Professional Documents
Culture Documents
Broadcast Supplement 24 September 2021
Broadcast Supplement 24 September 2021
TELEVISION
COPYRIGHT
DEFAMATION PRETTY
CHECKMATE VACANT
JOHN LYDON
NETFLIX
LOSES BATTLE
SUED OVER
OVER DANNY
QUEEN’S GAMBIT
BOYLE TV SERIES
PAGE 13
PAGE 16
DEFAMATION
WAR OF
THE WAGS INSIDE
ALL THE LATEST
FROM THE VARDY GET YOUR
GLAMOUR BACK
V ROONEY LIBEL
ACTION WHERE TO GO
PAGE 14 AND WHAT TO
WEAR
PAGE 26
NEWS, PAGE 10
NEWS PAGE 19
COVID CRISIS
ON AN IMPOSSIBLE MISSION TO FIGHT THE INSURERS?
ComposedPix / Shutterstock.com
MEDIA LAW NEWS FROM ABBAS MEDIA LAW AUTUMN 2021
COPYRIGHT
brings you a round-up of interesting legal and regulatory
DEFAMATION
CHECKMATE
NETFLIX
PRETTY
VACANT
JOHN LYDON
LOSES BATTLE
decisions, as well as the latest media law and compliance
SUED OVER
OVER DANNY
QUEEN’S GAMBIT
PAGE 13
BOYLE TV SERIES
PAGE 16
news affecting broadcasters and indies.
DEFAMATION
WAR OF
THE WAGS
OVE
ALL THE LATEST
FROM THE VARDY GET YOUR
GLAMOUR BACK
V ROONEY LIBEL
ACTION WHERE TO GO
PAGE 14 AND WHAT TO
WEAR
PAGE 26
NEWS, PAGE 10
NEWS PAGE 19
CarlaVanWagner / Shutterstock.com
leading content producers. We regularly represent clients
Features Editor Paul Hunwick
when legal and regulatory 19
Contributing Editors Content Advice threats are made against
Felicity McMahon ABBAS Media Law boasts some programmes and other content,
Gervase de Wilde of the most experienced content both before and after publication.
Annie Turner
advisers in the country. We work on We represent clients in most
Mauny Wright
the most exciting and challenging areas of litigation affecting the
Sub-editor Ailsa McWhinnie factual programmes; news; film; media, advising on strategy,
drama; and entertainment and tactics, drafting of pleadings
Art Director Helen Blair
comedy programmes. Nigel and advocacy.
Marketing Melissa Fretwell Abbas is the primary author of
White Camino Channel 4’s Producers’ Handbook, Training for producers
Contact a comprehensive guide to best We prepare and deliver bespoke
ABBAS Media Law practice, regulation and the law training programmes for clients, or
1st Floor, 239 Kensington as they apply to the making and producers can avail themselves of
High Street, broadcasting of programmes. AML’s regular training programme.
London W8 6SN
To find out more, get in touch: info@abbasmedialaw.com
D: +44 207 316 3046
M: +44 7831 311 080
E: info@abbasmedialaw.com THE TEAM
www.abbasmedialaw.com Nigel Abbas Founder
Sid Gentle Films / Album / Alamy
US
Arlene Foster
Damages for
identification
of alleged
rape victim
In May of this year, the publisher of MailOn-
line, ANL, apologised and paid substantial
damages to Dutch actress Sand Van Roy for
misuse of private information, after reporting Luc Besson at the 2014
that she alleged she had been raped. Cannes Film Festival with
his wife Virginie Besson-Silla
In a statement in open court, lawyers for Van
şƷƐşōĎƐIJĕĈşƖſƐƐIJëƐƆIJĕIJëĎǕōĕĎëĈşŔżōëĶŕƐ
ƱĶƐIJëſĶƆżşōĶĈĕƐIJëƐǕōŔĎĶſĕĈƐşſdƖĈ ĕƆƆşŕ However, Van Roy’s case settled shortly after
had raped her at a hotel in May 2018. Besson ANL INITIALLY the judgment in another case involving ANL,
has strongly denied the allegations. DENIED VAN Sicri v Associated Newspapers, was handed
Despite her right to anonymity under ROY’S REASONABLE down. In the Sicri case, MailOnline identi-
French law, information about the complaint EXPECTATION OF ǕĕĎ ƐIJĕ ĈōëĶŔëŕƐ ëƆ ƆşŔĕşŕĕ ƱIJş IJëĎ ćĕĕŕ
was leaked to the French media. ëſſĕƆƐĕĎşŕƆƖƆżĶĈĶşŕşĪƐĕſſşſĶƆŔşǔĕŕĈĕƆȂ
PRIVACY IN RESPECT
ANL articles in May 2018, and February The court found that the fact that
and October 2019, reported details of the
OF HER COMPLAINT The Guardian newspaper also published
complaint to the police. The May 2018 article an article naming Sicri did not defeat or
revealed Van Roy had complained to police ANL initially denied Van Roy’s reasona- ƆĶīŕĶǕĈëŕƐōƷƖŕĎĕſŔĶŕĕIJĶƆōĕīĶƐĶŔëƐĕĕƶżĕĈȒ
that Besson had raped her. While the infor- ble expectation of privacy in respect of her tation that ANL would not publish his identity
mation had previously been made public in complaint to the police because her identity as a suspect. Sicri was released without
DſëŕĈĕǽƐIJĶƆƱëƆƐIJĕǕſƆƐƐĶŔĕƐIJëƐëżƖćōĶƆIJĕſ was already in the public domain at the time charge and always denied any wrongdoing.
in this jurisdiction reported this information. of publication. They also argued that she The outcome of Van Roy’s claim suggests
Van Roy responded by giving a series of inter- forfeited her right to anonymity by giving that the decision in Sicri may already be
views on the record to correct the narrative. interviews to the media in July 2018. żſşưĶŕīĶŕǖƖĕŕƐĶëōȂ
UK
Stokes, which took place in New Zealand ș¨IJĕ ƆƖǔĕſĶŕī ĈëƖƆĕĎ Ɛş şƖſ ĪëŔĶōƷ ćƷ ƐIJĕ
Tommy
Robinson loses
libel claim
over bullying
incident
In a judgment handed down in July, Syrian
refugee Jamal Hijazi was awarded £100,000 in
his defamation claim against English Defence
League founder Tommy Robinson.
The claim arose from two videos posted
by Robinson – real name Stephen Yaxley-
Lennon – on his Facebook account in Novem-
ćĕſ ǟǝǞǥǽ ĪşōōşƱĶŕī ë ǕīIJƐ ćĕƐƱĕĕŕ LĶŇëǀĶ
and another pupil, Bailey McLaren, at the
now-closed Almondbury Community School.
¨IJĕǕīIJƐƱëƆſĕĈşſĎĕĎćƷëżƖżĶōǽƱĶƐIJƐIJĕ
footage subsequently going viral and being
picked up by the mainstream media.
¨IJĕǕīIJƐƱëƆſĕżşſƐĕĎƐşƐIJĕżşōĶĈĕǽōĕëĎĶŕī
to McLaren being interviewed and receiving
a caution for common assault, as well as to
him being permanently excluded from the
school on 12 November 2018.
Tommy Robinson can
McLaren said in evidence that he was not expect further hearings
a bully and denied the incident had anything in relation to costs and
his assets
to do with race.
Yaxley-Lennon posted the two videos that
led to the libel claim, which were seen by and to award him a sum in damages that
almost one million people. YAXLEY- represents fair compensation.”
The videos had previously been determined LENNON’S Yaxley-Lennon has been imprisoned on
by the court to mean that Hijazi had partici- DEFENCE FAILED, WITH at least four occasions, including most
pated in a violent assault on a young girl and THE JUDGE SAYING recently for contempt of court following
threatened to stab another child. his interference with the trial of a Muslim
“HIS EVIDENCE FELL
At the trial, heard by Mr Justice Nicklin grooming gang.
WOEFULLY SHORT” One consequence of the award of £100,000
in April 2021, Yaxley-Lennon sought to
żſşưĕ ƐIJĕ ëōōĕīëƐĶşŕƆ Ʊĕſĕ ƐſƖĕǽ ĈëōōĶŕī Ǖưĕ in damages and his potential liability
witnesses who were pupils at the school at of the videos by Robinson, which meant Hijazi for Hijazi’s costs of £500,000 is that
the relevant time. Hijazi and his father also became the target of abuse. This ultimately led Yaxley-Lennon will face scrutiny over his
gave evidence. to him and his family leaving their home, and ǕŕëŕĈĶëō ƆĶƐƖëƐĶşŕǽ ëŕĎ şưĕſ ƐIJĕ ŔşŕĕƷ IJĕ
Yaxley-Lennon’s defence of truth failed, Hijazi having to abandon his education. made at a time when he was active on a
with the judge saying that “his evidence fell In making an award of £100,000, the number of mainstream social-media channels,
woefully short”. judge said: “It is my responsibility to make including Facebook.
In assessing damages, the judge referred to clear that the defendant has failed in his Yaxley-Lennon has since been made subject
the harm that followed from the publication defence of truth, to vindicate the claimant to an interim Stalking Protection Order.
In a record for the show, 24,911 viewers make for uncomfortable viewing, we consider
complained about the episode. Viewers said the the scenes were within viewers’ likely expecta-
broadcaster should not have shown the scenes, tions of this programme’s established format.
and Winter subsequently told two other contest- “We also took into account that the
ants there was “no excuse” for her behaviour. programme showed other contestants support-
An Ofcom spokesperson said in a statement: ing Teddy, and that Faye resolved to apologise
“We assessed a high number of complaints from for her actions.”
viewers who were troubled by a contestant’s While the confrontation was heated and
behaviour and language. Although we recognise Love Island presenter emotional, it did not give rise to any obvious
that emotionally charged confrontation… can Laura Whitmore
contravention of the Ofcom Broadcasting Code.
REGULATION EXPLAINED
Ofcom regulates the content of a television and radio in the UK. ing. Compliance with these codes is important. Regulators can
IPSO is the main regulator for the press and magazine industry. impose penalties and sanctions for non-compliance. Regarding
The Advertising Standards Authority regulates advertising. All privacy matters, the regulatory codes also have wider legal
the regulators adjudicate on complaints with reference to codes significance because of provisions within the Human Rights Act
of practice, with which those they regulate have to comply. The 1998 and data protection legislation. The result is that the codes
Ofcom Broadcasting Code is the main code relating to broad- have a bearing not simply in the regulatory context, but also
cast content, while IPSO judges complaints against the editors’ on how the courts should act when making any order affect-
code. The ASA’s main codes are the BCAP Code for broadcast ing freedom of expression and the publication of journalistic,
advertising, and the CAP Code for non-broadcast advertis- literary or artistic material.
UK Roman Abramovich
(right) has taken action
High Court against HarperCollins
hears Putin’s
People claims
A trial of preliminary issues relating to
a series of claims over journalist Catherine
Belton’s book Putin’s People, published by
HarperCollins, took place in the High Court
on 28 and 29 July.
¨IJĕIJĕëſĶŕīƱëƆƐIJĕǕſƆƐƆƐĕżĶŕëĈëƆĕƐIJëƐ
some legal commentators have character-
ised as a “pile-on from
porary history, but unfortunately it repeats book, the identities of the claimants, and the
lazy inaccuracies”.
REMOVE EFFECTIVELY reliance in at least two of the cases on alleged
'ƖſĶŕīƐIJĕǕſƆƐĎëƷşĪƐIJĕIJĕëſĶŕīǽƐIJĕĈşƖſƐ ALL THE MATERIAL ON infringements of data protection rights have
heard that Fridman and Aven settled their WHICH THE ACTIONS elicited considerable interest from media and
claims against the publisher. ARE BASED FROM legal commentators.
Their barrister, who also represented Abramo- FUTURE EDITIONS If the litigation continues beyond the
vich, said the pair had “reached an accommoda- preliminary issues, it is likely to be one of the
OF THE BOOK
tion with HarperCollins”, whereby the publisher ŔşƆƐIJĶīIJȒżſşǕōĕĎĕĪëŔëƐĶşŕĈëƆĕƆşĪǟǝǟǟȂ
UK the child in the Family Court in London, but noted and, in particular, of the public interest
the majority of her claim was rejected with the rationale for any given action. The judgment
Public interest judge in that case saying they “did not accept makes clear that it is realistic for a court to
defence fails either that she was a victim of abuse, threats
and violence, or that the proceedings in the
expect documents to be available that record
(or at least shed some light on) decisions taken
at trial ®0ƱĕſĕƖŕĪëĶſȚȂȞ ëƆ Ɛş ƱIJëƐ ƱëƆ ĶĎĕŕƐĶǕĕĎǽ ëƐ ƐIJĕ ƐĶŔĕǽ ëƆ ƐIJĕ
The newspapers did not seek to defend the żƖćōĶĈ ĶŕƐĕſĕƆƐ ŇƖƆƐĶǕĈëƐĶşŕ Īşſ żƖćōĶĈëƐĶşŕȂ
The long-running libel case brought by French articles as true but instead relied solely on While the court cannot require a journalist
aerospace engineer Bruno Lachaux against the ƐIJĕ șżƖćōĶĈ ĶŕƐĕſĕƆƐȚ ĎĕĪĕŕĈĕ ƖŕĎĕſ Ȃǡ şĪ ƐIJĕ to make records, the prospect of successfully
żƖćōĶƆIJĕſƆşĪȞThe IndependentȞëŕĎȞƐIJĕEvening 'ĕĪëŔëƐĶşŕĈƐǟǝǞǠȂ¨IJĶƆƆĕĈƐĶşŕşĪƐIJĕǟǝǞǠ establishing the defence is enhanced by being
StandardȞ IJëƆ ĈşŕĈōƖĎĕĎ ƱĶƐIJ ë ŇƖĎīŔĕŕƐ able to produce contemporaneous records of
ëƱëſĎĶŕī IJĶŔ ȥǞǟǝǽǝǝǝ Ķŕ ĎëŔëīĕƆ ëŕĎ ƐIJĕ BOTH the decision(s) taken.
defendants’ defences dismissed. NEWSPAPERS In Lachaux, there were few contemporaneous
The 1 July judgment, following a four-day documents that could shed light on the events
FAILED TO
ƐſĶëōĶŕĕëſōƷǟǝǟǞǽĈşŕƆĶĎĕſƆĶŔżşſƐëŕƐĶƆƆƖĕƆ ƐIJëƐōĕĎƐşżƖćōĶĈëƐĶşŕǽëŕĎŕşȞĎşĈƖŔĕŕƐƆƐIJëƐ
DEMONSTRATE THAT recorded, or even referred to, the decision-mak-
relevant to journalists seeking to rely on the
șżƖćōĶĈĶŕƐĕſĕƆƐȚĎĕĪĕŕĈĕƐşëĎĕĪëŔëƐĶşŕĈōëĶŔȂȞ ANY BELIEF IN THE ing process that led to publication.
Previously, the case had been to the Supreme PUBLIC INTEREST Both newspapers failed to demonstrate that
Court over the requirement for a claimant to WAS REASONABLE any belief in the public interest was reasonable,
show “serious harm”. taking into account the circumstances, includ-
Lachaux’s claim related to articles published act replaced a common law defence known ing the failure to contact Lachaux to seek his
Ķŕ ǟǝǞǡ ƆƖſſşƖŕĎĶŕī IJĶƆ ŔëſĶƐëō ćſĕëŊĎşƱŕ as the “Reynolds” defence, which protected response before publication took place.
with ex-wife Afsana Shukur and him taking “responsible journalism”. While TV journalists are more familiar than
possession of their child under a custody order There are several points relevant to inves- the press with regulatory compliance, and may
awarded by the UAE courts. Found by the court tigative and public interest journalism which be less likely to approach publication of a story
to bear a defamatory meaning, the articles emerge from the judgment, including the and its aftermath in the way the newspapers
suggested that, among other things, Lachaux ŕşƐĶşŕ ƐIJëƐ żſĕƆƆ ƆIJşƖōĎ şǔĕſ ƐIJĕ ƆƖćŇĕĈƐ şĪ did in this case, the judgment contains valua-
was violent towards his then wife and had serious allegations an opportunity to respond ble lessons on both of these issues, and on the
obtained custody of their child on a false basis. to them before publication. The importance ŊĶŕĎşĪĎĶǔĶĈƖōƐĶĕƆëŔĕĎĶëĎĕĪĕŕĎëŕƐŔëƷĪëĈĕ
Shukur subsequently applied for contact with of contemporaneous record-keeping was also if it has to take a public interest defence to trial.
Christian Porter
AUS
tions it had reported could be substantiated. The case has been settled after mediation.
Porter sued the broadcaster over an online ÉIJĶōĕƐIJĕƐĕſŔƆſĕŔëĶŕĈşŕǕĎĕŕƐĶëōǽëŕĎƐIJĕ
article from February alleging an unnamed ABC agreed to pay the costs of the mediation, banned the media from publishing the
cabinet minister had been accused of rape in the ABC did not pay any damages. unredacted defence.
a dossier that had been sent to the Australian Despite the case settling, there have The media recently reported that Porter’s
PM and three other parliamentarians. been several hearings regarding parts of the legal fees were paid out of money received from
Although the article did not name Porter, ABC’s defence being made public. A ruling a “blind trust”. This allegation led to Porter’s
IJĕ ĈōëĶŔĕĎ IJĕ ƱëƆ ĶĎĕŕƐĶǕëćōĕ ëŕĎ ćſşƖīIJƐ ćƷ ëŕ ƖƆƐſëōĶëŕ ĪĕĎĕſëō ĈşƖſƐ şŕ ǠǞ ƖīƖƆƐ resignation from the front bench in September.
IRELAND The claimant, Mr Michael Reilly, said event protected by the defence of absolute
Libel claim over he was the only Michael Reilly living at Bally-
cullen, Mullinahone, and the article damaged
privilege as a fair and accurate court report.
Irish defamation law still has the right to
newspaper’s his reputation by falsely labelling him as a trial by jury, but in this case, the matter was
Northfoto / Shutterstock.com
Sex Pistols’ songs can now
UK be used in a TV series without
John Lydon’s permission
John Lydon
loses battle
over use of Sex
Pistols songs
August saw John Lydon lose a claim brought by
former bandmates Steve Jones and Paul Cook
over whether Sex Pistols’ songs can be used in
a TV show without his agreement.
Guitarist Jones and drummer Cook wanted
Lydon to agree to let their songs be used in
forthcoming Danny Boyle show Pistol.
¨IJĕƆĕſĶĕƆćĕīëŕǕōŔĶŕīĶŕlëſĈIJǽëŕĎĶƆë
six-part production based on a 2016 memoir by
Jones called Lonely Boy: Tales from a Sex Pistol.
Jones and Cook argued that in 1998 the
band members had entered into an agree-
ment providing for “majority rule in relation
ƐşĎĕĈĶƆĶşŕƆȚëćşƖƐōĶĈĕŕĈĕƆȎƐIJĕ ëŕĎlĕŔćĕſ
īſĕĕŔĕŕƐǽşſ lȏȂ
dƷĎşŕǽćƷĈşŕƐſëƆƐǽŔëĶŕƐëĶŕĕĎƐIJëƐƖŕëŕĶŔȒ
ĶƐƷƱëƆſĕžƖĶſĕĎǽƆşIJĕĈşƖōĎưĕƐşëŕƷĎĕĈĶƆĶşŕ
made by the other band members.
Disagreement over the use of the band’s
music in Pistol led Jones and Cook to bring a
ĈōëĶŔëīëĶŕƆƐdƷĎşŕǽƆĕĕŊĶŕīëŕşſĎĕſĪſşŔƐIJĕ Lydon previously told the Sunday Times
IN HIS WITNESS
court for Lydon to comply with his obligations that the script for the TV series had been
ƖŕĎĕſƐIJĕ lǽëŕĎĶŕżëſƐĶĈƖōëſƐIJëƐIJĕīſëŕƐ
STATEMENT, written and an actor selected to play him
his consent in writing to the sync licences. COOK SAID LYDON ƱĶƐIJşƖƐIJĶƆĈşŕƆĕŕƐǽëŕĎƐIJëƐIJĕIJëĎćĕĕŕżƖƐ
Ɛ ƐſĶëōǽ ƐIJĕ ưëōĶĎĶƐƷ şĪ ƐIJĕ l ƱëƆ ŕşƐ “CAN BE A DIFFICULT “in a corner like a rat”.
disputed. The main issue was whether there CHARACTER AND DşōōşƱĶŕīƐIJĕşƖƐĈşŔĕşĪƐIJĕƐſĶëōǽƐIJĕćëŕĎȜƆ
ƱëƆǽ ëƆ dƷĎşŕ ĈōëĶŔĕĎǽ ëŕ ĕƆƐşżżĕō żſĕưĕŕƐȒ ALWAYS LIKES TO ƱëſşĪƱşſĎƆIJëƆĈşŕƐĶŕƖĕĎǽëŕĎĕëĈIJƆĶĎĕIJëƆ
Ķŕī ƐIJĕ ƆĶīŕëƐşſĶĕƆ Ɛş ƐIJĕ l ĪſşŔ ſĕōƷĶŕī FEEL THAT HE HAS made critical statements about the other – in
on the majority voting provisions it contained particular about the circumstances in which
CONTROL”
(an estoppel in this context meaning that Lydon found out about Boyle’s show.
the claimants’ actions prevented them from The parties’ comments and the wider
ƆĕĕŊĶŕīëſĕŔĕĎƷĶŕƐIJĕĈōëĶŔȏȂ The case saw the band’s members vent a background suggests that the dispute over
The judge analysed a series of events relat- number of grievances. the rights to the band’s music has become a
ĶŕīƐşƖƆĕşĪƐIJĕćëŕĎȜƆŔƖƆĶĈǽƱIJĶĈIJƱĕſĕƆëĶĎ Cook told the court that he and the other proxy for a wider disagreement about how
ƐşƆƖżżşſƐdƷĎşŕȜƆĈëƆĕǽćƖƐĪşƖŕĎƐIJëƐIJĕƱëƆ members of the band had “always wanted to the band and Lydon in particular are to be
ƖŕëćōĕșƐşīĕƐëŕĕƆƐşżżĕōĈëƆĕşǔƐIJĕīſşƖŕĎȚȂ ƱşſŊIJëſŔşŕĶşƖƆōƷȚǽćƖƐĪĕōƐƐIJĕƷIJëĎƐşƐëŊĕ portrayed in Boyle’s series.
The judge concluded that the consequence Lydon to court so the group’s songs could be While there is little scope to exercise “image
şĪ IJĶƆ ǕŕĎĶŕī ƱëƆ șƐIJëƐ ƐIJĕ ĈōëĶŔëŕƐƆ ëſĕ used in the TV show. rights” in English law where a real-life story is
entitled to invoke the majority voting rules Pŕ IJĶƆ ƱĶƐŕĕƆƆ ƆƐëƐĕŔĕŕƐǽ !şşŊ ƆëĶĎ dƷĎşŕ ĎſëŔëƐĶƆĕĎĪşſƐIJĕƆĈſĕĕŕǽƐIJĕōĶƐĶīëƐĶşŕƆIJşƱƆ
ëīëĶŕƆƐlſdƷĎşŕĶŕſĕōëƐĶşŕƐşƐIJĕƖƆĕşĪĕƶ șĈëŕćĕëĎĶǔĶĈƖōƐĈIJëſëĈƐĕſëŕĎëōƱëƷƆōĶŊĕƆƐş IJşƱPſĶīIJƐƆĈëŕćĕëĎĶǔĶĈƖōƐĶƆƆƖĕĶŕĈëƆĕƆ
Pistols’ material in the new Pistol TV series”. feel that he has control”. where there are multiple rights holders.
R&B star The Weeknd is facing a claim for companies’ creative endeavours so
copyright infringement arising from his 2018 they can benefit and profit from their
¨IJĕ !ëŕëĎĶëŕ ƆĶŕīĕſǽ ćşſŕ ćĕō ¨ĕƆĪëƷĕǽ a programme for broadcast will own
is being sued by producers Suniel Fox and Abel Tesfaye, AKA The Weeknd copyright in the film it is producing.
ÉĕĕŊŕĎȜƆ ſĕĈşſĎǽ ƱIJĶĈIJ ĈſĕĎĶƐĕĎ mĶĈşōëƆ `ëëſ earn money by licensing rights in the
WHITE TOLD
for the sampling of his 2016 song Killing Timeǽ programme to others who wish to
Their California claim says that the two VERDICT ON VIBEKING need to ensure that rights in copyright
tracks “contain quantitatively and qualitatively WAS “SHIT’S FIIIIRE”, works included within programmes
similar material in their respective lead guitar MEANING, THE CLAIM – so-called ‘underlying rights’, in
The pair allege they sent their production to them, unless they can rely on one of
şŕĕşĪ¨IJĕÉĕĕŊŕĎȜƆĈşōōëćşſëƐşſƆǽ0ſĶĈÉIJĶƐĕǽĪşſ șƆƐſĶŊĶŕīōƷ ëŕĎȈşſ ƆƖćƆƐëŕƐĶëōōƷ ƆĶŔĶōëſǽ ĶĪ ŕşƐ the statutory defences to copyright
the artist to consider. White told them Tesfaye’s ĶĎĕŕƐĶĈëōǽ Ɛş şſĶīĶŕëō ĕōĕŔĕŕƐƆ ĪſşŔ Vibeking… infringement, such as fair dealing.
ëƆƐIJĕōĕīëōĈōëĶŔĕƶżōëĶŕƆǽș¨IJĕÉĕĕŊŕĎōĶŊĕĎǽ Copyright infringement claims over hit result in you being sued for damages
'ĕƆżĶƐĕ ƆƖćƆĕžƖĕŕƐ ĈşŔŔƖŕĶĈëƐĶşŕƆǽ ëŕ they do not always feature such an apparently can’t be shown. An understanding of
şǔĶĈĶëōĈşōōëćşſëƐĶşŕĎĶĎŕşƐƐëŊĕżōëĈĕȂ compelling account of how the material was copyright is therefore essential for
When Call Out My NameĈëŔĕşƖƐĶŕǟǝǞǥǽƐIJĕ accessed by the alleged infringer. At the time of those working in television production.
UK a song she wrote in 2006 entitled Can You Tell żōëĈĕ ĕƶżſĕƆƆĶşŕȚȂ Ɔ żëſƐ şĪ ƐIJĕĶſ ĕưĶĎĕŕĈĕǽ
MeȂ PŕĶƐĶëōōƷǽ ƆIJĕ ƆƖĕĎ mĕƱŔëŕ Ķŕ ĈşŕŇƖŕĈȒ the defendants put forward 14 examples of the
Eurovision tion with his co-writer Jonny Harris alongside phrase “tell me that you need me” in songs by
entrant did ƖĎĶŔĕŕƐëōćëŕĎŔĕŔćĕſƆbĕƆĶ'ſƷĎĕŕǽĶĕſƆ ëſƐĶƆƐƆ ĶŕĈōƖĎĶŕī lĶĈIJëĕō `ëĈŊƆşŕ ëŕĎ ſƖĈĕ
īīĕƐƐ ëŕĎ ŔĶſ PǀëĎŊIJëIJǽ ćƖƐ ćƷ ƐIJĕ ĕŕĎ şĪ Springsteen. Other evidence included a voice
not infringe the trial the allegation concerned only those ŔĕŔşǽ ƱIJĶĈIJ żſşưĶĎĕĎ șƆƐſşŕī ƆƖżżşſƐȚ Īşſ
copyright ĈşŕƐſĶćƖƐĶşŕƆŔëĎĕćƷlſmĕƱŔëŕȂ mĕƱŔëŕȜƆ żşƆĶƐĶşŕ ƐIJëƐ IJĕ șĶŕĎĕżĕŕĎĕŕƐōƷ
The claim concerned only the lyrics and ĈſĕëƐĕĎƐIJĕşǔĕŕĎĶŕīōƷſĶĈƆëŕĎŔĕōşĎƷȚƱIJĶōĕ
The UK’s 2021 Eurovision entrant James melody of the chorus of Can You Tell Meǽ ƱĶƐIJ he was working overnights in a restaurant.
mĕƱŔëŕ ĎĕĪĕëƐĕĎ ĈōëĶŔƆ Ķŕ ƐIJĕ LĶīIJ !şƖſƐ elements such as chord progression not consid- Emphasising the fact that Smith’s song was
in August that he infringed copyright in his ered. While Justice Zacaroli acknowledged ŕĕưĕſ żſşĎƖĈĕĎ ĈşŔŔĕſĈĶëōōƷǽ `ƖƆƐĶĈĕ ØëĈëſȒ
contribution to the chart-topping Rudimental ƆşŔĕ șşćŇĕĈƐĶưĕ ƆĶŔĶōëſĶƐĶĕƆȚǽ ĶƐ ƱëƆ ĪşƖŕĎ şōĶ ƆƐëƐĕĎ ĶƐ ƱëƆ șĶŔżşƆƆĶćōĕ ƐIJëƐ mĕƱŔëŕ
and Ella Eyre’s single Waiting All Night. ƐIJĕſĕƱĕſĕĶŔżşſƐëŕƐĎĶǔĕſĕŕĈĕƆćĕƐƱĕĕŕƐIJĕ ƱşƖōĎ IJëưĕ IJĕëſĎ ĶƐ Ķŕ żëƆƆĶŕīǽ Īşſ ĕƶëŔżōĕ
bĕōōƷȒlëſĶĕŔĶƐIJǽëĈşŕƐĕƆƐëŕƐşŕ¨IJĕÈşĶĈĕ ƆşŕīƆȜĈIJşſƖƆĕƆǽëŕĎƐIJëƐƐIJĕŔëĶŕōƷſĶĈƆǽș¨ĕōō being played in the background on a radio”. The
®bĶŕǟǝǞǠǽżƖſƆƖĕĎƐIJĕëōōĕīëƐĶşŕĶŕſĕƆżĕĈƐşĪ Ŕĕ ƐIJëƐ ƷşƖ ŕĕĕĎ ŔĕǽȚ ĈşŕƆƐĶƐƖƐĕĎ șĈşŔŔşŕȒ claim was dismissed.
ŔëƆIJƖż ćşşŊǽ Oh, The Places You’ll A US appeal court had previously so to survive a motion to dismiss”.
Boldly Go! is set to go before a jury ruled that the book did not come The court did dismiss the other aspects of
after a US federal court judge within the fair use defence to LëſƐŔëŕŕȜƆ ĈōëĶŔǽ ŕşƐĶŕī ƐIJëƐ IJĕ IJëĎ ĪëĶōĕĎ
denied Dr Seuss Enterprises’ ĈşżƷſĶīIJƐ ĶŕĪſĶŕīĕŔĕŕƐǽ ćĕĈëƖƆĕ to show that Amazon had knowledge of any
application for a pre-trial it was not a parody or other- ĶŕĪſĶŕīĕŔĕŕƐȂ Dşſ ĕƶëŔżōĕǽ ƐIJĕ ŇƖĎīĕ ŕşƐĕĎ
summary judgment in wise transformative. The case that it had not been alleged that Amazon had
the case in August. highlights the complex nature ĕưĕſ ćĕĕŕ ƆĕŕƐ ë ĈĕëƆĕȒëŕĎȒĎĕƆĶƆƐ ōĕƐƐĕſǽ ćĕĕŕ
Seuss Enterprises had of the fair use doctrine and ëƆŊĕĎƐşƐëŊĕĎşƱŕƐIJĕǕōŔƆǽşſćĕĕŕŕşƐĶǕĕĎ
asked the court to rule that copyright law in general. that they infringed Hartmann’s copyright.
CarlaVanWagner / Shutterstock.com
US Nicole Scherzinger’s lawyers
deny she has reneged on
Scherzinger
Pussycat Dolls
reunion dispute
mĶĈşōĕĈIJĕſǀĶŕīĕſĶƆćĕĶŕīƆƖĕĎćƷƐIJĕĪşƖŕĎĕſ
şĪƐIJĕƖƆƆƷĈëƐ'şōōƆǽşćĶŕŕƐĶŕǽĪşſćſĕëĈIJşĪ
contract after allegedly refusing to take part in
a reunion of the all-girl group.
ĈĈşſĎĶŕī Ɛş żëżĕſƆ ǕōĕĎ ćƷ ŕƐĶŕ Ķŕ ƐIJĕ
dşƆ ŕīĕōĕƆ ƖżĕſĶşſ !şƖſƐǽ ĈIJĕſǀĶŕīĕſ IJëĎ
initially agreed to take a 49% stake in the
business venture that was to be created for
ƐIJĕ ƐşƖſǽ ćƖƐ ƐIJĕŕ ĎĕŔëŕĎĕĎ ë ōëſīĕſ ƆIJëſĕ
ĶŕëŕĕŔëĶōƆĕŕƐƐşŕƐĶŕĶŕżſĶōǟǝǟǞǽĈĶƐĶŕī
“growth of her personal brand” and the “oppor-
tunities she would have to forego to continue
to engage in the partnership”.
Scherzinger’s lawyers have reportedly
rejected the suggestion that the singer
ƱĕŕƐ ćëĈŊ şŕ ë Ďĕëō Ɛş żĕſĪşſŔǽ ćſëŕĎĶŕī ĶƐ
“ludicrous and false” and saying any such
şćōĶīëƐĶşŕƆșƆĶŔżōƷĎşŕşƐĕƶĶƆƐȚȂ¨IJĕƆƐëŕĎȒşǔ
has prevented the Pussycat Dolls reunion tour
dates from being rescheduled.
US Some of the disruption was reportedly due to ¨IJĕ ƆƐƖĎĶş ĈōëĶŔƆ DĕĎĕſëō ƐşōĎ ĶƐ șǾƐIJëƐ
ōşĈŊĎşƱŕƆ ëŕĎ žƖëſëŕƐĶŕĕ ſĕƆƐſĶĈƐĶşŕƆǽ ƱIJĶōĕ ëſëŔşƖŕƐȜƆōşƆƆĕƆëſĶƆĶŕīĪſşŔƐIJĕżëŕĎĕŔĶĈǽ
Mission other delays were caused by a member of the şſĎĕſƆ şĪ ĈĶưĶō ëƖƐIJşſĶƐĶĕƆǽ ëŕĎ ƐIJĕ ŕĕĕĎ Ɛş
cast or crew testing positive for the virus. mitigate could only be covered under the
Impossible Pŕ ƐIJĕ ōëƱƆƖĶƐǽ ëſëŔşƖŕƐ ĈōëĶŔƆ DĕĎĕſëō şōĶĈƷȜƆ !ĶưĶō ƖƐIJşſĶƐƷ Ĉşưĕſëīĕǽ ëŕĎ ƐIJĕŕ
Covid claim șǾƆƐëƐĕĎƐIJĕſĕƱëƆŕşĕưĶĎĕŕĈĕƐIJëƐƐIJşƆĕĈëƆƐ that all the losses would be subject to a single
and crew members could not continue their ȡǞǽǝǝǝǽǝǝǝōĶŔĶƐşĪōĶëćĶōĶƐƷȂ
ëſëŔşƖŕƐ ĶĈƐƖſĕƆ ĶƆ ƆƖĶŕī ĶƐƆ ĶŕƆƖſĕſǽ ƐIJĕ ĎƖƐĶĕƆǽĎĕƆżĶƐĕćĕĶŕīĶŕĪĕĈƐĕĎƱĶƐIJëſƆȒ!şưȒǟ “Federal also asserted that the various
DĕĎĕſëō PŕƆƖſëŕĈĕ !şŔżëŕƷǽ Īşſ ćſĕëĈIJ şĪ and posing an undeniable risk to other individ- suspensions and relocations constituted a
contract after Federal refused to cover the full uals involved with the production”. ƆĶŕīōĕ ōşƆƆǽ ĎĕƆżĶƐĕ IJëưĶŕī şĈĈƖſſĕĎ Ķŕ ĎĶǔĕſȒ
cost of a series of Covid-related disruptions to ĕŕƐ ōşĈëƐĶşŕƆ ëƐ ĎĶǔĕſĕŕƐ ƐĶŔĕƆǾ DĕĎĕſëō
Mission: Impossible 7ǽƱIJĶĈIJƆƐëſƆ¨şŔ!ſƖĶƆĕȂ also refused to acknowledge that the costs
PARAMOUNT
¨IJĕ ōëƱƆƖĶƐǽ ǕōĕĎ ćƷ ëſëŔşƖŕƐ Ķŕ ƐIJĕ ® to comply with Covid-19 safety protocols are
ĪĕĎĕſëō ĈşƖſƐǽ ëōōĕīĕƆ ƐIJëƐ DĕĎĕſëō şŕōƷ ëīſĕĕĎ
ALLEGES THAT insured under the policy”.
Ɛş żëƷ şƖƐ ȡǢ ŔĶōōĶşŕ Īşſ ƐIJĕ ǕſƆƐ żſşĎƖĈƐĶşŕ FEDERAL ONLY AGREED Federal is yet to formally respond to
żëƖƆĕĶŕÈĕŕĶĈĕĶŕDĕćſƖëſƷǟǝǟǝǽĕưĕŕƐIJşƖīIJ TO PAY OUT $5 MILLION, Paramount’s claim.
ǕōŔĶŕī ƱëƆ ƆƐşżżĕĎ ĪşƖſ ƐĶŔĕƆ Ķŕ PƐëōƷ ëŕĎ EVEN THOUGH FILMING Paramount is seeking a jury trial and unspec-
then a further three times after production STOPPED MANY TIMES ĶǕĕĎĎëŔëīĕƆȂØwwlȒPmƱĶōōĪşōōşƱƐIJĕĈëƆĕëƆ
moved to the UK in 2021. it progresses through the courts.
SLOVAKIA the ECHR found that the Slovakian courts alerted the… publisher to the need to use that
had failed to consider all the necessary criteria material with caution and not to disseminate
ECHR upholds when weighing his privacy rights against the it without masking or blurring”.
privacy claim newspaper’s right to freedom of expression. The fact that the material had been broad-
The ECHR held that the emphasis placed cast on TV several days before the publication
in surrogacy by the Slovakian courts on Hájovský’s decision şĪƐIJĕëſƐĶĈōĕĎĶĎŕşƐëǔĕĈƐƐIJĕ0!LȜƆëƆƆĕƆƆȒ
advert case Ɛş ëĎưĕſƐĶƆĕ Īşſ ë ƆƖſſşīëƐĕ IJëĎ ćĕĕŕ ǖëƱĕĎ ment of the case.
because he had not sought any public exposure The ECHR declined to award Hájovský any
The European Court of Human Rights (ECHR) beyond placing the anonymous advert, and damages, but it did order that he be paid €6,449
upheld a privacy claim in July from a man could not have suspected that by talking to in costs and expenses.
called Miroslav Hájovský, who sued a newspa- the undercover reporter he ran the risk of his Although the UK has now left the EU, Brexit
per for publishing photos of him in a 2005 identity being revealed. has not changed the UK’s relationship with
article about surrogacy. The ECHR also said the Slovakian courts the ECHR. Courts in the UK still need to take
The photos originally came from a Slovakian failed to take into account the way in which account of ECHR decisions. This case provides
TV programme that was broadcast a few days the images of Hájovský had been taken and the a helpful illustration of the way UK courts may
before the article was published. The programme extent to which they contributed to a debate approach a similar scenario.
revealed that Hájovský had advertised – anony- about surrogacy. It accepted that the article It is a useful reminder that where a person’s
mously in a newspaper – for a woman who addressed a matter of public interest but said privacy rights are engaged, content creators
would carry his child for payment and had then the photos could “hardly be said to be capable need to consider carefully whether there is
ćĕĕŕƆĕĈſĕƐōƷǕōŔĕĎćƷëſĕżşſƐĕſƱIJşŔĕƐIJĶŔ of contributing to any debate on such a matter”. ƆƖǔĶĈĶĕŕƐ ŇƖƆƐĶǕĈëƐĶşŕ Īşſ ƖƆĶŕī żëſƐĶĈƖōëſ
after posing as a potential surrogate. It went on to note that the images had been footage and images – not just the public inter-
Hájovský successfully sued the TV station obtained illegally by the TV reporter and broad- est of a story generally. Any material that has
in Slovakia in 2007, but his claim against cast in breach of the law. It said it was clear the ćĕĕŕƆĕĈſĕƐōƷǕōŔĕĎşſĈſĕëƐĕĎƖŕōëƱĪƖōōƷƱĶōō
the newspaper was dismissed, prompting an reporter had used a hidden camera without require particular consideration – even if it has
appeal to the ECHR. Siding with Hájovský, Hájovský’s knowledge and “this should have been broadcast before.
UK
Featureflash Photo Agency /
commissioner
denies
investigating
journalists
Elizabeth Denham, the information commis-
sioner, denied that her inquiry into the leaked
CCTV footage of Matt Hancock and Gina
Coladangelo had anything to do with investi-
gating The Sun or journalists.
The footage of the former health secretary
and his special adviser appears to have origi-
nated from a CCTV camera hidden in a smoke
ĎĕƐĕĈƐşſ Ķŕ IJĶƆ ÉIJĶƐĕIJëōō şǔĶĈĕǽ ƱIJĶĈIJ ƱëƆ
then published by the newspaper on 25 June,
and ultimately led to Hancock’s resignation.
When the footage was published by The Sun,
the newspaper said that it had been revealed
by “whistleblowers” and referred repeat-
edly to a “Whitehall whistleblower”, putting
ƐIJĕ żƖćōĶĈ ĶŕƐĕſĕƆƐ ŇƖƆƐĶǕĈëƐĶşŕ Īşſ ĶƐƆ ƆƐşſƷ
front and centre. independent press and I’m also passionate towards whistleblowers and the press – one
As part of its investigation into the incident, about whistleblowers,” she said. which is likely to echo Denhams’s, should he
in July, the Information Commissioner’s “On the one hand, we have the security secure tenure at the ICO.
wǔĶĈĕ ȎP!wȏ ſëĶĎĕĎ ƐƱş IJşŔĕƆ Ķŕ ƐIJĕ ƆşƖƐIJ stakeholders saying, ‘Get in there and investi- The CCTV services provider for Hancock’s
of England, where it seized computer equip- gate,’ and on the other side, people somehow ÉIJĶƐĕIJëōō şǔĶĈĕ ƆƖćŔĶƐƐĕĎ ë ćſĕëĈIJ ſĕżşſƐǽ
ment. At the time, Victoria Newton, editor of think we’re investigating The Sun or journalists alleging that information had been taken from
The Sun, called the ICO raid of the homes of two and we are not, we’re looking at whether or not its system without consent, said the ICO.
suspected whistleblowers “outrageous”. there was a contravention of the law – the data The regulator has pointed to the applica-
In an appearance on The Andrew Marr Show protection law.” tion of s170 of the Data Protection Act 2018
Newton said the story was clearly in the Recently, Denham has been backed up ƐşƐIJĕĎĶƆĈōşƆƖſĕȂ¨IJĶƆŔëŊĕƆĶƐëŕşǔĕŕĈĕĪşſ
public interest, and as such the information by John Edwards, the government’s current a person knowingly or recklessly to obtain or
commissioner’s actions were unacceptable. favourite to replace her in the autumn as infor- disclose personal data without the consent
She continued: “All this is going to do in future mation commissioner. When facing questions of the controller. There is a “public interest”
is stop whistleblowers coming forward to… the from the Digital, Culture, Media and Sport ĎĕĪĕŕĈĕ Ɛş ƐIJĕ şǔĕŕĈĕ ƱIJĕſĕ ƐIJĕ żĕſƆşŕëō
Sun or the Mail or the Telegraph, who got MPs’ Committee, he stated: “I don’t know how it data is obtained or disclosed with a view to
expenses. Indeed the BBC relies on whistle- got to the press, but I think investigating the the publication by a person of any journalistic,
blowers to bring scandals to our attention.” security of a government facility such as that, academic, artistic or literary material.
Denham responded by saying that the and the way in which it is responsible for data The fact that a defence might be available to
regulator she runs has a “statutory respon- it is entrusted with, is an entirely legitimate prevent criminal liability at trial is unlikely to be
sibility” to investigate reports of a data activity of an information commissioner”. much comfort to whistleblowers or those advis-
breach “administering the laws that parlia- It follows that he sees Denham’s actions as ing them, if the ICO continues to use its investi-
ment has given us. I’m also passionate about falling within the scope of her legal powers, gative and prosecutorial powers in cases where
free journalism, the importance of an an interesting preview into Edwards’ stance information has been disclosed to the media.
s
COMMISSIONING/PRODUCTION LICENSING UNDERLYING RIGHTS – LOCATION
DEVELOPMENT AGREEMENTS
AGREEMENT LICENCES, INCIDENTAL,
DATA PROTECTION
ACCESS AGREEMENTS
PRODUCTION LEGAL SCHEDULE
Access agreements are necessary when In every issue of ZOOM-IN we examine the commercial, legal and regulatory hoops
ǕōŔĶŕī ƱĶƐIJ ĈşŔżëŕĶĕƆ ëŕĎ şſīëŕĶƆëƐĶşŕƆ programme-makers have to jump through to get their programmes safely to air. Our
– for example, when making observational production legal schedule above sets out the five key stages of production which
ĎşĈƖŔĕŕƐëſĶĕƆȂ ÉIJĕƐIJĕſ ĶƐȜƆ ǕōŔĶŕī ƱĶƐIJĶŕ producers need to consider and the advice and expertise they are likely to need at
a hospital, an educational establishment, each stage. In each issue, we focus on one or two particular aspects of production
alongside the emergency services, with a local legal requirements.
ĈşƖŕĈĶōşſƱĶƐIJşſīëŕĶƆëƐĶşŕƆƆƖĈIJëƆƐIJĕ!ǽ
¨ſëĎĶŕīƐëŕĎëſĎƆǽşſLl!ȇşſǕōŔĶŕīƱĶƐIJĶŕ īſëŕƐĕĎĶƆƆƖǔĶĈĶĕŕƐƐşĕŕëćōĕƐIJĕŔƐşżſşĎƖĈĕ RIGHTS ACCESS
a commercial organisation such as a depart- and deliver the programme or series they have Agreements should be explicit about who owns
ment store, airport, or supermarket chain, it is ćĕĕŕ ĈşŔŔĶƆƆĶşŕĕĎ Ɛş ŔëŊĕȂ īşşĎ ëĈĈĕƆƆ ſĶīIJƐƆ Ķŕ ƐIJĕ ĪşşƐëīĕȂ PŕưëſĶëćōƷǽ ĶƐ ƱĶōō ćĕ ƐIJĕ
vital to nail down the terms of the access agree- agreement should anticipate the likely issues production company, but this should be made
ŔĕŕƐćĕĪşſĕǕōŔĶŕīćĕīĶŕƆȂ ƐIJëƐ ƱĶōō ëſĶƆĕ şưĕſ ƐIJĕ ĈşƖſƆĕ şĪ ǕōŔĶŕī ëŕĎ ĈōĕëſȂ ®ŕĎĕſōƷĶŕī ſĶīIJƐƆ ŔëƷ ëōƆş ćĕ ëŕ ĶƆƆƖĕȂ
Any organisation granting access will look żƖƐĶŕżōëĈĕżſşĈĕĎƖſĕƆĪşſĎĕëōĶŕīƱĶƐIJƐIJĕŔȂ Where it is anticipated that the programme
to carefully control the terms of access being Production companies should always seek will include copyright works belonging to the
granted and will seek certain contractual expert advice before starting to negotiate ćşĎƷīſëŕƐĶŕīƐIJĕëĈĈĕƆƆȑĕȂīȂǽëſĈIJĶưĕǽĶŔëīĕƆǽ
ëƆƆƖſëŕĈĕƆȂ Ɛ ƐIJĕ ƆëŔĕ ƐĶŔĕǽ żſşĎƖĈƐĶşŕ access arrangements with companies and logos – it is sensible for the access agreement to
companies need to ensure the access being şſīëŕĶƆëƐĶşŕƆȂşŔĕĶŔżşſƐëŕƐĶƆƆƖĕƆĶŕĈōƖĎĕǼ include a licence for exploitation of such works,
NIGEL ABBAS
FOUNDER
TITLE CLEARANCE REPORT COMPLAINTS HANDLING – LEGAL
ABBAS Media Law are experts in
& OPINION & REGULATORY THREATS
¨ÈćƖƆĶŕĕƆƆëǔëĶſƆëŕĎſĶīIJƐƆĶƆƆƖĕƆǽ
advising clients, both companies and
individuals, on all aspects of business
ëŕĎĈşŔŔĕſĈĶëōëǔëĶſƆǽëŕĎĈIJëĶŕşĪ
title and rights issues, in connection
ƱĶƐIJƐIJĕƐĕōĕưĶƆĶşŕǽǕōŔǽëĎưĕſƐĶƆĶŕī
ERRORS & OMISSIONS INSURANCE
ëŕĎżƖćōĶƆIJĶŕīĶŕĎƖƆƐſĶĕƆȂ
MAUNY WRIGHT
ſëƐIJĕſ ƐIJëŕ ĎşĶŕī ĶƐ ëĪƐĕſ ǕōŔĶŕī IJëƆ ƐëŊĕŕ ëīſĕĕĎ ćĕĪşſĕ ǕōŔĶŕī ćĕīĶŕƆ ëŕĎ ëſĕ ŔëĎĕ HEAD OF BUSINESS AFFAIRS (TV)
żōëĈĕȂ ÉIJĶōĕ ſĕōëƐĶşŕƆ ƱĶƐIJ ƐIJĕ şſīëŕĶƆëƐĶşŕ ëĈşŕƐſëĈƐƖëōƐĕſŔşĪƐIJĕëĈĈĕƆƆëīſĕĕŔĕŕƐȂ
Mauny Wright heads up the company’s
will hopefully continue to be good up to and
¨ÈćƖƆĶŕĕƆƆëǔëĶſƆƐĕëŔȂIJĕIJëƆ
ëĪƐĕſƐſëŕƆŔĶƆƆĶşŕǽĶƐĈëŕŕşƐćĕīƖëſëŕƐĕĕĎȂ PRE-TRANSMISSION VIEWING RIGHTS
worked in a variety of legal and business
¨IJĕƆĕ ëſĕ ưĕſƷ ĶŔżşſƐëŕƐȂ ®ŕĎĕſƆƐëŕĎëćōƷǽ
ëǔëĶſƆſşōĕƆëĈſşƆƆƐIJĕ¨ÈĶŕĎƖƆƐſƷĶŕ
INDIVIDUAL CONSENTS organisations are often wary about how they ƐIJĕǞǦƷĕëſƆƆĶŕĈĕƆIJĕžƖëōĶǕĕĎëƆë
Pŕ ŔşƆƐ ĈëƆĕƆǽ ĈşŔżëŕĶĕƆ ĈëŕŕşƐ ëīſĕĕ Ɛş ƱĶōō ćĕ żşſƐſëƷĕĎ ëŕĎ şǔĕſĶŕī ưĶĕƱĶŕī ſĶīIJƐƆ ƆşōĶĈĶƐşſȂIJĕëĎưĶƆĕƆżſşĎƖĈĕſƆëŕĎ
ƐIJĕ ǕōŔĶŕī şĪ ƆƐëǔ ëŕĎ şƐIJĕſ ĶŕĎĶưĶĎƖëōƆ şŕ at the start can be a useful way of address- commissioners on content creation and
ƐIJĕĶſ ćĕIJëōĪǽ ëƆ ǕōŔĶŕī ëŕ ĶŕĎĶưĶĎƖëō ĕŕīëīĕƆ Ķŕī ĈşŕĈĕſŕƆȂ LşƱĕưĕſǽ ĶƐ ĶƆ ĶŔżşſƐëŕƐ ƐIJëƐ its exploitation across all the creative
żĕſƆşŕëōżſĶưëĈƷſĶīIJƐƆȂĈĈşſĎĶŕīōƷǽşſīëŕĶƆë- programme-makers do not cede editorial industries, particularly in the factual
ƐĶşŕƆëſĕŕşſŔëōōƷĈşŕĈĕſŕĕĎćĕĪşſĕëŕƷǕōŔĶŕī control, which must remain with the broad- ¨ÈżſşīſëŔŔĕīĕŕſĕȂ
begins that programme-makers have in place ĈëƆƐĕſȂ Pŕ şƐIJĕſ ƱşſĎƆǽ ƐIJşƆĕ ćĕĶŕī ǕōŔĕĎ
suitable procedures to obtain informed consent cannot be granted editorial approval, as to do
ĪſşŔĶŕĎĶưĶĎƖëōƆƱIJşëſĕǕōŔĕĎǽëŕĎƐşĕŕƆƖſĕ ƆşƱşƖōĎćĕëƆĕſĶşƖƆćſĕëĈIJşĪwĪĈşŔȜƆſƖōĕƆȂ
We offer clear practical advice
ƐIJëƐ ƐIJşƆĕ ƱIJş Ďş ŕşƐ ƱĶƆIJ Ɛş ćĕ ǕōŔĕĎ ëſĕ Assuming the broadcaster agrees – and produc-
and solutions to all business affairs
ĕƶĈōƖĎĕĎȂ mşſŔëōōƷǽ ƐIJşƆĕ īſëŕƐĶŕī ëĈĈĕƆƆ ëſĕ ers should always check with their commis- and production services-related
reassured when they are informed of Ofcom’s sioning editor – what is normally agreed is matters. Please get in touch for more
rules, and that programme-makers will follow information at: abbasmedialaw.com
ƐIJşƆĕ ſƖōĕƆȂ ƖĈIJ żſşĈĕĎƖſĕƆ ëſĕ ŕşſŔëōōƷ Continued on page 29
N
ĶĈŊ ¨ëƖƆƆĶīȞ ĪşƖŕĎĕĎ żſşĎƖĈĶŕī ŔƖƆĶĈ ưĶĎĕşƆǽ Ɔş P
ëōşŕĶĈƐƖſĕƆƱĶƐIJëƖō ŔƖƆƐIJëưĕīşƐƆşŔĕƐIJĶŕīſĶīIJƐȂ
Èëŕ !ëſƐĕſ Ķŕ ǟǝǞǠ ëŕĎ
IJëƆ żſşĎƖĈĕĎ ǞǦ ĪĕëƐƖſĕ WHAT’S THE BEST THING
ǕōŔƆǽ ĶŕĈōƖĎĶŕī ƐIJĕ D¨ȒŕşŔȒ ABOUT YOUR JOB?
ĶŕëƐĕĎȞ McQueen.Ȟ mĶĈŊ ĎĶſĕĈƐĕĎȞ A PƐȜƆ ĶŕĈſĕëƆĶŕīōƷ ëćşƖƐ
Space in TimeȞ ƱĶƐIJ ĶĈĈëſĎş ĕſưĶŕĶǽ ƱşſŊĶŕī ƱĶƐIJ żĕşżōĕ P ōĶŊĕ
ë żşĶīŕëŕƐ ĎşĈƖŔĕŕƐëſƷ ëćşƖƐ ƐIJĕ ëŕĎ ſĕƆżĕĈƐǽ ĕưĕŕ ƐIJşƖīIJ Ķŕ
ĎĶëīŕşƆĶƆ şĪ mĶĈŊȜƆ ƐƱş ƆşŕƆ ƱĶƐIJ ƷşƖſ żſşĪĕƆƆĶşŕëō ōĶĪĕǽ ƷşƖ
ŔƖƆĈƖōëſ ĎƷƆƐſşżIJƷȂ Ɔ Ʊĕōō ëƆ ŊŕşƱ ƷşƖȜōō IJëưĕ Ɛş Ďĕëō ƱĶƐIJ
ćĕĶŕī ë IJƖƆćëŕĎ ëŕĎ ë ĪëƐIJĕſǽ IJĕ ƆşŔĕ ëſƆĕIJşōĕƆȂ ÉIJĕŕ P ƆƐëſƐĕĎǽ
IJëƆƱſĶƐƐĕŕĪşƖſŕşưĕōƆȂŕĎĶĪƷşƖȜſĕ Nick, Klara and sons Luca, Theo and Oskar I thought there was a certain
ſĶƐĶ ëƐĕōǽ IJĕȜƆ ŔëƷćĕ ŕşƐ ƆşŔĕşŕĕ īōëŔşƖſƐşćĕĶŕīëżſşĎƖĈĕſǽćƖƐ
ƐşƆIJëſĕëōĶĪƐƱĶƐIJȂ ƐIJëƐ ȌŕşƐĶşŕȍ IJëƆ ĈşŔżōĕƐĕōƷ ĕưëżşſëƐĕĎȂ P IJëƐĕ
ĈĕōĕćſĶƐƷ ĈƖōƐƖſĕȂ P ĈëŕȜƐ ĪƖĈŊĶŕī ƆƐëŕĎ ĶƐȂ ëĎōƷǽ
WHAT GETS YOU OUT OF BED? Ʊĕ ōĶưĕ Ķŕ ë ƐĶŔĕ ƱIJĕſĕ īşşĎ ƱşſŊ ĶƆ şĪƐĕŕ
P īĕƐ Ɩż ĕëſōƷ Ɛş ĕƶĕſĈĶƆĕ ëŕĎ ŔĕĎĶƐëƐĕȂ P IJëưĕ ƐƱş ƆƷŕşŕƷŔşƖƆƱĶƐIJȒōĶƆƐƐëōĕŕƐǽćƖƐƐIJĕſĕëſĕŔëŕƷ
ĎĶƆëćōĕĎƆşŕƆƱIJşIJëưĕȞ'ƖĈIJĕŕŕĕŔƖƆĈƖōëſĎƷƆƐſşȒ ƐëōĕŕƐĕĎ żĕşżōĕ ƱIJş ëſĕ ŇƖƆƐ ëƆ īşşĎ ĶĪ ŕşƐ ćĕƐƐĕſ
żIJƷǽȞëŕĎƐIJĕƷŊĕĕżŔƷŔşſŕĶŕīƆżſĕƐƐƷćƖƆƷȂPIJĕōż ƐIJëŕƐIJĕȒōĶƆƐȂ
bōëſëǽŔƷƱĶĪĕǽīĕƐƐIJĕŔſĕëĎƷĪşſƆĈIJşşōȂ
HOW DO YOU DEAL WITH TALENT?
WHAT KEEPS YOU AWAKE AT NIGHT? mĕīşƐĶëƐĶŕī ƐëōĕŕƐ ëīſĕĕŔĕŕƐƆ ëƆ ë żſşĎƖĈĕſ
mşƐ ë ōşƐ ćĕĈëƖƆĕ PȜŔ ŕşſŔëōōƷ ŊŕëĈŊĕſĕĎ ćƷ ƐIJĕ Ĉëŕ ćĕ ĪſƖƆƐſëƐĶŕī ćĕĈëƖƆĕ Ʊĕ ōĶưĕ Ķŕ ë ƱşſōĎ
ĕưĕŕĶŕīȂlëƷćĕëīşşĎćşşŊȂ ƱIJĕſĕ ëĈƐşſƆ ëŕĎ ĪşşƐćëōōĕſƆ ëſĕ żëĶĎ Ɛşş ŔƖĈIJȂ
¨IJĶƆ ŔëƆƆĶưĕȞ ĶŕĕžƖĶƐƷȞ ĶƆ ë żſşćōĕŔȂ 'ĕŔëŕĎƆ
WHAT ARE YOU READING AT THE MOMENT? ëſĕ ƆşŔĕƐĶŔĕƆ ĈſëǀƷ ëŕĎ ƷşƖȜſĕ ŕĕưĕſ ſĕëōōƷ ƆƖſĕ
The Body Keeps the Score: Brain, Mind, and Body in the ƱIJĕƐIJĕſƐIJĕƷȜſĕĈşŔĶŕīĪſşŔƐIJĕƐëōĕŕƐşſƐIJĕëīĕŕƐȂȞ
Healing of TraumaȞ ćƷ ĕƆƆĕō ưëŕ Ďĕſ bşōŊǽ ƱIJĶĈIJ ĶƆ
ĪëƆĈĶŕëƐĶŕīȂōƆşǽȞRadical AcceptanceȞćƷ¨ëſë ſëĈIJȂ WHAT ADVICE WOULD YOU GIVE SOMEONE
STARTING OUT IN TV OR FILM?
HOW MANY HOURS A WEEK DO YOU WORK? 'ş ƆşŔĕƐIJĶŕī ƐIJëƐ ĕƶĈĶƐĕƆ ëŕĎ ĶŕƆżĶſĕƆ ƷşƖǽ ëŕĎ
ÉIJĕŕƷşƖſƖŕƷşƖſşƱŕĈşŔżëŕƷǽëōşƐşĪƐIJĕƐIJĶŕīƆ ƷşƖȜſĕżſşćëćōƷīşĶŕīƐşŔëŊĕëīşşĎŇşćşĪĶƐȂ
ƷşƖĎşëŕĎſĕëĎĪşſżōĕëƆƖſĕƐĕŕĎƐşŔĕſīĕĶŕƐşƱşſŊǽ
ćƖƐPƐIJĶŕŊPżſşćëćōƷƱşſŊëćşƖƐǢǝIJşƖſƆëƱĕĕŊȂ WHICH FILM ARE YOU MOST PROUD OF?
ChurchillȞ ƱĶƐIJ ſĶëŕ !şƶȂ Éĕ ƱëŕƐĕĎ Ɛş ŔĕëŕĶŕīȒ
WHO GAVE YOU YOUR CAREER BREAK? “THERE ĪƖōōƷĎĶīĶŕƐşIJĶƆĎĕżſĕƆƆĶşŕǽƐşƆIJşƱëŕĶŔżşſƐëŕƐ
mĶĈŊ ƖſīĕƆƆȒ`şŕĕƆȂ P īşƐ ȥǢǝ ë ƱĕĕŊ ëŕĎ ƐIJĕ ǕſƆƐ ARE MANY IJĶƆƐşſĶĈëō ǕīƖſĕ Ķŕ ë ŕĕƱ ōĶīIJƐ ëŕĎ ƱĶƐIJşƖƐȞ ĈōĶĈIJĖȂ
șŇşćȚIJĕīëưĕŔĕƱëƆƐşĪĕƐĈIJIJĶŔëƐşŔëƐşǽŔşǀǀëȒ Éĕ īşƐ ĶƐ şƖƐ ƆĶƶ ŔşŕƐIJƆ ćĕĪşſĕ ƐIJĕ EëſƷ wōĎŔëŕ
ſĕōōëǽćëƆĶōëŕĎżĕƆƐşżëŕĶŕĶĪſşŔëưĕſƷƆżĕĈĶǕĈĎĕōĶ
TALENTED ǕōŔǽȞDarkest HourǽȞćƖƐşƖſƆĎĶĎŕȜƐſĕĈĕĶưĕƐIJĕƆëŔĕ
ƐIJëƐĎĶĎŕȜƐĕƶĶƆƐȂPƐƱëƆëƐĕƆƐƐşƆĕĕƱIJĕƐIJĕſPƱşƖōĎ PEOPLE WHO ĈſĶƐĶĈëō ëĈĈōëĶŔȂ ş ŔƖĈIJ Ķŕ şƖſ ĶŕĎƖƆƐſƷ ĶƆ ëćşƖƐ
ƆëƷƐIJĕĎĕōĶĎĶĎŕȜƐĕƶĶƆƐëŕĎƐşƆĕĕƱIJëƐPĈëŔĕćëĈŊ ARE JUST AS catching the wind at the right time.
ƱĶƐIJȂPŇƖƆƐćşƖīIJƐƐIJĕƆëŕĎƱĶĈIJĶŕëĎĕōĶƐIJëƐĎĶĎ
GOOD IF NOT
ĕƶĶƆƐ ëŕĎ ƐşōĎ IJĶŔ ƐIJëƐȂ Lĕ ƱëƆ žƖĶƐĕ ĕĈĈĕŕƐſĶĈ
BETTER THAN
BIGGEST TV-RELATED LEGAL PICKLE YOU’VE
ëŕĎ ŕĕưĕſ īëưĕ ëƱëƷ ƱIJĕƐIJĕſ PȜĎ żëƆƆĕĎ ȌƐIJĕ ƐĕƆƐȍ GOT YOURSELF INTO?
şſ ŕşƐ ćƖƐ P ƱëƆ ƐIJĕſĕ Īşſ ĪşƖſ şſ Ǖưĕ ƷĕëſƆ THE A-LIST” ÉĕŔëĎĕëǕōŔëćşƖƐëĈşŔŔĕſĈĶëōćſëŕĎćƖƐƐIJĕ
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24 zoom-in
zoom-in || Autumn
Summer2021
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owners of it acted against us. Their main objec- żIJĶōşƆşżIJĕſ `şIJŕ EſëƷȂ LĕȜƆ ſĕëōōƷ ĎĶǔĶĈƖōƐ ëŕĎ
ƐĶşŕ ƆĕĕŔĕĎ Ɛş ćĕ ƐIJëƐ ƐIJĕƷ IJëĎŕȜƐ ŔëĎĕ ƐIJĕ ǕōŔ cantankerous but fucking interesting.
ƐIJĕŔƆĕōưĕƆȂ¨IJĕƷƱëŕƐĕĎĕĎĶƐşſĶëōĈşŕƐſşōƱIJĶĈIJǽşĪ
ĈşƖſƆĕǽƱĕĈşƖōĎŕĕưĕſīĶưĕȂ WHICH MOMENT OF YOUR LIFE WOULD
YOU MOST LIKE TO RELIVE?
FAVOURITE TV SHOWS? ¨IJĕćĶſƐIJşĪŔƷƐIJĶſĎƆşŕǽdƖĈëȂÉĕżëſƐōƷIJëĎdƖĈë
PĎşŕȜƐƱëƐĈIJŔƖĈIJ¨ÈȂÉIJĕŕƷşƖȜſĕŔëŊĶŕīĶƐǽƷşƖ ƆşƱĕĈşƖōĎƐëŊĕIJĶƆƆƐĕŔĈĕōōƆëƐćĶſƐIJƐşƐſĕëƐ¨IJĕş
ĎşŕȜƐſĕëōōƷƱëŕƐƐşȌƱëƐĈIJĶƐȍȂwŕĕƆIJşƱƱĕĎşĕŕŇşƷ ëŕĎ wƆŊëſ Ķŕ ƐIJĕ ĪƖƐƖſĕȂ ¨IJĕſĕ ƱëƆ ëŕ ĶŕĈſĕĎĶćōĕ
ĶƆȞBen Fogle: New Lives in the Wild. In those moments ŔşŔĕŕƐ ƱIJĕſĕ Ʊĕ Ʊĕſĕ ëōō ƆĶƐƐĶŕī şŕ ƐIJĕ IJşƆżĶƐëō
ƱIJĕŕ ćƖƆĶŕĕƆƆ ĶƆ ſĕëōōƷ ƐşƖīIJǽ P ƐIJĶŕŊ ĶƐ ƱşƖōĎ ćĕ ćĕĎƐşīĕƐIJĕſȂPȜĎōĶŊĕƐşſĕōĶưĕƐIJëƐȂ
žƖĶƐĕŕĶĈĕƐşĪƖĈŊşǔƐşōĶưĕĶŕƐIJĕwƖƐĕſLĕćſĶĎĕƆȂ
IF YOU COULD CHANGE ONE THING ABOUT
NO GUILTY TV PLEASURE? YOURSELF, WHAT WOULD IT BE?
PĎĶĎĈëƐĈIJȞClarkson’s FarmȂ¨şŔƷëŔëǀĕŔĕŕƐǽPĪşƖŕĎ ¨şƱşſſƷōĕƆƆȂPĈëŕƱşſſƷëćşƖƐëŕƷƐIJĶŕīȂ
ŔƷƆĕōĪƱëſŔĶŕīƐş`ĕſĕŔƷ!ōëſŊƆşŕȂLĶƆëƐƐĕŔżƐƆƐş
ſƖŕëĪëſŔëſĕžƖĶƐĕĕŕĎĕëſĶŕīȂLĕŔëŊĕƆſĕĪĕſĕŕĈĕƆ LAST THREE WEBSITES YOU VISITED?
ƐşƐIJĕĪëĈƐƐIJëƐIJĕȜƆŔëĎĕëōĶưĶŕīćëƆĶĈëōōƷĪƖĈŊĶŕī ¨IJĕEƖëſĎĶëŕǽƐIJĕ !ëŕĎLëſſĶƆşŕȜƆDƖŕĎȂ
ëſşƖŕĎĶŕĈëſƆëŕĎŕşƐſĕëōōƷĈşŕƐſĶćƖƐĶŕīëŕƷƐIJĶŕī
ƐşƐIJĕƱĶĎĕſīşşĎǽćƖƐëƐōĕëƆƐIJĕƆĕĕŔƆƐşŊŕşƱĶƐȂ WHEN WAS THE LAST TIME YOU CRIED?
dĶƆƐĕŕĶŕīƐşƐIJĕ !şƖŕĎƆưĕſƆĶşŕşĪȞThe Boy, the
FAVOURITE PLACE TO HAVE FUN? Mole, the Fox and the Horse ćƷ !IJëſōĶĕ lëĈŊĕƆƷȂ PƐȜƆ
ÉĕīşĈëŔżĶŕīëōşƐȂÉĕōĶŊĕſĶưĕſƆëŕĎƐIJĕƆĕëëŕĎ ƐIJĕëŕƐĶĎşƐĕƐşƐIJĕƆƐĶǔƖżżĕſōĶżȂ
ƱĶōōŇƖŔżĶŕƱëƐĕſëƐëŕƷşżżşſƐƖŕĶƐƷȂ
DESCRIBE YOURSELF IN FIVE WORDS:
FIRST RECORD YOU EVER BOUGHT? ĶīȒIJĕëſƐĕĎƱşſſĶĕſǽĎĕưşƐĕĎĎëĎȂ
The Boomtown RatsćƷȞ¨IJĕ şşŔƐşƱŕëƐƆȂ LëſſĶƆşŕƆțƆDƖŕĎǔīIJƐƆ'ƖĈIJĕŕŕĕ
muscular dystrophy by funding the IF YOU COULD RETIRE TOMORROW, WHAT
MOST USED EXPRESSION? world’s best researchers. Learn more WOULD YOU DO?
ț¨IJëƐȜƆćşŕŊĕſƆȂȜPƆşƖŕĎōĶŊĕëćëĎBeano character. ëƐȝIJëſſĶƆşŕƆĪƖŕĎȁĈşŔȁdĶşŕĕƆƆǼȝ lëƷćĕ ƆşŔĕƐIJĶŕī Ķŕ ĈōĶŔëƐĕ ĈIJëŕīĕǽ ćƖƐ ĶƐȜƆ ƆƖĈIJ
a biographical portrait of Nicola ëŔëƆƆĶưĕżſşćōĕŔǽĶƐȜƆIJëſĎƐşŊŕşƱƱIJëƐƷşƖĈëŕ
DREAM DINNER PARTY GUESTS? ĎëŔƆw 0ȝƱĶōōćĕſĕōĕëƆĕĎƐIJĶƆ ŔĕëŕĶŕīĪƖōōƷëĈIJĶĕưĕȂ0ưĕŕƐIJşƖīIJƐƱşşĪŔƷćşƷƆ
LëſşōĎ ĶŕƐĕſǽ ƐĕưĶĕ ÉşŕĎĕſ ëŕĎ ƐIJĕ żşōĶƐĶĈëō ëƖƐƖŔŕćƷȝŔëǀşŕſĶŔĕÈĶĎĕşȁ IJëưĕëōĶĪĕȒōĶŔĶƐĶŕīĈşŕĎĶƐĶşŕǽƐIJĶŕŊĶŕīëćşƖƐƱIJëƐ
ƐIJĕƱşſōĎĶƆīşĶŕīƐşćĕōĶŊĕĶŕǡǝƷĕëſƆȜƐĶŔĕĪşſŔƷ
ƐIJĶſĎƆşŕǽdƖĈëǽƆĈëſĕƆƐIJĕƆIJĶƐşƖƐşĪŔĕȂ
Salon Pictures
zoom-in
zoom-in || Summer
Autumn 2021 25
FEATURES ZOOM-OUT
colourful explosions of fabric, worn by the wŕ ƆĕĕĶŕī ƆƐĶōōƆ ĪſşŔ ƐIJĕ ƆĕƐǽ ëƐſĶǀĶëȞ EƖĈĈĶǽ
likes of Beyoncé and Rihanna. Remem- second cousin of the late Maurizio Gucci,
ber the pink dress worn by Jodie Comer told Associated Press that the photos of Leto
Jodie Comer as
as Villanelle in bĶōōĶŕī 0ưĕ ȍſĶīIJƐȎ? That was żōëƷĶŕī ëşōşȞ EƖĈĈĶ ƱĶƐIJ ë ćëōĎ IJĕëĎ ëŕĎ Villanelle in Killing
Goddard’s. “I try and make clothes that are dressed in a lilac suit were “horrible, horrible. Eve, wearing a Molly
Goddard confection
easy, but feel special. Dressed up without PƆƐĶōōĪĕĕōşǔĕŕĎĕĎȂȚ
being trussed up,” she says. She’s collectible, Of Pacino’s portrayal of Aldo
too. The V&A has acquired her ‘Daria’ dress, Gucci, she said, “My grand- The classic trench is
a version of which was worn by British model father was a very handsome never out of style
Edie Campbell to the 2019 Met Ball. man… very tall, blue eyes and
ŔşōōƷīşĎĎëſĎȁĈşŔ very elegant. He is being played
by Al Pacino, who is not very
BEAUTY tall already, and this photo
Shutterstock.com
Our favourite current makeup trend has to be shows him as fat, short, with
the kitten eye ȍĈĕŕƐſĕſĶīIJƐȎ – a subtler version sideburns, really ugly.” Ouch.
of the classic cat eye. To create it, take your LşƖƆĕ şĪ EƖĈĈĶ ĶƆ ſĕōĕëƆĕĎ şŕ
eyeliner and, starting from the centre of the ǞǢmşưĕŔćĕſ
FASHION
Some shoes are made for wearing around the
IJşƖƆĕǽ ƆşŔĕ Īşſ ƐIJĕ şǔĶĈĕȂ ¨IJĕƆĕ ëſĕ ŔëĎĕ
Lady Gaga
for big nights out. Designed in London and
in House handcrafted in Florence, D’Accori’s Belle
MGM
of Gucci
Sandal platforms ȍōĕĪƐȎ in Chameleon Green
(actually a metallic bronze) are made from
textured calfskin and come with an adjustable
The sky-high D’Accori
Belle sandal supportive slingback that ensures a secure and
ĈşŔĪşſƐëćōĕ ǕƐȂ ſĶƐĶƆIJ ÈşīƖĕ’s fashion news
director, Olivia Singer, can’t wait to get hold of
a pair. “After a year spent in no shoes at all,
I now only want to wear the highest heels I
(c) James Cochrane
ĈëŕǕŕĎǽȚƆIJĕƆëƷƆȂșdƖĈŊƷƐIJĕŕƐIJëƐ'ȜĈĈşſĶȜƆ
towering platforms have emerged post-
ōşĈŊĎşƱŕƐşĪƖōǕōŔƷƆƖżĕſȒīōëŔĎĕƆĶſĕƆȂȚ
Keep it cool with a kitten eye
ȤǣǥǡĎëĈĈşſĶȁĈşŔ
HERMÈS
La Maison Hermès still reigns
supreme for the deluxe
of the luxe scarves. Silk or
cashmere? The dilemma will
be whether to wear them or
hang them on your wall.
The 70 scarf starts at
£265 hermes.com
JEMIMA SARA
“Don’t Fight Them, Teach
Them!” isn’t just a silk scarf,
it’s a feminist manifesto. It
requires a certain amount of
confidence to wear this scarf.
We say, bring it on.
£120 jemimasara.co.uk
MARIMEKKO
ART OF SCARF
The Josina silk scarf from
Finnish design company
Marimekko features the Vuolu
pattern, inspired by stripy
A square of silk is one of the most artistic and versatile animal markings. A fresh
twist on a classic print.
fashion accessories you can own, says Paul Hunwick £115 marimekko.com
GRAYSON PERRY
Grayson Perry created this silk
scarf for the Tate shop. He says:
“In WW2, pilots were given
maps printed on silk to help
them escape if they were shot
down… This scarf is a social and
cultural map to help aspiring
artists navigate hostile territory
on their way to being accepted.”
£95 shop.tate.org.uk
ĈëƆĕƆǽƆƖĈIJĈşŕĈĕſŕƆĈëŕćĕëōōëƷĕĎćƷĕƶżōëĶŕ-
Ponsulak / Shutterstock
Continued from page 23
ĶŕīƐşƐIJĕŔĈëſĕĪƖōōƷƱIJƷƱIJëƐĶƆżſşżşƆĕĎĶƆ
ƐIJĕ żſşīſëŔŔĕȒŔëŊĕſƆ ƱĶōō ëſſëŕīĕ Īşſ ë ōĕīĶƐĶŔëƐĕǽćƖƐƐIJĶƆſĕžƖĶſĕƆëƐIJşſşƖīIJƖŕĎĕſ-
ưĶĕƱĶŕī şĪ ë Ǖŕĕ ĈƖƐ şĪ ƐIJĕ żſşīſëŔŔĕȎƆȏǽ ëƐ ƆƐëŕĎĶŕīşĪƐIJĕſĕōĕưëŕƐōëƱƆȂ
ë ƐĶŔĕ ƱIJĕŕ ĈIJëŕīĕƆ Ĉëŕ ƆƐĶōō ćĕ ŔëĎĕǽ ëŕĎ ÉIJĕſĕ ĶƐ ĶƆ ĶŔżşſƐëŕƐ ƐIJëƐ ƐIJĕ ǕōŔ ĈſĕƱȜƆ
ƱĶōō ëīſĕĕ Ɛş ĈşſſĕĈƐ ëŕƷ ĪëĈƐƖëō ĶŕëĈĈƖſëĈĶĕƆȂ ĈşŕĎƖĈƐ ĎşĕƆ ŕşƐ ĶŕƐĕſĪĕſĕ ƱĶƐIJ ƐIJĕ ƱşſŊ şĪ
wĈĈëƆĶşŕëōōƷǽćƖƐĕƶĈĕżƐĶşŕëōōƷǽżſşĎƖĈĕſƆĈëŕ ƐIJşƆĕƐIJĕƷëſĕĪşōōşƱĶŕīȑƱIJĕŕǕōŔĶŕīƱĶƐIJĶŕ
ëīſĕĕƐşſĕŔşưĕşƐIJĕſƐƷżĕƆşĪŔëƐĕſĶëōĕȂīȂǽĶĪ IJşƆżĶƐëōƆëŕĎƱĶƐIJƐIJĕĕŔĕſīĕŕĈƷƆĕſưĶĈĕƆǽĪşſ
ǕōŔĶŕī ƱĶƐIJ ƐIJĕ żşōĶĈĕ ëƖƐIJşſĶƐĶĕƆǽ ŔëƐĕſĶëō ĕƶëŔżōĕȑĶƐĶƆƖƆĕĪƖōƐşIJëưĕëƱſĶƐƐĕŕżſşƐşĈşō
ƐIJĕƷ ſĕëƆşŕëćōƷ ĎĕĕŔ ƱşƖōĎ ĈşŔżſşŔĶƆĕ Ķŕ żōëĈĕ ƆĕƐƐĶŕī şƖƐ ĈōĕëſōƷ IJşƱ ƐIJĕ ĈſĕƱ ƱĶōō
ƖŕĎĕſĈşưĕſ şżĕſëƐĶşŕƆǽ şſ żĕſIJëżƆ ĶŕƐĕſĪĕſĕ ƱşſŊëŕĎĶŕƐĕſëĈƐƱĶƐIJƐIJşƆĕƐIJĕƷëſĕëĈĈşŔ-
ƱĶƐIJëĈƐĶưĕōĕīëōżſşĈĕĕĎĶŕīƆȂ żëŕƷĶŕīȂ¨IJĶƆĈëŕćĕëżżſşưĕĎĶŕëĎưëŕĈĕëŕĎ
wĈĈëƆĶşŕëōōƷşſīëŕĶƆëƐĶşŕƆǽĕȂīȂǽƐIJĕżşōĶĈĕşſ WITH HOSPITALS, ĶŕĈşſżşſëƐĕĎĶŕƐşƐIJĕëĈĈĕƆƆëīſĕĕŔĕŕƐȂ
şƐIJĕſëƖƐIJşſĶƐĶĕƆǽŔëƷƐſƷƐşƆĕĕŊŔşſĕĕƶƐĕŕ- KEY CONCERNS ¨IJĕ ćſşëĎĈëƆƐĕſ ŔëƷ ëōƆş ſĕžƖĶſĕ ëŕ ĕƶĈōƖ-
ƆĶưĕëĈĈĕƆƆƐşſƖƆIJĕƆëŕĎşƐIJĕſŔëƐĕſĶëōǕōŔĕĎ ARE PATIENT CONSENT, ƆĶưĶƐƷ żſşưĶƆĶşŕ Ɛş ĕŕƆƖſĕ ƐIJëƐ ƐIJĕ ĈşŔżëŕƷ
ćƷ ƐIJĕ żſşĎƖĈƐĶşŕ ĈşŔżëŕƷȂ ¨IJĶƆ ƆIJşƖōĎ ćĕ PRIVACY AND SAFETY şſşſīëŕĶƆëƐĶşŕƐşćĕĪĕëƐƖſĕĎƱşŕȜƐƐëŊĕżëſƐ
ſĕƆĶƆƐĕĎëŕĎĶŕĎĕĕĎĶƐĶƆōĶŊĕōƷƐIJëƐćſşëĎĈëƆƐ- ĶŕëƆĶŔĶōëſżſşīſëŔŔĕżſĶşſƐşƐſëŕƆŔĶƆƆĶşŕ
ĕſƆ ƱĶōō ĶŕƆĶƆƐ Ɩżşŕ ĶƐȂ ¨IJĕſĕ ëſĕ ĕƆƐëćōĶƆIJĕĎ ëŕĎ Īşſ ë ſĕëƆşŕëćōĕ żĕſĶşĎ ëĪƐĕſƱëſĎƆȂ Dşſ
ƱëƷƆ ƐIJëƐ şſīëŕĶƆëƐĶşŕƆ ōĶŊĕ ƐIJĕ żşōĶĈĕ ëŕĎ accuracy – both in relation to the conduct of ĈşŔŔĕſĈĶëō şſīëŕĶƆëƐĶşŕƆ Ķŕ żëſƐĶĈƖōëſǽ ƐIJĶƆ
żſşƆĕĈƖƐşſƆ Ĉëŕ ëĈĈĕƆƆ ĪşşƐëīĕ ćƷ ƐIJĕ ŔĕĎĶëǽ şǔĶĈĕſƆ ëŕĎ ƆƖƆżĕĈƐƆ ȑ ëŕĎǽ ëƆ ŕşƐĕĎ ëćşưĕǽ ĈëŕćĕƆĕĕŕëƆşưĕſōƷſĕƆƐſĶĈƐĶưĕǽćƖƐćƷŕĕīşƐĶ-
ĕȂīȂǽćƷƖƆĶŕīōĕīĶƆōëƐĶşŕƆƖĈIJëƆ!0ǽşſşƐIJĕſ ëŕƷƐIJĶŕī Ķŕ ƐIJĕ ǕōŔĶŕī ƱIJĶĈIJ ĈşƖōĎ ĈşŔżſş- ëƐĶŕī ĈĕſƐëĶŕ ĈëſưĕȒşƖƐƆ ĪſşŔ ƐIJĕ ĕƶĈōƖƆĶưĶƐƷ
ōëƱƆ ƐIJëƐ ĕŕëćōĕ żſşƆĕĈƖƐşſƆ Ɛş ĶƆƆƖĕ ƱĶƐŕĕƆƆ ŔĶƆĕ şŕīşĶŕī ĶŕưĕƆƐĶīëƐĶşŕƆ şſ ĶŕƐĕſĪĕſĕ ƱĶƐIJ ſĕžƖĶſĕŔĕŕƐǽ Īşſ ĕƶëŔżōĕ Īşſ ŔëſŊĕƐĶŕī şſ
ƆƖŔŔşŕƆ Ɛş żſşĎƖĈĕ ĕưĶĎĕŕĈĕȂ ÉIJĕſĕ ƐIJĶƆ ĶƆ ëĈƐĶưĕōĕīëōżſşĈĕĕĎĶŕīƆȂīëĶŕǽƆƖĈIJĈşŕĈĕſŕƆ żſşŔşƐĶşŕëōëĈƐĶưĶƐĶĕƆǽĶƐĶƆżşƆƆĶćōĕƐşëĈIJĶĕưĕë
ëŕĶƆƆƖĕǽżſşĎƖĈĕſƆƆIJşƖōĎƆĕĕŊōĕīëōëĎưĶĈĕȂ ĈëŕćĕëĎĎſĕƆƆĕĎĶŕƐIJĕëĈĈĕƆƆëīſĕĕŔĕŕƐȂ ĈşŕƐſëĈƐƖëōşćōĶīëƐĶşŕĕưĕſƷşŕĕĶƆIJëżżƷƱĶƐIJȂ
DĶōŔĶŕīƱĶƐIJşſīëŕĶƆëƐĶşŕƆǽƆƖĈIJëƆƐIJĕżşōĶĈĕ PŕſĕĈĕŕƐƷĕëſƆǽĎëƐëżſşƐĕĈƐĶşŕĶƆƆƖĕƆIJëưĕ ¨IJĕƆĕ ëſĕ ŇƖƆƐ ë ĪĕƱ şĪ ƐIJĕ ĶƆƆƖĕƆ ƐIJëƐ
şſIJşƆżĶƐëōƆşĪƐĕŕſĕžƖĶſĕƆƆżĕĈĶǕĈƐĕſŔƆƐşćĕ ƐĕŕĎĕĎƐşëſĶƆĕƱIJĕŕŕĕīşƐĶëƐĶŕīëĈĈĕƆƆȂwſīëŕ- żſşīſëŔŔĕȒŔëŊĕſƆ ŕĕĕĎ Ɛş ĈşŕƆĶĎĕſ ƱIJĕŕ
ĶŕĈōƖĎĕĎĶŕƐIJĕëĈĈĕƆƆëīſĕĕŔĕŕƐȂDşſĕƶëŔżōĕǽ ĶƆëƐĶşŕƆīſëŕƐĶŕīëĈĈĕƆƆëſĕşĪƐĕŕƱşſſĶĕĎƐIJëƐ ëīſĕĕĶŕī ëĈĈĕƆƆȂ ććëƆ lĕĎĶë dëƱ IJëƆ ŔëŕƷ
ƱĶƐIJ IJşƆżĶƐëōƆǽ ŊĕƷ ĈşŕĈĕſŕƆ ëſĕ ŕşſŔëōōƷ ƐIJĕƷ ŔëƷ ćĕ ćſĕëĈIJĶŕī ĎëƐë żſşƐĕĈƐĶşŕ ōëƱƆ ƷĕëſƆȜ ĕƶżĕſĶĕŕĈĕ Ķŕ ĎſëĪƐĶŕī ëŕĎ ëĎưĶƆĶŕī şŕ
żëƐĶĕŕƐĈşŕƆĕŕƐƆǽżſĶưëĈƷëŕĎƆëĪĕƐƷŔëƐƐĕſƆȂ ćƷ ëōōşƱĶŕī ƐIJĕ ŔĕĎĶë ëĈĈĕƆƆ Ɛş ĶŕĪşſŔëƐĶşŕ ƆƖĈIJ ëīſĕĕŔĕŕƐƆ Ķŕ ë ƱĶĎĕ ſëŕīĕ şĪ ĈşŕƐĕƶƐƆȂ
ÉIJĕŕ ǕōŔĶŕī ƱĶƐIJ żşōĶĈĕ ĪşſĈĕƆǽ ŊĕƷ ƱIJĶĈIJ ƐIJĕƷ IJëưĕ īëƐIJĕſĕĎ ëŕĎ żşƆƆĕƆƆǽ şŕĕ Dşſ ĪƖſƐIJĕſ ĶŕĪşſŔëƐĶşŕ şſ ëĎưĶĈĕ ĈşŕƐëĈƐ
ĈşŕĈĕſŕƆƐĕŕĎƐşćĕëćşƖƐƆëĪĕƐƷǽĪëĶſŕĕƆƆëŕĎ ƆƖĈIJ ĕƶëŔżōĕ ćĕĶŕī !!¨È ĪşşƐëīĕȂ Pŕ ŔşƆƐ ĶŕĪşɉëććëƆŔĕĎĶëōëƱȂĈşŔȂ
MY ‘9 TO 5’… SCREEN
…with Beyond Dispute’s director
and solicitor Olivia van der Werff
6.30am: The day learnt to swim, which means
BREAK
starts early; I reach a lunch break bite and paddle in Feeling in need of a little light relief?
for my phone to the sea is a welcome breather. We’ve got it covered...
check the forecast. 3pm: On to the afternoon,
Since navigating watching the run-throughs of new
a mid-pandemic quiz shows, getting to grips with
move from Hertfordshire to the formats, making suggestions to
seaside Shoreham, I am more avoid any nasty surprises further
Cubankite / Shutterstock.com
conscious of the elements. down the line. TRUE OR FALSE QUIZ
8am: Eat that frog or some less 6.30pm: When I’m not wondering
clichéd expression would be fitting
as I check with clients about the
how to source ever-more-scarce
plasterboard or track down a new
1 The Savoy Hotel received a cease-
and-desist notice in 2015 for listing
the Posh Spice on their cocktail menu:
latest plans for their game shows builder for my home renovations, a drink made with deliberately cheap
and help fix any urgent compliance I am planning my vegetable ingredients that Victoria Beckham felt
“seriously denigrated” her brand.
issues before everyone’s day patch. I can now openly say, I love
begins. I like to get in early on
productions to ensure the solutions
growing veg. It’s not as rock ’n’
roll a pastime as I’d like, but it’s
2 Goodfellas star Ray Liotta filed a lawsuit against
skincare company Nerium International in 2014,
after pictures of his face were used in adverts for
are baked into the final formats still fraught with risk. There’s an their products.
and all that comes with health and abundant squirrel population in
safety, adjudication and fairness Shoreham that likes to nibble the 3 In 2010, Lindsay Lohan took action against an
American company she claimed was using her likeness
in their TV ads: a talking baby called Lindsay, described as
doesn’t hoover up the joy. Shows produce, so you never know what a “milkaholic”. The case settled.
can be produced in ways that are you’re going to get to cook.
safe behind camera but never 10.30pm: I genuinely enjoy what 4 The Cheeky Girls were granted a co-writing credit
on Ed Sheeran’s Shape Of You after a judge recently
ruled its melody bears “significant sonic similarity” to the
boring on screen. I do, but if I were to completely
Girls’ 2004 single Cheeky Flamenco.
10am: If I’m not heading to the change direction, my dream
studio to consult for brilliant series role would be running a foodie
5 Pharrell Williams sought an injunction against
Landmarkmedia / Shutterstock.com
toymakers Hasbro over a proposed 2020 edition of
like The Chase, I crack on at home establishment with sea views and Guess Who? that featured a male
working with clients from solo simple fresh dishes made from character in a comically oversized
hat called Farrell.
PDs with a camera to large indies zero-kilometre ingredients. But
with expansive crews. Covid has
been quite the rollercoaster, no
would a tooth-marked courgette
make it onto the menu? Surely it
6 A man from Portland,
Oregon tried to sue Michael
Jordan in 2006 for looking
screaming to go faster as it was wouldn’t comply with health and too much like him, claiming the
quite the ride 24/7. The rules and safety standards? I drift off to constant attention was making
his day-to-day life unbearable.
guidelines were changing almost a good eight hours’ shut-eye, He eventually withdrew the claim.
hourly at one stage, every plan turning these important life
rolling into another. Figuring out questions over in my mind. 7 Celine Dion holds the world record for Most Parking
Tickets Issued In A Single Day, racking up 34 individual
fines when her whole entourage parked outside Caesars
the Bake-Off-in-a-bubble plan
Palace for the first night of her Vegas residency.
with Love Productions was one
memorable breakthrough.
8 Nicolas Cage successfully sued Kathleen Turner after
she claimed in print that Cage had once stolen a dog.
Kathy Hutchins / Shutterstock.com
LĕōōşĪſĶĕŕĎƆ
TELEVISION
COPYRIGHT
DEFAMATION PRETTY
CHECKMATE VACANT
JOHN LYDON
NETFLIX
LOSES BATTLE
SUED OVER
OVER DANNY
QUEEN’S GAMBIT
BOYLE TV SERIES
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THE WAGS INSIDE
ALL THE LATEST
FROM THE VARDY GET YOUR
GLAMOUR BACK
V ROONEY LIBEL
ACTION WHERE TO GO
PAGE 14 AND WHAT TO
WEAR
PAGE 26
NEWS, PAGE 10
NEWS PAGE 19
COVID CRISIS
ON AN IMPOSSIBLE MISSION TO FIGHT THE INSURERS?