The lesson plan has students work in groups to create soundtracks to accompany short underwater film clips using instruments and technology, with the goal of capturing the sense of being underwater similarly to how a film composer might; the groups will perform their soundtracks for the class, who will analyze the similarities and differences between the performances; finally, the class will compare the student compositions to Saint-Saens' "Aquarium" to identify any similarities in how they conveyed being underwater.
The lesson plan has students work in groups to create soundtracks to accompany short underwater film clips using instruments and technology, with the goal of capturing the sense of being underwater similarly to how a film composer might; the groups will perform their soundtracks for the class, who will analyze the similarities and differences between the performances; finally, the class will compare the student compositions to Saint-Saens' "Aquarium" to identify any similarities in how they conveyed being underwater.
The lesson plan has students work in groups to create soundtracks to accompany short underwater film clips using instruments and technology, with the goal of capturing the sense of being underwater similarly to how a film composer might; the groups will perform their soundtracks for the class, who will analyze the similarities and differences between the performances; finally, the class will compare the student compositions to Saint-Saens' "Aquarium" to identify any similarities in how they conveyed being underwater.
• Present students with some short film footage of an aquarium or
under the sea • Ask them to create a soundscape in groups using instruments and technology (e.g. GarageBand) to support the film in the same way a film composer might be given the assignment • Set a time limit – decide how this is to be done over a several lessons. • Students divided into groups, develop their film score and rehearse for performance • Groups perform – as they are listening to each performance, ask the class to think about the similarities and differences between the groups. Make a note of these similarities and differences and the end of the performances – How was the sense of water moving created? • Listen to Aquarium – Describe how Saint Saëns has created the sense of an aquarium (fish, water, etc). Are there any similarities with the class compositions? (Worksheet B)
Mars, the Bringer of War
Venus, the Bringer of Peace Mercury, the Winged Messenger Jupiter, the Bringer of Jollity Saturn, the Bringer of Old Age Uranus, the Magician Neptune, the Mystic
The students will: identify, describe, and respond to contrasts within musical elements (PK); describe how musical elements are used to create particular moods and effects (PK, UC); explore sounds and musical ideas and improvise with them to create moods and effects (PK, DI); interpret graphic symbols using voice and mouth sounds (PK, CI); respond to a source of motivation to create a soundscape, which reflects contrasts in the musical elements using body percussion, percussion instruments and found sounds (DI, UC); represent soundscapes as simple graphic scores (PK, DI); present and discuss their compositions, using appropriate vocabulary (PK, CI); reflect critically on their own and other's performances (PK, CI).