Piano Refreshed

and Revised for the M&J Big Band's 2016 Performances

Sway
Inspired by the 2003 recording of Michael Bublé Music By Pablo Beltran Ruiz


Lyrics by Norman Gimbel
Arranged by Joshua Kovich

 = 127   Em7 ♭5 A7 Em7

 ♭5 A7
Latin Groove

                                    

Dm

     
 
                                          
  
Piano

  


  Em7♭5 A7     
    
Dm

            
A Gm A7 Gm A7 Dm Edim7

               
Em7♭5 A7


Dm 3


7

   

                        
3
Pno.





  
     
           
A1

   
Dm

         
Gm A7 Gm A7 Gm A7 Gm A7 Dm

         
Dm

          
15

 
   
                              
3
Pno.

  


3


  
   
           
           
FMaj7

 
Gm A7 Gm A7 Dm B C7

    
A7


23

     
     
3

     
          
3 3

 
Pno.

   
 

Dm

            

B♭ 7 A7 C Gm A7 Gm A7 Dm Edim7 Gm A7


                       
32 3

  
    
              
          
Pno.
3


       

             
Gm A7 Dm

  
40

  
       
     

Pno.

    



      
D Gm A7
43


   

Pno.


   A7 Gm

                    
                  
  
Gm

       
Gm Dm Edim7 Dm Dm

  
A7 A7

    
44

     
                

     
Pno.

 


      
      
                
   
 
E


FMaj7

 
50 C7 A7

                               
3

 
Pno.

  
3

2
 
     
   

   
              
  
B♭ 7 A7 F G

 
56

          
              
3 3


Pno.

 



3

     
                                          
  
3


69


                                         
   
Pno.

  


3

        Dm7
    
                      
H Em7 A7


Em7 A7 Em7 A7

  
74


                       
            

Pno.

  


 A7 Em7 A7 Dm7
                          
           
Em7 A7 I Em7
Dm7

 
81

                
            
Pno.




           
     
         
A7 A7


Em7 Em7

  
Dm7

   
87

                 
             
Pno.

    

3
 
                               
A7 A7 A7 A7

 
Em7 Em7 Dm7 Em7 Em7
92

  
                       
    
Pno.


   
 
           
Dm7

    
98

  

          
Pno.

     