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  • Mito Matija - Proživljeno - Note - Mandolina

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    Matija Ćutić
    12 views4 pages
    This document appears to be a musical score containing various songs and compositions written in an unfamiliar musical notation system. It includes the titles "Noćna mora", "To Electric Guitar", "Pod zmijskom kožom", "Uspavanka", "Ne dirajte mi ništa", and "Pokora". The composer is credited as Ivan Luić and there are indications of instruments including electric guitar, mandolin, and various vocals and rhythms.

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    This document appears to be a musical score containing various songs and compositions written in an unfamiliar musical notation system. It includes the titles "Noćna mora", "To Electric Guitar", "Pod zmijskom kožom", "Uspavanka", "Ne dirajte mi ništa", and "Pokora". The composer is credited as Ivan Luić and there are indications of instruments including electric guitar, mandolin, and various vocals and rhythms.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    12 views4 pages

    Mito Matija - Proživljeno - Note - Mandolina

    Uploaded by

    Matija Ćutić
    This document appears to be a musical score containing various songs and compositions written in an unfamiliar musical notation system. It includes the titles "Noćna mora", "To Electric Guitar", "Pod zmijskom kožom", "Uspavanka", "Ne dirajte mi ništa", and "Pokora". The composer is credited as Ivan Luić and there are indications of instruments including electric guitar, mandolin, and various vocals and rhythms.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 4

    Noćna

    mora
        NAKON VOKALA     
    Ivan Luić

      x10
           
        

               
        
    Kritična faza večeri
       
    9

                   

     
    18

                    

    28

                 
       
    38

     
              
       
      
    48

              
            
    65


                  
     
    74

                    

    84

       
                    
    94

                    

    104
         
              
    Ivan Luić
     = 80
      

       
          
     
           
    11

                
     
       
        
    23
    1.

                                           
        
    To Electric Guitar

     
    33

                                                   
    Pod zmijskom kožom
     
    44

                                           
        
    56

                                
      
          
    66
    x6

              
                 
       
    86

              
      
      
                           
    92

                  
                     
                        
    97
    To Mandolina
    x3
    Uspavanka

     
                    
    8x UKUPNO


    111
    Ne dirajte mi ništa

        
    Mandolina

      
    Ivan Luić

                               
      
                          
        
    17

                   
               
         
    30

                   

       

       

     
     
      
       
    46
    x4


    
    Pokora
                   
    62

    

          
                                     
    83

                                           
    90

                                              
    96

    
                                 
    103

                         

    130
    Ustaška gorčina

    
    Mandolina

             
    Ivan Luić

                  

                   
            
         
    x4
    25

                           
        
    34

      
             
          

    45

                     
              
     
    x4
    56

                           
               
    65

          
            
         
    76

        


    
                       
    87

                   


        
    122

       


                            

    133

                 
        
    145
    x3

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