Professional Documents
Culture Documents
The fourth and final volume in a comprehensive series on Eduardo Chillida (1924-2002), this
imposing instalment follows the method of its predecessors, which collectively analyse the artist's
output from the beginnings of his career as an artist in 1948. This final book covers the Spanish
Basque architect-turned-sculptor's body of work from 1991 until his death in 2002. Besides an
introduction by Ignacio Chillida and Alberto Cobo and an essay by Christa Lichtenstern ("Chillida
and the Cosmic Opening-Up of Sculpture"), it contains an addendum including works that were
not registered at the time of publication of the relevant volumes and incorporates all previous
addenda.
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MUdec United, the new publication of the MUDEC - Museo delle Culture di Milano, is a book-zine
dedicated to interdisciplinary research on world cultures. The first issue addresses the themes
explored with the exhibition Rainbow - Colors and wonders between myths, arts and science, a
project composed of different stories related to the rainbow as a natural, cultural, spiritual and
human phenomenon. Each issue of MUdec United addresses a different theme, linked to the
Museum's exhibitions.
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Yasuhide Kuge's 'Reinventing the Wheel' begins with an image, taken with a large-format camera
about 20 years ago, of numerous music cassette tapes. Music represents an inevitable and
timeless medium for creative ideas and images for those who love and listen to it. The book
contains landscape and aerial photographs of sun-baked salt fields in the Brittany region of
France, in addition to tightly framed detail shots of various sculptures. With this collection of
images, Yasuhide provides an opportunity to reconsider the concept of time and its unique
relation to photography, fixating on two themes which are closely related to the medium:
contingency and redundancy.
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The publishing project E IL TOPO reconstructs the evolution and achievements of the artists'
magazine of the same title, produced from 1992 to 1996, and then from 2012 to the present. It is
composed of a boxed set containing two volumes, as well as eight artists' posters. The first
volume is the anastatic reprint of all 33 issues of the magazine, in the original size. The second
volume reconstructs the conceptual matrix that has given rise to this unique example of
independent and collaborative publishing, with essays by Anna Cuomo, Francoise Lonardoni, and
Giorgio Verzotti. The magazine E IL TOPO was founded by Gabriele Di Matteo and Franco
Silvestro together with Armando della Vittoria, Piero Gatto and vedova Mazzei, in Naples in 1992,
but its editorial team has always been international, transgenerational and anti-hierarchical. Over
the years, the group has been composed of about 20 individuals, in a fluid configuration that has
brought together different artists and authors, in many cases for work on specific projects and
exchanges: Stefano Arienti, Massimo Bartolini, Vanessa Beecroft, Maurizio Cattelan, Mark Dion,
Jimmie Durham, Dominique Gonzalez-Foerster, John Lurie, Eva Marisaldi, Miltos Manetas,
Amedeo Martegani, Cesare Viel, Luca Vitone, among others. The unusual editorial strategy
resides, for the most part, in the intrinsic power of discontinuity of meaning, but also of play, irony
and detournement. E IL TOPO is still an international "movement" today, transmitting a libertarian
attitude whose modus operandi tolerates no preset roles, but is always open to multidisciplinary
and multi-authorial contributions.
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Using subtle humour, Leen Voet incorporates elements from visual and literary sources into
paintings, installations, and drawings which she systematically brings together in series. From a
voyeuristic view of life, painting, and artistry, Voet reflects on stereotypes, the local, the autonomy
of the individual, and origins and provenance. Her style balances on the border of the pictorial
and is characterised by vibrant hues, fields of colour, and geometric shapes. 'For all the Cats in
the World' presents an overview of the rich oeuvre she has produced in recent years. With an
essay by Martin Germann and a conversation between the artist and curator Eva Wittocx.
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Aiming at a long-overdue reappraisal of Dore O.'s avant-garde film practice, this publication
honors the work and legacy of Dore O., one of Germany's most pioneering experimental
filmmakers. In the 1960s, the painter Dore O. became one of the first and few women in Germany
to turn to experimental film in such a consistent and self-determined way. She was actively
involved in exploring new forms of cinema while developing her own "signature, her own tone, her
own film method" (Harun Farocki). Figures of Absence exposes the formal rigor and
inventiveness as well as the cultural connotations and historical ramifications of a cinematic vision
that has been relegated to the purely personal, diaristic, and even nonintellectual realms. With
previously unpublished archival material and rare interviews, extensive image material, as well as
new contributions from the leading scholars and experts on women's experimental cinema,
including Albert Alcoz, Ute Aurand, Robin Blaetz, Christine Noll Brinckmann, Stephen Broomer,
Vera Dika, Mike Hoolboom, Sarah Keller, Anthony Moore, Lucy Reynolds, and Maureen Turim,
among others.
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The four-handed drawing practiced by Hippolyte Hentgen has gradually mutated into a practice of
the image in the broadest sense: by collages, heterogeneous documentary borrowings ... Imagier
brings together thirteen years of production by the two artists, from 2009 to 2022. In the
introduction, Claire Gilman explores the anti-hierarchical way in which Hippolyte Hentgen makes
images. A long-term interview with Tony Come then allows us to revisit their practice of collecting
and quoting, and by implication, the historical conditions of the production of drawing. Finally, a
contribution by Jad Fair brings this generous monograph to a poetic close.
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The Voice of the Valley (2016-2022) is a book by Erlea Maneros Zabala, who was born in the
Spanish Basque Country and has been living in California for the last two decades. Conceived
along with her exhibition at the Museum of Contemporary Art of Basque Country Artium Museoa,
in Vitoria-Gasteiz in 2022, the book goes off the trail from a conventional exhibition catalogue.
Voices and images dissociate, overlap and interweave, generating an atmosphere rather than
offering a survey. An atmosphere, as in a visual, mental, and sonic landscape. The American
writer Dodie Bellamy, with whom Erlea Maneros Zabala has been in close conversation during
the making of this book contributed to the book with an interview with the artist and a hybrid text
written for the occasion, in which Bellamy responds to themes and images in The Voice of the
Valley. The writing of Bellamy echoes the slow, persistent way of working of Erlea Maneros
Zabala, which is based on an economy of means that takes the everyday, hers and that of her
work environment, into account, without shying from the starker realities of our existences.
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For several years, Haegue Yang has been studying the ambivalent relationship between spirit
and matter and investigating mystical practices, from European paganism to Asian shamanism. In
recent years, his interest has turned to different paper-cutting traditions, particularly the sacred
dimension of hanji, a traditional Korean paper made by hand from mulberry pulp, from which the
Mesmerizing Mesh series is inspired. After their meeting in Paris, during the opening of the
exhibition at the Chantal Crousel Gallery in 2022, Haegue Yang and Nicolas Bureau had the
conversation that accompanies the works reproduced in this book. Together they talked about
shamanism, travel, artists' and anthropologists' status, and transcending the boundaries between
fields of knowledge.
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Kamel Mennour and Jacques Grange have known each other for twenty years and both share a
natural inclination to transcend borders and conventions. For the TEFAF New York fair (May 12-
16, 2023), they recreate the atmosphere of a fantasized Parisian salon with a selection of works
that all speak, in their own way, of modernity. Works by Baya, Daniel Buren, Jean Degottex,
Alberto Giacometti, Francois-Xavier Lalanne, Lee Ufan, Francois Morellet, Louise Nevelson.
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