Professional Documents
Culture Documents
ENGL 1302
Mr. Powers
5 March 2023
ineffective and highly detrimental. This paper will discuss the effectiveness of performance
activism based on research that defines and highlights examples in the queer community. Due to
the recent politics circling the queer community it is important to understand and acknowledge
effective forms of protest that continue to keep the LGBTQ+ community afloat. It is important to
understand that there are many forms of performative activism that continue to contribute
information and awareness about issues pertaining to the queer community. This essay utilizes
Singhal's definition of performative activism which states “any form of performance that
requires an audience and/or allows them to interact with the components of the performance in
any way they see fit.”(44) Shepard al et further defines play as “freedom–of the mind and
body–from any number of repressive forces, from the state to the super-ego, the cop in the
head.”(2) In the LGBTQ+ community performance activism is an effective tool that has been
utilized since stonewall, so research that includes different examples of performative activism
has been gathered to support this idea. Shepard et al highlights the idea that play in terms of
coordinated organizing effort, and invites individuals to join.”(3) Performance activism creates
safe spaces for audience members to be able to interact with said performance, which ultimately
leaves an audience to resonate with a cause. Some examples of performance that will be used in
this paper include–festivals/parades, theater/dance, and political organizations such as ACT UP.
There isn’t much discourse over the effectiveness of performative activism; however, some
researchers such as Weissberg have noted they find performance activism to be a waste of
coordinated efforts.
Bauer, C. “Pioneering Trans Artist Sean Dorsey is on a Mission to Reshape the Dance Field.”
Benjamin, Shepard, et al. “Performing vs. the Insurmountable: Theatrics, Activism, and Social
Clark, Jordin. “"Daddy Pence Come Dance": Queer(ing) Space in the Suburbs.” Western Journal
of Communication, vol. 85, no. 2, 2021, pp. 168-187. Accessed 24 February 2023.
Grady, Jonathan, et al. “A Critique of Neoliberalism with Fierceness: Queer Youth of Color
Creating Dialogues of Resistance.” Journal of Homosexuality, vol. 59, no. 7, 2012, pp.
Graff, Torsten. “Gay Dram/Queer Performance?” American Studies, vol. 46, no. 1, 2001, pp.
Jong, Anna de. “Rethinking Activism: Tourism, Mobilities, and Emotion.” Social & Cultural
Geography, vol. 18, no. 6, 2017, pp. 851-868. Accessed 1 MARCH 2023.
Rand, Erin J. “Gay Pride ad Its Queer Discontents: ACT UP and Political Deployment of
Affect.” Quarterly Journal of Speech, vol. 98, no. 1, 2012, pp. 75-80. Accessed 1 March
2023.
Rosendahl, Todd J. “Setting the Stage: The Selection, Programming, and Staging of Musical
Entertainment at Pride Toronto.” vol. 46, no. 2, 2012, pp. 12-18. Accessed 25 February
2023.
Shefer, Tamara. “Activist Performance and Performative Activism Towards Intersectional
Gender and Sexual Justice in Contemporary South Africa.” International Sociology, vol.
Shepard, Benjamin. Queer Political Performance and Protest: Play, Pleasure, and Social
Singhal, Arvind, and Karen Greiner. “Performance Activism and Civic Engagement Through
Symbolic and Playful Actions.” Journal of Development Communication, vol. 19, no. 2,
Weissberg, Robert. The limits of Civic Activism: Cautionary Tales on the Use of Politcs.
Whitney, Elizabeth. “The Dangerous Real: Queer Solo Performance in/as Active Disruption.”
Comparative American Studies An International Journal, vol. 14, no. 3-4, 2016, pp.