full glory.

கொங்கு நாட்டில் சைவக்குரவர் களால் பாடல் பெற் ற சிவாலயம் :
ப் ரயாக் ராஜ் திரிவேணியை பிரதிபலிக்கும் பவானி கூடல்
பத் மநாபன்
திருநணா (பவானி), திருச் செங் கோடு, கருவூர் (கரூர் ), திருமுருகன் பூண்டி,

திருப் பாண்டிக் கொடுமுடி (கொடுமுடி), திருப் புக் கொளியூர் (அவிநாசி),
வெஞ் சமாக்கூடல் ஆகிய ஏழும் ‘கொங் கேழ் தலங் கள் ’ என் ற சிறப் புப் பெற் றவை.
இத் தலங் கள் தேவார மூவர் விஜயம் செய்து அற் புதங் கள் நிகழ் த் திய பெருமை
வாய் ந் தவை.
முக்கூடலில் உள் ள பவானி:

கங் கை, யமுனை, அந் தர் வாஹினியான சரஸ் வதி ஆகிய மூன்று நதிகளும் கூடுமிடம்
திரிவேணி சங் கமம் (பிரயாகை) என்று அழைக் கப் படுகிறது. இந்துக் களின்
வழிபாட்டில் திரிவேணி சங் கமத்துக்கு பேரிடம் உண்டு. உ.பி. மாநிலத் தின்
அலகாபாத் திலுள் ள திரிவேணி சங் கமம் புண் ணியத் தலமாகவும் தீர் த் தாடனத்
தலமாகவும் விளங்குகிறது. அதற்கு இணையானது தென் னகத் திலுள் ள, பவானி
கூடுதுறை என்று தற் போது அழைக் கப் படும் ‘திருநணா’. காவிரி, பவானி, கண்ணுக்குப்
புலப் படாத அமிர் த நதி என் ற மூன்று நதிகளும் இங்கு கூடுகின் றன. இங்கு புனித
நீ ராடலும் நீ த் தார் கடன் மேற் கொள் வதும் மிகச் சிறப் பானவை.லஇங்குள் ள
சங் கமேஸ் வரர் ஆலயம் ஆயிரம் ஆண்டுகள் பழமையானது. இங்கு சங் கமேஸ் வரர் என் ற
பெயரில் ஈசன் குடிகொண்டுள் ளார் . இறைவி, வேதநாயகி. இக் கோயில்
வளாகத் திலேயே, ஸௌந் தரவல் லித் தாயாருடன் ஆதிகேசவப் பெருமாள் தனி
சந் நதியில் காட் சி தருகிறார் . இக் கோயிலின் தலவிருட் சம் இலந் தை மரம் .
திருஞான சம் பந் தரால் பாடல் பெற் ற தலம் திருநணா. சம் பந் தரின் திருநணாப் பதிகம்
இரண் டாம் திருமுறையில் இடம் பெற்றுள் ளது. அருணகிரிநாதர் திருப் புகழில்
இத் தலத் தைப் பாடியுள் ளார் . தனது பக் தரான ஆங் கிலேய அதிகாரி வில் லியம்
காரோவின் உயிரை வேதநாயகி அம் மன் காத் ததாகவும் , அதற்கு நன் றிக் கடனாக
அம் மனுக்கு தந் தக் கட்டில் வழங் கியதாகவும் (1804ம் ஆண்டு) கோயில் தலவரலாறு
கூறுகிறது.
ஈரோடு மாவட் டத் தில் இத் தலம் உள் ளது. ஈரோட்டிருந்து 15 கிமீ. தூரத் திலும் ,
சேலத் திலிலிருந்து 56 கிமீ. தூரத் திலும் பவானி உள் ளது. கொங்கு மண் டலத் தின்
பிரதானமான கோயில் பவானி எனில் மிகையில் லை.

Kathmandu Valley, Bhaktapur, Nepal:
The Changu Narayan Temple
Adithyan
The Changu Narayan temple is a religious heritage site located in the Kathmandu Valley, historically known
as the Nepa, or Nepal valley, in the province of Bhaktapur, Nepal. The Changu Narayan temple is considered
by most to be the oldest temple in Nepal’s history.

Adithyan
The temple is located on the top of a hill 12 kilometers east of Kathmandu, the capital and largest city in
Nepal, and is surrounded by champak trees. The Changu Narayan temple is considered by most to be the
oldest temple in Nepal’s history. The exact time when the temple was created is unknown, but it is said to
have been created during the time of the Licchavi kingdom (400 – 750CE). The temple pays homage to the
deity Vishnu and is considered the most important temple in the valley.
This temple is one of four major temples in Nepal’s surrounding area dedicated to the Hindu deity Vishnu.
Changu Narayan is the earliest and most famous temple dedicated to Vishnu, but many other temples
dedicated to various other deities can be found throughout Nepal. Vishnu first appears in the Rig Veda as a
solar deity with a part of him representing the Sun. Vishnu has a wide variety of depictions across the
various Hindu denominations. In early Vedic religion Vishnu was a minor god, but as the religion progressed
he grew in strength and popularity until he was recognized as one of the most powerful gods in Hinduism.
The temple’s origin story stems from an ancient legend concerning the deity Vishnu. A Gwala, or cow herder,
had purchased a cow from a brahmin that was renowned for producing large quantities of milk. The Gwala
often took this cow to a forest of Champak trees to graze on the grass, however the cow would always go
into the shade of its favourite tree where a boy would drink the cow’s milk.

Adithyan
In the evenings, the gwala would return home to milk the cow but found that he would only get a small
amount of milk from the cow. This trend continued for several days and the gwala became very sad. The
gwala went back to the brahmin that sold him the cow and explained how the cow was no longer producing
the large quantities of milk. The next day the brahmin and the Gwala hid and observed the cow’s behavior
through the day. They noticed the little black boy drinking the cow’s milk and the two men thought that the
boy must be a devil that lived in the cow’s favorite tree.

Adithyan
The two men became furious and began to cut down the tree, but when they struck the tree they noticed
human blood coming from it. The two got worried and feared that they had committed a serious crime. The
Lord Vishnu then emerged to the two men and explained that those events were not their fault. Vishnu then
told them his story of how he unintentionally killed Sudarshan’s father while hunting in the woods.
Afterwards, he was cursed for his sins and wandered the earth until ending up on the Changu hill where he
survived using the stolen cow’s milk. When the brahmin and the Gwala cut down the tree, Vishnu was
decapitated and freed from his sins. After listening to Vishnu’s words the two men decided to erect a temple
in honor of Vishnu. The temple has been considered sacred since the site was constructed.
The Changu Narayan temple is a two story structure with copper and wood carvings all around it. The layout
of the temple has been changed several times due to natural disasters damaging the temple. The four
entrances to the temple all feature triple doorways that have been cut into the brick walls of the temple,
and on the western entrance there are copper plated sheets molded over the carvings. The temple contains
artworks from the fourth, ninth and thirteenth centuries, most of which are Newar art: work from the Newar
people, an Indiginous Indo-Aryan group primarily from the Kathmandu Valley. Newa art is centered around
Hindu and Buddhist deities, sculptures made in this art style use the lost-wax casting method. The most
valued art piece is an earthquake damaged sculpture of Vishnu in his universal form – Vishvarupa. Two
other structures just outside of the temple are devoted to Lakshmi. The Centre of the temple has a mandapa,
a hallway supported by pillars and a roof, that is used for public rituals. The mandapa was contributed to
the temple by Jayprakash Malla, the final king of the Malla dynasty that ruled over the Kathmandu valley
from 1200 – 1770 CE. Archaeologists suggest that the mandapa was the origin of the temple and that the
brick walls that surround the temple were built afterwards.
The Changu Narayan temple has been plagued with destruction since its creation and has been rebuilt on
multiple occasions. The most recent of which was a 7.8 magnitude earthquake that affected most of Nepal
and killed over nine thousand Nepalese people in April of 2015. A few of the main support pillars were
compromised during the earthquake and a large granite slab fell from the second story laying next to a
brass bell tangled in prayer flags. As the temple is upwards of thirteen hundred years old the structural
integrity of the temple is not what it once was, combined with illegal mining operations at the base of the
hill.
The country of Nepal relies on tourism, making up approximately 10% of the country’s total GDP, so with
their famous landmarks being so greatly affected it impacts their culture and the country as a whole. Many
of the people around the Kathmandu area have taken issue with the government’s treatment of the sacred
site and blame the destruction on corrupt officials. Global efforts have been started to reconstruct the
temple; for example, Germany has contributed thirty thousand dollars of the needed three hundred
thousand to start repairs on the heritage site. In Nepal many aspects of ways of life are interconnected from
religious to historical to economic elements. The residents around the temple have come together under a
common goal of fixing the temple, not only for personal use, but for the benefit of Nepal as a whole.

Thanjavur, India:
Brihadisvara Temple
Midhun
Built in the year 1010 CE by the Chola emperor Rajaraja, it turns 1012 years this year. It took 34 years to
complete the construction started by Cholas then the Pandians and the Marathas. The place is also known as
Gangaikonda Cholapuram which served as the Chola capital for 250 years.
The Brihadisvara Temple is a Hindu temple located in Thanjavur, India. It was built during the 11th century
by the Chola dynasty and is an example of Dravidian architecture. The temple is dedicated to Lord Shiva and
is known for its towering vimana (temple tower) and intricate carvings.
Built in the year 1010 CE by the Chola emperor Rajaraja, it turns 1012 years this year. It took 34 years to
complete the construction started by Cholas then the Pandians and the Marathas. The place is also known as
Gangaikonda Cholapuram which served as the Chola capital for 250 years. Chola dynasty ruled for 5
centuries making it longer than the Mughal and the British rule. At its peak, the thalassocracy Chola Empire
stretched from the northern parts of Sri Lanka in the south to the Godavari-Krishna river basin in the north,
the Konkan coast, the entire Coast of Malabar in addition to Lakshadweep, Maldives, and some parts of
Indonesia and Malaysia.

ஒரு சிறுகதை:
சாதனைக் கான ஆதார சக் தி உங் களுக்குள் ளே கிடக் கிறது
இந் திரா
எழுதப் படிக் கத் தெரியாத ஒரு ஏழை. ஒரு மாதா கோயிலில் மணி
அடிக்கும் வேலையை பல ஆண்டுகளாக பார் த்து வருகிறான் . அந் த
மாதா கோயிலுக்கு ஒரு புதிய பாதிரியார் வருகிறார் . அவர் மணி
அடிக்கும் ஆள் எழுதப் படிக் கத் தெரியாதவன் என் பதை அறிந்து,
எழுத படிக் கத் தெரியாத ஒருவர் சர் ச் சில் வேலை செய் ய அனுமதி
கிடையாது. உன் னை எப் படி வேலைக்கு சேர் த் தார் கள் ? இன்னும் 15
நாள் உனக்கு அவகாசம் தருகிறேன் . அதற்குள் நீ எழுத படிக் க
கற்றுக் கொள் ள வேண்டும் . இல் லையேல் உன் னை சர் ச் வேலையில்
இருந்து நீ க் கம் செய்து விடுவேன் என்று எச் சரித்து அனுப் புகிறார் .
இரவு வீடு திரும் பிய அவன் தன் மனைவியிடம் பாதிரியார்

சொன் னதை வருத் தத்துடன் கூறி இத் தனை வயதுக்கு பிறகு நான்
எங் கிருந்து எழுத படிக் க கற்றுக் கொள் வேன் ? அதுவும் 15 நாளில்
முடிகிற காரியமா? என்று கூறி வருந்துகிறான் . அவன் மனைவி
ஆறுதல் கூறி வேறு வேலை ஏதாவது பாருங் களேன் என் கிறார் . இந் த
மணி அடிக்கும் வேலையைத் தவிர எனக்கு வேறு என் ன வேலை
தெரியும் என்று வருத் தமுடன் சொல் லிக் கொண் டே இரவு
சாப் பாட் டை முடித்துக் கொண்டு வீட் டை விட்டு வெளியே நடந்து
சற்று தூரம் சென் றான் .
மன அமைதி பெறலாம் என் ற எண் ணத் தில் கால் போன போக் கில்
நடந் தான் . ஒரு சிகரெட் பிடிக் க வேண்டும் போல் தோன்றுகிறது.
ஆனால் வழியில் கடை ஏதுமில் லை. சுமார் ஒரு கிலோ மீட் டர் தூரம்
சென் ற பிறகே ஒரு கடை இருக் கிறது. அங்கு சென்று சிகரெட் பிடித்து
விட்டு வீடு திரும் புகிறான் . திரும் பும் வழியில் மீண்டும் ஒரு சிகரெட்
பிடிக் க தோன்றுகிறது. ஆனால் திரும் பவும் ஒரு கிலோ மீட் டர் தூரம்

நடக் க வேண்டும் .
இப் படி அவன் நினைத் த வேளையில் ஒரு யோசனை தோன்றுகிறது.

இந் த ஒரு கிலோமீட் டர் தூர இடைவழியில் நாம் ஒரு சிறு கடை
போட்டு சிகரெட் , பீடி விற் றால் என் ன? இந் த யோசனையில் மறுநாள்
ஓரிடத் தில் தரையில் துணி விரித்து சிகரெட் , பீடி தீப் பெட்டி
ஆகியவற் றை விற் க தொடங்குகிறான் . விரைவிலேயே அது ஒரு
பெட்டி கடையாக வளர் ந்து பிறகு எல் லா பொருட் களும் விற்கும்
டிபார் ட் மென் டல் ஸ் டோர் ஆகி விடுகிறது.
பின் னர் நகரின் முக் கிய இடங் களில் அது கிளைகளை உண் டாக் கி
அக் கம் பக் கத்து ஊர் களிலும் கிளை பரப் புகிறது. இப் போது அவன்
குறிப் பிடத் தக் க கோடீஸ் வரர் களுள் ஒருவன் . வங் கியில் அவன்
பணம் கோடிக் கணக் கில் சேர் ந் திருக் கிறது. அந் த வங் கிக்கு புதிதாக
ஒரு மேனேஜர் வருகிறார் . இவன் கணக் கில் ஏகப் பட் ட பணம்
வெறுமனே முடங் கி கிடப் பது பார் த்து இதை அதிக வட்டி கிடைக்கும்
திட் டங் களில் அவர் முதலீடு செய் யலாமே என்று கூறி அவனை
வரவழைத்து விஷயத் தை சொல் கிறார் . இவன் வங் கி மேனேஜரை
பார் த்து எனக்கு வங் கியில் உள் ள முதலீட்டு திட் டங் கள் பற் றி
எதுவும் தெரியாது. அதனால் சம் பாதிக்கும் பணத் தை எல் லாம் சும் மா
போட்டு வைத் திருக் கிறேன் என் கிறான் .
அதை எல் லாம் நான் பார் த்துக் கொள் கிறேன் இதோ இந் த
விண் ணப் பத் தில் ஒரு கையெழுத்து மட்டும் போடுங் கள் . மற் றதை
வங் கி நிர் வாகம் பார் த்துக் கொள்ளும் என் கிறார் மேனேஜர் . அவன்
எனக்கு கையெழுத்துப் போடத் தெரியாது. நான் எழுதப் படிக் கத்

தெரியாதவன் என் கிறான் . மேனேஜர் ஆச் சரியத்துடன் என் ன

உங் களுக்கு எழுத படிக் க தெரியாதா? எழுதப் படிக் கத் தெரியாமலே
இவ் வளவு பணம் சம் பாதித்து இருக் கிறீர் களே இன்னும் எழுத படிக் க
தெரிந் திருந் தால் என் ன செய் திருப் பீர் கள் என்று சொன் னார் . அவன்
அமைதியாகச் சொன் னான் எழுத படிக் க தெரிந் திருந் தால் நான்
மாதா கோவிலில் மணி அடித்துக் கொண்டிருப் பேன் . இது உலகப்
புகழ் பெற் ற பிரெஞ்சு எழுத் தாளர் மாபாசான் அவர் கள்
அவர் களுடைய ஒரு சிறுகதை.
இந் த கதை உணர் த்தும் உண் மை தனக்கு மாதா கோயிலில் மணி

அடிக்கும் வேலை போய் விட் டதே என்று மனம் குலைந்து போகாமல்
அவன் உறுதியுடன் அடுத் த கட் ட வேலையில் ஆர் வத்துடன்
இறங் கியது. சாதிக் க வேண்டும் என் ற எண் ணம் யாருக்குத் தான்
இல் லை. சாதனைக் கான ஆதார சக் தி உங் களுக்குள் ளே எங் கோ
ஒரு மூலையில் உறைந்து கிடக் கிறது. அதை தூண்டிவிட்டு எழச்
செய் தால் நீ ங் கள் எதிர் பார் த் திராத அசுர உயரத் திற்கு உங் களை
கொண்டு செல்லும் என் பதே நிதர் சனம் .

Indian History Awareness and Research (IHAR):
Together We Can Make a Difference
Aakash
The Indic civilization has been under assault for several centuries now, in a violent debilitating process that
has led to the loss of knowledge, severe restrictions on the civilization, and an impoverishment of mind and
body. Today we see intensified assaults on the Indic civilization from all sides - media, academia,
government, judicial, missionaries, naxals, commies, leftists, deracinated natives, and foreign bodies. The
common link and driver in all these bodies is the upholding of an unchallenged bigoted narrative on the Indic
civilization. Distortions, biases, misrepresentations, omissions, demonization, criminalization and outright
destruction of the Indic narrative by the above has led to widespread internalization of a jaundiced, Hindu
phobic view of the Indic civilization, leading to a total loss of identity.
Do you value the works by Indian History Awareness and Research (IHAR) in bringing a strong, factual
evidence-based narration of the Indic civilization, and seeking to reverse centuries of distortions? IHAR
conducts schoolteacher workshops each year. Members of IHAR write well-researched conference papers,
books and articles. Our public outreach talks and videos reach several thousands each year in several cities
in India and USA. We propose to scale up our efforts in conducting more workshops and conferences, seeking
textbook reviews in more states, to write books and to have more outreach events. For all this, we need your
valuable support. Now is your chance to show that you care. Please show your strong support for the Indic
narrative by funding IHAR. Let us reclaim ownership of our intellectual space, and the narrative of our
civilization. Help us to inform, empower, and to describe a strong Indic identity.

Jayankondam, Ariyalur district, Tamil Nadu, India:
Gangaikonda Cholapuram
Midhun
Gangaikonda Cholapuram is a village located near to Jayankondam, Ariyalur district, Tamil Nadu, India.
Gangaikonda Cholapuram was the capital built by Rajendra Chola to mark his victory over his northern
neighbors. His generals brought water from the Ganges (to symbolize the territories subdued) and mixed it in
a lake at Gangaikonda Cholapuram and thus the name Gangaikonda which literally means the bringer of the
Ganges.
Gangaikonda Cholapuram was the capital built by Rajendra Chola to mark his victory over his northern
neighbors. His generals brought water from the Ganges (to symbolize the territories subdued) and mixed it in
a lake at Gangaikonda Cholapuram and thus the name Gangaikonda which literally means the bringer of the
Ganges. Such titles, the establishment of the capital and the magnificent temple were to publicize the
Samantachakra of the Cholas and consequently their status and grandeur. The only remaining building that
indicates the magnificence of the Cholas at this time is the temple then known as Gangaikonda Cholisvaram
and now synonymous with the capital and so called Gangaikonda Cholapuram by most people.
Similar in design to Rajarajeshwara/Brihadeshwara temple at Tanjore this temple too has a main shrine
dedicated to Shiva and subsidiary shrines in a huge enclosed courtyard.

Owned, Published & Printed by INDIRA SRIVATSA,
Printed at SRI AATHI LAKSHMI GRAPHICS,
14/33, Sivan Koil Cross Street, Kodambakkam, Chennai - 600024 &
Published from E 002, Premier Grihalakshmi Apartments,
Elango Nagar South, Virugambakkam, Chennai - 600092.
EDITOR: INDIRA SRIVATSA

-> உங் களுடைய
படைப் புகளை
அனுப் பவேண் டிய
மின் னஞ் சல் முகவரி:
editor.indira@gmail.com

A TO Z INDIA ENGLISH & TAMIL MONTHLY MAGAZINE
REG. WITH REGISTRAR OF NEWSPAPERS FOR INDIA UNDER NUMBER
TNBIL/2017/75531 R. DIS NO. 757/2017 ROC NUMBER L-105291/2021
The festival of Meenakshi Thirukalyanam celebrates the divine wedding of Meenakshi Amman with Lord
Shiva. On this day, devotees flock to the Meenakshi Madurai temple.
MEENAKSHI THIRUKALYANAM 1ST MAY 2023


A To Z India - May 2023

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English & Tamil Monthly Magazine Price Rs 65/-

The Head of a Sow

A TO Z INDIA ● MAY 2023 ● PAGE 2

covers the Indian through

his art, culture, lifestyle,

religion, etc. This

insight into the life of

Indians from an angle

Turn to find out what it

is about and to immerse

yourself into an entirely

devotees also observe fast on this day. Bhavani, Srinivasan

SPECIAL ON MAHAVIRA Chandra

The entire life of Mahavira is a Grihalakshmi

living inspiration for the rise of Apartments,

has made a constant care

to make sure that

the date of publication.

the articles reflect the

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If I could meet you today, From behind the curtain sheer,

Subhas Chandra Bose in Germany

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If we can all wake, understand And even if not the galaxy,

If he inspires us even today

Subhas Chandra Bose meeting Adolf Hitler

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Entire range of Plywoods, Glasses, Doors

#2/1, Kambar Salai,

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Place: Banteay Srei, 32km from Siem Reap city, Cambodia.

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திருநணா (பவானி), திருச் செங் கோடு, கருவூர் (கரூர் ), திருமுருகன் பூண்டி,

முக்கூடலில் உள் ள பவானி:

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இரவு வீடு திரும் பிய அவன் தன் மனைவியிடம் பாதிரியார்

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இப் படி அவன் நினைத் த வேளையில் ஒரு யோசனை தோன்றுகிறது.

A TO Z INDIA ● MAY 2023 ● PAGE 33

தெரியாதவன் என் கிறான் . மேனேஜர் ஆச் சரியத்துடன் என் ன

இந் த கதை உணர் த்தும் உண் மை தனக்கு மாதா கோயிலில் மணி

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