This document discusses the basics of beaming and grouping notes in musical notation. It shows that multiple eighth notes are beamed in groups of two, sixteenth notes are beamed in groups of four, and thirty-second notes are beamed in groups of eight. The document also lists rules for grouping notes, such as not beaming across bar lines or beats, and examples of beaming in different time signatures like 4/4, 2/4, and 6/8 are shown.
This document discusses the basics of beaming and grouping notes in musical notation. It shows that multiple eighth notes are beamed in groups of two, sixteenth notes are beamed in groups of four, and thirty-second notes are beamed in groups of eight. The document also lists rules for grouping notes, such as not beaming across bar lines or beats, and examples of beaming in different time signatures like 4/4, 2/4, and 6/8 are shown.
This document discusses the basics of beaming and grouping notes in musical notation. It shows that multiple eighth notes are beamed in groups of two, sixteenth notes are beamed in groups of four, and thirty-second notes are beamed in groups of eight. The document also lists rules for grouping notes, such as not beaming across bar lines or beats, and examples of beaming in different time signatures like 4/4, 2/4, and 6/8 are shown.
Multiple thirty-second notes are beamed like this.
The Basic of Grouping
1. Don’t beam across a bar line.
2. Don’t beam across am “invisible line”. 3. In 2/4, 3/4, and some other time signatures, beam by beat (don’t beam across a beat). 4. 16th notes are grouped by “beat”. 5. 32nd notes are grouped by “beat”.