The 24th annual Boston International Fine Art Show returned to the Cyclorama in Boston after a two-year hiatus due to the Covid-19 pandemic. The 15,000 square foot venue featured 40 galleries offering works from Old Masters to contemporary art, with a special emphasis on American art. A new section called Emerge showcased 15 emerging and mid-career artists. The show opened with over 300 attendees at a gala preview who were the first to purchase works on display.
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American Fine Art - Issue 67, JanuaryFebruary 2023 (dragged) 7
The 24th annual Boston International Fine Art Show returned to the Cyclorama in Boston after a two-year hiatus due to the Covid-19 pandemic. The 15,000 square foot venue featured 40 galleries offering works from Old Masters to contemporary art, with a special emphasis on American art. A new section called Emerge showcased 15 emerging and mid-career artists. The show opened with over 300 attendees at a gala preview who were the first to purchase works on display.
The 24th annual Boston International Fine Art Show returned to the Cyclorama in Boston after a two-year hiatus due to the Covid-19 pandemic. The 15,000 square foot venue featured 40 galleries offering works from Old Masters to contemporary art, with a special emphasis on American art. A new section called Emerge showcased 15 emerging and mid-career artists. The show opened with over 300 attendees at a gala preview who were the first to purchase works on display.
Boston is Back The 24th annual Boston International Fine Art Show firmly places the city back into the American fine art circuit
A fter a two-year hiatus due to
the Covid-19 pandemic, the 24th annual Boston International Fine Art Show returned to the Cyclorama, Boston Center for the Arts from October 20 to 23, 2022, where it received an enthusiastic response. The 15,000-square-foot circular venue under a domed skylight featured 40 galleries offering the complete range of fine art from the Old Masters to contemporary works with a special emphasis on American fine art. The show also introduced Emerge, a special contemporary art section featuring the work of 15 juried emerging and mid- career artists. The show opened with a gala preview attended by more than 300 patrons, collectors, museum directors and curators who had the opportunity to be among the first to purchase the From left, Stephen Keokhanthachone and Leonard Parco of Parco Fine Art, which specializes in the works on view. artists of Cape Ann, Massachusetts. Photo by Tara Carvalho.
Trinity House Paintings stopped
everyone in their tracks with this oil on canvas portrait of George Washington by Gilbert Stuart (1755-1828) and his workshop. Photo by Robert Four.
A comprehensive retrospective of the
work of Mark Baum (1903-1997), was presented by his estate, located in Cape Neddick, Maine. Photo by Robert Four.
(British Art and Visual Culture Since 1750 New Readings) Neil Mulholland - The Cultural Devolution - Art in Britain in The Late Twentieth Century-Ashgate Publishing (2004)
Joshua Reynolds's "Nice Chymistry": Action and Accident in The 1770s Author(s) : Matthew C. Hunter Source: The Art Bulletin, March 2015, Vol. 97, No. 1 (March 2015), Pp. 58-76 Published By: CAA