Professional Documents
Culture Documents
in Mass Communication
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Historiography: How did you get the idea for your book?
Historiography: Tell us about the research you did for your book: What
were your sources, how did you research your book, how long did you spend,
and so forth?
Historiography: Besides the sources you used, were there any others you
wish you had been able to examine?
Kroeger: Two things: I didn’t know Harvard had pristine copies of the
New York World, still on paper in 1990-1994, which would have made
much better images for the book than the ones I had to extract from
scratchy microfilm or silver prints. Also, I did not have all of Bly’s Fam-
ily Story Paper stories, as copies of the publication in the United States
are few. Kudos to David Blixt, who thought to go find their London
edition in the past couple of years. It doesn’t substantively change what
I wrote, but of course I would have liked to have eyeballed them all.
And of course, had her personal letters been preserved, I wouldn’t have
had so few to work with. I ended up with something like two hundred
of them, having started with only six. Still — for a biography, few.
Historiography: Based on your research for the book, what would you ad-
vise other historians in our field about working with sources?
Kroeger: I had some great good fortune and enormous privilege with a
husband willing to take on all the quotidian duties of life together. I was
freelancing at the time, so did not have a competing academic schedule
yet and my daughter was in school all day, my husband was an amazing
support-force, as just noted, and his children were college-aged. at
book could never have been written in three years without that enor-
mous freedom.
Kroeger: It filled in the gaps in her story after the trip around the
world. It gives a fuller account of her journalism after the trip around
the world, her marriage, her work as an industrialist, her manifold legal
wrangles, the troubles with her family, her four years in Austria during
the entirety of World War I, her appeals at Versailles, and her work for
Arthur Brisbane at the New York Evening Journal until her death in
1922. Her goals and sense of mission to serve the under-served — even
as her circumstances changed radically at several points — never
changed. ere was authenticity in her public persona.
Kroeger: e contours of the marriage, how she spent her time in Aus-
tria and its aftermath, straight through to her days at the Journal. And
then there was the discovery of her ward. at was extraordinary.
Historiography: What advice would you give to people in our field who
are considering doing a book in JMC history?
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