Professional Documents
Culture Documents
PRE-REQUISITES: NONE
CO-REQUISITES: NONE
AIMS (DEFINITIVE)
To develop in students a critical understanding of nature of and the complex inter-
relationships between the commercial and public art markets;
To provide students with an appropriate knowledge and understanding of economic and
investment theory such that they can critically analyse the environment within which
the art market operates nationally and internationally;
To enable students to develop a critical appreciation and knowledge of the principles
employed for the valuation of objects for various purposes including a knowledge of
the effects of relevant taxes; and
To develop in students the analytical and technical skills and critical knowledge base to
operate within the business environment, including the skills to carry out financial
appraisals and write a convincing business plan.
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HA7402 Professional Practice (Art Market) (v1 – Chair’s Action 04/06/15)
The module will make use of the Virtual Learning Environment (VLE) Canvas for
communication and dissemination of information between students and staff as well as
making online learning materials available to all.
All courses based in the Kingston School of Art offer students free access to the online video
tutorial platform Lynda.com. This provides a wide range of subjects to choose from, many
with downloadable exercise files, including software tutorials covering photography,
graphics, web design, audio and music, CAD and Microsoft Office software, as well as
courses on Business and Management skills. Some of these are embedded in the
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HA7402 Professional Practice (Art Market) (v1 – Chair’s Action 04/06/15)
curriculum and offer additional self-paced learning, others may be taken at will by students
wishing to broaden their employability skills in other areas.
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HA7402 Professional Practice (Art Market) (v1 – Chair’s Action 04/06/15)
BIBLIOGRAPHY (INDICATIVE)
Core Text(s):
Barragan, P. (2008) The Art Fair Age. Charta; Bilingual edition
Findlay, M. (2012) The Value of Art. Prestel Publishing
Goodwin, J. (ed) (2008) The Investor’s Guide to the International Art Markets - available as
an e-book via KU Library website
Jenkins, E. (1995) Emyl Jenkins' Appraisal Book: Identifying, Understanding, and Valuing
Your Treasures, Crown Publications
Lumby, S. and Jones, C. (2000) The Fundamentals of Investment Appraisal, London:
Thomson Learning
Minichello, D., Michello, D. and Pose, F. (1997) The Appraisal and Insurance of Fine Art &
Antiques: Claims Coverage Damages Loss Recovery and Valuation, Quarterman
Publications ltd
Robertson, I. (ed.) (2005) Understanding International Art Markets and Management.
Routledge
Sloman, J., Hinde, K. and Garrett, D (2010) Economics for Business, London: Prentice Hall
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HA7402 Professional Practice (Art Market) (v1 – Chair’s Action 04/06/15)
Recommended Reading:
Graw, I. (2010) High Price. Art Between the Market and Celebrity Culture. Sternberg Press
Lind, M. and Velthuis, O. (eds) (2012) Contemporary Art and its Commercial Markets,
Sternberg Press
McAndrew, C. (ed) (2010) Fine Art and High Finance. Expert advice on the economics of
ownership, Bloomberg Press
Velthuis, O. (2005) Talking Prices. Symbolic Meanings of Prices on the Market for
Contemporary Art. Princeton University Press
The Arts Surveyor (RICS Arts and Antiques journal)
Recommended Websites
www.rics.org.