This document provides a comparison of some common words and terms from Shakespearean English to their contemporary English equivalents. It includes pronouns, verbs, parts of speech, literary and theatrical terms, and book formats. Some examples translated are "art" meaning "are", "anon" meaning "until later", and "blank verse" referring to unrhymed iambic pentameter.
This document provides a comparison of some common words and terms from Shakespearean English to their contemporary English equivalents. It includes pronouns, verbs, parts of speech, literary and theatrical terms, and book formats. Some examples translated are "art" meaning "are", "anon" meaning "until later", and "blank verse" referring to unrhymed iambic pentameter.
This document provides a comparison of some common words and terms from Shakespearean English to their contemporary English equivalents. It includes pronouns, verbs, parts of speech, literary and theatrical terms, and book formats. Some examples translated are "art" meaning "are", "anon" meaning "until later", and "blank verse" referring to unrhymed iambic pentameter.
other performers and reveals his feelings to the aside audience assail (verb) assault (noun) laying siege to a lady's chastity aught anything aye\yea yes banns notice of an intended marriage
the surreptitious substitution of a virgin wife for
another woman who is sinfully desired (All's Well bed trick That Ends Well)
unrhymed iambic pentameter (10 syllables in each
line, in which an unaccented syllable is followed by an accened one); blank verse has five feet, or beats, per line and every other syllable is stressed; blank verse can be smooth and dignified, but it can also mimic the pattern of natural speech more effectively of the most versatile and flexible verse forms, a favorite not only of the Renaissance poets blank verse but also of many later poets
a stock character, the comic figure drawn from
ancient Roman comedy: Falstaff (Heny IV, Parts I and II) is Shakespeare's most famous use of this braggart soldier character a single folio sheet (half the size of a regular sheet), printed on one side only; broadsides were used to publish ballads, proclamations, and other broadside announcements bum buttocks cock penis; God
a reference book that lists every word that an
author used; the Harvard Concordance is the authoritative Shakespeare concordance; it is especially useful for authenticating Shakespeare's concordance works dost do doth does e'en even/evening ere before enow enough fare-thee-well goodbye fie a curse
a minor character used as a contrast to a main
character -- Banquo, for example, serves as a foil foil to Macbeth
a book format in which each individual sheet has
been folded once, across the middle of the longer side, creating two leaves for each sheet; the sheets vary from 15 by 10 inches to 12 by 8 inches -- with folio many sizes in between grammarcy thank you hast have hence from here hie hurry the fluids of the human body: bile, phlegm, choler, and blood; according to Elizabethan medical theory, disease and emotion were caused by the humors balance of the humors
a poet foot or unit with one unstressed syllable, as
iamb in the word "a/fraid"
iambic pentameter 10 syllables or beats in each line
marry a mild swear word mayhap/perchance/belike maybe miles gloriosis see braggart soldier morrow day nay no ne'r never
a book format in which the individual sheets have
been folded three times, creating eight sheets; the measurements of an octavo are a fourth of that of octavo a folio oft often prithee/pray please
a book format in which the individual sheets have
been folded twice, creating four sheets; recto the quarto front of a leaf, always the right-hand page
an elaborate poetic passage that follows the rules
of dramatic oratory; setpieces do not move the action forward and are often filled with quotations that become memorable; Hamlet's famous setpiece soliloquy "To be, or not to be" is a setpiece a page; in Shakespeare's day, the size of a sheet varied a great deal, from 20 by 15 inches to 16 by sheet 12 inches
a speech in which a character is alone with his
private thoughts; it tells the audience what the soliloquy character is thinking
sonnet a 14-line poem written in iambic pentameter
a standard character who appeared in many plays
and thus would be instantly recognizable to stock character members of Shakespeare's audience
the time after which a play could not have been
terminus ad quem written (Latin) thane a Scotch title equal to "earl" thee you (object.."to you" thine or thy your (possessive singular)
thou you (subject, singular, informal)
tis it is
officers appointed to protect the interests of the
people form possible injustice at the hands of tribunes patrician magistrates twas it was verily very/truly
verso the back of a leaf, always the left-hand page
wast were whence from where wherefore why would (he were) I wish (he were) ye (subject, plural) you yea even yon/yonder that one there