Professional Documents
Culture Documents
Regle D'expo Argentique
Regle D'expo Argentique
21 56 SHARE TWEET
Here is an elaboration on the “Sunny 16 Rule”, explained as plus or minus f/stops from the ISO film speed at
f/16.
A Basic Daylight Exposure Guide for When You Don’t Have a Light Meter by herbert-4
Computing exposure is easy; when in bright sunlight the f/stop is f/16 and the shutter speed is equal to the
film’s ISO speed: ISO 100= 1/100 second at f/16. This is Basic Daylight Exposure (BDE), also called “Sunny
16 Rule”.
Here are suggested exposures from an old yellowed mimeographed handout from a photography class from
40+ years ago. The exposures are listed as plus or minus BDE, and if your f/stops won’t go the distance,
change
the shutter speed.
So here goes:
Always have lots of films and bracket your exposures a bit, plus and minus. Have this memorised for
tomorrow. There will be a quiz. :)
This works!
56 LIKES
david1981, antmark, heloise_m, cookiehunter, an4, smolda, efrost, kattyz, clownshoes, mafiosa, chooolss, icequeenubia, hervinsyah, abecd,
alexkon, seiryu7429, jutei, neznajka, robotto_dawad, juansupergen, flutterhappy, pearlsphere-kameraliebe, phantomphoenixphotos, harrichiu,
pepperoniii, samwise_camus, lomo__lurv, jesushp, kristine, jaguarwomon, dominiqueamour, caduceus, nicoleger, azikad, megalithicmatt, slemley
and 20 more lovely people.
PL EA SE L OGI N T O
LIKE
21 COMMENTS
Great tipster! It's true that the "sunny 16" rule is one to have in mind and easy to adapt to every
situation!! Thanks for sharing your photographic knowledge Herbert (as you always do :))
Thank you!!!
so helpful, thanks!
@herbert-4: corrected! :)
herbert, thank you! in my idea, you're one happy guy as seen from the photo above! :)
Thanks a bunch!
just found this and im happy cause i got my Voigtländer Vito b with me for shooting my first roll
today...perfect...hope i remember...! thx herbert
okay this looks so helpful but i don't understand it. can somebody please explain?
hmm... by saying plus 2 f/stops, what i must do? i don't really understand it...
AWESOME, thanks for the link, sir @herbert-4 but I'm very poor with math, number, logic. will learn
slowly =)
PL EA SE L OGI N T O L EA VE A
C OM M EN T
M
o
n
d
a
y
M
o
o
d
b
o
a
r
d
:
T
i
p
Y
o
u
r
H
a
t
f
o
r
'
H
a
t
D
a
y
'
2
0
1
8
-
0
1
-
1
5
#
N
E
W
S
B
e
l
i
e
v
e
i
t
o
r
n
o
t
,
t
o
d
a
y
i
s
H
a
t
D
a
y
!
S
o
m
a
y
b
e
y
o
u
c
a
n
s
t
a
r
t
y
o
u
r
M
o
n
d
a
y
a
l
i
t
t
l
e
b
i
t
f
a
s
h
i
o
n
a
b
l
e
o
r
e
c
c
e
n
t
r
i
c
b
y
d
o
n
n
i
n
g
a
n
e
l
e
g
a
n
t
w
i
d
e
b
r
i
m
,
o
r
a
n
a
n
i
m
a
l
p
a
r
t
y
h
a
t
a
t
t
h
a
t
!
F
o
r
t
h
i
s
w
e
e
k
'
s
M
o
n
d
a
y
M
o
o
d
b
o
a
r
d
w
e
b
r
i
n
g
t
h
e
o
l
d
c
u
s
t
o
m
o
f
t
i
p
p
i
n
g
o
n
e
'
s
h
a
t
a
s
a
g
r
e
e
t
i
n
g
.
2
8
S
H
A
R
E
T
W
EE
T
L
o
o
k
i
n
g
B
a
c
k
o
n
I
o
w
a
w
i
t
h
t
h
e
D
i
a
n
a
,
b
y
N
a
n
c
y
R
e
x
r
o
t
h
2
0
1
8
-
0
4
-
1
9
#
C
U
L
T
U
R
E
#
P
E
O
P
L
E
N
a
n
c
y
R
e
x
r
o
t
h
'
s
w
o
n
d
e
r
f
u
l
p
h
o
t
o
s
e
r
i
e
s
,
I
o
w
a
,
w
a
s
r
e
-
e
d
i
t
e
d
i
n
2
0
1
7
f
o
r
t
h
e
j
o
y
o
f
p
h
o
t
o
g
r
a
p
h
y
l
o
v
e
r
s
a
n
d
f
o
l
l
o
w
e
r
s
.
S
t
e
p
i
n
s
i
d
e
t
o
s
e
e
m
o
r
e
o
f
h
e
r
n
o
t
a
b
l
y
n
o
s
t
a
l
g
i
c
w
o
r
k
w
i
t
h
t
h
e
d
r
e
a
m
y
,
D
i
a
n
a
c
a
m
e
r
a
.
S
H
A
R
E
T
W
EE
T
T
h
e
W
o
r
l
d
i
s
Y
o
u
r
B
o
d
y
:
I
n
s
t
a
n
t
P
h
o
t
o
g
r
a
p
h
y
w
i
t
h
K
e
l
l
e
n
M
o
h
r
W
R
I
T
T
E
N
B
Y
S
R
A
G
O
M
O
O
N
2
0
1
8
-
0
4
-
1
9
K
e
l
l
e
n
M
o
h
r
,
a
B
e
r
k
e
l
e
y
-
b
a
s
e
d
n
a
t
u
r
e
p
h
o
t
o
g
r
a
p
h
e
r
,
t
o
o
k
t
h
e
L
o
m
o
'
I
n
s
t
a
n
t
W
i
d
e
o
u
t
f
o
r
a
s
p
i
n
i
n
t
h
e
w
i
l
d
W
e
s
t
.
W
e
t
a
l
k
h
i
s
n
e
w
s
e
r
i
e
s
"
T
h
e
W
o
r
l
d
i
s
Y
o
u
r
B
o
d
y
"
,
a
s
w
e
l
l
a
s
h
i
s
p
e
r
s
o
n
a
l
e
x
p
e
r
i
e
n
c
e
s
,
m
e
m
o
r
i
e
s
,
a
n
d
i
n
s
p
i
r
a
t
i
o
n
s
t
i
e
d
t
o
t
h
e
n
a
t
u
r
a
l
w
o
r
l
d
.
2
S
H
A
R
E
T
W
EE
T
S
H
O
P
N
E
W
S
C
a
p
t
u
r
e
m
o
r
e
w
i
t
h
t
h
e
L
o
m
o
'
I
n
s
t
a
n
t
A
u
t
o
m
a
t
G
l
a
s
s
K
i
l
i
m
a
n
j
a
r
o
b
u
n
d
l
e
s
a
n
d
S
a
v
e
u
p
t
o
2
0
%
o
n
I
n
s
t
a
x
f
i
l
m
s
!
S
a
v
e
u
p
t
o
2
0
%
o
n
I
n
s
t
a
x
f
i
l
m
s
i
f
y
o
u
p
u
r
c
h
a
s
e
t
h
e
L
o
m
o
'
I
n
s
t
a
n
t
A
u
t
o
m
a
t
G
l
a
s
s
K
i
l
i
m
a
n
j
a
r
o
+
I
n
s
t
a
x
F
i
l
m
b
u
n
d
l
e
s
!
S
h
o
o
t
m
o
r
e
a
n
d
s
a
v
e
m
o
r
e
!
B
U
Y
N
O
W
T
E
N
A
N
D
O
N
E
A
n
n
u
a
l
L
o
m
o
g
r
a
p
h
y
P
h
o
t
o
A
w
a
r
d
s
2
0
1
8
:
M
a
r
c
h
W
i
n
n
e
r
s
(
P
a
r
t
1
)
2
0
1
8
-
0
4
-
1
8
S
e
e
t
h
e
w
i
n
n
i
n
g
p
h
o
t
o
g
r
a
p
h
s
f
o
r
t
h
e
M
a
r
c
h
q
u
a
l
i
f
y
i
n
g
r
o
u
n
d
s
o
f
t
h
e
T
E
N
A
N
D
O
N
E
A
n
n
u
a
l
L
o
m
o
g
r
a
p
h
y
P
h
o
t
o
A
w
a
r
d
s
2
0
1
8
.
5
1
7
S
H
A
R
E
T
W
EE
T
T
h
e
1
0
G
o
l
d
e
n
R
u
l
e
s
o
f
L
o
m
o
g
r
a
p
h
y
2
0
1
8
-
0
4
-
1
8
#
G
E
A
R
I
f
t
h
e
r
e
i
s
o
n
e
t
h
i
n
g
i
n
o
u
r
l
i
n
e
u
p
t
h
a
t
e
m
b
o
d
i
e
s
L
o
m
o
g
r
a
p
h
y
’
s
1
0
G
o
l
d
e
n
R
u
l
e
s
,
i
t
w
o
u
l
d
b
e
t
h
e
S
i
m
p
l
e
U
s
e
F
i
l
m
C
a
m
e
r
a
.
1
1
5
S
H
A
R
E
T
W
EE
T
S
o
u
l
f
u
l
S
t
y
l
e
-
A
n
I
n
t
e
r
v
i
e
w
w
i
t
h
D
a
n
i
e
l
S
t
e
w
a
r
t
W
R
I
T
T
E
N
B
Y
E
U
N
I
C
E
A
B
I
Q
U
E
O
N
2
0
1
8
-
0
4
-
1
8
#
P
E
O
P
L
E
D
a
n
i
e
l
S
t
e
w
a
r
t
'
s
p
a
s
s
i
o
n
f
o
r
f
a
s
h
i
o
n
s
h
i
n
e
s
t
h
r
o
u
g
h
i
n
h
i
s
p
o
l
i
s
h
e
d
,
t
h
o
u
g
h
t
f
u
l
p
o
r
t
r
a
i
t
u
r
e
s
h
o
t
o
n
f
i
l
m
.
1
3
S
H
A
R
E
T
W
EE
T
S
H
O
P
N
E
W
S
C
o
n
q
u
e
r
b
o
t
h
3
5
m
m
a
n
d
M
e
d
i
u
m
f
o
r
m
a
t
p
h
o
t
o
g
r
a
p
h
y
w
i
t
h
t
h
e
B
e
l
a
i
r
a
n
d
F
R
E
E
3
5
m
m
b
a
c
k
!
G
r
a
b
a
n
y
e
d
i
t
i
o
n
o
f
t
h
e
B
e
l
a
i
r
X
6
-
1
2
M
e
d
i
u
m
F
o
r
m
a
t
c
a
m
e
r
a
a
n
d
g
e
t
a
B
e
l
a
i
r
X
6
-
1
2
3
5
m
m
b
a
c
k
f
o
r
F
R
E
E
!
A
V
A
I
L
A
B
L
E
I
N
O
U
R
S
H
O
P
Q
u
e
e
n
i
n
3
D
E
x
h
i
b
i
t
i
o
n
b
y
B
r
i
a
n
M
a
y
2
0
1
8
-
0
4
-
1
8
#
C
U
L
T
U
R
E
L
o
m
o
g
r
a
p
h
y
G
a
l
l
e
r
y
S
t
o
r
e
S
o
h
o
i
s
t
h
r
i
l
l
e
d
t
o
a
n
n
o
u
n
c
e
a
n
e
w
e
x
h
i
b
i
t
i
o
n
o
f
s
t
e
r
e
o
s
c
o
p
i
c
p
r
i
n
t
s
t
a
k
e
n
f
r
o
m
B
r
i
a
n
M
a
y
'
s
p
e
r
s
o
n
a
l
a
r
c
h
i
v
e
s
.
J
o
i
n
u
s
f
o
r
t
h
e
p
r
i
v
a
t
e
v
i
e
w
o
n
3
r
d
M
a
y
&
g
e
t
t
h
e
o
p
p
o
r
t
u
n
i
t
y
t
o
v
i
e
w
s
o
m
e
e
x
c
l
u
s
i
v
e
s
n
a
p
s
h
o
t
s
t
h
r
o
u
g
h
t
h
e
s
p
e
c
i
a
l
l
y
m
a
d
e
O
W
L
g
l
a
s
s
e
s
,
d
e
s
i
g
n
e
d
b
y
t
h
e
m
a
n
h
i
m
s
e
l
f
.
1
5
S
H
A
R
E
T
W
EE
T
L
o
m
o
p
e
d
i
a
-
F
u
j
i
G
W
6
9
0
I
I
I
W
R
I
T
T
E
N
B
Y
C
H
E
E
O
O
N
2
0
1
8
-
0
4
-
1
8
#
G
E
A
R
B
e
h
o
l
d
,
t
h
e
“
T
e
x
a
s
L
e
i
c
a
.
”
1
0
S
H
A
R
E
T
W
EE
T
S
w
i
n
g
I
n
t
o
S
p
r
i
n
g
w
i
t
h
L
o
m
o
g
r
a
p
h
y
2
0
1
8
-
0
4
-
1
7
R
o
l
l
o
u
t
t
h
e
m
a
p
,
p
a
c
k
y
o
u
r
b
a
g
s
a
n
d
g
o
s
o
m
e
w
h
e
r
e
y
o
u
'
v
e
n
e
v
e
r
b
e
e
n
.
1
1
7
S
H
A
R
E
T
W
EE
T
S
H
O
P
N
E
W
S
S
a
y
"
J
a
m
b
o
"
t
o
t
h
e
L
o
m
o
'
I
n
s
t
a
n
t
A
u
t
o
m
a
t
G
l
a
s
s
K
i
l
i
m
a
n
j
a
r
o
!
S
a
y
h
e
l
l
o
t
o
t
h
e
n
e
w
e
s
t
m
e
m
b
e
r
o
f
t
h
e
L
o
m
o
'
I
n
s
t
a
n
t
A
u
t
o
m
a
t
f
a
m
i
l
y
a
n
d
r
e
a
c
h
t
h
e
P
e
a
k
o
f
A
u
t
o
m
a
t
i
c
I
n
s
t
a
n
t
C
r
e
a
t
i
v
i
t
y
w
i
t
h
t
h
e
L
o
m
o
'
I
n
s
t
a
n
t
A
u
t
o
m
a
t
G
l
a
s
s
K
i
l
i
m
a
n
j
a
r
o
!
B
U
Y
N
O
W
L
o
m
o
A
m
i
g
o
s
L
u
c
i
u
s
a
t
E
l
e
c
t
r
i
c
L
a
d
y
S
t
u
d
i
o
s
N
Y
C
W
R
I
T
T
E
N
B
Y
B
I
R
G
I
T
B
U
C
H
A
R
T
O
N
2
0
1
8
-
0
4
-
1
7
#
C
U
L
T
U
R
E
#
P
E
O
P
L
E
W
e
a
r
e
p
r
o
u
d
d
o
i
n
t
r
o
d
u
c
e
o
u
r
n
e
w
L
o
m
o
A
m
i
g
o
B
a
n
d
L
u
c
i
u
s
a
n
d
e
v
e
n
m
o
r
e
e
x
c
i
t
e
d
t
o
s
h
a
r
e
s
o
m
e
e
x
c
l
u
s
i
v
e
L
o
m
o
-
s
h
o
t
s
o
f
t
h
e
b
a
n
d
'
s
S
p
o
t
i
f
y
L
i
v
e
-
r
e
c
o
r
d
i
n
g
a
t
t
h
e
l
e
g
e
n
d
a
r
y
E
l
e
c
t
r
i
c
L
a
d
y
S
t
u
d
i
o
s
i
n
N
e
w
Y
o
r
k
C
i
t
y
.
9
S
H
A
R
E
T
W
EE
T
A
r
o
u
n
d
t
h
e
W
o
r
l
d
i
n
A
n
a
l
o
g
u
e
:
K
o
z
a
n
i
,
G
r
e
e
c
e
2
0
1
8
-
0
4
-
1
7
#
C
U
L
T
U
R
E
T
a
k
e
a
g
l
i
m
p
s
e
o
f
t
h
e
v
i
b
r
a
n
t
c
a
r
n
i
v
a
l
i
n
K
o
z
a
n
i
,
G
r
e
e
c
e
t
h
r
o
u
g
h
@
l
o
f
n
i
k
o
l
a
s
'
m
u
l
t
i
p
l
e
e
x
p
o
s
u
r
e
p
h
o
t
o
g
r
a
p
h
s
.
7
S
H
A
R
E
T
W
EE
T
"
B
l
a
m
e
l
e
s
s
"
:
A
L
o
m
o
K
i
n
o
M
u
s
i
c
V
i
d
e
o
b
y
T
i
n
a
B
l
a
k
e
n
e
y
2
0
1
8
-
0
4
-
1
7
#
P
E
O
P
L
E
#
V
I
D
E
O
S
W
a
t
c
h
T
i
n
a
B
l
a
k
e
n
e
y
'
s
n
o
s
t
a
l
g
i
c
L
o
m
o
K
i
n
o
v
i
d
e
o
f
o
r
A
l
p
i
n
e
D
e
c
l
i
n
e
'
s
l
a
t
e
s
t
s
o
n
g
,
"
B
l
a
m
e
l
e
s
s
"
.
2
5
S
H
A
R
E
T
W
EE
T
F
I
N
D
O
U
T
M
O
R
E
A
B
O
U
T
LANGUAGES
You're currently viewing this page in English. You can change your language preferences any time you like — just select your language from the
dropdown list!
Lomography International
NEWSLETTER
Keep up to date with all things Lomography! Subscribe to our newsletter and be the first to know about amazing deals, brand new products, and
essential creative photography news.
AAAAAThatsSixAs@domain.com
SU B SC R I B E
SHOP ONLINE
Cameras
Films
Lenses
Accessories
Tags
Cameras
Films
Countries
Cities
MAGAZINE
News
People
Gear
Tutorials
Places
Videos
ABOUT US
Art Lenses
Analogue
Instant
GOT ANY QUESTIONS?
Contact Us
What are Piggy Points?
Our Piggy Point Policy
Frequenty Asked Questions
FIND US ELSEWHERE
Facebook
Instagram
Twitter
Tumblr
Vimeo
Youtube
Google
© Lomography 1994–2018