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FUNDAMENTALS IN HAIRCUTTING
PERSPECTIVE:
Vertical perspective consists of profile, facial features, front, sides back of the head. It reduces weight in the shape. This creates an
illusion of length. Gives the sense of length to a shape and create a flatter silhouette. It is used to check for balance. and symmetry
and how high to lift the hair. when cutting a square layer, typically vertical is used. It elevates the hair at a 90degrees vertical
angle.
When the hair is cut across the ends, it creates an even flat line so when the section of hair falls, the layers softly blend into the
length horizontal shows the shape of the haircut when all hair is lifted straight out from the head.
when texture is desired, elevate the hair at a 90 degrees vertical angle and point cut with shears held perpendicular to the section.
the technique will create more dimension with soft. edges that blend with the change on elevation. it is ideal for clients with thick
or coarse hair with concerns of hair being too wide or poofy.
Horizontal perspective It leads the path of the eye from left to right. It builds weight into a shape and creates width. it is typically
cut at the perimeter for a blunt cut. for more visual impact and variations of weight. point cutting technique on elevated at 90
degrees. the hair will fall at the same angle which it was cut yet with more graphic line. it is a great way to add depth and volume
to hair cuts.
DIMENSION:
A function of the range of tones in your hair. A head of hair that is all one colour is flat or lacking dimension.
Depth - refers to the lightness or darkness of hair color. The lighter the hair, the thinner it can look. The distance of hair
extends from the scalp length of hair.
Height - The vertical dimension of length and weight within a haircut. This is controlled through elevation as well the cutting
line.
Width - The horizontal dimension of weight and length within a haircut over direction.
DISTRIBUTION OF WEIGHT:
Vertical distribution of Weight can be distributed upwards or downwards depending on elevation. Reduces density (weight)
most used when cutting layers can also be distributed forward and backward depending on over-direction.
Horizontal distribution of weight, from front to back, and is controlled by over direction, tension, and finger angle. the
horizontal movement of hair that’s directed forward/backward from its natural fall. is the horizontal weight distribution with
the haircut.
ELEVATION:
Lifting of the hair from its natural fall. The degree that the hair is lifted vertically from its natural position, distributes weight up and
down. Creates graduated and layered techniques. Elevation controls the vertical characteristics of a haircut.
OVER-DIRECTION:
Shape is viewed from bird’s eye view. Over direction is the horizontal movement of the hair that is directed forward and or backward
from its natural fall. Over direction creates a distribution of weight horizontally.
HAND AND BODY POSITIONS:
body position is divided into 2 parts: lower/upper
the position of your body, feet, and hands control the creation of a haircut
LOWER BODY POSITION control the geometric shape by controlling how you over direct the hair forward and/or backward.
UPPER BODY POSITION controls how you lift, move, and elevate the hair. Controls technique.
HAND POSITION controls elevation and tension. Controls what method of cutting we use.
FINGER ANGLE determines the heaviness of a technique vertically and the steepness of the geometric shape horizontally.
GUIDELINES:
A stationary guide is a point to which all the hair is directed before cutting. A stationary guide is used in long layered haircuts like
the shag. This guide does not move during the haircut. A traveling guide is one that moves with the area being cut. With a traveling
guide, hair that has been previously cut is used to indicate the length of the next area to be cut. Haircuts like the basic circle cut and
the pixie cut use a traveling guide. The result is layers with a uniform length.
Learning Task #1: Draw and identify the hairlines of your groupmates.
NAME OF FAMILY MEMBER DRAW THE HAIRLINE OF YOUR FAMILY MEMBER HAIRLINE
1. Why must a stylist consider the client’s body shape when cutting hair? Explain.
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2. Why does the hairdresser need to follow the principles and guidelines in every haircutting? Explain briefly.
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3. How can the hairdresser analyze the hair condition and face shape of the client?
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