EDITORS

NOTE
This trend book is a product of my Trend
Forecasting class final project featuring
my trend of choice, futurism. The reason
I chose futurism as my topic is becasue I
have been following this trend for some
time now and I can see it becoming very
prevalent on the runway this year.
I started following the futurism aesthetic
about two years ago, I was drawn to the
look of liquid metals and abstract shapes
that lean into or away from humanism
and what we consider nature to us. I was
really attracted to the thought of pulling
away from what we know and expand-
ing into unfamiliar territory or fashion
boundaries and for this reason, the funk
of a slightly alien aesthetic is fun. To me,
is what the future is.
TABLE OF CONTENTS
Introduction Pages 1-3
Cover 1
Editors Note 2
Table of Contents 3
Different Types of Futurism Pages 4-15
Retrofuturism
Introduction/ Where did it Come From 4
Mood Board and Color Pallate 5
Textures & Details 6
The Look 7
Afro-futurism
Introduction/ Where did it Come From 8
Mood Board and Color Pallate 9
The Look/ Cyber 10
Makeup 11
Dystopian Futurism
Introduction/ Where did it Come From 12
The Look and Color Pallate 13
Mens 2023 Dior Show 14
Fabrics 15
Non Fashion Examples Pages 16-18
Interior design 16
Movies 17
Music 18
Innovation in Fashion Pages 19-22
3D Printed Fabric 19
Fashion Shows 20
AI Modeling/ AI Ads 21
AI Facial Recognition Fabrics 22
Trend Prediction 23
Inspiration
New upcoming Technologies
Sources 24
Back Cover 25
 RETRO FUTURISM
SPACE AGE FASHION
Retro futuristic fashion refers to clothing and accessories
that are designed with science-fiction-inspired elements
during the mid-20th century, particularly in the 1960s. The
term was coined during the Space Race, when society be-
came fascinated with space exploration and the possibilities
of life beyond Earth.

Space-age fashion is characterized by its use of metallic

fabrics, synthetic materials, and unconventional silhouettes,
often featuring exaggerated shapes and proportions. It also
frequently incorporates geometric patterns, and other
visually striking design elements. Pierre Cardin developing his
“Computer” coat, 1980.

PIERRE CARDIN was a French

fashion designer who became known for his futuristic
designs in the 1960s. He is credited with introducing
geometric shapes and unconventional materials such
as vinyl and metal into fashion. He also pioneered
the concept of “space age” fashion, which incorporat-
ed elements of space exploration and science fiction
into clothing designs. Cardin’s impact on futuristic
fashion can still be seen in contemporary fashion,
where his legacy continues to inspire designers.

PACCO RABANNE was a

French fashion designer known for his avant-garde
designs in the 1960s. His use of unconventional mate-
rials such as metal and plastic, combined with a futur-
istic aesthetic, had a significant impact on the fashion
Rabanne, circa 1966 industry. His designs helped to define the futuristic
fashion aesthetic of the era and inspired other design-
ers to experiment with new materials and aesthetics.
Rabanne’s legacy continues to inspire contemporary
fashion.
TEXTURES & DETAILS
 AFRO FUTURISM
Afrofuturism is a cultural, artistic,
and literary movement that explores
the intersection of African and
African diaspora cultures with
science fiction, fantasy, and
technology. It imagines alternate
realities and futures where black
people are central to the narrative,
often challenging and subverting
mainstream ideas about race and
power. Afrofuturism encompasses a THE HISTORY of Afrofuturism in fashion
diverse range of mediums and genres, can be traced back to the 1960s and 1970s, when
including music, film, literature, the Black Power and Civil Rights movements were
visual art, and fashion, and is in full swing. During this time, many African
characterized by its celebration of American artists, musicians, and writers began
exploring themes of science fiction and
African and African diaspora cultures
futurism in their work as a means of imagining
and histories, while simultaneously new possibilities for the future and asserting their
imagining new possibilities for the place within it.
future. In the 1980s, designer Willi Smith
incorporated African-inspired prints and
textiles into his fashion collections, blending
traditional elements with modern, futuristic sil-
houettes. Other designers, such as
Patrick Kelly and Stephen Burrows, also began
incorporating elements of African and Afrocentric
design into their work.

Afrofuturism continues to influence fashion, with

designers such as Pyer Moss and Telfar
incorporating elements of science fiction,
technology, and African heritage into their
collections. Additionally, the rise of digital and
social media has allowed for greater visibility and
access to diverse voices and perspectives, leading
to a more inclusive and expansive understanding
of Afrofuturism in fashion.
A re-awakening of the past, a recontextualisation of the present, and a new conceptualisation of the future.
Photography by: Munachi Osegbu
 MAKEUP INSPIRED TRENDS
Appearence
- Irredecent
- Euhoric
- Glossy
- Allien-esque
- Chrome
- Colorful

How you can achive

this look
- Pearl or rhinestone faceup deco-
ration
- Attention to inner corners of eye
- Pastel or irredecent eyeshadow
- Graphic eyeliner
- Blonde or no eyebrows
- Colorful mascaras
 DYSTOPIAN FUTURISM
The use of dystopian themes in
futuristic fashion can be traced back to the
1970s and 1980s. This was a time when
science fiction literature and films, such
as “Blade Runner,” “Mad Max,” and “The
Terminator,” were gaining popularity.
These works often depicted a bleak and
oppressive future world, characterized by
post-apocalyptic landscapes, authoritarian
regimes, and technological advances that
had gone awry.

Fashion designers were inspired by these

visions of the future, and began incorpo-
rating elements of dystopia into their de-
signs. This included the use of dark colors,
distressed fabrics, and edgy, avant-garde
silhouettes. The result was a style that was
both futuristic and subversive, reflecting
the anxieties and uncertainties of the era
.
Since then, dystopian themes have contin-
ued to influence futuristic fashion, with
designers exploring everything from cyber-
punk to post-human aesthetics. Today, the
genre is a staple of science fiction-inspired
fashion, with collections from designers
like Rick Owens, Alexander McQueen,
Fall 2023 Men’s Show
and Iris van Herpen embracing dystopian
themes in their designs.
Fall 2023 Men’s Show
Interior Design
Movies
The Matrix
This movie is a great visual representation of
futurism in fashion and pop culture. The Matrix
movie is of a future where humanity is trapped in
a simulated reality, exploring the concept of reality
and virtuality, and reflecting the themes of futur-
ism which examines the possibilities and conse-
quences of technological advancements in shaping
the future.

Blade Runner
This movie shows the depiction of a dystopian
future dominated by advanced technologies such
as artificial intelligence, cybernetic enhancements,
and cloning, reflects the cyberfuturism genre which
explores the impact of technology on society and
humanity.

Black Panther
In the movie Black Panther, the portrayal of
Wakanda as a technologically advanced and
self-sufficient African nation is a prime example
of Afrofuturism, which envisions a future where
Black people play a central role in shaping their
own destiny.

Dune
In the movie Dune, set in a distant future, the con-
trol of a valuable resource leads to power struggles,
environmental degradation, and societal imbal-
ance, making it a classic example of a dystopian
narrative.
 RETRO AFROFUTURISM
FUTURISTIC Blessed- Juls, Miraa May, Donae’o

Modular mix- Air

TECHNO DYSTOPIAN
FUTURISM QKThr- Aphex Twin

Devil’s Reject- Hermeth

 3D Printed Fabric
Soft Fabric
Researchers aimed to address the comfort and flexibility
challenges of printing fabric, and modeled their fabric
after the intertwined structure of the protein collagen to
achieve the desired texture. Their fabric, which is “soft as
skin,” could be applied in various ways in the medical field
and textiles due to the versatility of 3D printing, including
serving as a brace, surgical mesh, or cardiovascular stent.

Homemade Clothes
Danit Peleg, a student designer at Shenkar College of Engineer-
ing and Design, created full outfits using FilaFlex TPE material
on a hobby-grade Witbox FDM 3D printer for her final project.
The designs, although conceptual, are safe to be cleaned in a
dishwasher and were printed in small sheets. While these outfits
require additional fabric to be worn underneath, Peleg aims to
explore advanced materials in the future to resolve this issue.

Heat-Wicking Material
The University of Maryland has developed a heat-wicking fabric
through 3D printing, which uses a unique blend of polyvinyl
alcohol (PVA) and boron nitride to enhance thermal conduc-
tivity. The fabric structure pulls heat in one direction and out
the other, acting as a personal, powerless air conditioner. This
breakthrough has significant practical applications in athletic
wear, and the fabric could be used in the near future for cooling
clothing.

Scale Maille
NASA is exploring 3D printed fabrics for their astronauts, which
they believe can provide highly insulated and protective materi-
als. The fabrics are produced from a flexible metal material and
resemble tiled chain mail. NASA refers to it as “4D printing”
because they can print both the geometry and function of the
materials. The fabric’s strength, foldability, and thermal control
offer unique benefits for various applications.
IRIS VAN HERPEN FALL/WINTER 2021

3D printed garments

BLUMARINE FALL/WINTER 2023

Dystopian and futuristic themes

 METAVERSE FASHION
NFTs, or non-fungible tokens, are a type of
digital asset that uses blockchain technology
to verify ownership and authenticity.
One way NFTs are used in fashion is by creat-
ing digital collectibles, such as virtual clothing
items, that can be bought and sold as NFTs.
These items can be used in virtual worlds and
video games, where users can show off their
unique digital fashion items.

Another way NFTs are used in fashion is by

creating limited edition digital art pieces that
are tied to a physical clothing item. For ex-
ample, a fashion brand might create a limited
edition hoodie that comes with an NFT that
represents a digital version of the same hood-
ie. The NFT can then be bought and sold sep-
arately, allowing the owner to own a unique
piece of digital art that is tied to the physical
clothing item.

Finally, NFTs can also be used to verify the

authenticity and ownership of physical fash-
ion items. By creating an NFT that is tied to
a physical fashion item, brands and retailers
can ensure that the item is authentic and has
not been counterfeited. This can help increase
consumer confidence in the authenticity of the
 AI Embedded Fabric
Cap_able is an Italian startup that have
designed a line of knitted garments that protect
you from the facial recognition software and AI
cameras without the need to cover your face. The
manifesto collection includes hoodies, pants,
t shirts and dresses that all feature a pattern
known as an adversarial patch, which was devel-
oped by AI algorithms to confuse facial recogni-
tion software in real time, and protect the wearer’s
privacy.

These adversarial patches inbedded in these

designs confuse facial recognition cameras to
classify the wearer as the animals that have been
embedded in the pattern, like zebras, giraffes and
dogs.
Rachele Didero
CEO and co-founder of the company, Rachele
Didero says the clothing works 60-90% of the
time when tested with a commonly used algo-
rithm in facial recognition software.
Trend Prediction
Inspirations:
In recent years, by the help of Ai, we have have
realized that we are generally made uncomfort-
able by things that almost seem human but are
not. Uncanny valley is a term used to describe
the relationship between the human-like ap-
pearance of a robotic object, and the emotional
response it envokes. I think that this feeling of
uncomfortability is going to be the new motive-
or inspiration in fashion.
I believe high fashion is a form or ex-
pression as is art, both which ideally capture a
feeling. I believe the next feeling to be chased
and ideally captured is one of uncertain trust,
unfamiliarity and uncomfortability. After all,
the way we advance and grow is to step outside
How I think this
of our comfort zone. can be interpreted
- Wet/ slimey/ glossy look
- Motif of stiffness
- Exaderated features
- Lack of features
- Enhanced textures/ appearence

New Technology
- Temperature regulating garments
- More pockets (usage or aesthetics)
- Bolder/ avant garde silhouettes
- More metal tones
- 3D printed clothes
- Textures
- Ai ads or modeling
- Transforming/ moving garments
 Sources
https://www.voguebusiness.com/technology/how-paco-ra-
banne-is-using-nfts-to-buy-back-its-archive

http://galerija.metropolitan.ac.rs/index.php/GD-2017-
2018/AD201-Istorija-moderne-umetnosti/x/Anny-Dupe-
rey-wearing-Paco-Rabanne-mid-60s

https://www.vogue.fr/fashion/fashion-news/diaporama/
iris-van-herpen-named-winner-of-the-andam-2014-grand-
prize/15058

https://www.artsy.net/artwork/fc-gundlach-sputnik-girl-
space-age-look-von-pierre-cardin-paris-1966

http://www.alaintruong.com/ar-
chives/2019/07/20/37510972.html

https://www.vintageindustrialstyle.com/20-inspiring-ret-
ro-futuristic-interiors/

https://mediacatmagazine.co.uk/qa-cap_ables-rachele-did-
ero-on-fashion-against-facial-recognition/

https://www.dazeddigital.com/beauty/article/41891/1/
notes-on-afrofuturism

https://all3dp.com/2/3d-printed-fabric-most-promis-
ing-project/

https://www.tag-walk.com/en/look/search?design-
er=blumarine&page=2

https://www.voguebusiness.com/gallery/2022-a-year-of-
fashion-nfts

https://www.selfridges.com/US/en/features/articles/self-
ridges-loves/what-are-nfts-paco-rabanne-vasarely/