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Hinde Analise
Hinde Analise
Robert A. H inde
V p Psychology Press
A Taylor &. Francis Group
HOVE AND NEW YORK
First published 1997 by Psychology Press
Psychology Press is an imprint o f the Taylor & Francis Group, an informa business
Acknowledgements
Frontispiece
Preface
PARTA PROLEGOMENA
4. Problems of Description
The need for description 51
Description is necessarily incomplete 52
Description and explanation 54
Particular relationships or generalisations? 54
Guidelines for selection 55
Dimensions and levels of analysis 55
The concepts o f “Closeness” and “Intimacy ” 57
Categories o f dimensions 61
Classifying relationships 62
Summary 65
B4. CLOSENESS
Context 230
Judges’ sensitivity: masculinity!femininity 231
Mood 232
Simultaneous cognitive operations 232
Mutuality 232
Length of acquaintance 233
Misperception 233
Interpersonal perception in on-going relationships 234
Perceived similarity and understanding 234
Interpersonal perception and empathy 235
Misperception 236
Accounts 236
Personal construct analysis and the perception of
relationships 238
Summary 241
14. Satisfaction
Measurement and related problems 244
Consistency 247
Factors affecting satisfaction 249
Introduction 249
Personal characteristics 250
Properties of the relationship 255
Extra-relationship factors 265
Conceptual models of the bases of satisfaction 265
Summary 266
15. Commitment
Definition 269
Commitment and autonomy 273
Determinants of commitment 273
Commitment in unsatisfying relationships 273
Belief in the partner’s commitment 274
Individual characteristics and commitment 276
Summary 276
25. Aquaintance
Introduction 447
Physical attractiveness 448
Selection 449
Non-conscious processes in selection 453
First judgements 454
Acquaintanceship 455
Interactional skills 457
Summary 459
27. Maintenance
Stability and change 477
Maintenance processes inherent in a positive relationship
Attribution 481
Maintenance strategies and behaviours 482
Continuity of unhappy relationships 485
Summary 485
References 521
xiv
SOCIETY w
XI \
X Jf GROUP -• N
^ I\
SOCIO-CULTURAL A
STRUCTURE ^ f RELATIONSHIP
INTERACTION
y
PHYSICAL
ENVIRONMENT
\ 1 ✓ INDIVIDUAL BEHAVIOUR
\ 1 /
PSYCHOLOGICAL PROCESSES
XV
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Preface
xvii
xviii PREFACE
The first three chapters are intended to link those that follow to real life, or
at least to real-life situations. Vignettes in Chapter 1 indicate some of the
increasingly complex issues involved in individual behaviour, short-term
interactions, relationships and groups, and hint at how they can be related
to theory. Some of the obstacles to building up an ordered body of knowl
edge about relationships are discussed in Chapter 2. Understanding a
relationship requires some prior understanding of the individual partici
pants and of how they interact, so Chapter 3 presents a brief introduction
to some theories of the self-system, and indicates the nature of interactions
and relationships. This chapter stresses also the importance of coming to
terms with the dialectical relations between successive levels of complex
ity, as illustrated in the Frontispiece.
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From Everyday Behaviour
I towards a Science of
Relationships
This is a book about the nature of relationships. Before plunging in, it may
be helpful to consider four vignettes which link the analytical approach to
situations in real life.
INDIVIDUAL BEHAVIOUR
Suppose that at this moment you are sitting in a chair (behaviour),
thinking about what you are reading (cognitive activity), and feeling
comfortable (affect). But after a while your mind wanders: you are
distracted by thoughts of the wonderful time you had with your friend
yesterday (cognition) and you feel a little elated (affect). At the same
time you wonder whether you really want to read this book (cog
nition). You get up and make some coffee (behaviour). Coming back,
you nearly trip on the carpet, exclaim loudly with irritation (behaviour,
affect), settle back into your chair (behaviour) with relief (affect) and
feel content (affect) as you go on reading (cognitive activity).
All the time we are awake we are behaving, and thinking, and feeling,
and each of these may influence the others. What we feel is influenced by
what we think; and what we think is influenced by what we feel; what we
think and feel influences what we do; and what we do influences what we
feel and think. Even an apparently simple activity, sitting reading a book,
is actually very complicated.
You may ask why you are reading the book anyway. One answer is that
you are curious. That, you will say, is a circular answer: we explain your
3
4 1. TOWARDS A SCIENCE OF RELATIONSHIPS
reading by saying you are curious and we believe you are curious because
you read. But in general it is far from circular, and almost a truism: it is
part of our nature to seek to understand, to be able to predict, to exercise
some control over the world we live in and to steer our own way through
it. G.A. Kelly (1955) pictured this by saying that we operate as “personal
scientists”, developing implicit “theories” about our experience in the world
so that we can cope with it better. That world is to a very large extent a
social world, and it has been convincingly argued that that is why monkeys,
apes, and humans have such relatively large cortical areas—we need to cope
with a complicated social world (Humphrey, 1976). In practice, the theories
that we elaborate about ourselves and about others are only moderately
accurate, though we often convince ourselves that they are better than they
really are.
To say we act as “personal scientists” is of course a metaphor. It is a
way of referring to processes that underlie much of our behaviour, processes
that are largely unconscious: the metaphor suggests that they are like the
conscious processes of someone investigating an aspect of the world. As a
metaphor, it is flexible, and we must be careful to remain aware that it is
only a metaphor. Nevertheless it is a useful way of thinking, in part because
description in terms of constituent processes at a fine level of analysis might
miss properties relevant to a higher level, and in part because, if used with
discipline, it gives us interesting insights into our behaviour. Furthermore,
it ceases to be circular in so far as it “explains” diverse aspects of our
behaviour.
Kelly suggested that, as a consequence of experience, we accumulate a
series of constructs by which we construe the world. These constructs are
often, but not necessarily, bi-polar—living/inanimate, human/nonhuman,
and so on. Each individual construes the world in a different way in
accordance with his or her nature and past experience. Because you are
reading this book you are probably the sort of person who distinguishes
between books and magazines, and between magazines and journals, but
to many they would all be just books.
The constructs are interrelated in innumerable but personally idio
syncratic ways, in part by interlocking hierarchies. Thus “chicken” may be
subordinated to “bird” and then to “animal” in one person’s hierarchy,
and to “food” in another’s. Although we use labels to discuss constructs,
they are not themselves necessarily verbal or dependent on verbal labels.
We use these constructs for ordering past experience, making sense of
current events, and for predicting the future. Each person’s construct system
is seen as continually under test by experience, in the light of which the
construct system is adjusted, new material is assimilated and the whole
accommodated. It is a bit like making a map of unexplored country,
INDIVIDUAL BEHAVIOUR 5
adjusting the details as we refine our survey or cover new ground. The
superordinated constructs carry more implications for the system as a whole,
and are therefore more resistant to invalidation—just as, if we found a
particular hill was a bit higher than we thought, we would not give up
colouring the high ground brown and the sea blue. Kelly supposed that we
use our construct systems to make “theories” with which we organise our
experience and with whose aid our behaviour is controlled. In so far as we
can understand the present and predict the future, we can control the
future—moving into situations where our needs can be satisfied, and
avoiding those that are disagreeable or dangerous. However constructs and
“theories” are in a dialectical relation to each other—we use our constructs
to make theories and adjust our constructs in relation to our theories. One
reason that adolescence can be traumatic is that earlier constructs and
theories are being challenged.
On this view, we ascribe properties to the self, perhaps partly on the
basis of observation of our own behaviour—seeing ourselves give money
to charity, we label ourselves as generous, and this affects our future
behaviour. The labels we apply to ourselves are based primarily on
similarities and differences between ourselves and others: thus the self can
be seen only in relation to the social context in which it is embedded. The
particular theory each individual has about his/her self enables and restricts
social behaviour, and affects both plans and expectations about the future
and the accounts of the past fabricated to maintain or change the self
image. And, according to our understanding of ourselves, of the situation
we are in, and of those we are with, we select a role—a pattern of activity
that follows from that understanding. (Note there is a slight change in
metaphor here, the scientist has become an actor, playing the part he sees
himself as having been engaged to play.) Although there are a number of
roles we could play, we have a “core role structure” (a term which overlaps
with “self-concept” or “self-schema”), which provides the means whereby
we maintain our identity.
The philosophically minded reader will detect a problem in all this—
where is the I who observes the self and plays the role that has been selected?
This issue can be pursued in discussions of the nature of consciousness
(e.g. Dennett, 1991; Humphrey, 1992): for present purposes we need only
remind ourselves that we are speaking metaphorically. We treat the self as
someone to think about as if we were thinking about someone else.
Kelly’s account is one of a number that stress the social nature of the
self (see Chapter 3). We shall meet others in later chapters and find that
the metaphors they use overlap with those of Kelly. Bowlby’s (1969/1982)
Internal Working Model of self and other is one that has received
particular prominence lately.
6 1. TOWARDS A SCIENCE OF RELATIONSHIPS
INTERACTIONS
The behaviour of one person is complicated enough. Now imagine an
interaction between two.
Now suppose, while you are reading, someone knocks on the door.
You open it to find a little old lady almost entirely covered in a rather
ragged grey shawl. You presume that she has come for money, and
greet her with a rather hesitant and suspicious "Good morning". She
lowers the shawl a little and smiles kindly at you. "I'm your new
neighbour", she says, "and I have brought you some flowers from my
garden". She produces a bunch of violets from under the shawl. You
thank her politely, but now you are a little ill at ease— you want to be
on good terms with your neighbour, but not on too good terms: after
all, she might become intrusive. Yet again, she seems a kindly person,
and perhaps she is lonely: you should be kind to her. However, smiling
straight into your eyes, she then turns and walks off through the gate.
Did she detect your ambivalence? Did she feel rejected? No, surely
not—you took the flowers and thanked her, and you'll do something
for her tomorrow to make sure that she realises your gratitude. Yes,
you tell yourself that you need not worry.
When the doorbell rings, one usually has no idea who is standing out
side. With the first glimpse one forms an impression which is immediately
compared with memories of comparable people encountered in the past,
or with people one has heard about or read about. The little old women
you have met before have usually wanted something, but was there not
one once who turned into a fairy godmother—or was it a wolf? So what
should one do when such a woman appears on the doorstep? This time
you muddled through, feeling apprehension, embarrassment, until she was
on her way. You were trying to find a way of behaving that would satisfy
both you and her, and you are not sure you succeeded. But after she had
gone you could construct a story that explained your behaviour to yourself.
The important issue here, which we shall meet repeatedly in later
chapters, is that people are continuously trying to make sense of their own
and others’ actions. They search for meaning. People need to feel that they
have some degree of control over what happens, and to that end need to
see the world as predictable—an issue crucial for many aspects of social
psychology (Berger, 1993).
There are a number of ways to describe the interaction in this vignette.
Duck (1977a, b, 1990, 1994a, b) emphasises that, in their interactions and
relationships, people try to create personal meanings for themselves and
mutual understanding with their partners. Here it was your uncertainty
about whether you had established mutual understanding that led to your
feeling uncomfortable.
INTERACTIONS 7
G.A. Kelly (1955) would say that you were searching for a suitable
“role”, where “role” is a way of behaving that follows from a particular
understanding of another person or of a situation. The role we adopt must
be compatible with, and indeed should confirm, the image we have of our
selves—seeing yourself as charitable, you could not have shut the door in
her face. But you see yourself as charitable because of past experiences
with other people—every individual’s personal identity is formed by experi
ence, and especially social experience. And it continues to be formed
throughout life—though in some respects resistant to change, it is in
dynamic flux. And because you are continually discerning similarities and
differences between yourself and others, and between those others, the way
in which you construe yourself is closely related to the way in which you
construe others, and vice versa.
An approach to the understanding of social behaviour has been worked
out in detail by Goffman (1959, 1961, 1963, 1967) and G.J. McCall (1970,
1974). Goffman distinguishes between the expressions an individual gives
and those he gives off. By “gives”, Goffman refers to communication in
the usual sense. When you opened the door, you said “Good morning” in
an entirely proper way. By “gives off”, Goffman is referring to the impres
sion an individual creates or tries to create. You might have said “Good-
morning” haughtily, benevolently, distrustfully, ingratiatingly... In point of
fact, this time you fluffed it—you were not quite sure what impression you
wanted to create. But, Goffman would say, the little old lady was watching
the expressions you gave off in order to “define the situation”—so that she
would know what to expect of you.
In general, it is in the individual’s interest to influence this definition of
the situation which the others present come to formulate, and he (or she)
can do this most readily by expressing himself so as to give them an
impression that will lead them to accept his plan. To understand how the
individual achieves this, Goffman takes a “dramaturgical perspective”,
treating the speaker as though he was a performer attempting to create an
impression on an audience. In real life an individual may create an im
pression deliberately; or he may act more or less unconsciously, perhaps
falling in with the conventions of the group, or his behaviour may be idio
syncratic and more spontaneous. If the actor dissembles, the listeners may
or may not spot what he is up to. If the actor knows that he is likely to
be discovered, he may make a false revelation—Goffman emphasises the
potentially infinite cycle of concealment, discovery, false revelation, and re
discovery.
Each party to an interaction will be actor and audience in turn, so each
will project their definition of the situation, which may or may not be
accepted by the other. In the course of interaction, each may shift ground
a little—or perhaps adopt a slightly different role. But for the interaction
8 1. TOWARDS A SCIENCE OF RELATIONSHIPS
RELATIONSHIPS
Now let us go a little further, and discuss behaviour between two people
who know each other well.
After the little old lady has left you settle back into your chair, com
forted by the thought that you had thanked her warmly and by your
intention to repay the call tomorrow, and continue reading. But after
a few minutes the telephone rings. This time it is your closest friend,
someone you've known for years. You are very fond of him— it has
often been a relief to discuss problems with him in the sure knowl
edge that he would not betray your trust. In fact you are a little
worried that you might become too fond of him: he sometimes seems
a bit assertive, and you don't want anyone else running your life for
you. But you greet him warmly, and you chat for a few minutes about
what you have both been doing. Then he suggests he should come
round and that you go for a walk along the cliffs, a few miles away.
There it is again— you'd been planning a quiet day at home with this
fascinating book and warm fire and plenty of coffee, and he wants you
to get yourself together, put on another coat, change your shoes and
go out. You really don't want to stir yourself up, but it is a wonderful
fine breezy day, a walk on the cliffs would be wonderful, and after all
it's ages since you did anything like that.
So you go. Do you enjoy yourself? Perhaps it really is wonderful
on the cliffs: the flowers are just coming out, broken clouds, just
enough wind to make little white horses on the sea. And he is very
considerate, taking care not to walk too fast— and he brought apples
and chocolate with him. Perhaps you were wrong to think him asser
tive. Next time he rings you won't hesitate.
When you get back you reflect on how, when he rang, there was a
comfortable feeling of sinking back into an old routine, you always
knew where you were with him. It was not very sensible to have those
worries about your autonomy— really he's very considerate. And he is
always thinking of wonderful new things to do, so it's never boring to
be with him. And so you pick up the book and find you have got to
the place where it talks about relationships.
In a close relationship you don’t have to search for a new role identity,
but just pick up the one that is appropriate for the partner in question.
That echoes what you have been thinking and feeling today. In a close
relationship, the familiarity makes it unnecessary to think too much about
how you should behave—you automatically put on a coat (to use yet
another metaphor) suitable for the occasion. With a close friend it’s an old
coat, one that for nearly all the time you feel comfortable in and, despite
its age, keeps you warm. Of course there are times when you wonder if it
is the coat you really want to be wearing, whether it really fits you. You
10 1. TOWARDS A SCIENCE OF RELATIONSHIPS
have quite a number of other coats in your cupboard suitable for other
friends and other situations, and which one you choose depends on your
memories and feelings about past interactions with the person in question—
and perhaps on expectations and hopes for the future. But this is a friend
you are fond of, and you do really like the coat you wear with him—you
feel it’s “like you”. Perhaps that is why you are fond of him—because you
like the coat you wear with him. One cannot be happy in a relationship
unless one likes the sort of person one is in that relationship. We shall see
later that this means that you have to keep a number of balances rather
delicately poised. You want to be close to him but not (or not yet) so close
that you feel as though you’ve lost control over your life. You want to
share your thoughts and feelings with him, but there is a fear that by doing
so you make yourself vulnerable and might lose control that way. The
familiarity gives you security, but monotony can be boring. You want to
do things for him, and you want him to do things for you—but it must be
fair, because you’ll feel uncomfortable if you feel you are not getting what
you deserve, or if you feel you are getting more than you deserve.
The next day he rings you again and suggests that you and he should
join some friends of his for a drink in "The Three Horseshoes". You
are really enjoying the book now but, remembering the lovely walk
you had yesterday, you agree cheerfully and put on your coat. The
friends turn out to be two of his football buddies. They welcome you
warmly, buy you a pint, and you are glad you came. You settle down
in a corner of the bar. But as the conversation goes to and fro, you
begin to feel you are seeing a new side to your friend. With his foot
ball buddies he has a certain heartiness which you have not come
across before. However you don't want to let him down, and you do
your best to fit in. Feeling a little chilly, you take a bright scarf out of
your bag and tie it round your neck to fit in over your coat. You try
hard but you feel torn— a little guilty because you don't want to let
down your friend, and again a little guilty because you are not quite
sure that this is a role that really fits you. A few drinks later, you'd
really rather leave and be with him alone, but it's your turn to buy a
round of drinks and you do not want him to feel that his friends think
that you don't know the proper conventions. This time you get your
self some tonic water, but he is on his fourth drink and you begin to
wonder if he really is the person you thought you knew— he even
makes a remark which you feel is off-colour.
THE SOCIAL GROUP 11
Fortunately his friends soon have to go. You walk back home
together, light the fire, and, as the house warms up, you take off your
scarf and sit talking. In this relaxed atmosphere you can tell him that
you weren't quite certain that you liked his friends. He tells you that
they are good chaps really, though perhaps they were showing off a
bit for your benefit, and that it's important for him to get on with them
because one of them is the boss's son. You know how important it is
that he should get on in the firm, and indeed you want him to, so you
decide that you needn't say anything about his behaviour in the pub—
it was not the real him, he was acting under constraint.
We all feel we are the same person all the time, and yet we adjust our
behaviour according to whom we are with. A relationship with one other
person is relatively simple compared with interactions with that other
person in a group. Somehow you must find a role that suits not only your
special friend as he is with you, but also his friends, and yet further the
sort of person he likes his friends to perceive you to be. And while when
you were with him alone you were to some extent constrained by norms
that you both considered appropriate, in a group you felt even more con
strained because you felt that your friend might feel that his friends might
think less of him if you did not conform to their conventions. You were
not sure that you were in sympathy with the way he behaved in the pub,
but when you were alone with him he provided you with an account that
enabled you to construct your own story and so come to terms with his
behaviour.
Relationships are complicated.