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14 mf smoothly
qqqq qqq qqqq qqq
S. 0 4 4 . 5 6 | 5 1 1 1 . | 4 . 5 5 2 | 2 3 . . |
qqqw3334 | qqqw34 | qqw34 | |
A. 0 1 1 1 1 | 1 1 1 1 . | 2 . 2 2 2 | j 1 . . |
qqqw34 | qqqw34 | qqw34 | |
T. 0 6 6 6 6 | 5 5 5 5 . | 6 . 5 5 5 | 5 5 . . |
qqqw34 | qqqw34 | qqw34 | |
B. 0 4 4 4 4 | 3 3 3 3 . | 2 1 j j j | 1 1 . . |
234 234 2334 234
Can-ta - te Do-mi-no, can- ti-cum no-vum.
y f
18 qqqq qqqq qqqq qqqq qqq
S. 0 3 3 3 j | 2 1 1 1 . | 2 2 2 1 0 0 | 0 4 3 2 1 | 5 . . . | 0 0 0 0 |
qqqw3rqq | qqqw34 | qqqq qqqq | 234 | | |
A1. 0 G G . h G | j h h h . | J J J 1 0 0 | 0 h g h | 2 . . . | 0 0 0 0 |
qqqw3eer | qqqw34 | qqqq qqqq | | qqq | |
A2. 0 G G . h G | j h h h . | J J J 1 0 0 | 0 h g h | 1 . j j . | 0 0 0 0 |
qqqw3334 | qqqw34 | qqqq qqqq | qqq | 2333334 | |
T. 0 3 3 3 3 | 3 3 3 3 . | 4 4 4 4 0 0 | 0 1 1 4 3 | 2 . . . | 0 0 0 0 |
qqqw3rqq | qqqw34 | qqqq qqqq | 234 | | |
B. 0 d d . F G | h h h h . | J J J h 0 0 | 0 s d f | g . . . | 0 0 0 0 |
23334 234
Can-ta - te Do-mi-no. Al-le-lu-ia, al-le- lu- ia!______
24 f rhythmically, as at first
qqqq qqqq qqq qqqq qqqq qqq qqqq qqqq qqq
S. 1 1 1 1 1 g 0 | 2 2 2 2 2 h 0 | 3 3 3 3 3 1 | 4 3 2 . 0 |
qqqq qqqw34 qqq | qqqq qqqw34 qqq | qqqq qqqw34 | qqq |
A. g g g g g g 0 | h h h h h h 0 | j j j j j 1 |1 1 1 j 0 |
qqqq qqqw34 qqq | qqqq qqqw34 qqq | qqqq qqqw34 | qqq 23rqq |
T. 3 3 3 3 3 3 0 | 4 4 4 4 4 4 0 | 5 5 5 5 5 6 |6 5 6 5 . 0 |
qqqq qqqw34 qqq | qqqq qqqw34 qqq | qqqq qqqw34 | wer qqq |
B. 1 1 1 1 1 1 0 | 1 1 1 1 1 1 0 | 1 1 1 1 1 h |s d f g . 0 |
234 234 234 234
Be-ne-di-ca- mus, be-ne-di-ca- mus, be-ne-di-ca- mus Do-mi- no.
36 qqq qqq
S. 1 . h h 1 | j . g g . | 0 h 1h | 0 j 2 j ‘ |
qqq | qqq | | |
A. h . d d h | g . s s . | 0 f h f | 0 g j g ‘ |
qqq | qqq | | |
T. 3 . 1 1 3 | 2 . j j . | 0 1 5 1 | 0 2 5 2 ‘ |
qqq | qqq | | |
B. h . h h h | h . h h . | 0 h h h | 0 h h h ‘ |
Re- so-net in lau- di-bus. Gau-de-te! Gau-de-te!
44 mp broadly
S. 3 . . 1 | 2 . j . | 2 . . 5 | 3 . . . |
| | | |
A. h . . h | j . g . | j . . j | j . h . |
| | | 23334 |
T. 1 . . 3 | 2 . 2 . | 5 . . 2 | 1 . . . |
| | | |
B. f . . f | g . g . | d . . d | h . . . |
Re - so-net in lau - di- bus.___
60 mf smoothly
qqqq qqq qqqq qqq
S. 0 4 4 . 5 6 | 5 1 1 1 . | 4 . 5 5 2 | 2 3 . . |
qqqw3334 | qqqw34 | qqw34 | |
A. 0 1 1 1 1 | 1 1 1 1 . | 2 . 2 2 2 | j 1 . . |
qqqw34 | qqqw34 | qqw34 | |
T. 0 6 6 6 6 | 5 5 5 5 . | 6 . 5 5 5 | 5 5 . . |
qqqw34 | qqqw34 | qqw34 | |
B. 0 4 4 4 4 | 3 3 3 3 . | 2 1 j j j | 1 1 . . |
234 234 2334 234
Can-ta - te Do-mi-no, can- ti-cum no-vum.
y f
64 qqqq qqqq qqqq qqqq qqq
S. 0 3 3 3 j | 2 1 1 1 . | 2 2 2 1 0 0 | 0 4 3 2 1 | 5 . . . | 0 0 0 0 |
qqqw3rqq | qqqw34 | qqqq qqqq | 234 | | |
A1. 0 G G . h G | j h h h . | J J J 1 0 0 | 0 h g h | 2 . . . | 0 0 0 0 |
qqqw3eer | qqqw34 | qqqq qqqq | | qqq | |
A2. 0 G G . h G | j h h h . | J J J 1 0 0 | 0 h g h | 1 . j j . | 0 0 0 0 |
qqqw3334 | qqqw34 | qqqq qqqq | qqq | 2333334 | |
T. 0 3 3 3 3 | 3 3 3 3 . | 4 4 4 4 0 0 | 0 1 1 4 3 | 2 . . . | 0 0 0 0 |
qqqw3rqq | qqqw34 | qqqq qqqq | 234 | | |
B. 0 d d . F G | h h h h . | J J J h 0 0 | 0 s d f | g . . . | 0 0 0 0 |
23334 234
Can-ta - te Do-mi-no. Al-le-lu-ia, al-le- lu- ia!______
e
75 qqq qqq ff
D. 0 & . 5 | q . 0 % . & | q . 0 0 ||
Do- mi- no, Do- mi- no!
e
75 qqq qqq ff
S. 0 & . 5 | q . 0 % . & | q . 0 0 ||
| qqq qqq | ||
A1. 0 2 . 2 | 5 . 0 1 . 4 | 5 . 0 0 ||
| qqq qqq | ||
A2. 0 2 . 2 | 3 . 0 1 . 4 | 3 . 0 0 ||
| qqq qqq | ||
T. 0 5 . & | 5 . 0 % . & | 5 . 0 0 ||
| qqq qqq | ||
B. 0 g . g | 1 . 0 @ . 2 | 1 . 0 0 ||
Do- mi- no, Do- mi- no!
Program Notes
Majestic and exuberant, this quintessential concert/contest selection opens and closes with an accented Latin text
theme. In the contrasting middle, a chant-like "Resonet in laudibus" softens and slows before returning to the rhythmic
feel. As expected from experienced writer, Victor Johnson, each voicing is sensitive to appropriate ranges and tessitura
for developing voices. An optional trumpet fanfare is included in the octavo.