Janson’s History of Art 8th

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Table of Contents
Accessibility
Janson’s History of Art
Janson’s History of Art The Western Tradition
Contents
Preface
What’s New In Janson’s History of Art?
Give Your Students Choices for Learning with Janson’s History of Art
Introduction
Part One The Ancient World
Chapter 1 Prehistoric Art
Paleolithic Art
Interpreting Prehistoric Painting
Paleolithic Carving
Paleolithic Houses
Neolithic Art
Settled Societies and Neolithic Art
Çatal Hüyük
Oven-Fired Pottery
Architecture in Europe: Tombs and Rituals
Prehistoric Art
Chapter 2 Ancient Near Eastern Art
Sumerian Art
Temple Architecture: Linking Heaven and Earth
Sculpture and Inlay
Tell Asmar
The Royal Cemetery at Ur
Visual Narratives
Cylinder Seals
Art of Akkad
Sculpture: Power and Narrative
Neo-Sumerian Revival
Architecture: The Ziggurat of Ur
Sculpture: Figures of Gudea
Babylonian Art
The Code of Hammurabi
Assyrian Art
Art of Empire: Expressing Royal Power
Late Babylonian Art
The Royal Palace
Regional Near Eastern Art
The Hittites
The Phoenicians
The Hebrews
Iranian Art
Early Iranian Art
The Persian Empire: Cosmopolitan Heirs to the Mesopotamian Tradition
Persepolis
Mesopotamia Between Persian and Islamic Dominion
Ancient Near Eastern Art
Chapter 3 Egyptian Art
Pre Dynastic and Early Dynastic Art
The Palette of King Narmer
The Old Kingdom: A Golden Age
Old Kingdom Funerary Complexes
The Funerary Complex of King Djoser
The Pyramids at Giza: Reflecting a New Royal Role
Representing the Human Figure
The Canon
Paintings and Reliefs
The Middle Kingdom: Reasserting Tradition Through the Arts
Royal Portraiture: Changing Expressions and Proportions
Funerary Architecture
The New Kingdom: Restored Glory
Royal Burials in the Valley of the Kings
Hatshepsuts Temple
Temples to the Gods
The Temple of Amun-Ra
Abu Simbel
Block Statues
Images in New Kingdom Tombs
Akhenaten and the Amarna Style
The Amarna Style
Queen Tiy
Portraits of Nefertiti
Tutankhamun and the Aftermath of Amarna
Papyrus Scrolls: The Book of the Dead
Late Egypt
Egyptian Art
Chapter 4 Aegean Art
Early Cycladic Art
Minoan Art
The “Palace” at Knossos
Wall Paintings: Representing Rituals and Nature
Painted Landscapes in a Seaside Town
Minoan Pottery
Kamares Ware
Marine Motifs
Carved Minoan Stone Vessels
Late Minoan Art
Mycenaean Art
Architecture: Citadels
Mycenaean Tombs and Their Contents
Metal Work
The Vaphio Cups
Sculpture
Aegean Art
Chapter 5 Greek Art
The Emergence of Greek Art: The Geometric Style
Geometric Style Pottery
Geometric Style Sculpture
The Orientalizing Style: Horizons Expand
Miniature Vessels
Bronze Tripods
Archaic Art: Art of the City-State
The Rise of Monumental Temple Architecture
Doric Temples at Paestum
Early Ionic Temples
Stone Sculpture
Architectural Sculpture: The Building Comes Alive
The Temple of Artemis, Corfu
The Siphnian Treasury, Delphi
Pediments of the Temple of Aphaia at Aegina
Vase Painting: Art of the Symposium
The Classical Age
Classical Sculpture
The Doryphoros: Ideals of Proportion and Harmony
The Sculptures of the Temple of Zeus, Olympia
Architecture and Sculpture on the Athenian Akropolis
The Parthenon
The Parthenon Sculptures
The Pheidian Style
The Propylaia
The Temple of Athena Nike
The Erechtheion
The Late Classical Period
Late Classical Architecture: Civic and Sacred
The Mausoleum at Halikarnassos
Corinthian Capital
Late Classical Sculpture
Praxiteles
Lysippos
Painting in the Late Classical Age
The Age of Alexander and the Hellenistic Period
Architecture: The Scholarly Tradition and Theatricality
The Temple of Apollo, Didyma
City Planning
Pergamon: A Theatrical Plan
The Theater at Epidauros
The Pharos at Alexandria
Hellenistic Sculpture: Expression and Movement
Portraiture
Dramatic Victory Monuments
Playfulness in Sculpture
Hellenistic Realism
Hellenistic Painting
Greek Art
Chapter 6 Etruscan Art
Funerary Art
Tombs and Their Contents
Architecture
City Planning
Sculpture
Dynamism in Terra Cotta and Bronze
Etruscan Art
Chapter 7 Roman Art
Early Rome and the Republic
New Directions in Architecture
Sculpture
Free-Standing Sculpture
Relief Sculpture
Portrait Sculpture
Painting and Mosaic
The Early Empire
Architecture
The Imperial Fora
The Colosseum
The Pantheon
Hadrian’s Villa at Tivoli
Portrait Sculpture
Relief Sculpture
The Ara Pacis Augustae Altar of Augustan Peace
The Arch of Titus
The Column of Trajan
The Column Base of Antoninus Plus
Art and Architecture in the Provinces
The Maison Carée, Nîes
El Khasneh, Petra
Sculpture and Painting
Domestic Art and Architecture
Pompeii and Herculaneum
Mau’s Four Styles of Painting
The Late Empire
Architecture
The Baths of Caracalla
The Basilica of Maxentius
Architecture in the Provinces
Diocletian’s Palace, Split
The Basilica of Constantius, Trier
Portrait Sculpture
Relief Sculpture
The Arch of Constantine
Roman Art
Part Two The Middle Ages
Chapter 8 Early Jewish, Early Christian, and Byzantine Art
Early Jewish Art
Early Christian Art
Christian Art before Constantine
The Art of the Catacombs
Sculpture
The House Church
Christian Art after Official Recognition of Christianity
The Christian Basilica
Central-Plan Structures
Merging the Basilican and Central Plans
Architectural Decoration: Wall Mosaics
Illustrated Books
Sculpture
Byzantine Art
Early Byzantine Art
Architecture and its Decoration
Sculpture
Illustrated Books
Icons
The Iconoclastic Controversy
Middle Byzantine Art
Illustrated Books
Sculpture
Architecture and Its Decoration
Late Byzantine Art
Icons
Mosaics and Mural Painting
Early Jewish, Early Christian, and Byzantine Art
Chapter 9 Islamic Art
The Formation of Islamic Art
Religious Architecture
Dome of the Rock
The Hypostyle Mosque
Secular Architecture
The Development of Islamic Style
Religious Architecture
Great Mosque of Kairouan
Great Mosque of Córdoba
Luxury Arts
Islamic Art and the Persian Inheritance
Architecture
The Four-Iwan Mosque
Tomb of the Samanids
Figural Art Forms in Iran
The Classical Age
The Fatimid Artistic Impact
Al-Aqmar Mosque
Textiles and Ivories
The Ayyubids and the Seljuk Turks of Asia Minor
The Caravansaray
Later Classical Art and Architecture
Mongol Patronage
Timurid Patronage
Architecture and Its Decoration
Book Illustration
Mamluk Patronage
Architecture
Enameled Glass, Metalwork, and Carpets
Nasrid Patronage: The Alhambra
The Three Late Empires
The Ottomans in Europe and Asia
Architecture
The Ottoman Court Style
The Safavid Period in Iran
Book Illustration and Carpets: Tabriz
Architecture: The Planned City of Isfahan
The Mughal Period in India
Book Illustration
Decorative Arts
Architecture: Taj Mahal
Continuity and Change in Islamic Art
Islamic Art
Chapter 10 Early Medieval Art
Anglo-Saxon Art
The Animal Style
Ship Burial, Sutton Hoo, England
Hiberno-Saxon Art
Manuscripts
The Lindisfarne Gospels
The Book of Kells
Viking Art
Carolingian Art
Sculpture
Illuminated Books
The Godescalc Gospels
The Gospel Book of Charlemagne
The Gospel Book of Archbishop Ebbo of Reims
The Utrecht Psalter
The Lindau Gospels Cover
Architecture
Palace Chapel of Charlemagne, Aachen
Abbey Church Of Saint-Riquier
Abbey Church, Corvey
Plan of a Monastery, St. Gall
Ottonian Art
Architecture
Nunnery Church of St. Cyriakus, Gernrode
St. Michael’S at Hildesheim
Metalwork
Bronze Doors of Bishop Bernward, Hildesheim
Ivories and Manuscripts: Conveyors of Imperial Grandeur
Christ Blessing Otto II and Theophano
The Gospel Book of Otto III
Sculpture
The Gero Crucifix
The Virgin of Essen
Early Medieval Art
Chapter 11 Romanesque Art
First Expressions of Romanesque Style
Architecture
Church of Sant Vincenç, Cardona
Monumental Stone Sculpture
Lintel at Saint-Genis-Des-Fontaines
Mature Romanesque
Pilgrimage Churches and Their Art
Santiago De Compostela
Reliquaries
Monumental Sculpture
Secular Structures Along the Pilgrimage Road
The Bridge at Puente La Reina
Cluniac Architecture and Sculpture
Abbey Church of Cluny
Monastery of Moissac
Cathedral of Saint-Lazare, Autun
Sarcophagus of Doña Sancha
Cluniac Wall Painting
The Berzé-La-Ville Apse
Cistercian Architecture and Art
Abbey Church at Fontenay
Other Benedictine Architecture and Wall Painting
Book Illustration
The Cluny Lectionary
The Codex Colbertinus
The Corbie Gospel Book
Gregory’S Moralia In Job
Gospel Book of Abbot Wedricus
Other Regional Variants of Romanesque Style
Western France: Poitou
Notre-Dame-La-Grande, Poitiers
Southeastern France: Provence
Saint-Gilles-Du-Gard
The Holy Land
Crac Des Chevaliers
Tuscany
Pisa Cathedral
Baptistery of San Giovanni, Florence
San Miniato Al Monte, Florence
Germany
Speyer Cathedral
The Meuse Valley: Mosan Style
Normandy and England
The Bayeux Tapestry
Durham Cathedral
Saint-Étienne, Caen
The Paradoxical Meaning of Romanesque
Romanesque Art
Chapter 12 Gothic Art
Early Gothic Art in France
Saint-Denis: Suger and the Beginnings of Gothic Architecture
Ambulatory and Choir
Suger and the Medieval Architect
Constructing Saint-Denis
West Façade
Chartres Cathedral
West Façade
Laon Cathedral
Nave
Cathedral of Notre-Dame in Paris
Nave
West Façade
High Gothic Art in France
The Rebuilding of Chartres Cathedral
Nave
Buttresses
Stained Glass
Transepts and their Sculpture
Amiens Cathedral
Nave
Reims Cathedral
West Façade
West Portal Sculpture
Relief Sculpture
Rayonnant or Court Style
Sainte-Chapelle
Saint-Urbain in Troyes
Manuscript Illumination
Psalter of Blanche of Castile
Bible Moralisée
Psalter of St. Louis
Late Gothic Art in France
Manuscript Illumination
Prayer Book of Philip IV the Fair
Hours of Jeanne D’éVreux
Le Dit Du Lion (The Enchanted Garden)
Sculpture
Virgin of Jeanne D’éVreux
Virgin of Paris
Siege of the Castle of Love
Architecture: The Flamboyant Phase
Saint-Maclou In Rouen
The Spread of Gothic Art
Spain
León
England
Salisbury Cathedral
Gloucester Cathedral
Westminster Hall
Chapel of Henry Vii
Queen Mary Psalter
Germany
Heiligenkreuz In Schwäbish-Gmünd
Naumburg Cathedral
Roettgen Pietà
Gothic Art
Part Three The Renaissance Through Rococo
Chapter 13 Art in Thirteenth- and Fourteenth-Century Italy
The Growth of the Mendicant Orders and the Visual Arts in Italy
The Franciscans at Assisi and Florence
Churches and Their Furnishings in Urban Centers
Pulpits in Pisan Churches
Expanding Florence Cathedral
Building for the City Government: The Palazzo Della Signoria
Painting in Tuscany
Cimabue and Giotto
The Arena Chapel in Padua
Siena: Devotion to Mary in Works by Duccio and Simone
Pietro and Ambrogio Lorenzetti
Good and Bad Government
Artists and Patrons in Times of Crisis
Northern Italy
Venice: Political Stability and Sumptuous Architecture
Milan: The Visconti Family and Northern Influences
Art in Thirteenth-and Fourteenth-Century Italy
Chapter 14 Artistic Innovations in Fifteenth-Century Northern Europe
Courtly Art: The International Gothic
Sculpture for the French Royal Family
The Well of Moses at the Chartreuse De Champmol
The Altarpiece at the Chartreuse De Champmol
Illuminated Manuscripts: Books of Hours
Bohemia and England
Urban Centers and the New Art
Robert Campin in Tournai
The Mérode Triptych
Jan van Eyck in Bruges
The Ghent Altarpiece
Secular Images
Rogier van der Weyden in Brussels
Late Fifteenth-Century Art in the Netherlands
Aristocratic Tastes for Precious Objects, Personal Books, and Tapestries
Panel Paintings in the Southern Netherlands
The Northern Netherlands
Regional Responses to the Early Netherlandish Style
France
Spain
Central Europe
An Altarpiece in its Original Setting
Printing and the Graphic Arts
Printing Centers in Colmar and Basel
Artistic Innovations in Fifteenth-Century Northern Europe
Chapter 15 The Early Renaissance in Fifteenth-Century Italy
Florence in the Fifteenth Century
The Baptistery Competition
Architecture and Antiquity in Florence
Brunelleschi and the Dome of Florence Cathedral
Brunelleschi’s Ospedale Degli Innocenti
Brunelleschi at San Lorenzo
Alberti at Santa Maria Novella
Ancient Inspirations in Florentine Sculpture
Nanni Di Banco
Donatello at or San Michele
Donatello at Work in Siena, Padua, and Florence
Ghiberti and Later Florentine Sculpture
A Humanist’s Tomb
Later Sculpture at or San Michele
Painting in Florentine Churches and Chapels
Gentile Da Fabriano
Masaccio at Santa Maria Novella
The Brancacci Chapel
Florentine Painters in the Age of the Medici
Fra Angelico at San Marco
Castagno at Sant’apollonia
Domenico Veneziano at Santa Lucia Dei Magnoli
Domestic Life: Palaces, Furnishings, and Paintings in Medicean Florence
Palace Architecture
Donatello’s David
Herculean Images
Paintings for Palaces
Uccello’S Battle of San Romano
Mythologies for Medici Palaces
Portraiture
Renaissance Art Throughout Italy, 1450–1500
Piero della Francesca in Central Italy
Alberti and Mantegna in Mantua
Venice
Echoes of Donatello’s Gattamelata
Bellini and Oil Painting
Rome and the Papal States
The Sistine Chapel
Signorelli and the Chapel of San Brizio
The Early Renaissance in Fifteenth-Century Italy
Chapter 16 The High Renaissance in Italy, 1495–1520
The High Renaissance in Florence and Milan
Leonardo da Vinci in Florence
Leonardo in Milan
Leonardo Back in Florence and Elsewhere
The Mona Lisa
Rome Resurgent
Bramante in Rome
Michelangelo in Rome and Florence
Pietà
David
Michelangelo in the Service of Pope Julius II
Frescoes for the Sistine Chapel Ceiling
Raphael in Florence and Rome
Raphael’s Early Madonnas
Frescoes for the Stanza Della Segnatura
Papal and Private Commissions
Venice
Giorgione
Titian
The High Renaissance in Italy, 1495–1520
Chapter 17 The Late Renaissance and Mannerism in Sixteenth-Century Italy
Late Renaissance Florence: The Church, the Court, and Mannerism
Florentine Religious Painting in the 1520s
The Medici in Florence: From Dynasty to Duchy
The New Sacristy of San Lorenzo
The Laurentian Library
The Uffizi, Palazzo Pitti and Boboli Gardens
Portraiture and Allegory
The Accademia del Disegno
Rome Reformed
Michelangelo in Rome
Reshaping the Campidoglio
St. Peter’s
The Catholic Reformation and Il Gesù
Northern Italy: Ducal Courts and Urban Centers
The Palazzo del Te
Parma and Cremona
Correggio and Parmigianino in Parma
Cremona
Venice: The Serene Republic
Sansovino in Venice
Andrea Palladio and Late Renaissance Architecture
Titian
Titian’s Legacy
Paolo Veronese
Tintoretto
The Late Renaissance and Mannerism in Sixteenth-Century Italy
Chapter 18 Renaissance and Reformation in Sixteenth-Century Northern Europe
France: Courtly Tastes for Italian Forms
Chateaux and Palaces: Translating Italian Architecture
The Louvre
Art for Castle Interiors
The School of Fontainebleau
Royal Tombs at Saint-Denis
Spain: Global Power and Religious Orthodoxy
The Escorial
El Greco and Religious Painting in Spain
Central Europe: The Reformation and Art
Catholic Contexts: The Isenheim Altarpiece
Albrecht Dürer and the Northern Renaissance
Images about Artistry
A Reformation Artist
Religious and Courtly Images in the Era of Reform
Lucas Cranach: Reformer and Court Artist
Altdorfer’s Battle of Issos
Painting in the Cities: Humanist Themes and Religious Turmoil
The Dark Side of Humanism: Hans Baldung Grien’s Bewitched Groom
Hans Holbein, from Basel to London
England: Reformation and Power
The Netherlands: World Marketplace
The City and the Court: David and Gossaert
Antwerp: Merchants, Markets, and Morality
Patinir: The World Landscape
Aertsen’s The Meat Stall
Pieter Bruegel the Elder
Renaissance and Reformation in Sixteenth-Century Northern Europe
Chapter 19 The Baroque in Italy and Spain
Painting in Italy
Caravaggio and the New Style
Artemisia Gentileschi
Ceiling Painting and Annibale Carracci
Guido Reni and Guercino
Pietro da Cortona and the Barberini Ceiling
Giovanni Battista Gaulli and Il Gesù
Architecture in Italy
The Completion of St. Peter’s and Carlo Maderno
Bernini and St. Peter’s
Architectural Components in Decoration
A Baroque Alternative: Francesco Borromini
San Carlo Alle Quattro Fontane
Sant’ivo
Sant’Agnese
The Baroque in Turin: Guarino Guarini
The Baroque in Venice: Baldassare Longhena
Sculpture in Italy
Early Baroque Sculpture: Stefano Maderno
The Evolution of the Baroque: Gianlorenzo Bernini
David
The Cornaro Chapel: The Ecstasy of St. Teresa
A Classical Alternative: Alessandro Algardi
Painting in Spain
Spanish Still Life: Juan Sánchez Cotán
Naples and the Impact of Caravaggio: Jusepe de Ribera
Diego Velázquez: From Seville to Court Painter
Surrender at Breda
The Portrait of Juan de Pareja
The Maids of Honor
Monastic Orders and Zurbarán
Culmination in Devotion: Bartolomé Esteban Murillo
The Baroque in Italy and Spain
Chapter 20 The Baroque in the Netherlands
Flanders
Peter Paul Rubens and Defining the Baroque
Rubens and the Altarpiece
Rubens as Portraitist
Oil Sketches
Marie de’ Medici Cycle
Rubens’s Workshop
Late Rubens
Anthony van Dyck: History and Portraiture at the English Court
Local Flemish Art and Jacob Jordaens
The Bruegel Tradition
Still-Life Painting
Early Still Life: Clara Peeters
Game Still Life: Frans Snyders
The Flamboyant Still Life: Jan Davidsz. de Heem
The Dutch Republic
The Haarlem Academy: Hendrick Goltzius
The Caravaggisti in Holland: Hendrick Terbrugghen
The Haarlem Community and Frans Hals
Hals and the Civic Guard
A Wedding Portrait
Hals and Genre Painting
The Next Generation in Haarlem: Judith Leyster
Rembrandt and the Art of Amsterdam
Rembrandt’s Drawings
Rembrandt’s Paintings
Rembrandt and the Civic Guard
Rembrandt as Printmaker
Mature Work
Self-Portraiture
The Market: Landscape, Still-Life, and Genre Painting
Landscape Painting: Jan van Goyen
City Views: Jacob van Ruisdael
Architectural Painting: Pieter Saenredam
Still-life Painting: Willem Claesz. Heda
Flower Painting: Rachel Ruysch
Genre Painting: Jan Steen
Intimate Genre Painting: Jan Vermeer
Exquisite Genre Painting: Gerard ter Borch
The Baroque in the Netherlands
Chapter 21 The Baroque in France and England
France: The Style of Louis XIV
Painting and Printmaking in France
Jacques Callot: A Transitional Figure
Georges De La Tour and the Influence of Caravaggio
Simon Vouet and the Decorative Style
Nicolas Poussin and Baroque Classicism
Poussin and History Painting: Ancient Themes in the Grand Manner
The Abduction of the Sabine Women
Poussin and the Ideal Landscape
Claude Lorrain and the Idyllic Landscape
Charles Le Brun and the Establishment of the Royal Academy
Hyacinthe Rigaud and the Splendor of Louis XIV
French Classical Architecture
The Louvre
The Palace of Versailles
The Gardens at Versailles
The Style of Jules Hardouin-Mansart
Sculpture: The Impact of Bernini
Antoine Coysevox
Pierre-Paul Puget
Baroque Architecture in England
Inigo Jones and the Impact of Palladio
Sir Christopher Wren
The Great Fire of London
John Vanbrugh and Nicholas Hawksmoor
The Baroque in France and England
Chapter 22 The Rococo
France: The Rise of the Rococo
Painting: Poussinistes versus Rubénistes
Jean-Antoine Watteau
François Boucher
Jean-Honoré Fragonard
Jean-Siméon Chardin
Chinoiserie
The French Rococo Interior
Nicolas Pineau
Clodion and French Rococo Sculpture
The Rococo in Western Europe Outside of France
William Hogarth and the Narrative
Canaletto
The Rococo in Central Europe
Johann Fischer von Erlach
Egid Quirin Asam
Dominikus Zimmermann
Balthasar Neumann
Giovanni Battista Tiepolo and Illusionistic Ceiling Decoration
The Rococo
Part Four The Modern World
Chapter 23 Art in the Age of the Enlightenment, 1750–1789
Rome Toward 1760: The Font of Neoclassicism
Artistic Foundations of Neoclassicism: Mengs and Hamilton
Romanticism in Rome: Piranesi
Neoclassicism in Britain
Sculpture and Painting: Historicism, Morality, and Antiquity
Thomas Banks
Angelica Kauffmann
The Birth of Contemporary History Painting
Benjamin West
Grand Manner Portraiture in the Neoclassical Style: Joshua Reynolds
Architecture and Interiors: The Palladian Revival
The Country Villa: Chiswick House
Urban Planning: Bath
The Neoclassical Interior
Early Romanticism in Britain
Architecture and Landscape Design: The Sublime and the Picturesque
The English Landscape Garden
The Gothic Revival: Strawberry Hill
Early Romantic Painting in Britain
George Stubbs
Joseph Wright
John Henry Fuseli
Romanticism in Grand Manner Portraiture: Thomas Gainsborough
Neoclassicism in France
Architecture: Rational Classicism
Theoretical Beginnings
Jacques-Germain Soufflot
The Sublime in Neoclassical Architecture: The Austere and the Visionary
Marie-Joseph Peyre
Claude-Nicolas Ledoux
Étienne-Louis Boullée
Painting and Sculpture: Expressing Enlightenment Values
Jean-Baptiste Greuze
Jean-Antoine Houdon
The Climax of Neoclassicism: The Paintings of Jacques-Louis David
Neoclassical Portraiture: Marie-Louise-Élisabeth Vigée-Lebrun
Italian Neoclassicism Toward 1785
Neoclassical Sculpture: Antonio Canova
Art in the Age of the Enlightenment, 1750–1789
Chapter 24 Art in the Age of Romanticism, 1789–1848
Painting
Spain: Francisco Goya
The Sleep of Reason
Royal Commissions
Britain: Spiritual Intensity and the Bond with Nature
William Blake
John Constable
Joseph Mallord William Turner
Germany: Friedrich’s Pantheistic Landscape
America: Landscape as Metaphor
Thomas Cole and the Hudson River School
Frederic Church and National Landscape
France: Neoclassical Romanticism
Anne-Louis Girodet and the Primitives
Jean-Auguste-Dominique Ingres
France: Painterly Romanticism and Romantic Landscape
Antoine-Jean Gros
Théodore Géricault
EugèNe Delacroix
Romantic Landscape Painting
Jean-Baptiste-Camille Corot
Théodore Rousseau and the Barbizon School
Romantic Sculpture
Romantic Revivals in Architecture
Britain: The Sublime and the Picturesque
Gothic Revival
Classical Revival
Eclecticism
Germany: Creating a New Athens
Karl Friedrich Schinkel
America: An Ancient Style for a New Republic
Thomas Jefferson
Benjamin Latrobe
France: Empire Style
Art in the Age of Romanticism, 1789–1848
Chapter 25 The Age of Positivism: Realism, Impressionism, and the Pre-
Raphaelites, 1848–1885
Realism in France
Realism in the 1840s and 1850s: Painting Contemporary Social Conditions
Gustave Courbet
Jean-François Millet
Honoré Daumier
Rosa Bonheur
The Realist Assault on Academic Values and Bourgeois Taste
Official Art and Its Exemplars
Édouard Manet
Edgar Degas and Japonisme
Impressionism: A Different Form of Realism
Claude Monet
Auguste Renoir
Camille Pissarro
Manet and Impressionism
Berthe Morisot
Mary Cassatt
Monet in the 1890s
British Realism
The Pre-Raphaelite Brotherhood
William Holman Hunt
John Everett Millais
William Morris
The Aesthetic Movement: Personal Psychology and Repressed Eroticism
Dante Gabriel Rossetti
James Abbott Mcneill Whistler
Realism in America
Scientific Realism: Thomas Eakins
Iconic Imagery: Winslow Homer
Photography: A Mechanical Medium for Mass-Produced Art
First Innovations
Recording the World
Portraiture
Views
Documentation
Reporting the News: Photojournalism
Photography as Art: Pictorialism and Combination Printing
British Pictorialism
Combination Printing in France
Architecture and the Industrial Revolution
Ferrovitreous Structures: Train Sheds and Exhibition Palaces
Historic Eclecticism and Technology
Brooklyn Bridge
Bibliothèque Sainte-Geneviève
Announcing the Future: The Eiffel Tower
The Age Of Positivism: Realism, Impressionism, and the Pre-Raphaelites, 1848–
1885
Chapter 26 Progress and Its Discontents: Post-Impressionism, Symbolism, and Art
Nouveau, 1880–1905
Post-Impressionism
Paul Cézanne: Toward Abstraction
Georges Seurat: Seeking Social and Pictorial Harmony
Influence of Puvis de Chavannes
Seurat and Neo-Impressionism
Henri de Toulouse-Lautrec: An Art for the Demimonde
Vincent van Gogh: Expression Through Color and Symbol
Paul Gauguin: The Flight from Modernity
Symbolism
The Nabis
Other Symbolist Visions in France
Gustave Moreau
Odilon Redon
Henri Rousseau
Symbolism Beyond France
James Ensor and Les Vingt
Edvard Munch
Aubrey Beardsley
Gustav Klimt
Symbolist Currents in American Art
Albert Pinkham Ryder
Henry Ossawa Tanner
The Sculpture of Rodin
Art Nouveau and the Search for Modern Design
The Public and Private Spaces of Art Nouveau
Victor Horta
Hector Guimard
Antoni Gaudí
Charles Rennie Mackintosh
American Architecture: The Chicago School
Henry Hobson Richardson: Laying the Foundation for Modernist Architecture
Louis Sullivan and Early Skyscrapers
Frank Lloyd Wright and the Prairie House
Photography and the Advent of Film
Pictorialist Photography and the Photo Secession
Peter Henry Emerson
Gertrude Käsebier
Edward Steichen
Alfred Stieglitz
Documentary Photography
Jacob Riis
Henri Lartigue
Motion Photography and Moving Pictures
Progress and its Discontents: Post-Impressionism, Symbolism, and Art Nouveau,
1880–1905
Chapter 27 Toward Abstraction: The Modernist Revolution, 1904–1914
Fauvism
Cubism
Reflecting and Shattering Tradition: Les Demoiselles d’Avignon
Analytic Cubism: Picasso and Braque
Synthetic Cubism: The Power of Collage
The Impact of Fauvism and Cubism
German Expressionism
Die Brücke (The Bridge)
Der Blaue Reiter (The Blue Rider)
Paul Klee
Austrian Expressionism
Oskar Kokoschka
Egon Schiele
Cubism after Picasso and Braque: Paris
Robert Delaunay
Italian Futurism: The Visualization of Movement and Energy
Cubo-Futurism and Suprematism in Russia
The Russian Avant-Garde
Kazimir Malevich
Cubism and Fantasy: Marc Chagall and Giorgio de Chirico
Marcel Duchamp and the Advent of an Art of Ideas
Constantin Brancusi and the Birth of Modernist Sculpture
American Art
America’s First Modernists: Arthur Dove and Marsden Hartley
Early Modern Architecture in Europe
Austrian and German Modernist Architecture
Adolf Loos
Hermann Muthesius and Peter Behrens
Walter Gropius
German Expressionist Architecture
Henri van de Velde
Bruno Taut
Max Berg
Toward Abstraction: The Modernist Revolution, 1904–1914
Chapter 28 Art Between the Wars
Dada
Zurich Dada: Jean Arp
New York Dada: Marcel Duchamp
Berlin Dada
Raoul Hausmann
Hannah Höch
Käthe Kollwitz
George Grosz
Cologne Dada
Paris Dada: Man Ray
Surrealism
Picasso and Surrealism
Welded Sculpture
Surrealism in Paris: Spurring the Imagination
Max Ernst
Joan Miró
Representational Surrealism: Magritte and Dalí
René Magritte
Salvador Dalí
Surrealism and Photography
Henri Cartier-Bresson
The Surrealist Object
Organic Sculpture of the 1930s
Alexander Calder in Paris
Henry Moore and Barbara Hepworth in England
Creating Utopias
Russian Constructivism: Productivism and Utilitarianism
Vladimir Tatlin
De Stijl and Universal Order
Piet Mondrian
Gerrit Rietveld
The Bauhaus: Creating the “New Man”
Marcel Breuer
László Moholy-Nagy
Walter Gropius
Ludwig Mies Van Der Rohe
The Machine Aesthetic in Paris
Le Corbusier’s Ideal Home
Purism and Fernand Léger
Art in America: Modernity, Spirituality, and Regionalism
The City and Industry
Joseph Stella
Paul Strand
Margaret Bourke-White
Charles Demuth
Stuart Davis
Art Deco and the International Style
Seeking the Spiritual
Georgia O’Keeffe
Edward Weston
Regionalism and National Identity
The Harlem Renaissance
Jacob Lawrence
Mexican Art: Seeking a National Identity
Diego Rivera
Frida Kahlo
Manuel Àlvarez Bravo
The Eve of World War II
America: The Failure of Modernity
Edward Hopper
Walker Evans
Dorothea Lange
Europe: The Rise of Fascism
Max Beckmann and German Expressionism
John Heartfield
Pablo Picasso
Art Between the Wars
Chapter 29 Postwar to Postmodern, 1945–1980
Existentialism in New York: Abstract Expressionism
The Bridge from Surrealism to Abstract Expressionism: Arshile Gorky
Abstract Expressionism: Action Painting
Jackson Pollock
Willem De Kooning
Abstract Expressionism: Color-Field Painting
Mark Rothko
New York Sculpture: David Smith and Louise Nevelson
Existentialism in Europe: Figural Expressionism
Jean Dubuffet
Francis Bacon
Rejecting Abstract Expressionism: American Art of the 1950s and 1960s
Re-Presenting Life and Dissecting Painting
Robert Rauschenberg and John Cage
Jasper Johns
Environments and Performance Art
Allan Kaprow
Robert Whitman
George Brecht
George Segal
Pop Art: Consumer Culture as Subject
Roy Lichtenstein
Andy Warhol
British Pop
The Impact of Pop Art in Germany
Formalist Abstraction of the 1950s and 1960s
Formalist Painting
Helen Frankenthaler
Ellsworth Kelly
Frank Stella
Formalist Sculpture: Minimal Art
Donald Judd
Dan Flavin
The Pluralist 1970s: Post-Minimalism
Post-Minimal Sculpture: Geometry and Emotion
Eva Hesse
Richard Serra
Earthworks and Site-Specific Art
Robert Smithson
Christo and Jeanne-Claude
Conceptual Art: Art as Idea
Joseph Kosuth
Joseph Beuys
Television Art: Nam June Paik
Art with a Social Agenda
Street Photography
African-American Art: Ethnic Identity
Romare Bearden
Melvin Edwards
Senga Nengudi
Feminist Art: Judy Chicago and Gender Identity
Late Modernist Architecture
Continuing the International Style: Ludwig Mies van der Rohe
Sculptural Architecture: Referential Mass
Le Corbusier
Frank Lloyd Wright
Louis Kahn
Postwar to Postmodern, 1945–1980
Chapter 30 The Postmodern Era: Art Since 1980
Architecture
Postmodern Architecture: A Referential Style
Robert Venturi
Michael Graves
James Stirling
New Modernisms: High-Tech Architecture
Norman Foster
Deconstructivism: Countering Modernist Authority
Coop Himmelblau
Zaha Hadid
Frank Gehry
Post-Minimalism and Pluralism: Limitless Possibilities in Fine Art
The Return of Painting
Anselm Kiefer
Julian Schnabel
Jean-Michel Basquiat and Graffiti Art
Elizabeth Murray and New Image Painting
Sculpture
Martin Puryear
Maya Lin
Appropriation Art: Deconstructing Images
Photography and LED Signs
Barbara Kruger
Cindy Sherman and the Untitled Film Still
Jenny Holzer and Led Boards
Context and Meaning in Art: The Institutional Critique and Art as Commodity
The Institutional Critique: Fred Wilson
Art as Commodity: Jeff Koons
Multiculturalism and Political Art
African-American Identity
David Hammons
Kara Walker
The AIDS Pandemic and a Preoccupation with the Body
The Aids Crisis: Felix Gonzalez-Torres
A Preoccupation with the Body: Kiki Smith
The Futility of Preserving Life: Damien Hirst
The Power of Installation, Video, and Large-Scale Photography
Ilya Kabakov
Bill Viola
Large-Scale Photography: Andreas Gursky
Global Art
El Anatsui, Adinkra Signs, and Postmodern Ambiguity
Cai Guo-Qiang: Projects for Extraterrestrials
The Postmodern Era: Art Since 1980
Glossary
Books for Further Reading
Index
Credits
Credits and Copyrights
Introduction
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Text Credits